As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.
What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?
For the 96th Academy Awards, we know Christopher Nolan’s Oppenheimer would have been one of them. It dominated the show by winning Best Picture, Director, Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr.), Cinematography, Film Editing, and Original Score.
Picking the other 4 of 9 for the final five is less obvious. And I really mean it this time because, with one exception, selecting the others was tough. Here’s my best speculation.
American Fiction
Cord Jefferson’s dramedy performed better than anticipated with five nominations including a win in Adapted Screenplay over heavy hitters Barbie, Oppenheimer, Poor Things, and The Zone of Interest. Other nods were Jeffrey Wright in Actor, Sterling K. Brown for supporting, and Original Score.
Does It Make the Final Five?
Yes, but I went back and forth on this one and came very close to saying no. Gods and Monsters from 1998 is the last Adapted Screenplay winner to not be nominated for BP so that’s what gives this a slight edge.
Anatomy of a Fall
The French legal drama was inexplicably not selected for International Feature Film, but nabbed a quintet of nods that included Director (Justine Triet), Actress (Sandra Hüller), Film Editing, and a victory in Original Screenplay (over The Holdovers and Past Lives).
Does It Make the Final Five?
No, but I went back and forth on this one and came very close to saying yes. Like with Fiction, there’s a screenplay component at play. Eternal Sunshine of the Spotless Mind from 2004 was the previous Original Screenplay winner to not be nominated for BP. In this case, the case for some other pics was just a tad stronger.
Barbie
Greta Gerwig’s smash hit had six other nods in Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, 2 Original Songs, and Production Design. The sole victory was for Billie Eilish’s ballad “What Was I Made For?”.
Does It Make the Final Five?
I went back and forth on this one… you get the idea. I’m going with no with its glaring omission for Gerwig’s direction and Margot Robbie’s snub to a lesser degree. That said, it is certainly feasible that AMPAS could’ve made room had this been a quintet.
The Holdovers
Alexander Payne’s dramedy was a winner in Supporting Actress for Da’Vine Joy Randolph with Paul Giamatti nominated in Actor and nods for Film Editing and Original Screenplay.
Does It Make the Final Five?
No. If Giamatti had taken lead actor or the screenplay been victorious, this would be a tougher choice. I think it’d be on the outside looking in.
Killers of the Flower Moon
Martin Scorsese’s historial epic had ten overall nominations behind Oppenheimer and Poor Things – directing, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. It went 0 for 10 on the night.
Does It Make the Final Five?
Yes, but I don’t think it’s automatic. No nods for the adapted screenplay or Leonardo DiCaprio in Actor make me questions its inclusion. So do the zero trophies. Yet Scorsese’s clout causes me to grant it a spot.
Maestro
Bradley Cooper’s biopic of Leonard Bernstein is a seven-time nominee for Actor (Cooper), Actress (Carey Mulligan), Original Screenplay, Cinematography, Makeup and Hairstyling, and Sound. It did not pick up any of the hardware.
Does It Make the Final Five?
No, but it did perform quite well as far as nods. Cooper’s exclusion from Best Director was my deciding factor.
Past Lives
Celine Song’s romance was the least nominated of the BP contestants with Original Screenplay as its only other nom.
Does It Make the Final Five?
No and this was the easiest of the five to decide considering the amount of nominations.
Poor Things
The multi-genre experience from Yorgos Lanthimos was second only to Oppenheimer in terms of mentions with 11 including wins for Emma Stone in Actress, Costume Design, Makeup and Hairstyling, and Production Design. Other nods: director, Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Film Editing, and Original Score.
Does It Make the Final Five?
Yes and this was the easiest of the nine to leave in due to its volume of noms and victories.
The Zone of Interest
The wartime drama from Jonathan Glazer, with Anatomy of a Fall out of competition, easily took International Feature Film while also grabbing a Sound win and noms for direction and Adapted Screenplay.
Does It Make the Final Five?
I don’t think it is automatic, but yes. I nudged it just past Fall considering the IFF gold.
And that means my final 2023 five would be:
American Fiction
Killers of the Flower Moon
Oppenheimer
Poor Things
The Zone of Interest
I plan to post my selection for 2024 in the near future!
The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.
In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.
All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.
First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.
Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.
Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.
Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.
Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fifth performer in Best Actor and that’s Jeffrey Wright in American Fiction. Let’s get to it!
Previous Oscar Acting Nominations:
None
The Case for Jeffrey Wright:
The veteran thespian and Tony and Emmy winner for Angels in America finally gets into the Academy’s mix with Cord Jefferson’s dramedy. The Globes, SAG, and Critics Choice all included him. The film itself easily matched expectations with 5 nods (including for Wright’s costar Sterling K. Brown) and it could get honored somewhere.
The Case Against Jeffrey Wright:
That somewhere is likely to be in Adapted Screenplay and not Best Actor where Cillian Murphy (Oppenheimer) is favored with Paul Giamatti (The Holdovers) as runner-up. BAFTA didn’t bite and he won none of the precursors.
The Verdict:
You’d be wrong to bet on Wright.
My Case Of posts will continue with Da’Vine Joy Randolph in The Holdovers…
How reliable is the Director Guild top prize when it comes to correlating with the Oscar winner? In the previous 75 ceremonies, the DGA victor has matched the Academy’s 67 times. The most recent example of a diversion is 2o19 when Sam Mendes (1917) took DGA while Bong Joon-ho was your Oscar recipient.
Despite that fairly fresh example, the thinking going into last night’s show was that Christopher Nolan could effectively sow up his Oscar if he got the DGA. He did. The fifth time was the charm for the Oppenheimer maker as he had previously been nominated for Memento, The Dark Knight, Inception, and Dunkirk without a trophy to show for it. The Academy has been less generous as he’s in contention for only the second time (his other nom there was with Dunkirk). With victories now at DGA, Critics Choice, and the Globes (with BAFTA seemingly next) – Nolan appears well on his way to Oscar glory.
I went 3 for 3 on my picks covering feature films. Celine Song (Past Lives) made the podium trip for First-Time Feature Film. There was slightly more intrigue in that contest as Cord Jefferson (American Fiction) provide some competition. While Fiction had a better showing in terms of mentions at the Oscars (5 noms to 2 for Past Lives), Song seemed more probable for this race and that went according to script.
20 Days in Mariupol appears to be the frontrunner for Documentary Feature at the big show. Its maker Mstyslav Chernov is the winner at DGA for Documentaries. It’s worth noting that, unlike Feature Film, there isn’t a strong correlation between DGA/Oscar recipients for Documentary Feature. The last match (ironically) is 2019 with Steven Bognar and Julia Reichert for American Factory. This stands an excellent shot at being the next one.
We are now less than a month away from the Oscars. Keep checking out the blog for all the coverage!
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Supporting Actor quintet and it starts with Sterling K. Brown in Cord Jefferson’s American Fiction. Let’s get to it!
Previous Oscar Acting Nominations:
None
The Case for Sterling K. Brown:
An Emmy and Globe winner for his small screen work on This Is Us, Brown breaks through with the Academy as Jeffrey Wright’s estranged brother in the BP contender. Fiction performed at the high end of its range on nomination morning with five and the Academy may wish to honor it somewhere. He made the cut at SAG and Critics Choice.
The Case Against Sterling K. Brown:
If voters do honor Fiction somewhere, it’s probably going to be in Adapted Screenplay. Brown did not get in at the Globes or BAFTA. And Robert Downey Jr. (Oppenheimer) has swept so far and is rightly seen as the favorite. In fact, in a recent interview, Brown himself said he anticipates RDJ taking the gold.
The Verdict:
This is not going to be a walk to the podium for Brown.
My Case Of posts will continue with Jonathan Glazer’s direction in The Zone of Interest…
The 76th DGA Awards take place this Saturday and it’s a key indication to which filmmaker will emerge with the Oscar for direction. How much so? 9 out of the previous 10 DGA recipients have taken the Academy’s gold. The only deviation in the last ten years is Sam Mendes (1917) winning DGA while Bong Joon-Ho was victorious on Oscar night.
There is usually a 4 out of 5 match between DGA and Oscar nominees in the big race. 2023 diverted from that. There are just 3 DGA contenders vying for the Academy prize: Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) are up for DGA while Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) look for Academy love.
Let’s walk through that contest as well as the ones for Documentaries and First-Time Feature Film with predictions for the winner and a runner-up selection.
Feature Film
Nominees: Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Martin Scorsese (Killers of the Flower Moon)
Even if Oppenheimer doesn’t win BP at the Oscars (and that seems unlikely right now), Nolan appears to be in the driver’s seat for the Academy statue. If he doesn’t take DGA, it would frankly be a shocker. Don’t count on it.
Predicted Winner: Christopher Nolan, Oppenheimer
Runner-Up: Martin Scorsese, Killers of the Flower Moon
First-Time Feature Film
Nominees: Cord Jefferson (American Fiction), Manuela Martelli (Chile ’76), Noora Niasari (Shayda), A.V. Rockwell (A Thousand and One), Celine Song (Past Lives)
This is clearly a showdown between the makers of the two BP nominees in Jefferson and Song. Fiction actually had a stronger showing than Lives from the Academy – 5 nominations to 2. Yet I think Song gets this by a nose.
Predicted Winner: Celine Song, Past Lives
Runner-Up: Cord Jefferson, American Fiction
Documentaries
Moses Bwayo and Christopher Sharp, Bobi Wine: The People’s President, Mstyslav Chernov, 20 Days in Mariupol, Madeleine Gavin, Beyond Utopia, Davis Guggenheim, Still: A Michael J. Fox Movie, D. Smith, Kokomo City
Even though it wasn’t nominated for Doc Feature at the Academy Awards, Guggenheim’s work in Still could score the hardware (the editing alone could earn it the win). However, I’ll go with Chernov and his likely Oscar frontrunner.
Predicted Winner: Mstyslav Chernov, 20 Days in Mariupol
Runner-Up: Davis Guggenheim, Still: A Michael J. Fox Movie
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
I will begin with the ten BP contenders and then alternate alphabetically between the hopefuls in the other five big races. Cord Jefferson’s American Fiction kicks it off!
The Case for American Fiction:
The awards buzz for Hustle went into high gear when it won the People’s Choice Award at the Toronto Film Festival. That prize has also been bestowed to BP victors American Beauty, Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The satire has been nominated for BP at Critics Choice and the Golden Globes and it exceeded expectations with 5 totals noms: Jeffrey Wright in Actor, Sterling K. Brown for Supporting Actor, Adapted Screenplay, and Original Score being the others.
The Case Against American Fiction:
It hasn’t won any of the previous BP derbies. Despite the five mentions, it missed out in key BP winning races like Director and Film Editing.
The Verdict:
American Beauty should still be the most recent BP recipient beginning the word American. Fiction‘s best hope for a statue is in the seemingly wide open Adapted Screenplay category where it emerged victorious at Critics Choice.
My Case Of posts will continue with Anatomy of a Fall…
Since my last predictions on January 6th, we’ve had a whole lotta activity with Oscar precursors. The Golden Globes aired and bestowed their Best Drama to Oppenheimer and Musical/Comedy to Poor Things (over Barbie). SAG released their nominees with some surprising omissions including Leonardo DiCaprio (Killers of the Flower Moon), Mark Ruffalo (Poor Things), and Charles Melton (May December).
And in perhaps the most unexpected development of all, the PGA Picture nominees included two international features with Anatomy of a Fall and The Zone of Interest. PGA typically doesn’t honor foreign pics. The 10 movies they ended up nominating have been my Oscar BP ten for weeks. It’s a little scary to predict that the Academy and PGA will match 10/10… but here we are for now.
In Best Actor, Cillian Murphy (Oppenheimer) and Paul Giamatti (The Holdovers) each rise a spot to 1-2 with Bradley Cooper (Maestro) sliding from first to third. In Supporting Actor, Sterling K. Brown (American Fiction) enters the predicted quintet with Charles Melton (May December) on the outs.
An important note: this is my penultimate forecast for the 96th Academy Awards. My plan is to have final predictions up on Friday or Saturday next week before nomination morning on January 23rd.
Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Barbie (PR: 2) (-1)
4. Poor Things (PR: 4) (E)
5. The Holdovers (PR: 5) (E)
6. Past Lives (PR: 6) (E)
7. American Fiction (PR: 9) (+2)
8. The Zone of Interest (PR: 8) (E)
9. Maestro (PR: 7) (-2)
10. Anatomy of a Fall (PR: 10) (E)
Other Possibilities:
11. The Color Purple (PR: 11) (E)
12. May December (PR: 12) (E)
13. Air (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Saltburn (PR: 13) (-2)
Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Greta Gerwig, Barbie (PR: 3) (E)
4. Yorgos Lanthimos, Poor Things (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Alexander Payne, The Holdovers (PR: 7) (+1)
7. Celine Song, Past Lives (PR: 6) (-1)
8. Justine Triet, Anatomy of a Fall (PR: 8) (E)
9. Cord Jefferson, American Fiction (PR: 10) (+1)
10. Bradley Cooper, Maestro (PR: 9) (-1)
Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Emma Stone, Poor Things (PR: 2) (E)
3. Sandra Hüller, Anatomy of a Fall (PR: 4) (+1)
4. Carey Mulligan, Maestro (PR: 3) (-1)
5. Greta Lee, Past Lives (PR: 5) (E)
Other Possibilities:
6. Margot Robbie, Barbie (PR: 6) (E)
7. Annette Bening, Nyad (PR: 8) (+1)
8. Fantasia Barrino, The Color Purple (PR: 7) (-1)
9. Cailee Spaeny, Priscilla (PR: 9) (E)
10. Natalie Portman, May December (PR: 10) (E)
Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 2) (+1)
2. Paul Giamatti, The Holdovers (PR: 3) (+1)
3. Bradley Cooper, Maestro (PR: 1) (-2)
4. Jeffrey Wright, American Fiction (PR: 5) (+1)
5. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (-1)
Other Possibilities:
6. Colman Domingo, Rustin (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Barry Keoghan, Saltburn (PR: 8) (E)
9. Zac Efron, The Iron Claw (PR: 10) (+1)
10. Teo Yoo, Past Lives (PR: 9) (-1)
Supporting Actress
Predicted Nominees:
1. Da’Vine Joy Randolph, The Holdovers (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 3) (E)
4. Sandra Hüller, The Zone of Interest (PR: 5) (+1)
5. Julianne Moore, May December (PR: 4) (-1)
Other Possibilities:
6. Jodie Foster, Nyad (PR: 6) (E)
7. Penelope Cruz, Ferrari (PR: 7) (E)
8. Rachel McAdams, Are You There God? It’s Me, Margaret (PR: 9) (+1)
9. America Ferrera, Barbie (PR: 10) (+1)
10. Rosamund Pike, Saltburn (PR: 8) (-2)
Supporting Actor
Predicted Nominees:
1. Robert Downey, Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Robert De Niro, Killers of the Flower Moon (PR: 5) (+2)
4. Mark Ruffalo, Poor Things (PR: 3) (-1)
5. Sterling K. Brown, American Fiction (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Charles Melton, May December (PR: 4) (-3)
8. Dominic Sessa, The Holdovers (PR: 8) (E)
9. John Magaro, Past Lives (PR: 9) (E)
10. Glenn Howerton, BlackBerry (PR: 10) (E)
Original Screenplay
Predicted Nominees:
1. The Holdovers (PR: 1) (E)
2. Anatomy of a Fall (PR: 3) (+1)
3. Past Lives (PR: 2) (-1)
4. May December (PR: 4) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. Saltburn (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. The Iron Claw (PR: 9) (E)
10. Fair Play (PR: 10) (E)
Adapted Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. Poor Things (PR: 4) (E)
5. American Fiction (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 7) (+1)
7. All of Us Strangers (PR: 6) (-1)
8. Are You There God? It’s Me, Margaret (PR: 8) (E)
9. Spider-Man: Across the Spider-Verse (PR: 9) (E)
10. The Taste of Things (PR: 10) (E)
International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 5) (+2)
4. Society of the Snow (PR: 3) (-1)
5. The Teachers’ Lounge (PR: 6) (+1)
Other Possibilities:
6. Fallen Leaves (PR: 4) (-2)
7. Tótem (PR: 7) (E)
8. 20 Days in Mariupol (PR: 9) (+1)
9. Four Daughters (PR: 10) (+1)
10. Io Capitano (PR: 8) (-2)
Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
5. Going to Mars: The Nikki Giovanni Project (PR: 7) (+2)
Other Possibilities:
6. The Eternal Memory (PR: 5) (-1)
7. American Symphony (PR: 4) (-3)
8. A Still Small Voice (PR: 10) (+2)
9. Bobi Wine: The People’s President (PR: 9) (E)
10. Stamped from the Beginning (PR: 8) (-2)
Cinematography
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR:3) (E)
4. The Zone of Interest (PR: 5) (+1)
5. El Conde (PR: Not Ranked)
Other Possibilities:
6. Maestro (PR: 4) (-2)
7. Barbie (PR: 8) (+1)
8. The Color Purple (PR: 7) (-1)
9. Saltburn (PR: 6) (-3)
10. Napoleon (PR: 9) (-1)
Dropped Out:
Ferrari
Costume Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Napoleon (PR: 4) (E)
5. The Color Purple (PR: 5) (E)
Other Possibilities:
6. Oppenheimer (PR: 6) (E)
7. Maestro (PR: 7) (E)
8. Wonka (PR: 8) (E)
9. Priscilla (PR: 9) (E)
10. Chevalier (PR: 10) (E)
Film Editing
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Holdovers (PR: 6) (+1)
Other Possibilities:
6. Anatomy of a Fall (PR: 5) (-1)
7. The Zone of Interest (PR: 7) (E)
8. Maestro (PR: 9) (+1)
9. Air (PR: 8) (-1)
10. Past Lives (PR: 10) (E)
Makeup and Hairstyling
Predicted Nominees:
1. Maestro (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. Golda (PR: 4) (E)
5. Society of the Snow (PR: 5) (E)
Other Possibilities:
6. Beau Is Afraid (PR: 8) (+2)
7. Killers of the Flower Moon (PR: 6) (-1)
8. The Last Voyage of the Demeter (PR: 7) (-1)
9. Ferrari (PR: 10) (+1)
10. Napoleon (PR: 9) (-1)
Original Score
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. The Zone of Interest (PR: 4) (E)
5. Spider-Man: Across the Spider-Verse (PR: 5) (E)
Other Possibilities:
6. Society of the Snow (PR: 6) (E)
7. Elemental (PR: 7) (E)
8. The Boy and the Heron (PR: 10) (+2)
9. Indiana Jones and the Dial of Destiny (PR: 9) (E)
10. Barbie (PR: 8) (-2)
Original Song
Predicted Nominees:
1. “What Was I Made For?” from Barbie (PR: 1) (E)
2. “I’m Just Ken” from Barbie (PR: 2) (E)
3. “Road to Freedom” from Rustin (PR: 3) (E)
4. “The Fire Inside” from Flamin’ Hot (PR: 4) (E)
5. “Quiet Eyes” from Past Lives (PR: 9) (+4)
Other Possibilities:
6. “It Never Went Away” from American Symphony (PR: 5) (-1)
7. “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds and Snakes (PR: 6) (-1)
8. “Keep It Movin” from The Color Purple (PR: 8) (E)
9. “Dear Alien (Who Art in Heaven)” from Asteroid City (PR: 10) (+1)
10. “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (PR: 7) (-3)
Production Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Oppenheimer (PR: 4) (E)
5. Napoleon (PR: 9) (+4)
Other Possibilities:
6. Asteroid City (PR: 7) (+1)
7. The Zone of Interest (PR: 6) (-1)
8. Maestro (PR: 5) (-3)
9. The Color Purple (PR: 8) (-1)
10. Saltburn (PR: 10) (E)
Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Maestro (PR: 2) (E)
3. The Zone of Interest (PR: 5) (+2)
4. Ferrari (PR: 3) (-1)
5. Killers of the Flower Moon (PR: 6) (+1)
Other Possibilities:
6. Napoleon (PR: 4) (-2)
7. Barbie (PR: 7) (E)
8. Mission: Impossible – Dead Reckoning Part One (PR: 8) (E)
9. The Killer (PR: 9) (E)
10. The Creator (PR: 10) (E)
Visual Effects
Predicted Nominees:
1. Godzilla Minus One (PR: 4) (+3)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 1) (-2)
4. Poor Things (PR: 3) (-1)
5. Mission: Impossible – Dead Reckoning Part One (PR: 9) (+4)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. Indiana Jones and the Dial of Destiny (PR: 6) (-1)
8. Spider-Man: Across the Spider-Verse (PR: 5) (-3)
9. Rebel Moon – Part One: A Child of Fire (PR: 10) (+1)
10. Napoleon (PR: 8) (-2)
That means I’m forecasting these numbers of nominations for these films:
12 Nominations
Killers of the Flower Moon, Oppenheimer, Poor Things
9 Nominations
Barbie
7 Nominations
The Zone of Interest
5 Nominations
The Holdovers,Maestro
4 Nominations
American Fiction, Past Lives
3 Nominations
Anatomy of a Fall
2 Nominations
The Color Purple, May December, Napoleon, Society of the Snow, Spider-Man: Across the Spider-Verse
1 Nomination
20 Days in Mariupol, Air, Beyond Utopia, The Boy and the Heron, The Creator, El Conde, Elemental, Ferrari, Flamin’ Hot, Four Daughters, Godzilla Minus One, Going to Mars: The Nikki Giovanni Project, Golda, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning Part One, Nimona, Perfect Days, Rustin, Still: A Michael J. Fox Movie, The Taste of Things, Teenage Mutant Ninja Turtles: Mutant Mayhem
As if today’s SAG nominations weren’t enough to ponder, the Directors Guild of America announced its five nominees in their three races this afternoon.
I went 11 for 15 in my picks. As I did with SAG in my previous post, let’s break it down with some initial thoughts.
Feature Film
Nominees: Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Martin Scorsese (Killers of the Flower Moon)
How I Did: 4/5
No surprises as Payne was my alternate pick over Bradley Cooper (Maestro). The DGA and the Academy usually match on a 4 for 5 basis and Payne is indeed the most vulnerable to nab Oscar attention. Nolan is absolutely the favorite for the victory.
First-Time Feature Film
Nominees: Cord Jefferson (American Fiction), Manuela Martelli (Chile ’76), Noora Niasari (Shayda), A.V. Rockwell (A Thousand and One), Celine Song (Past Lives)
How I Did: 3/5
Jefferson, Rockwell, and Song all seemed safe and that’s how it turned out. Martelli and Niasari are in over my calls of Raine Allen Miller (Rye Lane) and Juel Taylor (They Cloned Tyrone). There’s a major frontrunner in this competition as well and it’s Song.
Documentaries
Nominees: Moses Bwayo & Christopher Sharp (Bobi Wine: The People’s President), Mstyslav Chernov (20 Days in Mariupol), Madeleine Gavin (Beyond Utopia), Davis Guggenheim (Still: A Michael J. Fox Movie), D. Smith (Kokomo City)
How I Did: 4/5
The Bobi Wine team makes the quintet over Kaouther Ben Hania for Four Daughters. This race is a little trickier to make a quick pick and I’ll sit on it until I make that prediction shortly before the February 10th event.
The SAG Awards aren’t the only nominations out this Wednesday. We have the Director of Guild of America (DGA) nods coming our way. They are usually an 80% indicator of who the Academy will name for its behind the camera prize.
In the past decade, the DGA quintet has matched the Academy’s on a 4 for 5 level in nine out of the last ten ceremonies. The only outlier is 2018 when it was 3 for 5. Note there is no 5 for 5 correlation.
So where does that leave this year’s DGA mix? For the last several weeks, I have had the following five filmmakers pegged for Oscar inclusion: Greta Gerwig (Barbie), Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). It’s fair to say this is the consensus group among awards prognosticators.
Let’s assume there’s a 4 for 5 match. I believe Nolan, Scorsese, and Gerwig are safe bets. If anyone from that trio missed DGA, it would be considered a surprising omission.
Then I’d say Lanthimos is a near lock. My slight hesitation comes from him being left out in 2018 for The Favourite. Yet I’ll say he’s in.
That means I’m leaving Glazer on the cutting room floor and that makes some sense. The DGA has a history of omitting makers of foreign titles that the Academy recognizes. Recent examples include Pawel Pawlikowski (Cold War), Thomas Vinterberg (Another Round), and Ryusuke Hamaguchi (Drive My Car).
Don’t get me wrong. Glazer could get in as Zone is being hailed specifically for its directorial choices. I cannot, however, bring myself to match the DGA picks with my current Academy selections.
For the fifth slot, I’m going with Bradley Cooper for Maestro. That’s another title I believe will be appreciated for its directorial work perhaps more than other contenders like Alexander Payne (The Holdovers).
Celine Song (Past Lives) is certainly a threat. However, she’s the frontrunner for the DGA’s Outstanding Achievement in First-Time Feature Film race. She could be a double nominee, but I doubt it.
Here are my picks for all three feature DGA contests with an alternate selection as well.
Feature Film
Predicted Nominees:
Bradley Cooper, Maestro
Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
Alternate: Alexander Payne, The Holdovers
First-Time Feature Film
Predicted Nominees:
Cord Jefferson, American Fiction
Raine Allen Miller, Rye Lane
A.V. Rockwell, A Thousand and One
Celine Song, Past Lives
Juel Taylor, They Cloned Tyrone
Alternate: Danny and Michael Philippou, Talk to Me
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