Oscar Predictions: Superman

James Gunn’s Superman reboot flies into theaters this weekend with a new franchise on the line for Warner Bros and high expectations. Davin Corenswet plays the title character with Rachel Brosnahan as Lois Lane and Nicholas Hoult portraying Lex Luthor. Other costars include Edi Gathergi, Anthony Carrigan, Nathan Fillion, Isabela Merced, Pruitt Taylor Vince, Neva Howell, Wendell Pierce, and Skyler Gisondo.

It arrives 47 years after the Christopher Reeve saga, which won a special award for its Visual Effects and was also up for its editing and classic score from John Williams. Three sequels failed to generate any nominations. 2006 reboot Superman Returns was up for its visuals, falling short to Pirates of the Caribbean: Dead Man’s Chest. The Zack Snyder Supes flicks (Man of Steel, Batman v Superman: Dawn of Justice) did not factor into the Oscar mix.

Will Gunn’s take on the icon generate awards chatter? The Rotten Tomatoes meter is at 84% with 71 on Metacritic. Critics are all over the place on which cast members shine brightest (though there’s general agreement that Corenswet is strong). That said, above-the-line nods are a major long shot. Gunn is no stranger to the VE competition as all three of his MCU Guardians of the Galaxy features were nominated. This is where Superman has the strongest chance at a nod with Sound and Makeup & Hairstyling less probable. I don’t think inclusion in VE is automatic though don’t be surprised if it populates one of the five slots. My Oscar Prediction posts will continue…

Oscar Predictions – Super/Man: The Christopher Reeve Story

In 2018, Ian Bonhôte and Peter Ettedgui’s documentary McQueen focused on British fashion director Alexander McQueen. It earned strong reviews, but wasn’t much of an awards player. The filmmakers are back with a higher profile doc six years later in Super/Man: The Christopher Reeve Story. It recounts the performer’s career and life following his paralysis resulting from a horse riding accident.

Early reaction from its Sundance screening is that it’s an emotionally stirring watch. The RT score is 100%. Like Will & Harper (my previous Oscar Predictions write-up), Super/Man should be subject to a bidding war by studios and streamers. This appears destined to be one of the most watched docs of 2024.

That doesn’t always translate to the Academy taking notice. In the just announced Oscar noms, Still: A Michael J. Fox Movie (also acclaimed and with similar themes) made the Documentary Feature shortlist. It did not make the final five. This story should have at least an equal shot at the ultimate quintet. My Oscar Prediction posts will continue…

Summer 1987: The Top 10 Hits and More

As we begin the month of August and the dog days of summer, I’ll be traveling back 30, 20, and 10 years ago to seasons past giving you the top ten hits and more of that particular time frame. Today we are going all the way to 1987.

It was a simpler time back then. There were very few sequels and franchises and reboots and a good portion of the highest grossing flicks dealt with law enforcement in action type settings. Only one picture grossed over $100 million dollars. Yes, the times have changed, but what a hoot to look back at what was burning up the box office charts three decades ago. This post will also discuss some other notable flicks outside the top ten and some big ole flops.

Let’s get to it!

10. The Living Daylights

Domestic Gross: $51 million

The 15th James Bond picture kicked off the brief two picture reign of Timothy Dalton, who took over the iconic role after the late Roger Moore’s 12 year long portrayal of 007. It’s $51M gross would just surpass the $50M earnings of Moore’s swan song, 1985’s A View to a Kill. Two summers later, Dalton would star in his swan song Licence to Kill before Pierce Brosnan donned the tuxedo six years later.

9. Robocop

Domestic Gross: $53 million

Paul Verhoeven’s futuristic sci-fi action thriller nearly received the dreaded X rating upon its release. It also received critical acclaim and spawned two sequels and a 2014 remake.

8. La Bamba

Domestic Gross: $54 million

This biopic of singer Ritchie Valens starring Lou Diamond Phillips was a major summer sleeper and even earned a Golden Globe nod for Best Picture (Drama). It also featured the Los Lobos cover of the title song that was in the top ten summer songs of 1987.

7. Dragnet

Domestic Gross: $57 million

A few years before Tom Hanks was earning back to back Best Actor Oscars, he was costarring in silly remakes of 1950s cop dramas. Dragnet managed to perform well and it’s a guilty pleasure, especially Dan Aykroyd’s take on Sgt. Joe Friday (a role made famous by Jack Webb).

6. Predator

Domestic Gross: $59 million

One of Arnold Schwarzenegger’s finest action pics, Predator also kicked off an impressive three picture directorial run by John McTiernan that was followed up by Die Hard and The Hunt for Red October. This franchise is still going strong today, but nothing beats the hard edged original.

5. Dirty Dancing

Domestic Gross: $63 million

The biggest sleeper hit of the summer vaulted Patrick Swayze into super stardom and won the Oscar for Best Original Song for Bill Medley and Jennifer Warnes’s “(I’ve Had) The Time of My Life”.

4. The Witches of Eastwick

Domestic Gross: $63 million

Mad Max maker George Miller went Hollywood with this critically appreciated comedic fantasy with an all-star cast of Jack Nicholson, Cher, Susan Sarandon, and Michelle Pfeiffer.

3. Stakeout

Domestic Gross: $65 million

This was the height of the buddy cop era and it propelled this one starring Richard Dreyfuss and Emilio Estevez to big grosses. A less regarded sequel costarring Rosie O’Donnell would follow six years later.

2. The Untouchables

Domestic Gross: $76 million

Brian De Palma’s take on the classic TV series was a big-budget and highly entertaining affair headlined by Kevin Costner, Robert De Niro, Andy Garcia, and Sean Connery (who won a Supporting Actor Oscar for his work).

1. Beverly Hills Cop II

Domestic Gross: $153 million

Eddie Murphy was just about the biggest movie star in the world in summer 1987 and that’s shown here by the enormous gross of the sequel to his 1984 classic, directed by Tony Scott. A much less successful third entry would follow seven summers later after Murphy’s box office potency had waned.

And now – here’s some other notable pictures from the season:

Full Metal Jacket

Domestic Gross: $46 million

Legendary director Stanley Kubrick’s first film in seven years (since The Shining) is now considered a modern classic, especially for its unforgettable first half featuring R. Lee Ermey’s Vietnam drill sergeant.

Spaceballs

Domestic Gross: $38 million

This Mel Brooks spoof of Star Wars may not be in Blazing Saddles or Young Frankenstein territory, but it’s certainly earned quite a cult status through the last 30 years.

Adventures in Babysitting

Domestic Gross: $34 million

The directorial debut of Chris Columbus (who would go on to make Home Alone, Mrs. Doubtfire and the first two Harry Potter pics), Babysitting has also achieved cult cred in addition to its decent box office showing at the time.

The Lost Boys

Domestic Gross: $32 million

Another flick with a rabid fan base, the teen pic cast Kiefer Sutherland, Jason Patric, and Corey Feldman in a California town overrun by vampires.

And now for a couple of 1987 summer box office bombs:

Jaws IV: The Revenge

Domestic Gross: $20 million

12 summers prior, Steven Spielberg’s original was a landmark motion picture. By the time the fourth entry came around, the series had gotten terrible. It still has a 0% score on Rotten Tomatoes and Michael Caine actually missed picking up his Oscar for Hannah and Her Sisters because he was shooting this turkey.

Superman IV: The Quest for Peace

Domestic Gross: $15 million

Not a solid summer for four-quels. This served as a bad ending to a series started nine years earlier. There was a moratorium on Supes pic for the next 19 years.

Ishtar

Domestic Gross: $14 million

Considered one of the largest bombs in film history at the time, this comedy with Warren Beatty and Dustin Hoffman was a punchline for years. Its reputation has grown a bit since.

And that’s my recap folks! I’ll be back recounting summer 1997 very soon…