Mission: Impossible – The Final Reckoning Review

In their latest and supposedly final entry in the franchise, Tom Cruise and Christopher McQuarrie choose to extend their mission. Not only does Mission: Impossible – The Final Reckoning sport the longest running time of the eight features (170 minutes), there’s extra characters to keep up with. You’ll need to extend your knowledge of previous installments for certain plot points and surprise cameos to properly land.

For all the extra padding, the main storyline is not complicated. Kicking off a couple of months after predecessor Dead Reckoning (this was originally Dead Reckoning – Part Two), Cruise’s IMF agent Ethan Hunt and team are still trying to stop The Entity. That’s an AI program whose algorithms equal world destruction, including scenarios where nations turn their nuclear arsenals against one another. Ethan’s Mission buddies include vets Luther (Ving Rhames) and Benji (Simon Pegg) as well as master thief Grace (Hayley Atwell), assassin turned asset Paris (Pom Klementieff), and Theo (Greg Tarzan Davis). That trio were all first seen in Dead Reckoning. Theo is the former partner of Jasper (Shea Whigham) from Dead Reckoning, who doesn’t trust Ethan and is by the side of Henry Czerny’s CIA Director Kittridge.

This whole review could be a rundown of the players in the potential global endgame. Angela Bassett from sixth feature Fallout was Deputy Director of the CIA in that one and is now POTUS. Familiar faces including Hannah Waddingham, Nick Offerman and Janet McTeer are part of her inner circle. I didn’t anticipate Ghostbusters: Frozen Empire being a part of this write-up, but it suffered from too many characters and so does this. That’s the first time I’d say that about a Mission movie. President Bassett and her band of character acting advisors could have been written out entirely and we’d have a leaner viewing to show for it. On the other hand, Tramell Tillman makes the most of his brief role as a submarine commander.

The main human villain continues to be Entity liaison Gabriel (Esai Morales). He shares a checkered past dating back thirty years with Ethan. That was an underdeveloped plot point in Dead Reckoning and it is here. Gabriel is not one of the memorable antagonists in this series.

These Mission‘s have leaned into the stunt work from #4 Ghost Protocol to present. Cruise and McQuarrie’s dedication to coming up with tremendous action set pieces revolves around an underwater task (like in 2015’s Rogue Nation) and another in the skies (reminiscent of Fallout but with older timey aircrafts). That’s not to say these sequences are derivative of what we’ve witnessed before. They’re both excellent with the aquatic part providing white knuckling claustrophobic thrills and the flight acrobatics offering its own delights.

So while Final Reckoning has its defects, the highlights continue to make it a franchise each is worthy of recommendation (and yes I mean Mission: Impossible 2 too). Some callbacks to earlier pics are sharper than others. Without spoiling them, a minor character from a major scene in part 1 coming back is fun. Another character’s family tree connection to a former Ethan associate feels more like a stunt. Speaking of stunts, Cruise continues to wow us with his insistence on keeping it real in a storyline about artificiality attempting domination. This might be the finale. I’ll trust him if he changes his mind.

*** (out of four)

Mission: Impossible – The Final Reckoning Box Office Prediction

The 8th and seemingly last installment of the franchise that first hit multiplexes in 1996 drops May 23rd with Mission: Impossible – The Final Reckoning. Tom Cruise is back in super spy mode with Christopher McQuarrie directing his fourth Mission in a row. Costars include Hayley Atwell, Ving Rhames, Simong Pegg, Henry Czerny, Angela Bassett, Esai Morales, Pom Klementieff, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Shea Whigham, Greg Tarzan Davis, Charles Parnell, and Katy O’Brian.

With a gargantuan budget of reportedly $400 million, Paramount is banking on the series going out with a financial bang. The grosses of the previous three installments have been rather consistent. 2015’s Rogue Nation debuted to $55 million with a $195 million eventual domestic take. Fallout in 2018 came in with $61 million for starters and $220 million overall. 2023’s Dead Reckoning arrived with high expectations as it was pegged to bask in the afterglow of Top Gun: Maverick‘s massive grosses the summer before. It didn’t quite turn out that way with a $54 million premiere and $172 million stateside.

Final Reckoning should see increased numbers due to the finale status. While critical reaction is mostly positive (83% on RT), many reviews are saying it among the weakest of the octet. My hunch is the three-day is higher than Dead Reckoning with a four-day holiday total in the high 70s to low 80s.

Mission: Impossible – The Final Reckoning opening weekend prediction: $64.4 million (Friday to Sunday); $80.8 million (Friday to Monday)

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Oscar Predictions – Mission: Impossible – The Final Reckoning

Mission: Impossible – The Final Reckoning is the eighth feature in the franchise that kicked off nearly 30 years ago and looks to be Tom Cruise’s closing adventure as IMF agent Ethan Hunt. Christopher McQuarrie returns to direct his fourth M:I entry in a row. The supporting cast includes Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, Angela Bassett, Esai Morales, Pom Klementieff, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Shea Whigham, Greg Tarzan Davis, Charles Parnell, and Katy O’Brian.

Opening over Memorial Day weekend, Reckoning has premiered at Cannes to mostly decent reviews with a note of caution. The Rotten Tomatoes score is 88% with Metacritic at 71. The latter score is telling as the two previous installments were at 87 (2018’s Fallout) and 81 (2023’s Dead Reckoning). While praising the action sequences, there are critical complaints about its length and excessive reliance on exposition.

Any hope that Final Reckoning could achieve above-the-line awards nominations as the series bids farewell has fallen by the wayside. On the other hand, predecessor Dead Reckoning was the first Mission to generate Oscar nods and they were in Sound and Visual Effects. This could do the same with Sound as perhaps a better possibility. As you may have seen, the Academy Awards will implement a category honoring stunt ensembles. However, that won’t be until 2028. The Mission‘s probably would’ve flourished in those competitions but it wasn’t to be. My Oscar Prediction posts will continue…

Oscar Predictions: The Killer

David Fincher’s last five films have received at least one Oscar nomination with three (The Curious Case of Benjamin Button, The Social Network, Mank) up for Best Picture. His latest is The Killer with a Venice premiere this weekend, limited theatrical release October 27th, and Netflix stream beginning on November 10th. The action thriller stars Michael Fassbender in the title role with a supporting cast including Arliss Howard, Charles Parnell, Kerry O’Malley, Sala Baker, Sophie Charlotte, and Tilda Swinton.

The reviews indicate this is right up Fincher’s alley as a cold tale of an assassin that is unquestionably pristinely made. The Rotten Tomatoes meter is at 88%. The reaction also hints that this will not be the awards player in the big categories that his last batch were. That quintet of previously nominated pics all nabbed acting nominations. Despite praise for Fassbender’s lead work, Best Actor already looks too crowded for his inclusion. It also sounds like Swinton in Supporting Actress is a non-starter.

Per usual with Fincher’s work, tech nods could come in Film Editing (that’s where Dragon Tattoo won), Cinematography (where Mank was victorious), and Score (where Social Network reigned supreme). There’s also the chance it’s the filmmaker’s first not nominated movie since 2007’s Zodiac. My Oscar Prediction posts will continue…