Previously on the blog, I wrote a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 in recently years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned numerous posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them! Also – I still need to write these posts for 2023 and 2024. They’re coming.**
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five movies that I believe would’ve gotten in. I’ve already covered 2005-08 and you can peruse my posts on them here:
We move to 2004. There’s an obvious five pictures that would’ve made the cut and that’s the group that were nominated. It begins with Clint Eastwood’s Million Dollar Baby. That boxing drama made a late surge 21 years back and took four trophies – Picture, Director, Actress (Hilary Swank), and Supporting Actor and was nominated for three more.
Martin Scorsese’s The Aviator scored a ceremony high 11 nods and won five – Cate Blanchett in Supporting Actress, Art Direction, Cinematography, Costume Design, and Film Editing. Finding Neverland from Marc Forster landed 7 nominations with a victory in Original Score. Taylor Hackford’s musical biopic Ray made Jamie Foxx a Best Actor victor and won Sound Editing in addition to nods in BP, Director, and two tech races. Alexander Payne’s Sideways was also up for Director, two acting races (though notably not Paul Giamatti in lead actor), and was the recipient of Adapted Screenplay.
That’s the quintet we know. Now we can speculate. And that begins with an unlikely contender in Michael Moore’s Fahrenheit 9/11. Moviegoers of a certain younger age may not recall. but the documentarian’s critical look at George W. Bush’s presidency and the Iraq War was a Palme d’Or winner at Cannes, a critical smash, and became the highest grossing documentary of all time in the summer of 2004. However, Moore chose not to submit Fahrenheit for consideration in Documentary Feature where it probably would’ve been a lock to win that prize.
Fahrenheit was, however, eligible for BP. And this is the rare place on the blog where I will speak of politics coming into play. Had President Bush lost reelection in 2004, Fahrenheit might’ve been seen as a contributing factor. And in Hollywood, that might’ve been enough to earn it a spot among the theoretical 10 nominees. That did not happen and I’m therefore not including it among the expanded contenders.
While Fahrenheit is a question mark, there are some features that I feel strongly would have made the longer list. Mike Leigh’s Vera Drake was up for Director, Actress (Imelda Staunton), and Original Screenplay. Michel Gondry’s Eternal Sunshine of the Spotless Mind was the winner in Original Screenplay while Kate Winslet was up in Actress (though Jim Carrey was notably snubbed in Actor). Hotel Rwanda was also nominated in Original Screenplay along with performers Don Cheadle and Sophie Okenedo.
In previous posts covering2007-2008, Ratatouille and Wall-E made the expanded 10. For 2004, same goes for The Incredibles. The Pixar property was the Animated Feature and Sound Editing honoree and it had nominations in (you guessed it) Original Screenplay and Sound Mixing.
That leaves one spot and there’s lots of contenders. Mel Gibson’s The Passion of the Christ was a box office smash that was up for Original Score, Cinematography, and Makeup. Yet I question whether the Academy would’ve gone for it even with five added possibilities.
Collateral from Michael Mann saw Jamie Foxx as a double nominee in Supporting Actor and a Film Editing nod. Closer had supporting nominations for Clive Owen and Natalie Portman. If it had managed a Screenplay nomination, I might’ve included it. Various tech nominations were bestowed upon Harry Potter and the Prisoner of Azkaban, Lemony Snicket’s A Series of Unfortunate Events, The Phantom of the Opera, Spider-Man 2, and A Very Long Engagement. If this were a do-over list, Azkaban probably would get in considering many believe it’s the best of the franchise. I don’t believe you’d see it at the time. Same goes for the second Spidey adventure.
For the tenth spot (and it’s admittedly a tricky one), I’m settling on The Motorcycle Diaries from Walter Salles. Diaries was subject to controversy at the Oscars in the Best Foreign Language Film (now International Feature Film) competition. The Academy ruled it ineligible in that race because “it didn’t have sufficient elements from any of the countries to qualify” (huh?). It still picked up nods in Adapted Screenplay and won Original Song. With a doubling of nominees, I think voters would’ve found room for it. That’s especially since it should have been a lock in the foreign derby.
Among a cast of all-stars during his eight season stint, Bill Hader’s impressions and original characters on SNL were responsible for countless highlights. If he were only known for impersonations, he would probably belong near the top of this list. His Alan Alda is uncanny and there’s Al Pacino, James Carville, Harvey Fierstein, Vincent Price, Daniel Day-Lewis in an uproarious take on his There Will Be Blood character, and Clint Eastwood. Then there’s Keith Morrison from Dateline NBC which Hader revealed iin interviews to be his favorite show.
Fresh creations would put him near the top of the list like Italian talk show host Vinny Vedecci or past his prime newsman Herb Welch. Hader’s haunted Vietnam vet turned puppeteer gave us a classic sketch alongside host Seth MacFarlane.
Then, of course, there’s clubgoer Stefon and his amazing Weekend Update bits with Seth Meyers. John Mulaney and Hader collaborated on one of the show’s most side splitting creations. Hader could not keep a straight face during Stefon bits. Neither could we for so much of Hader’s run. #4 will be up soon!
Juror #2 reunites Nicholas Hoult and Toni Collette 20 years plus after the acclaimed About a Boy and it marks Clint Eastwood’s latest project at age 94. For reasons still unclear, it premieres Friday in approximately 50 theaters after debuting at AFI Fest. The legal thriller costars J.K. Simmons, Chris Messina, Zoey Deutch, Gabriel Basso, and Kiefer Sutherland.
The extremely limited release for Juror isn’t due to poor reviews. The Rotten Tomatoes meter is at 92% with Metacritic at a 75. If Warner Bros had chosen to put some marketing muscle behind this, it might’ve been a midsize hit.
While Eastwood has helmed two BP winners in Unforgiven and Million Dollar Baby and had other nominees with Letters from Iwo Jima and American Sniper, this courtroom tale just doesn’t seem to be a WB priority. The verdict is that awards voters will likely ignore it as well. My Oscar Prediction posts will continue…
Telling the true life tale of a mid 80s scandal involving the game show Press Your Luck, Paul Walter Hauser stars in The Luckiest Man Alive. From director Samir Oliveros, it premiered at the Toronto Film Festival. Costars include Walton Goggins, David Strathairn, Maisie Williams, Haley Bennett, Shamier Anderson, and Johnny Knoxville.
Hauser first garnered acclaim as the title character in Clint Eastwood’s Richard Jewell and has since won an Emmy for the miniseries Black Bird. He is said to be the highlight of this project which is still awaiting stateside distribution (a 2024 release in up in the air). The film itself is at 60% on Rotten Tomatoes. If a heavy hitter picks up Luck, perhaps a Best Actor campaign for Hauser is possible. There is an equal and perhaps better chance it never enters the awards convo. My Oscar Prediction posts will continue…
To say there’s been plenty of news since my last predictions post on 09/03 is quite an understatement. It’s been confirmed that Clint Eastwood’s thriller Juror No. 2 will release in this calendar year. You’ll see that reflected below though I don’t have the movie or Toni Collette (in Supporting Actress) or the screenplay actually projected for nominations.
Then there is, of course, more screenings from the Venice and Toronto Film Festivals. While Nightbitch is probably out of Best Picture contention, TIFF screenings suggest Amy Adams could still be a threat to make the Actress quintet. She’s back in my five. I had to make room anyway since Lady Gaga (Joker: Folie à Deux) appears to be a supporting play and not lead. I hesitated to put Adams back in as Nicole Kidman (Babygirl) and Marianne Jean-Baptiste (Hard Truths) are serious threats. For that, so are Julianne Moore (The Room Next Door) and Demi Moore (The Substance). It’s getting crowded in Actress.
Speaking of Joker, the mixed reaction from Cannes causes it to drop from 11th to 20th in my BP rankings.
There are gains for The Brutalist as it rises from 3rd to 1st in the BP derby. The announcement that A24 picked up it up for distribution might mean it’s now their #1 campaign. If so, that could have a detrimental effect on Sing Sing. That helps explain Adrien Brody getting to first in Best Actor over Colman Domingo. Clarence Maclin from Sing Sing stays at #1 in Supporting Actor over The Brutalist‘s Guy Pearce though I considered making that switch. And now Brady Corbet now sitting atop the charts in Director. Blitz had previously held the #1 positions in BP and Director but they slip to #2.
In Supporting Actress, two changes as Felicity Jones (The Brutalist) and Tilda Swinton (The Room Next Door) are in and Aunjanue Ellis-Taylor (Nickel Boys) and Selena Gomez (Emilia Pérez) are on the outside looking in.
And for the one change in BP, Venice’s Golden Lion winner The Room Next Door is in the 10 with A Complete Unknown falling out.
Please note that this update is the first time where Dune: Part Two is not the nomination leader. It’s now tied with 9 with Blitz and Emilia Pérez while The Brutalist sits with 10.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Brutalist (PR: 3) (+2)
2. Blitz (Previous Ranking: 1) (-1)
3. Anora (PR: 5) (+2)
4. Sing Sing (PR: 2) (-2)
5. Dune: Part Two (PR: 4) (-1)
6. Emilia Pérez (PR: 6) (E)
7. Conclave (PR: 7) (E)
8. Saturday Night (PR: 10) (+2)
9. Nickel Boys (PR: 9) (E)
10. The Room Next Door (PR: 15) (+5)
Other Possibilities:
11. A Complete Unknown (PR: 9) (-2)
12. The Seed of the Sacred Fig (PR: 13) (+1)
12. A Real Pain (PR: 11) (-1)
14. Gladiator II (PR: 16) (+2)
15. Queer (PR: 14) (-1)
16. September 5 (PR: 23) (+7)
17. Nosferatu (PR: 17) (E)
18. The Apprentice (PR: 22) (+4)
19. All We Imagine as Light (PR: 19) (E)
20. Joker: Folie à Deux (PR: 11) (-9)
21. The Piano Lesson (PR: 18) (-3)
22. Wicked (PR: 21) (-1)
23. Juror No. 2 (PR: Not Ranked)
24. His Three Daughters (PR: Not Ranked)
25. A Different Man (PR: 25) (E)
Dropped Out:
Nightbitch
Maria
Best Director
Predicted Nominees:
1. Brady Corbet, The Brutalist (PR: 3) (+2)
2. Steve McQueen, Blitz (PR: 1) (-1)
3. Denis Villeneuve, Dune: Part Two (PR: 2) (-1)
4. Sean Baker, Anora (PR: 4) (E)
5. Jacques Audiard, Emila Pérez (PR: 5) (E)
Other Possibilities:
6. RaMell Ross, Nickel Boys (PR: 7) (+1)
7. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 8) (+1)
8. Greg Kwedar, Sing Sing (PR: 6) (-2)
9. Edward Berger, Conclave (PR: 9) (E)
10. Jason Reitman, Saturday Night (PR: 11) (+1)
11. Pedro Almodóvar, The Room Next Door (PR: Not Ranked)
12. James Mangold, A Complete Unknown (PR: 10) (-2)
13. Ridley Scott, Gladiator II (PR: 15) (+2)
14. Luca Guadagnino, Queer (PR: 13) (-1)
15. Payal Kapadia, All We Imagine as Light (PR: 14) (-1)
Dropped Out:
Todd Phillips, Joker: Folie à Deux
Best Actress
Predicted Nominees:
1. Mikey Madison, Anora (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Karla Sofia Gascón, Emilia Pérez (PR: 3) (E)
4. Saoirse Ronan, The Outrun (PR: 4) (E)
5. Amy Adams, Nightbitch (PR: 7) (+2)
Other Possibilities:
6. Marianne Jean-Baptiste, Hard Truths (PR: 6) (E)
7. Nicole Kidman, Babygirl (PR: 9) (+2)
8. Julianne Moore, The Room Next Door (PR: 10) (+2)
9. Demi Moore, The Substance (PR: 8) (-1)
10. Fernanda Torres, I’m Still Here (PR: 12) (+2)
11. Pamela Anderson, The Last Showgirl (PR: 15) (+4)
12. Carrie Coon, His Three Daughters (PR: 11) (-1)
13. June Squibb, Thelma (PR: 13) (E)
14. Zendaya, Challengers (PR: Not Ranked)
15. Florence Pugh, We Live in Time (PR: Not Ranked)
Dropped Out:
Lady Gaga, Joker: Folie à Deux – moved to supporting
Ryan Destiny, The Fire Inside
Best Actor
Predicted Nominees:
1. Adrien Brody, The Brutalist (PR: 3) (+2)
2. Colman Domingo, Sing Sing (PR: 1) (-1)
3. Ralph Fiennes, Conclave (PR: 2) (-1)
4. Timothée Chalamet, A Complete Unknown (PR: 4) (E)
5. Daniel Craig, Queer (PR: 5) (E)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 6) (E)
7. Sebastian Stan, A Different Man (PR: 8) (+1)
8. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (-1)
9. Glen Powell, Hit Man (PR: 10) (+1)
10. Paul Mescal, Gladiator II (PR: 12) (+2)
11. Gabriel LaBelle, Saturday Night (PR: Not Ranked)
12. Jesse Plemons, Kinds of Kindness (PR: 11) (-1)
13. Ethan Herisse, Nickel Boys (PR: 13) (E)
14. John David Washington, The Piano Lesson (PR: 14) (E)
15. Jesse Eisenberg, A Real Pain (PR: 15) (E)
Dropped Out:
André Holland, The Actor
Best Supporting Actress
Predicted Nominees:
1. Zoe Saldaña, Emilia Pérez (PR: 1) (E)
2. Danielle Deadwyler, The Piano Lesson (PR: 2) (E)
3. Felicity Jones, The Brutalist (PR: 7) (+4)
4. Saoirse Ronan, Blitz (PR: 3) (-1)
5. Tilda Swinton, The Room Next Door (PR: 6) (+1)
Other Possibilities:
6. Selena Gomez, Emilia Pérez (PR: 5) (-1)
7. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (-3)
8. Natasha Lyonne, His Three Daughters (PR: 8) (E)
9. Lady Gaga, Joker: Folie à Deux (PR: Not Ranked) – moved from lead Actress
10. Joan Chen, Dídi (PR: 9) (-1)
11. Isabella Rossellini, Conclave (PR: 10) (-1)
12. Lesley Manville, Queer (PR: 11) (-1)
13. Elle Fanning, A Complete Unknown (PR: 12) (-1)
14. Toni Collette, Juror No. 2 (PR: Not Ranked)
15. Fernanda Montenegro, I’m Still Here (PR: 15) (E)
Dropped Out:
Kathy Burke, Blitz
Elizabeth Olsen, His Three Daughters
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 1) (E)
2. Guy Pearce, The Brutalist (PR: 2) (E)
3. Kieran Culkin, A Real Pain (PR: 3) (E)
4. Denzel Washington, Gladiator II (PR: 4) (E)
5. Stanley Tucci, Conclave (PR: 5) (E)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 6) (E)
7. Edward Norton, A Complete Unknown (PR: 8) (+1)
8. Adam Pearson, A Different Man (PR: 7) (-1)
9. Drew Starkey, Queer (PR: 12) (+3)
10. Samuel L. Jackson, The Piano Lesson (PR: 9) (-1)
11. Harris Dickinson, Blitz (PR: 10) (-1)
12. Mark Eidelstein, Anora (PR: 11) (-1)
13. Brian Tyree Henry, The Fire Inside (PR: 13) (E)
14. Ray Fisher, The Piano Lesson (PR: Not Ranked)
15. John Lithgow, Conclave (PR: 15) (+1)
Dropped Out:
Stephen Graham, Blitz
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. The Brutalist (PR: 5) (+3)
3. Blitz (PR: 2) (-1)
4. A Real Pain (PR: 3) (-1)
5. Saturday Night (PR: 4) (-1)
Other Possibilities:
6. Emilia Pérez (PR: 6) (E)
7. The Seed of the Sacred Fig (PR: 9) (+2)
8. His Three Daughters (PR: 8) (E)
9. The Substance (PR: 12) (+3)
10. Hard Truths (PR: 7) (-3)
11. Dídi (PR: 10) (-1)
12. Kinds of Kindness (PR: 14) (+2)
13. September 5 (PR: 11) (-2)
14. A Different Man (PR: 15) (+1)
15. Juror No. 2 (PR: Not Ranked)
Dropped Out:
Challengers
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 1) (E)
2. Conclave (PR: 2) (E)
3. Nickel Boys (PR: 3) (E)
4. The Room Next Door (PR: 5) (+1)
5. Queer (PR: 6) (+1)
Other Possibilities:
6. Dune: Part Two (PR: 4) (-2)
7. Hit Man (PR: 7) (E)
8. A Complete Unknown (PR: 9) (+1)
9. The Piano Lesson (PR: 8) (-1)
10. I’m Still Here (PR: Not Ranked)
11. Gladiator II (PR: 13) (+2)
12. Nightbitch (PR: 10) (-2)
13. Inside Out 2 (PR: 12) (-1)
14. Nosferatu (PR: 15) (+1)
15. The Wild Robot (PR: Not Ranked)
Dropped Out:
Joker: Folie à Deux
The Fire Inside
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. The Seed of the Sacred Fig (PR: 2) (E)
3. I’m Still Here (PR: 3) (E)
4. Grand Tour (PR: 4) (E)
5. All We Imagine as Light (PR: 7) (+2)
Other Possibilities:
6. Universal Language (PR: 8) (+2)
7. The Girl with the Needle (PR: 5) (-2)
8. Caught by the Tides (PR: 10) (+2)
9. Kneecap (PR: Not Ranked)
10. Simon of the Mountain (PR: Not Ranked)
Dropped Out:
The Count of Monte Cristo
Cloud
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 3) (E)
4. Wallace & Gromit: Vengeance Most Fowl (PR: 4) (E)
5. Memoir of a Snail (PR: 5) (E)
Other Possibilities:
6. Piece by Piece (PR: 8) (+2)
7. Moana 2 (PR: 7) (E)
8. The Lord of the Rings: The War of the Rohirrim (PR: 10) (+2)
9. Savages (PR: 6) (-3)
10. Orion and the Dark (PR: 9) (-1)
Best Documentary Feature
Predicted Nominees:
1. Daughters (PR: 1) (E)
2. No Other Land (PR: 4) (+2)
3. Will & Harper (PR: 5) (+2)
4. Sugarcane (PR: 3) (-1)
5. Soundtrack to a Coup d’Etat (PR: 6) (+1)
Other Possibilities:
6. Black Box Diaries (PR: 2) (-4)
7. Union (PR: Not Ranked)
8. Apocalypse in the Tropics (PR: 10) (+2)
9. Super/Man: The Christopher Reeve Story (PR: 9) (E)
10. Skywalkers: A Love Story (PR: 8) (-2)
Dropped Out:
The Remarkable Life of Ibelin
Best Cinematography
Predicted Nominees:
1. The Brutalist (PR: 5) (+4)
2. Dune: Part Two (PR: 2) (E)
3. Blitz (PR: 1) (-2)
4. Nosferatu (PR: 4) (E)
5. Emilia Pérez (PR: 7) (+2)
Other Possibilities:
6. Joker: Folie á Deux (PR: 3) (-3)
7. Anora (PR: 8) (+1)
8. Gladiator II (PR: 6) (-2)
9. Conclave (PR: Not Ranked)
10. The Room Next Door (PR: Not Ranked)
Dropped Out:
Queer
Maria
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Wicked (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. Nosferatu (PR: 3) (-1)
5. Blitz (PR: 5) (E)
Other Possibilities:
6. Beetlejuice Beetlejuice (PR: Not Ranked)
7. Maria (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 7) (-1)
9. Furiosa: A Mad Max Saga (PR: 8) (-1)
10. Saturday Night (PR: 10) (E)
Dropped Out:
Queer
Best Film Editing
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Anora (PR: 3) (+1)
3. The Brutalist (PR: 7) (+4)
4. Sing Sing (PR: 6) (+2)
5. Saturday Night (PR: 4) (-1)
Other Possibilities:
6. Dune: Part Two (PR: 2) (-4)
7. Emilia Pérez (PR: 8) (+1)
8. Nickel Boys (PR: Not Ranked)
9. Conclave (PR: 5) (-4)
10. Challengers (PR: 10) (E)
Dropped Out:
Joker: Folie à Deux
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. A Different Man (PR: 3) (E)
4. Beetlejuice Beetlejuice (PR: 7) (+3)
5. Maria (PR: 5) (E)
Other Possibilities:
6. Wicked (PR: 6) (E)
7. Joker: Folie á Deux (PR: 4) (-3)
8. Furiosa: A Mad Max Saga (PR: 8) (E)
9. The Substance (PR: 10) (+1)
10. Gladiator II (PR: 9) (-1)
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. The Brutalist (PR: Not Ranked)
3. Sing Sing (PR: 3) (E)
4. Emilia Pérez (PR: 4) (E)
5. The Wild Robot (PR: Not Ranked)
Other Possibilities:
6. Gladiator II (PR: 5) (-1)
7. Conclave (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 2) (-6)
9. Queer (PR: 7) (-2)
10. Saturday Night (PR: Not Ranked)
Dropped Out:
Challengers
Blitz
Nickel Boys
Best Original Song
Predicted Nominees:
1. “Mi Camino” from Emilia Pérez (PR: 1) (E)
2. “Like a Bird” from Sing Sing (PR: 3) (+1)
3. “Relentless” from Diane Warren: Relentless (PR: 4) (+1)
4. “Piece by Piece” from Piece by Piece (PR: 5) (+1)
5. “Harper and Will Go West” from Will & Harper (PR: 6) (+1)
Other Possibilities:
6. “Kiss the Sky” from The Wild Robot (PR: Not Ranked)
7. “We’re Back” from Moana 2 (PR: 7) (E)
8. “El Mal” from Emilia Pérez (PR: Not Ranked)
9. “The Journey” from The Six Triple Eight (PR: Not Ranked)
10. “Why Am I Here?” from Shirley (PR: 8) (-1)
Dropped Out:
TBD from Joker: Folie à Deux
“Compress/Repress” from Challengers
“Ain’t No Love in Oklahoma” from Twisters
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. Nosferatu (PR: 3) (-1)
5. The Brutalist (PR: 5) (E)
Other Possibilities:
6. Saturday Night (PR: 10) (+4)
7. Wicked (PR: 6) (-1)
8. Furiosa: A Mad Max Saga (PR: 7) (-1)
9. Conclave (PR: 9) (E)
10. Maria (PR: Not Ranked)
Dropped Out:
Joker: Folie à Deux
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Emilia Pérez (PR: 7) (+3)
5. Furiosa: A Mad Max Saga (PR: 9) (+4)
Other Possibilities:
6. Nosferatu (PR: 8) (+2)
7. A Complete Unknown (PR: 5) (-2)
8. Joker: Folie à Deux (PR: 4) (-4)
9. Wicked (PR: 6) (-3)
10. The Brutalist (PR: Not Ranked)
Dropped Out:
Civil War
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Twisters (PR: 5) (+1)
5. Here (PR: 4) (-1)
Other Possibilities:
6. Blitz (PR: 10) (+4)
7. Deadpool & Wolverine (PR: 7) (E)
8. Furiosa: A Mad Max Saga (PR: 6) (-2)
9. Better Man (PR: Not Ranked)
10. Wicked (PR: 8) (-2)
Dropped Out:
Alien: Romulus
And that equates to these movies generating these numbers of nominations:
10 Nominations
The Brutalist
9 Nominations
Blitz, Dune: Part Two, Emilia Pérez
7 Nominations
Sing Sing
5 Nominations
Anora, Gladiator II
4 Nominations
Conclave, Nosferatu
3 Nominations
The Room Next Door, Saturday Night
2 Nominations
Maria, Nickel Boys, Queer, A Real Pain, The Wild Robot, Will & Harper
1 Nomination
All We Imagine as Light, Beetlejuice Beetlejuice, A Complete Unknown, Daughters, Diane Warren: Relentless, A Different Man, Flow, Furiosa: A Mad Max Saga, Grand Tour, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, The Outrun, Nightbitch, No Other Land, The Piano Lesson, Piece by Piece, The Seed of the Sacred Fig, Soundtrack to a Coup d’Etat, Sugarcane, Twisters, Wallace & Gromit: Vengeance Most Fowl, Wicked
Greg Kwedar’s Sing Sing is already out in limited release and the A24 title is doing pretty impressive business in its four venues before a planned August expansion. Is it doing well enough to warrant a #1 spot in the BP rankings where I’ve had it for weeks?
That is a legit question and one that I’m struggling with in this particular update. With heralded performances from Colman Domingo and Clarence Maclin, it certainly seems like the type of crowdpleaser that could take the top prize. This could be without Kwedar landing a directing nod as I’ve yet to have him in the top five. If that plays out, it would be a similar situation to 2021 and the CODA victory despite Sian Heder missing the directorial quintet.
The bottom line is this: the #1 position in BP for Sing Sing is tenuous. I’ve got it clinging to that number though I considered Steve McQueen’s Blitz, Denis Villeneuve’s Dune: Part Two, and Edward Berger’s Conclave (the first trailer for it dropped this week). Of course, we are only a month and change away from festival season kicking off with Venice, Telluride, and Toronto. Those events always assist in clearing up the picture.
There was speculation that Clint Eastwood’s Juror No. 2 may not make the 2024 calendar for Warner Bros. Even when I thought it was likely to release this fall, I didn’t have it pegged as a BP player. I did have Toni Collette listed as a potential Supporting Actress hopeful along with Nicholas Hoult in Actor and at the bottom of the listed 15 in Original Screenplay. I am dropping Juror for now and would certainly adjust if it does materialize on the schedule.
Speaking of Supporting Actress, we got our first glimpse of The Deliverance from Lee Daniels this week. The supernatural horror flick (out on Netflix in late August) is not your typical awards fare. However, I am listing Glenn Close as a possibility. It is Glenn Close after all and she managed an Oscar nod recently for the critically panned Hillbilly Elegy (where she also was up for a Razzie).
In other news, my constant speculation on category placement continues. Saoirse Ronan is now back to being a double nominee in my view for lead Actress with The Outrun and Supporting Actress for Blitz (I can’t wait until this is cleared up). Ronan’s inclusion back in the supporting derby displaces Conclave‘s Isabella Rossellini. Another unclear item is the screenplay placement for Emilia Pérez. It could be considered Adapted and that’s where I had it a few days ago, but now I’m putting it in Original Screenplay (and just barely missing a nom).
We have two significant alterations in Best Actor. While the top 3 remain the same, I am now elevating Sebastian Stan’s performance in A Different Man over Sebastian Stan’s work in The Apprentice. John David Washington (The Piano Lesson) also enters the high five for the first time. André Holland (The Actor) drops out of the quintet.
In Supporting Actor, Adam Pearson in A Different Man enters the five over Denzel Washington in Gladiator II.
You can read all the movement below for these feature length categories!
Best Picture
Predicted Nominees:
1. Sing Sing (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Conclave (PR: 4) (E)
5. Emilia Pérez (PR: 6) (+1)
6. Anora (PR: 5) (-1)
7. The Piano Lesson (PR: 8) (+1)
8. Queer (PR: 7) (-1)
9. Nickel Boys (PR: 9) (E)
10. The Seed of the Sacred Fig (PR: 10) (E)
Other Possibilities:
11. Gladiator II (PR: 12) (+1)
12. Nightbitch (PR: 11) (-1)
13. Joker: Folie à Deux (PR: 13) (E)
14. Nosferatu (PR: 20) (+6)
15. A Real Pain (PR: 19) (+4)
16. The Apprentice (PR: 14) (-2)
17. The Room Next Door (PR: 17) (E)
18. Maria (PR: 16) (-2)
19. The End (PR: 15) (-4)
20. The Fire Inside (PR: 22) (+2)
21. ADifferent Man (PR: Not Ranked)
22. Hard Truths (PR: 21) (-1)
23. Dídi (PR: 25) (+2)
24. Wicked (PR: Not Ranked)
25. His Three Daughters (PR: 23) (-2)
Dropped Out:
All We Imagine as Light
Here
Best Director
Predicted Nominees:
1. Denis Villeneuve, Dune: Part Two (PR: 2) (+1)
2. Steve McQueen, Blitz (PR: 1) (-2)
3. Edward Berger, Conclave (PR: 3) (E)
4. Jacques Audiard, Emilia Pérez (PR: 4) (E)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 7) (+2)
Other Possibilities:
6. Sean Baker, Anora (PR: 5) (-1)
7. Greg Kwedar, Sing Sing (PR: 6) (-1)
8. Luca Guadagnino, Queer (PR: 8) (E)
9. Ridley Scott, Gladiator II (PR: 10) (+1)
10. Marielle Heller, Nightbitch (PR: 9) (-1)
11. Robert Eggers, Nosferatu (PR: Not Ranked)
12. Malcolm Washington, The Piano Lesson (PR: 11) (-1)
13. RaMell Ross, Nickel Boys (PR: 12) (-1)
14. Todd Phillips, Joker: Folie à Deux (PR: 14) (E)
15. Payal Kapadia, All We Imagine as Light (PR: 13) (-2)
Dropped Out:
Joshua Oppenheimer, The End
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Saoirse Ronan, The Outrun (PR: 6) (+2)
5. Karla Sofia Gascón, Emilia Pérez (PR: 4) (-1)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 7) (+1)
7. Marianne Jean-Baptiste, Hard Truths (PR: 8) (+1)
8. Tilda Swinton, The Room Next Door (PR: 9) (+1)
9. Carrie Coon, His Three Daughters (PR: 10) (+1)
10. June Squibb, Thelma (PR: 11) (+1)
11. Ryan Destiny, The Fire Inside (PR: 12) (+1)
12. Demi Moore, The Substance (PR: Not Ranked)
13. Pamela Anderson, The Last Showgirl (PR: Not Ranked)
14. Florence Pugh, We Live in Time (PR: 14) (E)
15. Cynthia Erivo, Wicked (PR: Not Ranked)
Dropped Out:
Saoirse Ronan, Blitz (moved to Supporting Actress)
Zendaya, Challengers
Jessica Lange, Long Day’s Journey Into Night
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. John David Washington, The Piano Lesson (PR: 7) (+3)
5. Sebastian Stan, A Different Man (PR: 9) (+4)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 5) (-1)
7. André Holland, The Actor (PR: 4) (-3)
8. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-2)
9. Glen Powell, Hit Man (PR: 10) (+1)
10. Jesse Plemons, Kinds of Kindness (PR: 12) (+2)
11. Paul Bettany, The Collaboration (PR: 8) (-3)
12. Paul Mescal, Gladiator II (PR: 11) (-1)
13. Ethan Herisse, Nickel Boys (PR: 13) (E)
14. Jesse Eisenberg, A Real Pain (PR: Not Ranked)
15. Andrew Garfield, We Live in Time (PR: 14) (-1)
Dropped Out:
Nicholas Hoult, Juror No. 2
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (E)
2. Danielle Deadwyler, The Piano Lesson (PR: 3) (+1)
3. Zoe Saldaña, Emilia Pérez (PR: 2) (-1)
4. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from Actress
5. Natasha Lyonne, His Three Daughters (PR: 4) (-1)
Other Possibilities:
6. Isabella Rossellini, Conclave (PR: 5) (-1)
7. Julianne Moore, The Room Next Door (PR: 7) (E)
8. Selena Gomez, Emilia Pérez (PR: 10) (+2)
9. Joan Chen, Dídi (PR: 6) (-3)
10. Lesley Manville, Queer (PR: 12) (+2)
11. Elizabeth Olsen, His Three Daughters (PR: 9) (-2)
12. Kathy Burke, Blitz (PR: 8) (-4)
13. Glenn Close, The Deliverance (PR: Not Ranked)
14. Valeria Golino, Maria (PR: 14) (E)
15. Erin Kellyman, Blitz (PR: 11) (-4)
Dropped Out:
Toni Collette, Juror No. 2
Emily Watson, Small Things like These
Best Supporting Actor
Predicted Nominees:
1. Samuel L. Jackson, The Piano Lesson (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Stanley Tucci, Conclave (PR: 4) (+1)
4. Kieran Culkin, A Real Pain (PR: 3) (-1)
5. Adam Pearson, A Different Man (PR: 9) (+4)
Other Possibilities:
6. Denzel Washington, Gladiator II (PR: 5) (-1)
7. Jeremy Strong, The Apprentice (PR: 6) (-1)
8. Harris Dickinson, Blitz (PR: 6) (-1)
9. Drew Starkey, Queer (PR: 8) (-1)
10. John Lithgow, Conclave (PR: 10) (E)
11. Brian Tyree Henry, The Fire Inside (PR: 11) (E)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Mark Eidelstein, Anora (PR: 13) (E)
14. Elliot Heffernan, Blitz (PR: 12) (-2)
15. Scoot McNairy, Nightbitch (PR: 15) (E)
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. A Real Pain (PR: 3) (E)
4. The Seed of the Sacred Fig (PR: 4) (E)
5. Hard Truths (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: Not Ranked) – moved from Adapted
7. The Room Next Door (PR: 6) (-1)
8. His Three Daughters (PR: 7) (-1)
9. Dídi (PR: 9) (E)
10. Kinds of Kindness (PR: 10) (E)
11. The End (PR: 8) (-3)
12. All We Imagine as Light (PR: 13) (+1)
13. The Apprentice (PR: 11) (-2)
14. A Different Man (PR: Not Ranked)
15. Challengers (PR: 12) (-3)
Dropped Out:
I Saw the TV Glow
Juror No. 2
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 1) (E)
2. Conclave (PR: 2) (E)
3. Queer (PR: 5) (+2)
4. Nickel Boys (PR: 3) (-1)
5. Nightbitch (PR: 8) (+3)
Other Possibilities:
6. The Piano Lesson (PR: 4) (-2)
7. Dune: Part Two (PR: 7) (E)
8. Hit Man (PR: 9) (+1)
9. Gladiator II (PR: 12) (+3)
10. Inside Out 2 (PR: 10) (E)
11. The Collaboration (PR: 14) (+3)
12. Joker: Folie à Deux (PR: 11) (-1)
13. The Fire Inside (PR: 13) (E)
14. Nosferatu (PR: Not Ranked)
15. Here (PR: 15) (E)
Dropped Out:
Emilia Pérez – moved to Original
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. I’m Still Here (PR: 2) (E)
3. The Count of Monte Cristo (PR: 3) (E)
4. All We Imagine as Light (PR: Not Ranked)
5. Grand Tour (PR: 5) (E)
Other Possibilities:
6. Uprising (PR: 4) (-2)
7. Evil Does Not Exist (PR: 7) (E)
8. Kneecap (PR: 9) (+1)
9. Emmanuelle (PR: 8) (-1)
10. Simon of the Mountain (PR: 6) (-4)
Dropped Out:
The Girl with the Needle
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 4) (+1)
4. Memoir of a Snail (PR: 5) (+1)
5. Wallace & Gromit: Vengeance Most Fowl (PR: 3) (-2)
Other Possibilities:
6. Moana 2 (PR: 6) (E)
7. Savages (PR: 7) (E)
8. Orion and the Dark (PR: 10) (+2)
9. The Most Precious of Cargoes (PR: 8) (-1)
10. The Lord of the Rings: The War of the Rohirrim (PR: 9) (-1)
Best Documentary Feature
Predicted Nominees:
1. Black Box Diaries (PR: 1) (E)
2. Daughters (PR: 2) (E)
3. Sugarcane (PR: 3) (E)
4. Soundtrack to a Coup D’Etat (PR: 7) (+3)
5. Will & Harper (PR: 5) (E)
Other Possibilities:
6. Super/Man: A Christopher Reeve Story (PR: 6) (E)
7. No Other Land (PR: 4) (-3)
8. Gaucho Gaucho (PR: 8) (E)
9. Union (PR: 9) (E)
10. Frida (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Nosferatu (PR: 3) (E)
4. Conclave (PR: 7) (+3)
5. Anora (PR: 4) (-1)
Other Possibilities:
6. Gladiator II (PR: 5) (-1)
7. Emilia Pérez (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 8) (E)
9. Queer (PR: 9) (E)
10. Maria (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 2) (+1)
2. Wicked (PR: 1) (-1)
3. Gladiator II (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. Maria (PR: 7) (+2)
Other Possibilities:
6. Joker: Folie à Deux (PR: Not Ranked)
7. Blitz (PR: 5) (-2)
8. Furiosa: A Mad Max Story (PR: 6) (-2)
9. Beetlejuice Beetlejuice (PR: 10) (+1)
10. Megalopolis (PR: 8) (-2)
Dropped Out:
Conclave
Best Film Editing
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Sing Sing (PR: 3) (E)
4. Anora (PR: 4) (E)
5. Conclave (PR: 6) (+1)
Other Possibilities:
6. Emilia Pérez (PR: 5) (-1)
7. Gladiator II (PR: 8) (+1)
8. Challengers (PR: 9) (+1)
9. Furiosa: A Mad Max Story (PR: 7) (-2)
10. Joker: Folie à Deux (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. Furiosa: A Mad Max Saga (PR: 4) (+1)
4. A Different Man (PR: 3) (-1)
5. Wicked (PR: Not Ranked)
Other Possibilities:
6. Joker: Folie à Deux (PR: 7) (+1)
7. Beetlejuice Beetlejuice (PR: 6) (-1)
8. Maria (PR: 5) (-3)
9. Sasquatch Sunset (PR: 8) (-1)
10. Gladiator II (PR: Not Ranked)
Dropped Out:
Longlegs
Nightbitch
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Emilia Pérez (PR: 5) (+3)
3. Gladiator II (PR: 7) (+4)
4. Sing Sing (PR: 3) (-1)
5. Joker: Folie à Deux (PR: 2) (-3)
Other Possibilities:
6. Conclave (PR: Not Ranked)
7. Queer (PR: 4) (-3)
8. Challengers (PR: 10) (+2)
9. Blitz (PR: 6) (-3)
10. Here (PR: Not Ranked)
Dropped Out:
Nickel Boys
Nosferatu
Best Original Song
Predicted Nominees:
1. TBD from Emilia Pérez (PR: 1) (E)
2. TBD from Sing Sing (PR: 2) (E)
3. TBD from Joker: Folie à Deux (PR: 6) (+3)
4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)
5. TBD from Wicked (PR: Not Ranked)
Other Possibilities:
6. “Harper and Will Go West” from Will & Harper (PR: 7) (+1)
7. TBD from Mufasa: The Lion King (PR: 3) (-4)
8. TBD from Moana 2 (PR: 5) (-3)
9. “Ain’t No Love in Oklahoma” from Twisters (PR: Not Ranked)
10. “Compress/Repress” from Challengers (PR: 8) (-2)
Dropped Out:
“Claw Machine” from I Saw the TV Glow
“Release” from Trap
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Gladiator II (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Nosferatu (PR: 4) (E)
5. Wicked (PR: 5) (E)
Other Possibilities:
6. Furiosa: A Mad Max Saga (PR: 6) (E)
7. Joker: Folie à Deux (PR: 7) (E)
8. Conclave (PR: 8) (E)
9. Maria (PR: Not Ranked)
10. Beetlejuice Beetlejuice (PR: 9) (-1)
Dropped Out:
Queer
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 4) (+2)
3. Gladiator II (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 3) (-1)
5. Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. Twisters (PR: 6) (E)
7. Wicked (PR: 7) (E)
8. Joker: Folie à Deux (PR: Not Ranked)
9. Sing Sing (PR: Not Ranked)
10. Civil War (PR: 9) (-1)
Dropped Out:
A Quiet Place: Day One
Nosferatu
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 3) (+1)
3. Gladiator II (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 6) (+2)
5. Here (PR: 5) (E)
Other Possibilities:
6. Twisters (PR: 8) (+2)
7. Mufasa: The Lion King (PR: 4) (-3)
8. Blitz (PR: 7) (-1)
9. Deadpool & Wolverine (PR: Not Ranked)
10. Godzilla x Kong: The New Empire (PR: 10) (E)
Dropped Out:
Nosferatu
And that adds up to these movies generating these numbers in terms of nods:
10 Nominations
Dune: Part Two
8 Nominations
Blitz, Emilia Pérez
7 Nominations
Conclave, Sing Sing
5 Nominations
Anora, Gladiator II
4 Nominations
Nosferatu, The Piano Lesson, Wicked
3 Nominations
A Different Man, Furiosa: A Mad Max Story, Nickel Boys, Queer, The Seed of the Sacred Fig
2 Nominations
Joker: Folie à Deux, Maria, Nightbitch, A Real Pain
1 Nomination
All We Imagine as Light, Black Box Diaries, The Count of Monte Cristo, Daughters, Diane Warren: Relentless, Flow, Grand Tour, Hard Truths, Here, His Three Daughters, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, The Outrun, Soundtrack to a Coup D’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Will & Harper
In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).
Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.
Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.
10. How to Train Your Dragon 2
Domestic Gross: $177 million
While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.
9. Teenage Mutant Ninja Turtles
Domestic Gross: $191 million
With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.
8. 22 Jump Street
Domestic Gross: $191 million
Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.
7. Godzilla
Domestic Gross: $200 million
It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick
6. The Amazing Spider-Man 2
Domestic Gross: $202 million
While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.
5. Dawn of the Planet of the Apes
Domestic Gross: $208 million
The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.
4. X-Men: Days of Future Past
Domestic Gross: $233 million
This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.
3. Maleficent
Domestic Gross: $241 million
After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.
2. Transformers: Age of Extinction
Domestic Gross: $245 million
Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.
1. Guardians of the Galaxy
Domestic Gross: $233 million
This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.
And now let’s cover some other flicks from ’14 that had crowds and critics chatting.
Neighbors
Domestic Gross: $150 million
The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.
Lucy
Domestic Gross: $126 million
Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.
The Fault in Our Stars
Domestic Gross: $124 million
John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.
Edge of Tomorrow
Domestic Gross: $100 million
Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.
Let’s Be Cops
Domestic Gross: $82 million
This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.
Chef
Domestic Gross: $31 million
After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.
Boyhood
Domestic Gross: $25 million
Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.
Snowpiercer
Domestic Gross: $4 million
Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.
OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.
Hercules
Domestic Gross: $72 million
Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?
Jersey Boys
Domestic Gross: $47 million
The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.
Blended
Domestic Gross: $46 million
The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.
A Million Ways to Die in the West
Domestic Gross: $43 million
Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.
The Expendables 3
Predicted Gross: $39 million
The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.
Sex Tape
Predicted Gross: $38 million
Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.
Sin City: A Dame to Kill For
Domestic Gross: $13 million
The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.
And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!
Earlier this year, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five that I believe would’ve gotten in. I’ve already covered 2007 and 2008 and you can peruse my posts on them here:
We begin with the obvious. There’s a quintet of titles that would’ve made the dance because they already did. Martin Scorsese’s The Departed was the first title from the legendary filmmaker to win BP and he also won his only statue for direction. It additionally took home Adapted Screenplay and Film Editing and nabbed Mark Wahlberg a Supporting Actor nod.
The other four contenders were Babel from Alejandro Gonzalez Inarritu, picking up 7 nominations with its sole victory in Original Score. Clint Eastwood’s Letters from Iwo Jima got in for BP, Director, Original Screenplay, and won for Sound Editing. Little Miss Sunshine had two trophies for Supporting Actor (Alan Arkin) and Original Screenplay. Helen Mirren’s podium trip in Actress for Stephen Frears’s The Queen was the only win in its six mentions.
So what else? Bill Condon’s Dreamgirls managed to underperform on nominations morning and still lead with 8 overall nods. Jennifer Hudson took Supporting Actress and it was honored for its Sound Mixing. Despite it not garnering BP, Director, or a screenplay mention, I think it gets in with an expanded ten.
Same goes for Blood Diamond which went 0 for 5 but scored key noms in Actor (Leonardo DiCaprio), Supporting Actor (Djimon Hounsou), and Film Editing.
Todd Field’s Little Children got BP love at Critics Choice and the Globes with Oscar nods for Actress (Kate Winslet), Supporting Actor (Jackie Earle Haley), and Adapted Screenplay. The acclaim probably puts it in.
Paul Greengrass made the final five for his direction of United 93, which also had a Film Editing mention. It makes my cut as well.
As for the 10th slot, options abound. Al Gore’s environmental documentary An Inconvenient Truth was a box office success (especially for the genre) and went 2/2 in its nominations in Documentary Feature and Original Song. I almost picked it to make the ten. Notes on a Scandal received four mentions for its leads Cate Blanchett and Judi Dench and its adapted screenplay and score. You could easily put it in the mix and I wouldn’t argue. Children of Men from Alfonso Cuaron received three noms in Adapted Screenplay, Cinematography, and Film Editing. Clint Eastwood had another WWII epic with Flags of Our Fathers which was up in both sound races. And Borat was a buzzy phenomenon which received an Adapted Screenplay nomination.
Yet I’m going with Pan’s Labyrinth as my final selection. Even though it lost the Foreign Language Film race to Germany’s The Lives of Others, Guillermo del Toro’s creation was up in six races and won three – Art Direction, Cinematography, and Makeup.
Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!
Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.
We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.
David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).
Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).
The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.
Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.
I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.
For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.
Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.
All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).
Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.
So there you have it! That means my 2008 Best Picture expanded to ten is:
In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring.
By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.
20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.
As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:
When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.
9. Minority Report
Domestic Gross: $132 million
The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.
8. xXx
Domestic Gross: 142 million
Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.
7. Lilo & Stitch
Domestic Gross: $145 million
This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.
6. Scooby-Doo
Domestic Gross: $153 million
Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.
5. Men in Black II
Domestic Gross: $190 million
Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.
4. Austin Powers in Goldmember
Domestic Gross: $213 million
Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me.
3. Signs
Domestic Gross: $227 million
After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.
2. Star Wars: Episode II – Attack of the Clones
Domestic Gross: $302 million
$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.
Spider-Man
Domestic Gross: $403 million
When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.
Now let’s move to some other notable titles from the season:
The Bourne Identity
Domestic Gross: $121 million
While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.
The Sum of All Fears
Domestic Gross: $118 million
Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.
Road to Perdition
Domestic Gross: $104 million
His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.
Insomnia
Domestic Gross: $67 million
Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).
Unfaithful
Domestic Gross: $52 million
Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.
And now for some movies that didn’t perform so well…
Reign of Fire
Domestic Gross: $43 million
This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.
Windtalkers
Domestic Gross: $40 million
John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.
K-19: The Widowmaker
Domestic Gross: $35 million
Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.
Halloween: Resurrection
Domestic Gross: $30 million
Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.
Bad Company
Domestic Gross: $30 million
One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.
Blood Work
Domestic Gross: $26 million
Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.
The Adventures of Pluto Nash
Domestic Gross: $4 million
Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.
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