As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Actor and that’s Paul Giamatti in The Holdovers. Let’s get to it!
Previous Oscar Acting Nominations:
Cinderella Man (Supporting Actor, 2005)
The Case for Paul Giamatti:
He has an Emmy and a Globe as the title character in HBO’s John Adams from 2008, but Paul Giamatti has just one Oscar nod for his supporting work in Cinderella Man. For that nomination, he was in the mix but came up short to George Clooney in Syriana. That means he was snubbed for 2003’s American Splendor and, most notably, 2004’s Sideways. There could be an overdue narrative brewing. As temperamental teacher Paul Hunham in his second collaboration with Alexander Payne behind Sideways, Giamatti has won the Globe for Actor in a Comedy/Musical and took the Critics Choice Award. He’s also in contention for BAFTA tomorrow and SAG next week.
The Case Against Paul Giamtti:
That the Oppenheimer love will translate to Cillian Murphy being named. He is the recipient of the Globe for Actor in a Drama. Perhaps voters will feel The Holdovers is being properly honored in Supporting Actress where Da’Vine Joy Randolph is the frontrunner.
The Verdict:
Giamatti stands an excellent chance… as does Murphy. My suspicion is that Murphy takes BAFTA and Giamatti is out front as SAG. If that pans out, we are in for a showdown on the evening of the Academy’s festivities. If either of the performers win BAFTA/SAG, consider them the strong favorite.
My Case Of posts will continue with America Ferrera in Barbie…
One of the most surprising 21st century Best Actor snubs at the Oscars was Paul Giamatti being left out in 2004 for Alexander Payne’s Sideways. The movie itself nabbed five nominations – Picture, Director, Supporting Actress (Virginia Madsen), Supporting Actor (Thomas Haden Church), and a win for its Adapted Screenplay. Somehow its star couldn’t make his final five.
Giamatti would receive his one and only nom in Supporting Actor the following year with Cinderella Man. Nearly two decades after the Sideways omission, his latest collaboration with Payne could get him the second and first in lead. Dramedy The Holdovers has premiered at Telluride prior to an October 27th limited release and November 10th wide bow.
Early reviews are hailing it as a return to form for Payne (100% right now on RT). His previous effort Downsizing in 2017 underwhelmed critics and crowds. It could be his fourth Best Picture nominee after Sideways, The Descendants, and Nebraska and if he gets in for his direction, that would also be #4. The original screenplay by David Hemingson seems like a shoo-in.
Could Giamatti miss again? Sure. We already have major contenders such as Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Bradley Cooper (Maestro), and Barry Keoghan (Saltburn). Those are just the pics that have already screened. I’d look for Focus Features to make a strong push. They’ll do the same for his costars Da’vine Joy Randolph and newbie Dominic Sessa in their supporting fields. The former probably has the best shot, but don’t discount Sessa. My Oscar Prediction posts will continue…
Last week on the blog, we took a trip down nostalgia lane recounting the top ten summer movies from 20 years ago and other notable pictures and flops from that season. This evening, we go back a decade and have a look at what had moviegoers buzzing way back in 2005.
That summer’s top hit was the one we expected it to be as it marked the end of one trilogy that was considered disappointing. Yet it’s a performer in the middle of the pack that started one of the most beloved recent trilogies in recent film history.
Let’s go back in time, my friends:
10. The 40-Year-Old Virgin
Domestic Gross: $109 million
As Judd Apatow prepares to release his fifth feature with Trainwreck on Friday, this is where it started with him as this critically acclaimed comedy rocketed Steve Carell into movie stardom.
9. Fantastic Four
Domestic Gross: $154 million
Critics may not have dug it (27% on Rotten Tomatoes) but the adaptation of the famed Marvel Comic with Jessica Alba and Michael Chiklis scored with audiences enough to warrant a 2007 sequel. A new franchise reboot hits theaters this August.
8. The Longest Yard
Domestic Gross: $158 million
Adam Sandler took over the Burt Reynolds role in this remake of the 1974 prison football comedy with Chris Rock and Reynolds himself costarring.
7. Mr. & Mrs. Smith
Domestic Gross: $186 million
The action comedy from director Doug Liman earned plenty of headlines due to the real life romance between stars Brad Pitt and Angelina Jolie and hefty box office came along with it. The couple will reunite onscreen again in this fall’s By the Sea.
6. Madagascar
Domestic Gross: $193 million
With no Pixar film on the docket, Dreamworks Madagascar was the top animated feature of the summer and has since spawned two sequels and a spin-off.
5. Batman Begins
Domestic Gross: $205 million
It’s hard to remember now, but Chris Nolan’s reboot of the Dark Knight’s world did quite well, but wasn’t a mega ton blockbuster like its 2008 and 2012 sequels would be. Still, it immediately wiped the bad taste out of the mouth of audiences left by Joel Schumacher’s Batman and Robin from eight summers ago. Of course, this began the trilogy that has become the gold standard in superhero flicks.
4. Charlie and the Chocolate Factory
Domestic Gross: $206 million
Tim Burton’s retelling of Roald Dahl’s classic book starred Johnny Depp as Willy Wonka. It may not have the beloved status as 1971’s offering with Gene Wilder, but it made the studio very happy with its massive earnings.
3. Wedding Crashers
Domestic Gross: $209 million
The sleeper hit of the season paired Vince Vaughn and Owen Wilson and helped invigorate (along with #10 Virgin) the R-rated comedy. The two would appear again in the considerably less successful The Internship eight years later.
2. War of the Worlds
Domestic Gross: $234 million
Steven Spielberg directed Tom Cruise in this version of H.G. Wells renowned sci-fi novel and crowds turned out in droves so much that it’s Mr. Cruise’s highest grossing domestic earner of all time.
1. Star Wars Episode III: Revenge of the Sith
Domestic Gross: $380 million
Sith easily took the crown for the summer’s champion and it concluded George Lucas’s second trilogy that received mixed reactions from critics and audiences… and that’s putting it kindly. This third episode is widely considered an improvement over Phantom Menace and Attack of the Clones. Of course, we’ll see what JJ Abrams manages to do this December when Episode 7 is released… in case you hadn’t heard.
And now, some other notable pictures outside the top ten:
13. March of the Penguins
Domestic Gross: $77 million
This little French documentary that could astonished box office watchers with its magnificent stateside gross. Bottom line: people dig penguins.
18. Cinderella Man
Domestic Gross: $61 million
Critics mostly lauded Ron Howard’s Depression era boxing tale with Russell Crowe and Renee Zellwegger, but it under performed at the box office at the time of its release (not quite enough to put it in the total flop column though).
20. Crash
Domestic Gross: $54 million
Paul Haggis’s L.A. set racial drama came out of nowhere to score solid business. It went on to win Best Picture, which was a surprise over front runner Brokeback Mountain, which came out in the fall.
And now for the flops…
Nicole Kidman and Will Ferrell headlined Nora Ephron’s Bewitched, based on the 1960s TV comedy. Audiences and critics reacted with ambivalence and the $85 million budgeted pic managed just $63 million domestically.
Ridley Scott’s Kingdom of Heaven with Orlando Bloom captured none of the director’s Gladiator magic and it earned $47 million against its reported $130 million budget.
Michael Bay had found huge success with the Bad Boys movies, The Rock, and Armageddon, but his science fiction tale The Island with Ewan McGregor and Scarlett Johannson sputtered with a mere $35 million (rumored budget: $126M).
And, finally, Jamie Foxx was coming off Oscar glory in Ray but his action thriller Stealth was grounded with a $32 million gross against its $76M budget.
And that’ll do it, ladies and gentlemen, for our look back at the summer offerings of 2005. I hope you enjoyed and rest assured you’ll see posts next summer tapping our nostalgia for 1996 and 2006!
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