Tag: Civil War

Civil War Review

When it focuses on snapping the perfect photo, Alex Garland’s Civil War crackles and pops with a tension rivaling the best scary movies. Indeed there is horror to be found in this tale of journalists covering a nation torn apart. It is set in the near future and viewers will bring their own instincts to suss out the political landscape. Garland’s screenplay doesn’t provide the roadmap as a third-term President (Nick Offerman) and his dwindling protective units are being closed in on by separatist groups.

Lee Smith (Kirsten Dunst) is a veteran shutterbug who’s seen it all. Almost. Along with colleague Joel (Wagner Moura), they plan a trek to D.C. to witness and document the pending downfall of POTUS. An interview before his demise is the wished for cherry on top. Two others hitch a ride with the Reuters duo – seasoned New York Times reporter Sammy (Stephen McKinley Henderson) and newbie cameraperson Jessie (Cailee Spaeny, fresh off her starring role as Priscilla in that biopic).

The trip to the capital is a bumpy and episodic one, filled with sudden bursts of carnage and odd and often distracting musical needle drops. Lee’s view of documenting the violence is passive in nature. She refuses (at least outwardly) to let emotion overwhelm her. Just the snaps, ma’am. Jessie has to learn that trait. Dunst and Spaeny are precise and effective in portraying the two sides of the equation.

Another noteworthy performance belongs to Dunst’s husband Jesse Plemons in a one segment role as a militia man deciding whether or not to let the road warriors continue their trip. It is the most suspenseful sequence in a picture with a few of them.

As mentioned, the details of the governmental breakdown are kept to a minimum and we are left to interpret plenty. There is one episode that frightens in a different way. The group passes through a town where the citizens are willfully uninformed of the chaos surrounding them. What doesn’t kill them makes them stronger in their estimation and it’s an eerie divergence on that particular exit.

When the action gets to D.C. in the third act, some energy is lost. The coup is exceedingly well-directed by the maker of Ex Machina and Annihilation (a shoutout especially to the sound designers on Garland’s crew). It just seems like we’ve seen the White House go down in plenty of lesser flicks. Civil War shines brightest when it dwells on the power of the photog in their darkest moments.

*** (out of four)

April 12-14 Box Office Predictions

A24 is looking for Civil War to be their biggest box office breakout so far when it opens this weekend. You can peruse my detailed prediction post on the newcomer here:

Civil War Box Office Prediction

In order to set the all-time opening premiere record for the studio, it needs to eclipse the low teens start Hereditary managed in 2018. That shouldn’t be a problem as I have it posting a high teens beginning. That should be enough for a #1 perch.

That means Godzilla x Kong: The New Empire should slide to second after two weeks atop the charts with a high 40s-low 50s decline. The other sequel with Empire at the end – Ghostbusters: Frozen Empire – might maintain its third place position as I have current #2 Monkey Man experiencing a larger drop. I actually have Monkey sliding three spots. Kung Fu Panda 4 may manage to rise from 5th to 4th as its fall should be less than the sophomore frame of The First Omen, which had a highly disappointing debut (more on that below).

And with that, my forecast for the top 5:

1. Civil War

Predicted Gross: $18 million

2. Godzilla x Kong: The New Empire

Predicted Gross: $15.9 million

3. Ghostbusters: Frozen Empire

Predicted Gross: $5.6 million

4. Kung Fu Panda 4

Predicted Gross: $5.1 million

5. Monkey Man

Predicted Gross: $4.9 million

Box Office Results (April 5-7)

Godzilla x Kong: The New Empire, as anticipated, had an understandable 61% second weekend plummet to $31.2 million. That’s right on target with my $31.8 million prediction as the impressive two-week total is $134 million.

Dev Patel’s inaugural behind the camera project Monkey Man was runner-up and kicked off on the lower end of expectations. With $10.1 million, it came in well under my $16.6 million take.

Ghostbusters: Frozen Empire was third with $9 million in its third haunting. That’s hotter than my $7.6 million projection as it has amassed $88 million.

The First Omen, as mentioned, might have been victim to horror genre overload. Despite mostly heavenly reviews, the demonic prequel was DOA with $8.3 million. I was more generous at $13.3 million.

Kung Fu Panda 4 rounded out the top five at $7.7 million (I said $6.5 million) as the animated sequel is up to $165 million in five weeks and has grossed more than parts 2 and 3 domestically already. It will not, however, match the $215 million that the original took in.

Finally, Dune: Part Two was sixth with $7.4 million (I said $6.7 million) for a six-week bounty of $265 million.

And that does it for now, folks! Until next time…

97th Academy Awards: FIRST Predictions in Best Supporting Actress

My very first glimpse of the acting races, Director, and Picture for the 97th Academy Awards reaches Best Supporting Actress! If you missed my post covering Supporting Actor, you can peruse it here:

97th Academy Awards: FIRST Oscar Predictions in Best Supporting Actor

When I did my initial speculation for this competition in 2023 (just about a year ago), it yielded one eventual nominee and that was Danielle Brooks for The Color Purple. Under the 10 other possibilities, I named the eventual winner Da’Vine Joy Randolph in The Holdovers in addition to fellow nominee Jodie Foster (Nyad). I did not identify Emily Blunt (Oppenheimer) or America Ferrera (Barbie) at that early juncture.

Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Performers listed here could end up being campaigned for in lead actor and vice versa when I get to Best Actress.

This premiere post highlights plenty of veteran thespians with previous noms. It is worth noting that none of them are previous victors. We also have some newcomers to the awards scene.

Here’s the first snapshot:

TODD’S FIRST OSCAR PREDICTIONS FOR SUPPORTING ACTRESS AT THE 97TH ACADEMY AWARDS

Hong Chau, Kinds of Kindness

Joan Chen, Dídi

Erin Kellyman, Blitz

Lesley Manville, Queer

Isabella Rossellini, Conclave

Other Possibilities:

Maria Bakalova, The Apprentice

Toni Collette, Juror No. 2

Carrie Coon, His Three Daughters

Danielle Deadwyler, The Piano Lesson

Aunjanue Ellis-Taylor, The Nickel Boys

Cynthia Erivo, Wicked

Renate Reinsve, A Different Man

Cailee Spaeny, Civil War

Emily Watson, Small Things like These

Naomi Watts, Emmanuelle

Best Actor is up next!

Civil War Box Office Prediction

Civil War breaks out in theaters on April 12th after a buzzy premiere at South by Southwest last month. The dystopian action flick from Alex Garland imagines a nation deeply divided in what should be timely programming in this election year. Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons are among the ensemble.

This marks Garland’s fourth directorial feature after the acclaimed Ex Machina from 2015 and 2018’s Annihilation and 2022’s Men which generated considerably more mixed reviews. Notices for War are strong with a 92% RT rating. The A24 release looks to set an all-time best opening for the distributor by topping Hereditary‘s $13.6 million debut.

That record should be set, but by how much is the question for the $50 million budgeted project. Some estimates have this at $20 million or more. I’m being a tad more conservative in the high teens.

Civil War opening weekend prediction: $18 million

Oscar Predictions: Civil War

Alex Garland’s directorial debut Ex Machina was a critically hailed sci-fi effort that earned its maker an Original Screenplay nomination and a Visual Effects win at the 2014 Oscar ceremony. His follow-ups Annihilation (despite solid reviews) and Men (which drew a considerably more mixed reaction) did not generate much awards chatter post release. Garland’s fourth feature Civil War has been unveiled at South by Southwest prior to its April 12th debut. The dystopian thriller stars Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons. This reunites the husband/wife team of Dunst and Plemons after The Power of the Dog.

Several critics are highly impressed with Civil War, which is being called both a love letter to journalists and a tense political action pic. The Rotten Tomatoes score is 88%. I’m not convinced that this will become a BP or directing or original screenplay player, but it’s within the realm of possibility. Tech nods seem more doable, including Sound and perhaps Cinematography.

As for the cast, Dunst and Spaeny are receiving the most attention. Dunst is coming off her first nomination for Dog in 2021 while Spaeny would be vying for her first (she probably came close to getting in for last year’s Priscilla). I would say Civil War needs to get in the BP conversation for either to have a shot and that will remain unclear for some time. My Oscar Prediction posts will continue…

Oscar Predictions: Late Night with the Devil

South by Southwest is happening now and giving us some potential awards players (keep an eye out for my imminent Civil War post for example). It was at last year’s SXSW that festival goers were first exposed to Late Night with the Devil. Australian brothers Colin and Cameron Cairnes direct the 1970s set found footage horror flick with David Dastmalchian as a talk show host showcasing some demonic guests. Laura Gordon, Ian Bliss, and Fayssal Bazzi costar.

Devil is finally slated for stateside distribution on March 22nd with a Shudder streaming bow on April 19th. Many reviews are raves and it sports a 100% RT score. Dastmalchian, a memorable character who you may recognize from Prisoners, The Suicide Squad, Dune, and Oppenheimer, is being praised for this rare lead role.

That said, this is not the kind of material that awards voters notice… at least at the big dance. Perhaps the Indie Spirit Awards will be more attuned to its scare tactics. My Oscar Prediction posts will continue…