Tag: Craig Brewer

Song Sung Blue Box Office Prediction

In my previous box office prediction for Marty Supreme (opening wide on Christmas), I wrote that it is likely to play better on the coasts than everywhere in the middle. The opposite could be true for Song Sung Blue which also opens on the holiday. The musical drama from Craig Brewer stars Hugh Jackman and Kate Hudson in the true life tale of Neil Diamond tribute act Lightning & Thunder. Ella Anderson, King Princess, Michael Imperioli, Mustafa Shakir, Fisher Stevens, and Jim Belushi are among the supporting players.

Reviews are mixed with 77% on Rotten Tomatoes and 55 on Metacritic. That said, plenty of the write-ups indicate this could be a crowdpleaser. Blue seeks to bring in an older audience during the Yuletide season. That’s likely to happen, but it may play over several weeks and not immediately while word-of-mouth builds.

I’ll project it manages just shy of $10 million over the traditional Friday-Sunday portion of the weekend with low teens when counting Christmas.

Song Sung Blue opening weekend prediction: $9.6 million (Friday to Sunday); $13.7 million (Thursday to Sunday)

For my Anaconda prediction, click here:

Anaconda Box Office Prediction

For my Marty Supreme prediction, click here:

Marty Supreme Box Office Prediction

Oscar Predictions: Song Sung Blue

Focus Features may focus part of their awards campaigning on Song Sung Blue as it readies a Christmas Day release. The musical drama comes from Hustle & Flow and Dolemite Is My Name director Craig Brewer and tells the true story of a down-on-their-luck couple who form a Neil Diamond tribute band. Hugh Jackman and Kate Hudson play the crooners with a supporting cast including Ella Anderson, King Princess, Michael Imperioli, Mustafa Shakir, Fisher Stevens, and Jim Belushi.

Blue played at the AFI Fest earlier this week and word-of-mouth indicates this could be a crowdpleaser with holiday box office potential. There aren’t a large volume of reviews out yet with 80% on Rotten Tomatoes and perhaps a more telling 57 on Metacritic. Best Picture is likely not in the cards.

The best and probably only chance at a nomination is Kate Hudson for lead Actress. Even some of the negative ink is singing her praises. If she makes the cut, it would come 25 years after her first and only nod in supporting for Almost Famous.

I believe it’s pretty safe to assume Jessie Buckley (Hamnet), Renate Reinsve (Sentimental Value), and Cynthia Erivo (Wicked: For Good) have secured placement in the quintet. That leaves two slots for a handful or so of contenders and Hudson could have an enticing narrative for voters in a showy role. My feeling right now is she just misses, but my thoughts could shift based on precursors. Frontrunner Buckley, by the way, is contending in another Focus distributed project and they could train their sights on securing her the victory.

The film seems poised to be a factor at the Golden Globes in the Musical/Comedy categories including Picture and Jackman, and Hudson in their lead derbies. Oscar could be a tougher sell and my Oscar Prediction posts will continue…

Oscar Watch: Coming 2 America

The long awaited sequel Coming 2 America begins streaming on Amazon Prime tomorrow as Eddie Murphy and Arsenio Hall return as their characters (plural) made famous in the 1988 classic. This was originally scheduled for the summer of 2020 before the COVID-19 pandemic changed its theatrical rollout plan and its release date.

Its review embargo lifted today and the results are mixed with a current 52% score on Rotten Tomatoes. Don’t get me wrong – no one was thinking America would vie for Best Picture or additional top line races in 2022. That’s unlike 2019’s collaboration between Murphy and Coming director Craig Brewer. That film received far better critical reaction and some chatter of a Best Actor nod for its star that never came to fruition.

There are, however, categories down the line where this could contend. The obvious one is Makeup and Hairstyling. Part 1 was nominated and lost to Beetlejuice. The original also picked up a nod for Costume Design where Dangerous Liaisons emerged with the gold. Both of those races are most certainly in play for part 2 as well as Production Design (which could be a stretch). If it manages recognition for its costumes, Ruth Carter (who won in 2018 for Black Panther) would be back in the mix.

Bottom line: audiences have waited over 30 years for the return of Eddie and Arsenio as royalty, barbers, preachers, and an atrocious R&B crooner. It could also return in the same races come Oscar time next year. My Oscar Watch posts will continue…

2019: The Year of Eddie Murphy and Adam Sandler

One of the welcome cinematic storylines of 2019 involves two beloved Saturday Night Live vets who accomplished some of their finest film work, have garnered Oscar attention, and both returned to the show that made them after many years away.

I’m referring to Eddie Murphy and Adam Sandler and they both get spots in my Year of 2019 posts. Murphy had been absent from the silver screen since 2016’s drama Mr. Church. Over the past several years, he was known more for his family comedies then the raunchy comedian that sold out stadiums in the 1980s. 2019 saw a return to form with Netflix’s Dolemite Is My Name, his critically hailed recounting of Rudy Ray Moore’s contributions to movies. The pic has given Murphy his best reviews since 2006’s Dreamgirls and gotten him back into the Oscar conversation. We also witnessed the legendary performer host SNL for the first time in 35 years. 2020 will showcase Murphy returning to stand-up (something he hasn’t done since the late 1980s) and reprising his Prince Akeem character and others in Coming 2 America, which again teams him with Netflix and Dolemite director Craig Brewer.

Mr. Sandler also hit the 30 Rock building to headline SNL. He hadn’t been back in that role since being fired from the show in the mid 90s and embarking on his own wildly successful film career. The SNL gig saw him perform a humorous and touching tribute to cast mate Chris Farley. His partnership with Netflix includes this year’s Murder Mystery with Jennifer Aniston. There’s already a sequel planned for it. And the critical kudos came with crime thriller Uncut Gems, which opens wide on Christmas. That pic, from directors Ben and Josh Safdie, has Sandler picking up awards precursors and, like Murphy, in the mix for Academy attention. He’ll return to his preferred streaming service next year with Hubie Halloween.

For SNL, 2019 will be remembered as a time when two of their most famous alumni returned. For Murphy and Sandler, it’s a time when they gave us some of the most memorable onscreen work.

2019: The Year of Netflix

Today kicks off my posts on the performers who will be remembered for having a strong 2019 and making an impact on the silver screen. However, as I have in previous years, my first writeup goes to a studio. And while Disney could be named every year nowadays (and they certainly had a terrific year), we turn to Netflix in 2019.

It’s hard to believe now, but it was a few short years ago that their big budget TV series House of Cards was considered a risk. Could this streaming service provide truly quality original content? Times have changed, ladies and gents.

Netflix has become an undeniable hub for high profile directors and actors. 2019 saw the studio give us successful comedies such as Murder Mystery with Adam Sandler and Jennifer Aniston and the acclaimed rom com Always Be My Maybe. 

Action directors like Michael Bay turned to the service with 6 Underground starring Ryan Reynolds. We have filmmakers like Steven Soderbergh making Netflix a home with both High Flying Bird and The Laundromat. Millions of eyeballs were tuned to the Breaking Bad continuation El Camino. 

Most notably, 2019 seems destined to be the year when Oscar voters won’t be able to ignore it. The conversation about Netflix being able to garner multiple Academy nods is about to become a moot one. 2017 and 2018 saw voters nibble around the edges. Two years ago, Mudbound managed a Supporting Actress nod for Mary J. Blige and Adapted Screenplay. 2018’s Roma received a number of nominations and Alfonso Cuaron won for Best Director. It was considered a frontrunner for Picture, but lost to Green Book. Some blamed it on bias against the biggest streamer.

This year, we have two films that could win the largest prize of all – Martin Scorsese’s The Irishman and Noah Baumbach’s Marriage Story. Other contenders for a nomination include The Two Popes and Dolemite Is My Name, which returned to Eddie Murphy to form. Between those four pictures, you could see as many as a dozen acting nominations.

There’s little doubt that 2019 gave us a shifting in the tide of Netflix’s credibility. And that’s likely to stay. My Year Of posts will continue soon with some of the actors who had a lot to celebrate…

Dolemite Is My Name Movie Review

There are plentiful amounts of F bombs thrown out in Dolemite Is My Name. They are the kind that you associated with Eddie Murphy years ago. The F no longer stands for the family fare he starred in that bombed at the box office. Think Pluto Nash. Or Meet Dave. Or Imagine That. No, this belongs in a small sub genre of pictures where some of the players here have had involvement before. Dolemite tells the true story of a man breaking into the movie business with wide eyed spirit and contagious tenacity. The quality of the material produced is secondary.

Murphy is Rudy Ray Moore, who’s working at a record shop in L.A. when we begin. He has dreams of stardom, but the general consensus is that his time has passed. Rudy just won’t let that happen as he develops a comic persona that is one part rhyming (he ended up being a huge influence in the hip hop community), one part glorious 70s outfits of the era, and all parts raunchy as hell.

He achieves success in the underground comedy world where his records sell, but a screening of the Billy Wilder pic The Front Page gives him another idea. Rudy doesn’t see humorous material on the screen for the black audience and he’s going to be the one to give it to them. Obtaining financing (even at the height of the blaxploitation genre) is next to impossible so he’s creative in his methods.

Surrounding Rudy is a colorful (especially the clothes) and eclectic group of collaborators who aren’t entirely sure what they’ve gotten themselves into. They include actor D’Urville Martin (Wesley Snipes, having a ball). He never fails to remind others that he had a big part in Rosemary’s Baby and only joins the picture when he’s allowed to direct. Keegan-Michael Key is the screenwriter who thinks he’s making the kind of serious drama he writes for the stage. When kung fu and set shattering sex scenes take precedence, that notion is dispelled. Da’Vine Joy Randolph is a scene stealer as Lady Reed, Rudy’s stand-up partner plucked out of a Southern bar.

Screenwriters Larry Karaszewski and Scott Alexander have travelled this road before with Tim Burton’s Ed Wood. Murphy gave one of his finest performances 20 years ago in Bowfinger, where his costar Steve Martin was a director with unbridled and naive enthusiasm. The Disaster Artist with James Franco mined similar territory. So while Dolemite does feel familiar in its beats, it has its own brand of passion for its unlikely star.

We have the headliner to thank for it. This is Live From Netflix and is indeed Eddie Murphy’s show. The performer seems more inspired than he has in some time. It might help if you’re a Dolemite devotee (Murphy and many of the cast members are). Yet this is an entertaining watch either way as we watch a legend in his element.

***1/2 (out of four)

Oscar Watch: Dolemite Is My Name

Ahead of its October 25 Netflix release, Dolemite Is My Name introduced itself to critics this weekend at the Toronto Film Festival. Seen as a comeback role for Eddie Murphy, early reviews suggest it’s just that. Murphy plays Rudy Ray Moore, who was instrumental to ushering in the blaxploitation genre of the 1970s with his title character. Craig Brewer, best known for helming Hustle & Flow, directs with a supporting cast including Wesley Snipes, Keegan-Michael Key, Mike Epps, Craig Robinson, Da’Vine Joy Randolph, Snoop Dogg, and T.I.

In 2006, Eddie was seen as the front runner in Supporting Actor for Dreamgirls. He was upset by Alan Arkin’s work in Little Miss Sunshine. This has been eyed as his first chance at Academy attention since. The issue could be significant competition in a Best Actor derby that appears stacked already.

Scott Alexander and Larry Karaszewski wrote the original screenplay and they’ve specialized in highlighting colorful entertainment figures in Ed Wood, The People vs. Larry Flynt, and Man on the Moon. Once again, they could face trouble nabbing nods as that writing race is jam packed.

So while Dolemite should succeed in garnering the kind of praise its star hasn’t seen for some time, awards chatter might be elusive. There could be one noteworthy exception. Ruth Carter’s costume design has been noted in numerous write ups. Just last year, she became the first African-American to win that category for Black Panther. She could find herself in the mix again. My Oscar Watch posts will continue…

The 2019 Oscar Season Cometh

As the summer season winds down, the movie industry and this blog’s attention will soon turn to the Oscar race. And if you think it’s too early to do that, consider that less than a month from now – an avalanche of Academy hopefuls will be unveiled at film festivals. Toronto, Venice, Telluride, and the New York festivals are on deck. The programmers behind those events have already released the names of many of the pictures premiering. Here are some of the pictures wishing for Oscar glory that are hitting the circuit:

A Beautiful Day in the Neighborhood

Tom Hanks is iconic children’s host Mr. Rogers in director Marielle Heller’s follow-up to last year’s Can You Ever Forgive Me?, which nabbed nods for Melissa McCarthy and Richard E. Grant. Premiering at Toronto.

Ad Astra

James Gray has made multiple critical darlings, but has yet to pop up on the awards circuit radar screen. Could this sci fi drama with Brad Pitt and Tommy Lee Jones change that? Premiering at Venice.

An Officer and a Spy

It will need serious acclaim to overcome the baggage that comes from its maker Roman Polanski, but this historical thriller will attempt to do so in Venice.

Dolemite Is My Name

Prior to its anticipated Netflix launch, Craig Brewer’s biopic of comedian Rudy Ray Moore portrayed by legendary comic Eddie Murphy will bow at Toronto.

Ema

Pablo Larrain has had his pics No and Jackie attract awards nods and this Chilean drama hopes to follow suit. Premiering at Venice.

Ford v Ferrari

Matt Damon and Christian Bale star in James Mangold’s 1960s set tale of the flashy automotive industry. Premiering at Toronto.

Harriet

Cynthia Erica was a breakout in last year’s Widows. This year she has an Academy baity role as abolitionist Harriet Tubman in this historical epic from Kasi Lemmons. Premiering at Toronto.

Jojo Rabbit

This concoction from Taika Waititi is set during WWII with a dark comedic premise finding a young child with an imaginary friend who happens to be Hitler. The filmmaker himself plays Hitler. Scarlett Johansson and Sam Rockwell are among the cast.

Joker

Heath Ledger won a posthumous gold statue as the comic book villain in The Dark Knight. Joaquin Phoenix will attempt the same here. Premiering at Venice.

Judy

It’s been awhile since Renee Zellweger had a role receiving awards buzz. This biopic of Judy Garland could alter that. Premiering at Toronto.

Just Mercy

This drama about a falsely accused prisoner features Michael B. Jordan, Jamie Foxx, and Brie Larson. Premiering at Toronto.

Knives Out

Rian Johnson’s murder mystery has a sprawling cast of hopefuls including Daniel Craig, Chris Evans, Jamie Lee Curtis, Toni Collette, and Michael Shannon. Premiering at Toronto.

Marriage Story

Noah Baumbach is a favorite of the critical community. This drama is headlined by Scarlett Johansson and Adam Driver and hits Venice and other fests before its Netflix premiere.

The Goldfinch

Brooklyn director John Crowley adapts this drama based on a well-known 2013 novel. The cast includes Nicole Kidman and Oakes Fegley. Premiering at Toronto.

The Irishman

Rightly kicking off the New York Festival, Martin Scorsese directs this gangster saga starring Robert De Niro, Al Pacino, and Joe Pesci.

The Laundromat

Oscar winner Steven Soderbergh directs this dramatic thriller with Meryl Streep, Gary Oldman, and Antonio Banderas. Premiering at Venice.

The Personal History of David Copperfield

Lion nominee Dev Patel is the Charles Dickens character with a supporting cast including Tilda Swinton and Hugh Laurie. Premiering at Toronto.

The Two Popes

Jonathan Pryce is Pope Francis and Anthony Hopkins is Pope Benedict in this Netflix effort from director Fernando Meirelles. Premiering at Toronto.

Followers of this blog know that I’ll do Oscar Watch posts on each of these and many others as they screen in the coming weeks. Stay tuned!