As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actor and that’s Cillian Murphy in Oppenheimer.
Previous Oscar Acting Nominations:
None
The Case for Cillian Murphy:
Mr. Murphy’s sixth collaboration with Christopher Nolan earned him his first Academy nod. Oppenheimer is far and away the BP frontrunner and he is the title character. Already the victor at the Globes and BAFTA, Murphy picked up a key award last night at SAG. 17 out of the past 20 SAG recipients went on to take Actor at the Oscars.
The Case Against Cillian Murphy:
Paul Giamatti (The Holdovers) was named in Musical/Comedy at the Globes and he took Critics Choice where 16 of the last 20 winners have won Oscar.
The Verdict:
SAG has put Murphy out front in the competition. Giamatti is still viable, but the star of the future BP winner is now the likely winner.
My Case Of posts will continue with Jodie Foster in Nyad…
There were no shockers in the film races at the 30th SAG Awards as I went for 4 for 6. And indeed… four of the categories were fairly easy to predict while Actress and Actor were tossups. They went the other way from my forecasts.
Oppenheimer is your Outstanding Performance by a Cast in a Motion Picture as it seems destined for the Academy’s BP prize in a couple of weeks. Simply put, it has swept all the precursors it needs to.
Christopher Nolan’s epic won half the cinematic derbies this evening as Cillian Murphy took lead Actor. I had Paul Giamatti in The Holdovers getting this one. The general feeling (and I believe the correct one) is that if Murphy managed SAG, that makes it difficult to bet against him for Oscar. The race moves from Tossup between Murphy and Giamatti to Likely Murphy. As expected, Robert Downey Jr. continued his dominance in Supporting Actor.
In non-Oppenheimer news, Lily Gladstone was honored as lead Actress in Killers of the Flower Moon over Emma Stone in Poor Things (who I predicted). Had Stone made the podium trip, this Oscar category would be Likely Stone. Now I’d say it’s a tossup as both performers have essentially split the precursors.
Da’Vine Joy Randolph put another notch in the anticipated sweep in Supporting Actress for The Holdovers.
Finally, Mission: Impossible – Dead Reckoning is the first feature in that long running franchise to win Stunt Ensemble. I called that one.
Bottom line: SAG gave a huge boost to Gladstone giving Stone steady competition in two weeks. Meanwhile the Oppenheimer momentum keeps rolling along.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our third filmmaker in Best Director and that’s Christopher Nolan for Oppenheimer. Let’s get to it!
Previous Oscar Directing Nominations:
Dunkirk (2017)
The Case for Christopher Nolan:
Where to begin? Oppenheimer is easily the frontrunner for BP and leads all nominees with 13 overall. Nolan, one of the most visible and well-known filmmakers of the 21st century, has won all significant precursors. That includes the DGA (which has a sterling track record of matching with Oscar), the Golden Globes, Critics Choice, and BAFTA.
The Case Against Christopher Nolan:
There’s not much of one honestly. However, the Academy does have a history of snubbing Nolan. He missed the cut for Memento, The Dark Knight and Inception even though he picked up DGA nods for all three.
The Verdict:
If Nolan were to lose, it would be a jaw dropper. This is one of the easiest races to forecast. For someone whose pictures consistently deal with the concept of time… it’s his time with the Academy.
My Case Of posts will continue with Carey Mulligan in Maestro…
The top races went as I anticipated at the 77th BAFTA Awards while other races were a bit more unpredictable. That’s pretty much par for the course with the British equivalent of the Oscars as I went 13/23 (oof) in my selections.
Let’s start with Oppenheimer. As expected, Christopher Nolan’s epic took Best Film and its maker is your Best Director. Some prognosticators had this pegged for a record setting 10 BAFTAs. I had it winning 8 and it took 7. In addition to Film and Director, I correctly called Cillian Murphy in Actor, Robert Downey Jr. in Supporting Actor, Cinematography, Editing, and Original Score. I still believe Paul Giamatti in The Holdovers poses a threat to Murphy with the Academy (especially if he manages to win SAG). Oppenheimer should take those other BAFTA trophies a little less than a month away at the Oscars.
I incorrectly had Oppenheimer taking Best Sound. It instead went to The Zone of Interest. The Holocaust drama had a solid day with a victory in Best Film Not in the English Language over my predicted Anatomy of a Fall and for Outstanding British Film over my pick of Poor Things.
Despite the Poor miss in that category, it was honored with a handful of prizes. Emma Stone is your Best Actress and it won Costume Design, Makeup & Hair (over my Maestro call), Production Design, and Special Visual Effects (over my Napoleon pick).
The Holdovers was a double recipient for Supporting Actress with Da’Vine Joy Randolph and Casting (I went with All of Us Strangers instead).
Those four (Oppenheimer, Poor Things, The Zone of Interest, The Holdovers) were the only features with two victories or more. Here’s what else I got right: Anatomy of a Fall in Original Screenplay (which certainly helps its Oscar chances) and 20 Days in Mariupol for Documentary (same story).
In Adapted Screenplay, it was American Fiction continuing to make the case for Academy gold with a surprise win over Poor Things and my runner-up Oppenheimer.
The Boy and the Heron, as it did at the Globes, is Best Animated Feature over Spider-Man: Across the Spider-Verse. I went with Spidey and there could be a real showdown on March 10th.
Earth Mama is the Outstanding British Debut by a Writer, Director or Producer over the favored How to Have Sex while the lead in Sex (Mia McKenna-Bruce) is the Rising Star over Jacob Elordi (who I picked).
Some overall takeaways that shouldn’t surprise: Oppenheimer is still the overwhelming choice for BP as it’s winning everywhere it needs to. Same goes for Nolan and Downey Jr.
Randolph is bascially a lock for Supporting Actress while Emma Stone helped herself today over stiff competition from Sandra Hüller in Anatomy of a Fall. Some noteworthy pics that didn’t take a single award: Barbie, Killers of the Flower Moon, and Maestro.
Keep an eye on the blog for all Oscar speculation as we approach the big show!
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Supporting Actor and that’s Robert Downey Jr. in Oppenheimer. Let’s get to it!
It could be considered the capper for one of the most remarkable comeback stories in Hollywood history. In the mid 90s, Downey Jr.’s career appeared over due to drug abuse and legal woes. By 2008, he was starting run as star of the biggest franchise of all time with the MCU and multiple appearances as Tony Stark in the Iron Man and Avengers series. His role as the scheming AEC Chairman Lewis Strauss in Christopher Nolan’s epic biopic has swept the season thus far at the Globes, Critics Choice, and BAFTA. SAG is likely to follow suit next weekend. This could be seen as a career achievement prize and his peers are probably eager to give it to him (similar to Jamie Lee Curtis last year in Everything Everywhere All at Once).
The Case Against Robert Downey Jr.:
Frankly, it’s difficult to come up with one. Maybe the voters will look at Supporting Actor as a place to honor Barbie and give it to Ryan Gosling. The same logic could apply to Mark Ruffalo in Poor Things or Robert De Niro in Killers of the Flower Moon.
The Verdict:
At this point, anything other than a Downey Jr. victory would be a significant upset.
My Case Of posts will continue with the direction of Christopher Nolan in Oppenheimer…
Sunday brings the 77th BAFTA Awards as we look for further clues to the pictures and performers who will emerge victorious at the Oscars next month. Oppenheimer leads the pack with 13 nominations (the same number as its Academy haul) with Poor Things in second with 11 (also matching numbers wise with its American counterpart).
For each race, I’m giving you a predicted winner with a runner-up. I’ll have a recap on the blog with my takeaways following the ceremony!
Film
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
Predicted Winner: Oppenheimer
Runner-Up: Poor Things
Director
Nominees: Bradley Cooper (Maestro), Jonathan Glazer (The Zone of Interest), Andrew Haigh (All of Us Strangers), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Justine Triet (Anatomy of a Fall)
Predicted Winner: Christopher Nolan, Oppenheimer
Runner-Up: Is there one?? Let’s just say Glazer
Actress in a Leading Role
Nominees: Fantasia Barrino (The Color Purple), Sandra Huller (Anatomy of a Fall), Carey Mulligan (Maestro), Vivian Oparah (Rye Lane), Margot Robbie (Barbie), Emma Stone (Poor Things)
Predicted Winner: Emma Stone, Poor Things
Runner-Up: Sandra Hüller, Anatomy of a Fall
Actor in a Leading Role
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Teo Yoo (Past Lives)
Predicted Winner: Cillian Murphy, Oppenheimer
Runner-Up: Paul Giamatti, The Holdovers
Actress in a Supporting Role
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Claire Foy (All of Us Strangers), Sandra Hüller (The Zone of Interest), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)
Predicted Winner: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
Actor in a Supporting Role
Nominees: Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Jacob Elordi (Saltburn), Ryan Gosling (Barbie), Paul Mescal (All of Us Strangers), Dominic Sessa (The Holdovers)
Predicted Winner: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
Original Screenplay
Nominees: Anatomy of a Fall, Barbie, The Holdovers, Maestro, Past Lives
Predicted Winner: Anatomy of a Fall
Runner-Up: The Holdovers
Adapted Screenplay
Nominees: All of Us Strangers, American Fiction, Oppenheimer, Poor Things, The Zone of Interest
Predicted Winner: Poor Things
Runner-Up: Oppenheimer
Animated Feature
Nominees: The Boy and the Heron, Chicken Run: Dawn of the Nugget, Elemental, Spider-Man: Across the Spider-Verse
Predicted Winner: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
Documentary
Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, Still: A Michael J. Fox Movie, Wham!
Predicted Winner: 20 Days in Mariupol
Runner-Up: Beyond Utopia
Film Not in the English Language
Nominees: 20 Days in Mariupol, Anatomy of a Fall, Past Lives, Society of the Snow, The Zone of Interest
Predicted Winner: Anatomy of a Fall
Runner-Up: The Zone of Interest
Casting
Nominees: All of Us Strangers, Anatomy of a Fall, The Holdovers, How to Have Sex, Killers of the Flower Moon
Predicted Winner: All of Us Strangers
Runner-Up: The Holdovers
Cinematography
Nominees: Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things, The Zone of Interest
Predicted Winner: Oppenheimer
Runner-Up: Poor Things
Costume Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Predicted Winner: Poor Things
Runner-Up: Barbie
Editing
Nominees: Anatomy of a Fall, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest
Predicted Winner: Oppenheimer
Runner-Up: Poor Things
Make-Up & Hair
Nominees: Killers of the Flower Moon, Maestro, Napoleon, Oppenheimer, Poor Things
Predicted Winner: Maestro
Runner-Up: Poor Things
Original Score
Nominees: Killers of the Flower Moon, Oppenheimer, Poor Things, Saltburn, Spider-Man: Across the Spider-Verse
Predicted Winner: Oppenheimer
Runner-Up: Killers of the Flower Moon
Production Design
Nominees: Barbie, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest
Predicted Winner: Poor Things
Runner-Up: Barbie
Sound
Nominees: Ferrari, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
Predicted Winner: Oppenheimer
Runner-Up: The Zone of Interest
Special Visual Effects
Nominees: The Creator, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon, Poor Things
Predicted Winner: Napoleon
Runner-Up: The Creator
Outstanding British Film
Nominees: All of Us Strangers, How to Have Sex, Napoleon, The Old Oak, Poor Things, Rye Lane, Saltburn, Scrapper, Wonka, The Zone of Interest
Predicted Winner: Poor Things
Runner-Up: The Zone of Interest
Outstanding Debut by a British Writer, Director or Producer
Nominees: Blue Bag Life, Bobi Wine: The People’s President, Earth Mama, How to Have Sex, Is There Anybody Out There?
Predicted Winner: How to Have Sex
Runner-Up: Bobi Wine: The People’s President
Rising Star
Nominees: Phoebe Dynevor, Ayo Edebiri, Jacob Elordi, Mia McKenna-Bruce, Sophia Wilde
Predicted Winner: Jacob Elordi
Runner-Up: Mia McKenna-Bruce
That works out to these numbers of victories for these pictures:
8 Wins
Oppenheimer
5 Wins
Poor Things
2 Wins
Anatomy of a Fall
1 Win
20 Days in Mariupol, All of Us Strangers, How to Have Sex, The Holdovers, Maestro, Napoleon, Spider-Man: Across the Spider-Verse
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second filmmaker in Best Director and that’s Yorgos Lanthimos for Poor Things. Let’s get to it!
Previous Directing Nominations:
The Favourite (2018)
The Case for Yorgos Lanthimos:
From his 2009 Greek psychological drama Dogtooth to the 2015 pitch black satire The Lobster and 2017 medical thriller The Killing of a Sacred Deer, Lanthimos has emerged as one of the most acclaimed directors of the 21st century (with some comparisons to Kubrick). Absurdist costume period piece The Favourite was his awards breakout with 10 nods and an Actress victory for Olivia Colman. His follow-up absurdist costume period piece Poor Things did that one better with 11 and it has its hardcore supporters. He’s picked up DGA, Critics Choice, and Globe mentions.
The Case Against Yorgos Lanthimos:
That all important DGA precursor went to Christopher Nolan for Oppenheimer and he also received the Globe and Critics Choice. It looks like it’s simply his year. Lanthimos was also snubbed for BAFTA.
The Verdict:
Actress for Emma Stone and Production Design are Oscar things his film could get. Not this category.
My Case Of posts will continue with Sandra Hüller in Anatomy of a Fall…
How reliable is the Director Guild top prize when it comes to correlating with the Oscar winner? In the previous 75 ceremonies, the DGA victor has matched the Academy’s 67 times. The most recent example of a diversion is 2o19 when Sam Mendes (1917) took DGA while Bong Joon-ho was your Oscar recipient.
Despite that fairly fresh example, the thinking going into last night’s show was that Christopher Nolan could effectively sow up his Oscar if he got the DGA. He did. The fifth time was the charm for the Oppenheimer maker as he had previously been nominated for Memento, The Dark Knight, Inception, and Dunkirk without a trophy to show for it. The Academy has been less generous as he’s in contention for only the second time (his other nom there was with Dunkirk). With victories now at DGA, Critics Choice, and the Globes (with BAFTA seemingly next) – Nolan appears well on his way to Oscar glory.
I went 3 for 3 on my picks covering feature films. Celine Song (Past Lives) made the podium trip for First-Time Feature Film. There was slightly more intrigue in that contest as Cord Jefferson (American Fiction) provide some competition. While Fiction had a better showing in terms of mentions at the Oscars (5 noms to 2 for Past Lives), Song seemed more probable for this race and that went according to script.
20 Days in Mariupol appears to be the frontrunner for Documentary Feature at the big show. Its maker Mstyslav Chernov is the winner at DGA for Documentaries. It’s worth noting that, unlike Feature Film, there isn’t a strong correlation between DGA/Oscar recipients for Documentary Feature. The last match (ironically) is 2019 with Steven Bognar and Julia Reichert for American Factory. This stands an excellent shot at being the next one.
We are now less than a month away from the Oscars. Keep checking out the blog for all the coverage!
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Director quintet and it starts with Jonathan Glazer for The Zone of Interest. Let’s get to it!
Previous Directing Nominations:
None
The Case for Jonathan Glazer:
The English filmmaker’s fourth feature comes after three acclaimed predecessors: 2001’s Sexy Beast, 2004’s Birth, and 2014’s Under the Skin. The Holocaust drama is the frontrunner for Best International Feature Film and had a solid showing with five nominations. He hopes to follow in the footsteps of other directors in recent years who took the prize along with IFF like Alfonso Cuaròn (Roma) and Bong Joon-ho (Parasite).
The Case Against Jonathan Glazer:
Cuaròn and Joon-ho didn’t have to compete against the juggernaut that is Christopher Nolan for Oppenheimer. He is the far and away favorite. Glazer managed a BAFTA mention, but didn’t make the cut for Critics Choice, the Globes, or DGA.
The Verdict:
Barring a massive upset, Nolan towers over all competitors.
My Case Of posts will continue with Lily Gladstone in Killers of the Flower Moon…
The 76th DGA Awards take place this Saturday and it’s a key indication to which filmmaker will emerge with the Oscar for direction. How much so? 9 out of the previous 10 DGA recipients have taken the Academy’s gold. The only deviation in the last ten years is Sam Mendes (1917) winning DGA while Bong Joon-Ho was victorious on Oscar night.
There is usually a 4 out of 5 match between DGA and Oscar nominees in the big race. 2023 diverted from that. There are just 3 DGA contenders vying for the Academy prize: Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) are up for DGA while Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) look for Academy love.
Let’s walk through that contest as well as the ones for Documentaries and First-Time Feature Film with predictions for the winner and a runner-up selection.
Feature Film
Nominees: Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Martin Scorsese (Killers of the Flower Moon)
Even if Oppenheimer doesn’t win BP at the Oscars (and that seems unlikely right now), Nolan appears to be in the driver’s seat for the Academy statue. If he doesn’t take DGA, it would frankly be a shocker. Don’t count on it.
Predicted Winner: Christopher Nolan, Oppenheimer
Runner-Up: Martin Scorsese, Killers of the Flower Moon
First-Time Feature Film
Nominees: Cord Jefferson (American Fiction), Manuela Martelli (Chile ’76), Noora Niasari (Shayda), A.V. Rockwell (A Thousand and One), Celine Song (Past Lives)
This is clearly a showdown between the makers of the two BP nominees in Jefferson and Song. Fiction actually had a stronger showing than Lives from the Academy – 5 nominations to 2. Yet I think Song gets this by a nose.
Predicted Winner: Celine Song, Past Lives
Runner-Up: Cord Jefferson, American Fiction
Documentaries
Moses Bwayo and Christopher Sharp, Bobi Wine: The People’s President, Mstyslav Chernov, 20 Days in Mariupol, Madeleine Gavin, Beyond Utopia, Davis Guggenheim, Still: A Michael J. Fox Movie, D. Smith, Kokomo City
Even though it wasn’t nominated for Doc Feature at the Academy Awards, Guggenheim’s work in Still could score the hardware (the editing alone could earn it the win). However, I’ll go with Chernov and his likely Oscar frontrunner.
Predicted Winner: Mstyslav Chernov, 20 Days in Mariupol
Runner-Up: Davis Guggenheim, Still: A Michael J. Fox Movie
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