Out August 22nd, the dark detective comedy Honey Don’t! marks the second feature in Ethan Coen and wife Tricia Cooke’s self-proclaimed “lesbian B-movie trilogy”. The first was last year’s Drive-Away Dolls and the follow-up returns Margaret Qualley in a starring role. Costars include Aubrey Plaza, Charlie Day, Billy Eichner, and Chris Evans.
The Focus Features product debuted at Cannes to muted reactions. Rotten Tomatoes stands at just 42% with 46 on Metacritic. Looking at comps, Dolls is the glaringly obvious one. It debuted to a lowly $2.4 million in February 2024. That premiered on over 2200 screens while Don’t is scheduled for a mere 1200.
With scant buzz and middling reviews, I’m not even sure this reaches two bucks for starters.
Honey Don’t opening weekend prediction: $1.8 million
Zombie threequel 28 Years Later from Danny Boyle and Disney/Pixar’s sci-fi adventure Elio debut this weekend and look to challenge How to Train Your Dragon from a second weekend atop the charts. You can peruse my detailed prediction posts on the newcomers here:
28 Years could over perform and challenge Dragon for box office bragging rights. $40M+ isn’t out of the question, but I’m projecting low to mid 30s.
The Dragon competition could be detrimental to Elio. Pixar has had luck with recent sequels like Inside Out 2. However, original content such as Elemental has struggled out of the gate. I’m estimating Elio premieres in the mid 20s and that would probably mean third place.
If Dragon declines around 50%, low 40s is where it would land and that would mean hitting #1 again after its fiery debut (more on that below).
Lilo & Stitch should be fourth while fifth could be a photo finish between the sophomore frame of Materialists and fifth frame of Mission: Impossible – The Final Reckoning.
Here’s how I see the top 6 playing out:
1. How to Train Your Dragon
Predicted Gross: $41.6 million
2. 28 Years Later
Predicted Gross: $33.7 million
3. Elio
Predicted Gross: $24.5 million
4. Lilo & Stitch
Predicted Gross: $8.1 million
5. Materialists
Predicted Gross: $6.6 million
6. Mission: Impossible – The Final Reckoning
Predicted Gross: $6.5 million
Box Office Predictions (June 13-15)
Friday the 13th certainly wasn’t unlucky for the live-action version of 2010’s How to Train Your Dragon. With mostly solid reviews and an A Cinemascore grade, the fourth flick in the series easily set a franchise high with $84.6 million. That’s right on track with my $84.3 million prediction and it is the fourth largest domestic kickoff of 2025. A sequel was already in the works.
Lilo & Stitch slipped to second after three weeks in 1st with $15.7 million, on pace with my $15.6 million call. The four-week tally is $366 million.
Celine Song’s Materialists with Dakota Johnson, Pedro Pascal, and Chris Evans slightly exceeded expectations with $12 million in third. That’s right in the neighborhood of my $11.4 million estimate as the rom com hopes to play well throughout the coming weeks. The B- Cinemascore could be cause for concern.
Mission: Impossible – The Final Reckoning was fourth with $10.5 million (I went lower at $9 million) for $166 million in four weeks.
At $9.7 million, John Wick spinoff Ballerina sputtered in weekend #2 with a 60% plummet for fifth. I was slightly more generous at $10.5 million.
A live-action remake of an animated hit looks to replace another live-action remake of an animated hit for box office supremacy this weekend as How to Train Your Dragon debuts. We also have the rom com Materialists entering the marketplace. You can peruse my detailed prediction posts on the newcomers at these links:
Dragon, which updates DreamWorks Animation’s 2010 original, is expected to have a fiery start. At best, it could approach $100 million. I’m playing it a little safe and projecting mid 80s for what would easily be a franchise best kickoff after three previous animated offerings.
Materialists with Dakota Johnson, Pedro Pascal, and Chris Evans could reach $10M+ and I’ve got it just over that for third place. It could debut anywhere between 3-5 as it’ll hope to leg out well in subsequent weekends based on solid reviews.
As for holdovers, Disney’s Lilo & Stitch will relinquish its crown after three weeks atop the charts. The Dragon competition could mean a 50% range drop.
Ballerina didn’t impress in its opening (more on that below) and I’m guesstimating a mid to high 50s slide in its sophomore frame. Mission: Impossible – The Final Reckoning should remain in the high five.
Here’s how I envision it playing out:
1. How to Train Your Dragon
Predicted Gross: $84.3 million
2. Lilo & Stitch
Predicted Gross: $15.6 million
3. Materialists
Predicted Gross: $11.4 million
4. Ballerina
Predicted Gross: $10.5 million
5. Mission: Impossible – The Final Reckoning
Predicted Gross: $9 million
Box Office Results (June 6-8)
Lilo & Stitch once again held bragging rights as the family tale held in first with $32.3 million, in line with my $31.9 million call. The Mouse House hit has amassed $335 million after three weeks.
That means my prediction that John Wick spinoff Ballerina would be #1 was off base. The action extravaganza with Ana de Armas stalled in second with $24.5 million, well under my $36.8 million take. It’s a rare financial misstep for a series that had yet to experience such a thing.
Mission: Impossible – The Final Reckoning was third with $14.8 million, nearly matching my $15 million forecast as Tom Cruise’s eighth appearance as Ethan Hunt has made $149 million after its third outing.
Karate Kid: Legends was fourth with $8.5 million. My guess? $8.5 million! The 58% decline in its second weekend means the sequel has kicked up an unimpressive $35 million.
Final Destination Bloodlines rounded out the top five with $6.4 million and I incorrectly didn’t have it there. The four-week tally is $123 million.
That’s because I had Wes Anderson’s The Phoenician Scheme performing better. The auteur’s latest was sixth at $6.2 million. I went higher for the national expansion with $8.7 million. Counting its coastal release the previous weekend, Scheme stands at $7 million.
Celine Song’s 2023 debut Past Lives was a Best Picture and Original Screenplay nominee and her sophomore feature Materialists arrives in theaters this weekend. A rom com with considerable emotional heft according to reviews, it stars Dakota Johnson, Pedro Pascal, and Chris Evans.
The word-of-mouth for the A24 release indicates there’s no sophomore slump for Song with 88% on Rotten Tomatoes and a 73 Metacritic. If the Academy considers Materialists their material, Original Screenplay is a possibility. Chris Evans is also getting some of the best notices of his career.
Yet I suspect its distributor could focus more on its fall slate, namely Marty Supreme. If A24 slots this into the Musical/Comedy competitions at the Golden Globes, it could contend in that Best Picture race with Johnson as a Best Actress hopeful. My Oscar Prediction posts will continue…
A24 rom com Materialists is writer/director Celine Song’s follow-up to 2023 Best Picture nominee Past Lives. Dakota Johnson, Chris Evans, and Pedro Pascal headline the summer counter programming offering that looks to bring in a respectable female crowd.
While official reviews aren’t yet released, early word-of-mouth from screenings indicates this could be a winner. Audience familiarity with its trilogy of leads could assist. Tracking currently has this at high single digits. I think this could slightly outdo that range and reach low double digits.
Materialists opening weekend prediction: $11.4 million
For my How to Train Your Dragon prediction, click here:
Before to its domestic debut in August, Honey Don’t! dropped at Cannes for a midnight screening. The crime comedy is Ethan Coen and wife Tricia Cooke’s follow-up to last year’s Drive-Away Dolls. It also stars Margaret Qualley with a supporting cast including Aubrey Plaza, Charlie Day, and Chris Evans.
Marking Ethan’s second narrative work sans brother Joel (and with Cookie co-scripting), Don’t! mostly arrived with a shrug in France. The Rotten Tomatoes score is 54% with Metacritic at 47. That’s below the respective 63/56 ratings for Dolls. Coen’s “first” picture never came close to being an awards contender and this won’t either. My Oscar Prediction posts will continue…
For this upcoming Valentine’s/Presidents Day weekend, Captain America: Brave New World hopes for the love from MCU fans while Paddington in Peru looks for a commanding runner-up start. You can peruse my detailed prediction posts on the newcomers here:
Obviously America, with Anthony Mackie donning the shield in place of Chris Evans, will easily reach first. I don’t expect it to reach anywhere near the heights of other MCU predecessors including 2016’s Captain America: Civil War. A four-day gross around $90 million seems feasible.
Paddington in Peru has already done impressive business overseas. My Friday to Monday estimate puts it in the high teens. That’s in range with the 2015 original and stronger than the 2018 sequel.
It is common for holdovers to experience small declines during this February four-day frame. Sometimes there’s even increases. I anticipate current champ Dog Man to post similar grosses to its sophomore outing (more on that below) while Mufasa may also have a minor bump. Heart Eyes could see its second weekend fortunes fall in the 25% range.
And with that, here’s my outlook on the weekend ahead and keep in mind that my figures for returning titles are for Friday-Monday:
1. Captain America: Brave New World
Predicted Gross: $78.9 million (Friday to Sunday); $90.7 million (Friday to Monday)
2. Paddington in Peru
Predicted Gross: $14.8 million (Friday to Sunday); $17 million (Friday to Monday)
3. Dog Man
Predicted Gross: $14.1 million
4. Heart Eyes
Predicted Gross: $5.8 million
5. Mufasa: The Lion King
Predicted Gross: $5 million
Box Office Results (February 7-9)
Multiplexes got defeated about as bad as the Kansas City Chiefs with the Super Bowl and a lack of enticing newcomers causing moviegoers to stay home. Dog Man from DreamWorks Animation remained in 1st with $13.8 million, but the 62% plummet was far more than I figured. I called it at $19.4 million and it’s made $54 million thus far.
Horror rom com Heart Eyes didn’t impress in 2nd with $8.3 million, below my $10.8 million take. Despite solid reviews, audiences didn’t bite.
Same goes for critically reviled action comedy Love Hurts with Ke Huy Quan. It stalled with $5.8 million compared to my $7.1 million forecast.
Mufasa: The Lion King was fourth with $4 million (I said $4.6 million) for an eight-week haul of $235 million.
Companion, another scary pic with impressive critical reaction, nevertheless nosedived 68% in its sophomore weekend for fifth. The $3 million gross was well under my $4.9 million prediction as its ten-day take is $15 million.
Finally, buddy comedy One of Them Days was sixth at $2.8 million. I was more generous at $4.4 million and the four-week total is $39 million.
Disney hopes that audiences will love Captain America: Brave New World enough to give it a commanding start during the long weekend beginning with Valentine’s Day and concluding on Presidents’ Day. The 35th feature in the Marvel Cinematic Universe has Anthony Mackie, once the Falcon, donning the shield as the title character and replacing Chris Evans. Julius Onah directs with a supporting cast including Danny Ramirez, Shira Haas, Carl Lumbly, Xosha Roquemore, Jóhannes Haukur Jóhannesson, Giancarlo Esposito, Tim Blake Nelson, and Harrison Ford. That last cast member takes over the role of Thaddeus Ross (now the President of the United States) played in earlier MCU entries by the late William Hurt.
The fifth feature in Phase Five of this massive franchise, World finds the MCU in a unique place. Last year’s Deadpool & Wolverine was a massive blockbuster that took in $1.3 billion worldwide. On the flip side, there’s been recent under performers such as Eternals, Ant-Man and the Wasp: Quantumania, and The Marvels.
Earlier Captain America sagas with Evans were critically appreciated and made significant bucks. 2016’s Captain America: Civil War, the previous flick with the C.A. moniker, topped a billion globally. It didn’t hurt that it was essentially another Avengers tale. It made nearly $180 million on its opening weekend domestically.
Expectations are not as high nearly a decade later. The four-day tally should hover around $90 million. That’s where estimates are at and I don’t really see this significantly outdoing the anticipated range. In fact, falling slightly under wouldn’t shock me.
Captain America: Brave New World opening weekend prediction: $78.9 million (Friday to Sunday); $90.7 million (Friday to Monday)
**Blogger’s Update (11/20): I have posted a $4 million forecast for Bonhoeffer today which puts it in fourth place. That change is reflected below and we now have a top 7 projections.
Hollywood hopes for a massive box office weekend ahead as Wicked and Gladiator II look to inject $200 million or more in domestic receipts. You can peruse my detailed prediction posts on the newcomers here:
In July 2023, the phenomenon known as Barbenheimer occurred when Barbie soared with a $162 million starting haul while Oppenheimer took in $82 million. I don’t think the grosses will be as gargantuan with Wicked and Gladiator II, but multiplexes should be in for a much needed boost.
Wicked adapts the well-known stage musical with Cynthia Erivo and Ariana Grande as early versions of the Wicked Witch of the West and Glinda the Good Witch from The Wizard of Oz, respectively. This is part 1 of Jon M. Chu’s fantasy musical with part II arriving in a year. I’m projecting nearly $135 million out of the gate as a wide audience seems destined to greet it.
Gladiator II is the long-in-development follow-up to Ridley Scott’s Best Picture winner with Paul Mescal headlining and Denzel Washington in an Oscar baity supporting turn. My high 60s forecast puts it in the runner-up position. I would note that either of these titles could over perform and keep on this post to see if there are any upgrades by Thursday.
With families flocking to Wicked and action fans packed for Gladiator, current champ Red One will slide to third. The holiday themed action comedy may experience a decline north of 50% considering the fresh competition.
The rest of the high five will consist of holdovers Venom: The Last Dance and The Best Christmas Pageant Ever and Heretic in a close race for fifth. Here’s how I envision the top 6 shaking out:
1. Wicked
Predicted Gross: $134.6 million
2. Gladiator II
Predicted Gross: $69.8 million
3. Red One
Predicted Gross: $14.9 million
4. Bonhoeffer
Predicted Gross: $4 million
5. Venom: The Last Dance
Predicted Gross: $3.6 million
6. The Best Christmas Pageant Ever
Predicted Gross: $2.7 million
7. Heretic
Predicted Gross: $2.5 million
Box Office Results (November 15-17)
On one hand, Red Notice with Dwayne Johnson and Chris Evans was originally set for Amazon only distribution so any number is better than nothing. On the other, its debut is fairly ho-hum considering the reported $250 million price tag. It made $32.1 million which did manage to exceed my $27.6 million take. As mentioned, I do expect a hefty dip though it could rebound over the Turkey Day frame.
Venom: The Last Dance was second after three weeks in 1st with $7.3 million, falling behind my $10.2 million prediction. The comic book based threequel sits at $127 million after four outings.
The Best Christmas Pageant Ever was third with $5.2 million. In a trend from this past weekend, it didn’t match my number as I pegged it at $7.6 million. The two-week tally is $19 million.
Heretic was fourth with $5.1 million (I said $6.3 million) as Hugh Grant horror thriller’s total is $20 million after its second go-round.
The Wild Robot rounded out the top five with $4.2 million compared to my $5.5 million call. The animated tale has earned $137 million in eight weeks.
Dwayne Johnson and Chris Evans headline this weekend’s sole wide release with the Christmas action comedy Red One. It looks to dominate the charts with an eye on a lengthy holiday run. You can peruse my detailed prediction post on it here:
Early word-of-mouth is a bit troubling with a 30% Rotten Tomatoes score. I don’t think it gets to the top end of its anticipated range ($40 million). A mid to high 20s output would be considered a cold opening, but families may wait until later in the month to check it out.
Holdovers should all drop a notch as we await heavy hitters like Wicked, Gladiator II, and Moana 2. Venom: The Last Dance should dip to second after three weeks atop the charts. There’s a decent chance that The Best Christmas Pageant Ever stays in third as it might have a better sophomore hold than Heretic. The Wild Robot should round out the top five and here’s how I envision it breaking down:
1. Red One
Predicted Gross: $27.6 million
2. Venom: The Last Dance
Predicted Gross: $10.2 million
3. The Best Christmas Pageant Ever
Predicted Gross: $7.6 million
4. Heretic
Predicted Gross: $6.3 million
5. The Wild Robot
Predicted Gross: $5.5 million
Box Office Results (November 8-10)
Tom Hardy’s loopy third take on his comic book creation was #1 for a third frame as Venom: The Last Dance repeated with $15.9 million. That’s a bit ahead of my $14.3 million projection as the total is $114 million thus far. It won’t match its two predecessors, but it has posted solid holds weekend to weekend.
Horror thriller Heretic with Hugh Grant came in right where it was forecasted in second with $11 million (I said $11.2 million). Despite strong reviews, this certainly didn’t over perform and a so-so C+ Cinemascore could mean it fades fairly quickly.
Yuletide dramedy The Best Christmas Pageant Ever was third with $10.7 million, outpacing my $8 million call. This will hope for smallish declines as the festive season is just underway.
The Wild Robot was fourth with $6.6 million, edging my $5.5 million prediction. The potential Animated Feature Oscar frontrunner has collected $130 million after seven weeks.
Smile 2 was fifth with $5.1 million (I went with $4.4 million) as the horror sequel sits at $60 million in its four weeks of play.
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