Deep Cover is available to stream on Amazon Prime Video today with Tom Kingsley directing and Jurassic World maker Colin Trevorrow among four credited with the script. The co-screenwriter’s dino lead Bryce Dallas Howard stars alongside Orlando Bloom, Nick Mohammed, Paddy Considine, Ian McShane, and Sean Bean.
This is not a remake of the 1992 Laurence Fishburne/Jeff Goldblum crime thriller that featured a banger of a title song from Dr. Dre and Snoop Dogg. Instead this British high concept action comedy is receiving decent marks with 95% on Rotten Tomatoes and a more down-to-earth 68 Metacritic. It won’t get near the Academy’s radar. I do wonder if it could get a push for BAFTA’s Best British Film. That might be a long shot, but not an impossibility. My Oscar Prediction posts will continue…
When the predecessor to Jurassic World: Dominion was unveiled in the summer of 2018, it proved the franchise had indeed fallen to a new level of mediocrity. Fallen Kingdom was a huge disappointment. As much as I wanted to give it credit for trying some new things, the execution failed. Despite a couple of cool set pieces and the dinosaurs still looking cool, I found Kingdom to be the worst of the five in the series.
Dominion challenges that status. Colin Trevorrow made 2015’s Jurassic World. While many of the complaints about it were valid, I still found it to be satisfactory even if did lean hard on the nostalgia angle. After J.A. Bayona handled directorial duties for #2, Trevorrow is back behind the camera here and the nostalgic leanings are in full force. So much so that the three stars of 1993’s iconic Jurassic Park – Sam Neill’s Dr. Alan Grant, Laura Dern’s Dr. Ellie Sattler, Jeff Goldblum’s Dr. Ian Malcolm – are mixing it up with Chris Pratt, Bryce Dallas Howard, and their sort of daughter who may or may not be a clone.
In case you forgot (and I wouldn’t blame you if you did), Fallen Kingdom thrust human cloning upon us as a plot point. Isabella Sermon’s Maisie was revealed to be the recipient of such experimentation and now she’s a young teen living with Pratt’s Owen and Howard’s Claire deep in the woods. She’s not allowed to go anywhere because many would like to continue experimenting on her. Her isolation is wearing on her as she seeks to break out of her small radius. As you may also recall, dinosaurs are now roaming freely across parts of the world (including Maisie’s backyard).
There’s one corporation who’d like to snatch Maisie and her Dino friends. Biosyn Genetics is run by Dr. Lewis Dodgson (Campbell Scott). Located in the Italian mountains, the futuristic company has its greedy hands in all kinds of pots. The main one involves locusts. Yes, a significant portion of Dominion‘s plot involves these crop eating creatures and Biosyn’s plans to control the world’s food supply. If that seems like an out of nowhere storyline that has little to do with dinosaurs, you’d be correct.
However, these CG locusts do give an excuse to bring back Neill and Dern’s characters when they travel to Italy to investigate (Goldblum is already working for the company). When Maisie is snatched up, Owen and Claire find themselves trekking overseas as well for what we know will eventually be a melding of the stars of both trilogies.
There’s some new characters including DeWanda Wise’s cocky Air Force pilot and Mamoudou Athie as Dodgson’s morally conflicted right hand man. The real thrill is meant to be the return of the OG players from three decades ago. Here’s the rub – despite Jurassic Park being amazing, its one minor flaw was its human characters (with the exception of Goldblum) being a bit dull. Seeing Neill and Dern reignite their unrequited passion isn’t exactly Han showing up on the Millennium Falcon with Chewie after 30 years. I’ve already discussed the lack of passion between Owen and Claire in my review of the predecessor.
Where Dominion manages to be a very slight improvement over Kingdom is a couple of expertly constructed action sequences. A car chase involving the prehistoric creatures in Malta is legitimately thrilling. These brief moments of excitement are too often interrupted by humdrum fan service, cloning, and attacks of the locusts. In other words, there’s a couple of cool set pieces and the dinosaurs still look cool. It’s not enough. The Jurassic series veered off course with Kingdom and it doesn’t regain much footing in Dominion.
When it comes to the nearly three decades old Jurassic franchise, only the first two (the ones directed by Steven Spielberg) have attracted Oscar attention. The 1993 classic received three nods for Sound Mixing, Sound Editing (those races have since combined), and Visual Effects. It won all three. The 1997 follow-up The Lost World: Jurassic Park managed a Visual Effects mention but lost to Titanic.
The dinosaurs have failed to make Academy ballots for 2001’s Jurassic Park III and the initial entries in the current trilogy – 2015’s Jurassic World and 2018’s Jurassic World: Fallen Kingdom.
Dominion is the closing chapter that reunites prominent cast members from both trilogies. It’s out Friday and the review embargo is extinct. The result? Only a 40% Rotten Tomatoes which serves as a series worst (predecessor Kingdom previously had the low point at 47%).
So while those creatures might still look cool, I don’t see any chance of a Visual Effects nomination or any others. My Oscar Prediction posts will continue…
Blogger’s Note (06/08): My prediction for Dominion has fallen… from $165.3M to $155.3M
Two generations of Jurassic actors team up for the release of Dominion on June 10th. I’m also told there are dinosaurs involved. Closing out the trilogy that began with the record breaking Jurassic World seven summers ago, Chris Pratt and Bryce Dallas Howard join forces with familiar faces that populated some of the original trilogy – Sam Neill, Laura Dern, and Jeff Goldblum. Other costars include BD Wong, Omar Sy, Isabella Sermon, Justice Smith, Daniella Pineda, DeWanda Wise, Mamoudou Athie, Campbell Scott, Scott Haze, and Dichen Lachman. Colin Trevorrow, who made the 2015 entry but not the 2018 sequel, is back in the director’s seat.
As mentioned, when the dinos came back in 2015, it set the all-time ; the domestic opening with $208 million (that held for six months until Star Wars: The Force Awakens dropped). It eventually made $652 million. Three years later, the lesser regarded Fallen Kingdom started with lesser numbers. The premiere was $148 million with an overall gross of $417 million.
My hunch is that the mixing of stars from nearly three decades ago with Pratt and Howard could push this to better earnings than its predecessor. On the flip side, I don’t see it hitting over $200 million like Jurassic World. This might debut in the middle range of its trilogy counterparts and perhaps closer to Kingdom.
Jurassic World: Dominion opening weekend prediction: $155.3 million
The central theme of the Jurassic franchise is whether the scientific re-creation of dinosaurs for profit is enough reason to justify their existence. Of course, the real reason these movies exist is so we can gaze upon glorious CG creatures that took our breath away 25 years ago in Steven Spielberg’s JurassicPark. Three years ago, Colin Trevorrow gave us JurassicWorld. It did just enough to tap into our nostalgia for the original while keeping another central theme prominent in all series entries – the humans are less interesting than their prehistoric counterparts.
In the inevitable sequel JurassicWorld: FallenKingdom, we have a newer problem in that the dinosaurs are becoming increasingly less fascinating. When we left that theme park in 2015, it was in tatters due to the havoc wrought by its main attractions. We’re informed that the dinos still roam the deserted Isla Nublar and there’s a political debate as to what to do with them. That conversation is accelerated as a volcano is about to erupt on the island and incinerate everything. As audience members, let’s just choose to forget that even if the park had become successful and free of T-Rex breakouts, it would’ve only existed for three years because of that volcano. We don’t watch Jurassic pics for logic, after all.
The impending meltdown gets the attention of Claire (Bryce Dallas Howard), the park’s former operations manager, who’s now an advocate for the dinosaurs survival. Her nephews from JurassicWorld aren’t seen or mentioned. Perhaps they were smart enough to want nothing to do with all this. She’s recruited by Ben Lockwood (James Cromwell), the ailing former partner of the late John Hammond, to gather up Isla Nublar’s famous residents. Claire recruits her ex-flame and dino whisperer Owen (Chris Pratt) to join her, along with a ragtag group of assistants and military types led by mercenary and hunter Ted Levine. It turns out Lockwood’s assistant (Rafe Spall, a rather bland villain) might have conjured up other ideas for the creatures true purposes. Oh and Lockwood has a granddaughter Maisie (Isabella Sermon). Kids in Jurassic flicks are mandatory. She’s got a spotty British accent and an eventual revelation about her character that is downright bonkers.
Our return to Jurassic World does allow for a couple imaginative action sequences that are well choreographed and filmed by franchise newcomer J.A. Bayona (Trevorrow isn’t behind the camera but has co-writing credit). In the second half, the pic moves to a more insulated setting. This section is less satisfying. While Bayona and company get a wee bit of credit for trying something different, the execution falters.
That’s the real issue here. 25 summers ago, the visuals of JurassicPark were brand new and stunning. The technology, while still state of the art, isn’t fresh anymore. Human characters here aren’t compelling either. The dynamic between Pratt and Howard is as dull as before. Jeff Goldblum turns up as Dr. Malcolm for the first time since 1997’s TheLostWorld, but his presence is brief and forgettable. What wowed us a quarter century ago is now a listless undertaking occasionally punctuated by genuine excitement. Put another way, JurassicWorld: FallenKingdom has a tough time justifying its existence.
Blogger’s Note (06/15): I am revising my prediction down from $155.4 million to $140.4 million
Arriving three years after its predecessor set a series of box office records, JurassicWorld: FallenKingdom looks to flex its dino might next weekend. The fifth picture in the massive franchise that just turned 25 years old, Kingdom is the sequel to JurassicWorld and brings back Chris Pratt, Bryce Dallas Howard, and Jeff Goldblum (for the first time since 1997’s TheLostWorld). New cast members include Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Toby Jones, and Ted Levine. J.A. Bayona takes over directorial duties from Colin Trevorrow.
The history of this franchise setting opening weekend milestones is significant. Steven Spielberg’s original in 1993 had the largest debut ever at $47 million a quarter century ago. TheLostWorld would achieve the same honor four years later with $72 million. And, of course, JurassicWorld stunned prognosticators in 2015 with $208 million out of the gate, which stood as the greatest premiere until StarWars: TheForceAwakens topped it six months later.
FallenKingdom will not and is not expected to break records. JurassicWorld seemed to have its stars aligned for a spectacular opening. It had been nearly a decade and a half since the previous installment and the nostalgia factor was off the charts. Mostly positive reviews didn’t hurt and Mr. Pratt was coming off a star making role in GuardiansoftheGalaxy.
Critical reaction is mixed. The sequel currently sits at 59% on Rotten Tomatoes (World got to 71%). The film is already out in a number of foreign markets and it earned $151 million worldwide over the weekend (a bit above expectations).
The stateside tracking for Kingdom is between $130-$150 million. My general feeling is that this franchise has continually exceeded expectations and may do so here, albeit not by much. JurassicWorld was a phenomenon while this is looked at as another summer sequel. It just happens to be one with a huge fan base who love returning to see these CG creatures.
JurassicWorld: FallenKingdom opening weekend prediction: $140.4 million
For anyone under the age of about 30, it’s difficult to put into words just how amazing Steven Spielberg’s Jurassic Park was when it debuted in theaters during the summer of 1993. As moviegoers today, we are accustomed to astonishing visual effects almost every week, especially during this season. Yet when those dinosaurs made their first appearance on screen 22 years ago, our jaws dropped along with Laura Dern and Sam Neill’s. It was a triumph of special effects and now our nostalgia factor with the original has reached the beloved status.
I never could quite put Jurassic Park alongside my Spielberg foursome of popcorn classics that are Jaws, Close Encounters of the Third Kind, Raiders of the Lost Ark, and E.T.: The Extra-Terrestrial. Don’t get me wrong – it’s a near great motion picture experience that’s only flaw is my indifference to the human characters that populate it. Having said that, we all know that the prehistoric creatures are the real stars of this series.
It is in that context that Colin Trevorrow’s Jurassic World mostly succeeds, more so than sequels we saw in 1997 and 2001. We have new dinos to feast on our eyes upon their creepy looking and menacing eyes. The script allows a proper amount of reverence for 1993’s groundbreaking picture, but none for the follow-ups because few of us have much reverence for them.
And we have to have the scared kids, right? Here it’s teenager Nick Robinson and little bro Ty Simpkins visiting their aunt (Bryce Dallas Howard), who is Jurassic World’s busy bee operations manager. Their parents are getting ready to divorce in grand and cliched fashion and their week long excursion to the park on Isla Nublar goes astray when the genetically designed new theme park attraction Indominus rex escapes his confines and his big debut involves terrorizing visitors. This doesn’t sit well with Jurassic’s head of security (Vincent D’Onofrio, hamming it up in a winking performance) and we learn of his plans to train some of the park’s dinos for military combat purposes. Let us ponder that – how cool would it be if that actually happened and we got to see it in an inevitable sequel/spinoff, eh?
Our main hero dealing with all this dino drama is Owen (Chris Pratt), an expert handler of the creatures who more than earns his overtime pay in these two hours plus. It is Pratt’s effortless charisma that makes him just about the most entertaining human character this franchise has given us thus far. His sidebar romance with Howard is perfunctory and tolerable. Pratt doesn’t get to let loose quite as much as he did in last summer’s Guardians of the Galaxy, but he is a very welcome addition to the proceedings.
The special effects and design of the creatures will simply never rival the wonder factor from over two decades ago. Still these dinosaurs look pretty darn awesome and seeing them in the setting that Richard Attenborough’s Hammond wanted them in is a summertime treat. Jurassic World accomplishes this by reminding us how thrilling and fun this series can be in a way we haven’t experienced since the very first time we saw those now iconic park gates.
Nearly 22 years to the day after Steven Spielberg’s dino adventure Jurassic Park invaded theaters in the summer of 1993, Colin Trevorrow’s reboot Jurassic World should rule the box office when it opens Friday. It’s the fourth entry in the franchise, but the first in fourteen years and there’s been proper time for nostalgia to increase, while still allowing young viewers to want to flock and see the cool prehistoric creatures wreaking havoc. Chris Pratt, who headlined 2014’s largest summer blockbuster Guardians of the Galaxy, stars with Bryce Dallas Howard and Vincent D’Onofrio supporting.
When the original Jurassic opened, its $47 million opening weekend take marked the biggest domestic debut of all time. It now ranks 197th. Jurassic World looks to easily double and threaten to triple what came before it over two decades ago. The pic looks to have the third highest domestic debut weekend of 2015, behind Avengers: Age of Ultron and Furious 7.
As I see it, this should pretty easily top $100 million out of the gate. It is the only wide release next weekend as competitors steered clear. The question is – by how much? I look for Jurassic World to flirt with $125M but fall just a bit under it for a rock solid premiere.
Jurassic World opening weekend prediction: $123.5 million
We’ve arrived at my top five most anticipated 2015 Summer Movies, set to start rolling out in about three weeks through the end of August. If you missed my first two posts covering numbers 15-6, have no fear, just click here:
This brings us to the heavy hitters on my list of must-see flicks for the season.
And away we go:
5. Mad Max: Fury Road
Release Date: May 15
As mentioned in my first post, this July’s Terminator: Genisys didn’t make my top 15 cut because of what I consider its blah trailer. Mad Max: Fury Road represents the opposite. It looks flat out awesome as director George Miller reboots the series some 35 years after the first Mad Max with Mel Gibson. Tom Hardy steps into the title role with Charlize Theron costarring.
4. Mission: Impossible – Rogue Nation
Release Date: July 31
Pushed up from its original December release date, Tom Cruise’s fifth Mission pic brings in his Jack Reacher director Christopher McQuarrie. Series regulars Ving Rhames, Jeremy Renner, and Simon Pegg are back and joined by Alec Baldwin. 2011’s Ghost Protocol was a high point for the franchise and let’s hope this keeps it going.
3. Jurassic World
Release Date: June 12
The famed dino franchise begun by Spielberg gets a reboot with director Colin Trevorrow taking over and Star Lord himself Chris Pratt and Bryce Dallas Howard headlining. The trailer has me ready to return to that dastardly park immediately.
2. Tomorrowland
Release Date: May 22
Disney has enlisted their Incredibles director Brad Bird (he also directed the aforementioned Mission: Impossible – Ghost Protocol) for this live-action tale featuring George Clooney, Britt Robertson, and Hugh Laurie. The plot is being kept under wraps, but the trailer suggests a visual feast. With Bird behind the camera, expect something special.
1. Avengers: Age of Ultron
Release Date: May 1
The first picture of the summer is my most awaited and is certainly poised to be the season’s highest earner. Three years after teaming Iron Man, Captain America, Hulk, Thor, Black Widow, Hawkeye and more – Joss Whedon is back again directing Marvel’s superhero team in the breathlessly awaited sequel to the second highest grossing domestic earner of all time. James Spader voices the title character villain. Don’t be surprised if this has the largest opening weekend in box office history – beating out, yes, The Avengers.
And that’ll do it, friends! I hope my list assists you with your popcorn viewing pleasure coming very soon…
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