Tag: Channing Tatum

Summer 2012: The Top 10 Hits and More

My look back at the cinematic summers of 30, 20, and 10 years ago culminates with 2012. A decade ago, the Marvel Cinematic Universe went from a successful franchise to the phenomenal juggernaut that it remains today. That’s due to the release of a little something called The Avengers. On a side note, it’s worth mentioning that the biggest grosser 30 years ago (Batman Returns), two decades ago (Spider-Man), and in this post all share comic book roots.

Before we get to Iron Man and company, I’ll recount the other features in the top ten moneymakers before covering additional notable titles and some flops. If you missed my write-ups about the seasons of 1992 and 2002, you can find them here:

Summer 1992: The Top 10 Hits and More

Summer 2002: The Top 10 Hits and More

10. Prometheus

Domestic Gross: $126 million

Some three decades after Alien terrified audiences, Ridley Scott returned to the franchise. However, this was more of a mixed bag in terms of critical and audience reaction. The production design and Michael Fassbender’s performance were praised while the script drew its share of critics. Nevertheless Scott would be back in the mix five years later with Alien: Covenant. 

9. Snow White and the Huntsman 

Domestic Gross: $155 million

Hot off the Twilight franchise and hot off playing Thor in The Avengers, Kristen Stewart and Chris Hemsworth battled Prometheus costar Charlize Theron’s evil stepmom in this fantasy adventure. Reviews were so-so but it performed well enough to warrant a less appreciated prequel The Huntsman: Winter’s War in 2016.

8. Ice Age: Continental Drift 

Domestic Gross: $161 million

The fourth entry in the animated franchise featuring the vocal stylings of Ray Romano and John Leguizamo kept the grosses hot. Sequel Collision Course would follow four years later.

7. Men in Black 3

Domestic Gross: $179 million

The third teaming of Will Smith and Tommy Lee Jones (with Josh Brolin playing a convincing younger version of him) earned $11 million less than 2002’s part II. That sequel made less than the 1997 original. The series was revamped in 2019 with Men in Black: International with none other than Chris Hemsworth, but audiences tuned out.

6. Madagascar 3: Europe’s Most Wanted

Domestic Gross: $216 million

Ben Stiller and Chris Rock returned for the third time voicing their respective lion and zebra. Spin-off Penguins of Madagascar came out two years later while a proper fourth entry never materialized from DreamWorks.

5. Ted

Domestic Gross: $218 million

Moving from Fox’s hugely successful animated sitcom Family Guy the big screen, Seth MacFarlane’s story of Mark Wahlberg and his crude talking bear Ted was the breakout comedy of the season. Follow-ups A Million Ways to Die in the West and the Ted sequel were not as well received.

4. Brave

Domestic Gross: $237 million

The first Pixar film led by a female hero is also the inaugural studio entry (co)directed by a woman. It would go on to win Best Animated Feature at the Oscars.

3. The Amazing Spider-Man

Domestic Gross: $262 million

After not moving forward with a fourth title directed by Sam Raimi and starring Tobey Maguire, the Spidey franchise was rebooted with Marc Webb behind the camera and Andrew Garfield donning the red. The dollars followed although reviews were mixed and a 2014 sequel was widely considered a disappointment.

2. The Dark Knight Rises

Domestic Gross: $448 million

While perhaps not quite reaching the heights of 2008’s The Dark Knight, the culmination to Christopher Nolan’s trilogy sent Christian Bale’s Caped Crusader off in stirring fashion and with hugely profitable earnings.

1. The Avengers

Domestic Gross: $623 million

Setting record after record upon release, the melding of Iron Man, Thor, Captain America, Hulk, Black Widow, and Hawkeye transfixed filmgoers. It’s been Marvel’s world and we’ve been living in it ever since.

And now for some other pics worthy of discussion:

Magic Mike

Domestic Gross: $113 million

Steven Soderbergh’s saga of male exotic dancers was based loosely on Channing Tatum’s real life experiences. It turned him into a superstar while giving Matthew McConaughey a memorable showcase. The micro budgeted pic (a reported $7 million) spawned a 2015 sequel and there’s a third scheduled to hit HBO Max next year.

The Bourne Legacy

Domestic Gross: $113 million

Audiences weren’t clamoring for Jeremy Renner to replace Matt Damon in this franchise, but the stateside and overseas grosses were still pretty acceptable. That said, Renner’s tenure lasted this pic and this pic only.

The Best Exotic Marigold Hotel

Domestic Gross: $46 million

While it performed even better overseas, this British import with Judi Dench  was a sleeper hit stateside that begat a 2015 sequel.

Moonrise Kingdom 

Domestic Gross: $45 million

Wes Anderson scored with critics and crowds with this coming-of-age dramedy that premiered at Cannes and then found an audience in the weeks that followed.

Beasts of the Southern Wild

Domestic Gross: $12 million

This indie drama from Benh Zeitlin was truly a little movie that could. Shot for under $2 million, it eventually nabbed Oscar nods for Picture, Director, Actress (Quvanzhane Wallis at age 9), and Adapted Screenplay.

They’re not all winners so let’s get into some critical and/or commercial failures from the period:

Dark Shadows

Domestic Gross: $79 million

Johnny Depp’s box office happy days were beginning to fade as his 8th collaboration with Tim Burton was perhaps the least memorable. This horror comedy failed to enlighten viewers.

Battleship

Domestic Gross: $65 million

Action fans weren’t taken with this Peter Berg directed board game adaptation starring Liam Neeson and Rihanna with a bloated budget of over $200 million.

Total Recall

Domestic Gross: $58 million

And your action sci-fi fans weren’t signing up for Colin Farrell taking over for Arnold Schwarzenegger in this unneeded remake.

Rock of Ages

Domestic Gross: $38 million

Based on the Broadway musical, there was a deaf ear turned to this adaptation despite Tom Cruise getting solid notices for his performance. Lucky for him, he’d rule this current summer with Top Gun: Maverick. 

That’s My Boy

Domestic Gross: $36 million

Adam Sandler and Andy Samberg’s comedic partnership drew a 20% Tomatoes meter and ambivalence from usually devoted Sandler fans.

The Watch

Domestic Gross: $35 million

That wasn’t the only high-profile comedic flop as this sci-fi mashup with Ben Stiller, Vince Vaughn, and Jonah Hill fared even worse in numbers and rotten reviews (17% RT).

And that’ll close it out, ladies and gents! It’s been a pleasure revising these cinematic seasons of days past.

The Lost City Review

Coasting on the adequate chemistry of its two leads, The Lost City might stick with you for about as long as the romance paperbacks penned by Sandra Bullock’s character. In other words – not for long but you won’t feel guilty while it lasts. This isn’t a remake of 1984’s Romancing the Stone though it certainly feels thematically similar.

Like Kathleen Turner’s character in that action comedy from nearly four decades ago, Loretta Sage (Bullock) writes steamy love stories while her own existence is a lonely one. She’s recently widowed from her archaeologist husband whose work influenced her novels. After prodding from her determined publisher Beth (Da’Vine Joy Randolph), Loretta reluctantly embarks on a book tour alongside Alan (Channing Tatum). He’s the cover model for her bibliography (think Fabio) and he’s known as Dash. His fame eclipses the author and she’s prepared to kill him off and retire to her bathtub with a glass of Chardonnay.

The plan hits a snag when kooky billionaire Abigail Fairfax (Daniel Radcliffe) snags Loretta. He’s convinced she can decipher a code to a lost treasure – make that Lost City – mentioned in one of her books. The locale is a remote one in The Atlantic so Alan pursues her along with the mysterious man of action Jack Trainer (Brad Pitt). Think of him as a bit like Michael Douglas’s lead in Romancing without actually being the lead.

Decked out in a glittery purple onesie that she wouldn’t dare don had she known kidnapping would be involved, what you expect is what you get from Bullock. Same goes for Tatum. Fortunately for us, they’re both better than serviceable. The supporting players elevate the material at times, especially Radcliffe playing against type and Randolph (so good in Dolemite Is My Name) providing solid comic relief.

Directed by brothers Adam and Aaron Nee, The Lost City often feels built from the spare parts of superior vehicles. It never crashes and burns due to the talent involved. Both Loretta and Alan have moments searching for the right words as their plot mandated courtship blossoms. I don’t have to search too hard – this is passable.

**1/2 (out of four)

April 22-24 Box Office Predictions

It’s likely to be a top heavy family friendly box office chart this weekend as DreamWorks Animation’s The Bad Guys makes a play for the #1 spot. The well-reviewed action comedy could find itself in a battle with the second weekend of Fantastic Beasts: The Secrets of Dumbledore (after a lackluster start) and the third frame of Sonic the Hedgehog 2. The adults have fresh product to choose from as well. There’s the Viking epic The Northman from director Robert Eggers and Nicolas Cage headlining the meta comedy The Unbearable Weight of Massive Talent. My detailed prediction posts on the trio of newbies can be accessed here:

The Bad Guys Box Office Prediction

The Northman Box Office Prediction

The Unbearable Weight of Massive Talent Box Office Prediction

Considering Beasts easily had a Wizarding World franchise low opening (more on that below), even a mid teens start for The Bad Guys could mean it’ll manage to nab first place. If Sonic fell nearly 60% in its sophomore frame, I’m saying Beasts plummets in the mid 60s and it could be a close contest for second between the two holdovers.

The Northman and Talent should hold the four and spots and maybe not in that order. That’s how I have it, however, with Northman just surpassing double digits and Talent falling just under. Both features have solid critical support and could overperform, but I’m being cautious with each.

And with that, my take on the weekend ahead:

1. The Bad Guys

Predicted Gross: $16.7 million

2. Sonic the Hedgehog 2

Predicted Gross: $15.5 million

3. Fantastic Beasts: The Secrets of Dumbledore

Predicted Gross: $15.1 million

4. The Northman

Predicted Gross: $10.3 million

5. The Unbearable Weight of Massive Talent

Predicted Gross: $7.9 million

Box Office Results (April 15-17)

It was an Easter to forget for Warner Bros as Fantastic Beasts: The Secrets of Dumbledore remained a secret to many. The third entry in the series took in a lowly $42.1 million, below my $48.1 million projection. That’s about $20 million under 2018 predecessor The Crimes of Grindelwald and it genuinely brings into question whether the studio will move forward with planned fourth and fifth installments.

Sonic the Hedgehog 2 dropped to second with $29.3 million and a larger than anticipated 59% drop. I was more generous at $35.8 million. The video game based sequel is up to a nevertheless impressive $118 million after 10 days.

The Sandra Bullock/Channing Tatum rom com The Lost City was third with $6.2 million, on target with my $6.3 million take. Total is $78 million.

Everything Everywhere All at Once increased its screen count by nearly 1000 venues and boasted a 2% increase in weekend #2 with $6.1 million (I said $5.5 million). The potential awards contender has made $17 million.

Mark Wahlberg’s faith-based and fact based drama Father Stu opened in fifth with a muted $5.4 million from Friday to Sunday and $7.7 million since its Wednesday debut. That’s on pace with my respective takes of $5.7 million and $8.5 million.

Morbius was sixth with $4.7 million, a tad ahead of my $4.3 million prediction for $65 million overall.

Jake Gyllenhaal’s Ambulance continued to stall with $4 million (I went with $4.5 million) for a two-week tally of only $15 million.

And that does it for now, folks! Until next time…

April 8-10 Box Office Predictions

Video game based sequel Sonic the Hedgehog 2, Michael Bay’s action thriller Ambulance with Jake Gyllenhaal, and critically hailed sci-fi comedy Everything Everywhere All at Once all debut this Friday. You can peruse my detailed prediction posts on the trio here:

Sonic the Hedgehog 2 Box Office Prediction

Ambulance Box Office Prediction

Everything Everywhere All at Once Box Office Prediction

Sonic should have no trouble hitting #1 and I have it scoring in the high 50s to low 60s (about the same as its 2020 predecessor). While there is no mystery for what will be on top, the number two slot could get interesting.

Morbius had a ho-hum start (especially for its genre) and I suspect its weak C+ Cinemascore could mean a sophomore drop between 65-70%. If that occurs, Ambulance should manage a runner-up start.

The real wild card might be Everything, which has had sizzling per theater averages in limited release. I’ve got it just under double digits for fourth, but it could over perform.

The Lost City should fall from 2nd to 5th with the newbies being ushered in. Here’s how I see it breaking down:

1. Sonic the Hedgehog 2 

Predicted Gross: $62.5 million

2. Ambulance 

Predicted Gross: $13.7 million

3. Morbius

Predicted Gross: $11.2 million

4. Everything Everywhere All at Once

Predicted Gross: $8.4 million

5. The Lost City

Predicted Gross: $8 million

Box Office Results (April 1-3)

It might be the third best premiere of 2021, but the $39 million earned by Morbius is far from impressive. The Jared Leto vampiric superhero tale (in which most of the reviews said it kinda sucked) came in under my $45.8 million estimate. As mentioned, I look for it to fade quickly.

The Lost City fell to second with $14.7 million. For a pic of its genre, the Sandra Bullock/Channing Tatum adventure comedy’s 52% dip is a little high. I projected $16.4 million. It’s made $54 million in ten days.

The Batman was third with $11 million compared to my $12 million take and the DC juggernaut is up to $349 million.

Uncharted was fourth with $3.6 million (I said $3.1 million) for $138 million overall.

Jujutsu Kaisen 0 was fifth with $1.9 million. I incorrectly had it outside the top five as the tally is $29 million.

Finally, RRR: Rise, Roar, Revolt tumbled 83% for $1.6 million in sixth. Total is $11 million.

And that does it for now, folks! Until next time…

April 1-3 Box Office Predictions

After a lengthy COVID delay, Morbius with Jared Leto sinks its teeth into multiplexes this weekend. It’s the only new release and you can peruse my detailed prediction post on it here:

Morbius Box Office Prediction

The third entry in the Spider-Man Extended Universe after the massively successful Venom flicks, Morbius likely won’t approach their numbers. Mid to high 40s, however, should easily nab it the #1 spot.

After an impressive start, look for the Sandra Bullock/Channing Tatum comedic adventure The Lost City to dip in the mid 40s with The Batman sliding to third. The five spot could be close between the sophomore frame of RRR: Rise, Roar, Revolt (which should experience a steep decline) and Uncharted.

Here’s how I see it playing out:

1. Morbius

Predicted Gross: $45.8 million

2. The Lost City

Predicted Gross: $16.4 million

3. The Batman

Predicted Gross: $12 million

4. Uncharted

Predicted Gross: $3.1 million

5. RRR: Rise, Roar, Revolt

Predicted Gross: $2.9 million

Box Office Results (March 25-27)

As mentioned, The Lost City premiered on the high end of estimates with $30.4 million (reaching just past my $28.4 million take). After a pair of Netflix hits, Bullock posted a pleasing debut and Tatum has his second solid performer in a row after Dog. 

The Batman fell to second after three weeks on top with $20.4 million, in range with my $21.6 million projection. The Caped Crusader reboot has amassed $331 million.

The Indian action drama RRR had the best per screen average as it began with $9.5 million, rising ahead of my $7.8 million prediction.

Uncharted was fourth with $5 million, falling short of my $6.1 million guesstimate. The six-week tally is $133 million.

Jujutsu Kaisen 0 rounded out the top five with $4.5 million (I said $5 million) for a two-week haul of $27 million.

X was sixth with $2.2 million, a tad under my $2.7 million prediction for $8 million overall in its first 10 days.

Dog was seventh with $2.2 million. I went with $2.7 million and the gross is $57 million.

And that does it for now, folks! Until next time…

March 25-27 Box Office Predictions

**Blogger’s Update (03/24): The Indian period adventure RRR is slated for a release on over 1100 screens and it could be a sleeper hit for the weekend based on buzz and pre-sales. I’m adding it in the mix for a third place debut.

Sandra Bullock, Channing Tatum, Brad Pitt, and Daniel Radcliffe will try to dislodge The Batman from its three-week perch atop the charts when The Lost City debuts this Friday. It’s the only newcomer this weekend and you can peruse my detailed prediction post on the comedic adventure here:

The Lost City Box Office Prediction

My mid to high 20s estimate for the well reviewed City gets it to first place as long as The Batman sees a drop in the high 30s to low 40s range. It could end up being a close race, but I’m giving Bullock and company the benefit of the doubt.

As for the rest of the top 5, current #2 Jujutsu Kaisen 0 easily surpassed expectations in its debut (more on that below), but the sophomore drop should be steep (similar to the 70% fall of animated manga tale Demon Slayer). That would leave Uncharted in third with Kaisen fourth. In the five spot, Dog (also with Channing Tatum) may have a slighter dip than X in what might be a tight race for that position.

And with that, here’s my take on this Oscar frame’s top 7 performers:

1. The Lost City

Predicted Gross: $28.4 million

2. The Batman 

Predicted Gross: $21.6 million

3. RRR

Predicted Gross: $7.8 million

4. Uncharted

Predicted Gross: $6.1 million

5. Jujutsu Kaisen 0

Predicted Gross: $5 million

6. Dog

Predicted Gross: $2.9 million

7. X

Predicted Gross: $2.7 million

 

Box Office Results (March 18-20)

While there were newbies to view, The Batman ruled the roost while Jujutsu had a terrific premiere. Robert Pattinson’s debut as the DCEU Crusader took in $36.7 million, below my projection of $42.1 million. The three-week tally sits at an impressive $300 million.

Jujutsu blew away prognostications with $17.6 million. The FUNimation entry (which was already a hit overseas) easily toppled my meager $9.8 million take. Like other genre fare, its opening frame should represent a large portion of the overall domestic gross.

Uncharted was third with $7.8 million. I was right on target at $7.7 million. Total earnings are $125 million.

Horror pic X from A24 capitalized on solid reviews and came in fourth with a decent $4.4 million. That’s ahead of my $2.9 million estimate and it will hope for solid holds in coming weekends.

Dog rounded out the top five with $3.9 million, a touch below my $4.6 million prediction. It’s up to $54 million.

Spider-Man: No Way Home was sixth with $3.1 million (I said $3.7 million) and the massive haul is $797 million.

Finally, crime drama The Outfit with Mark Rylance started in 8th place with a muted $1.4 million. That is better than my $1 million forecast, however.

And that does it for now, folks! Until next time…

Oscar Predictions: The Lost City

At the Golden Globes honoring the pictures of 1984, Romancing the Stone managed to win the Musical/Comedy race. In doing so, it beat out sturdy competitors like Beverly Hills Cop, Ghostbusters, and Splash. Furthermore, Kathleen Turner took home Best Actress for her performance while costar Michael Douglas wasn’t nominated.

Why am I talking about this comedic adventure from nearly 40 years ago? The Lost City (out March 25th) is being compared to it a lot in the early reviews (which currently sit at 100% on Rotten Tomatoes).

From filmmakers Adam and Aaron Nee, Sandra Bullock and Channing Tatum headline with a supporting cast including Brad Pitt (the critics are praising him), Daniel Radcliffe, Da’Vine Joy Randolph, and Bowen Yang. Here’s the deal… this isn’t really an Oscar Predictions post. I don’t think it’ll be in the running from Academy voters.

The Hollywood Foreign Press Association is a different branch and could be a different story. Depending on the level of competition from future musicals and comedies in 2022, The Lost City‘s early buzz indicates it could make a play in that feature film competition or for Bullock. That would keep those comps to Stone relevant. My Oscar (and Globe) Prediction posts will continue…

The Lost City Box Office Prediction

Sandra Bullock is fresh off widely seen Netflix titles like Bird Box and The Unforgivable. Channing Tatum’s Dog is currently performing well in multiplexes. The two team up on March 25th for The Lost City, a romantic comedy adventure drawing comparisons to 1984’s Romancing the Stone. Adam and Aaron Nee co-direct. The two leads aren’t the only big names in the cast as Brad Pitt (said to be a standout) and Daniel Radcliffe join the party alongside Da’Vine Joy Randolph and Bowen Yang.

It’s a rare title in this era where the release date was pushed up (from April). City screened at South by Southwest last weekend to pleasing results. Based on 12 reviews thus far, it’s at 100% on Rotten Tomatoes.

This is exactly the type of escapist fare that should appeal widely to action fans and with a female demographic to boot. It could end The Batman‘s reign atop the charts. I do believe a gross north of $30 million is totally possible, but I’ll put it a bit below that mark. That should set up a showdown between this and the Caped Crusader for box office supremacy.

The Lost City opening weekend prediction: $28.4 million

March 11-13 Box Office Predictions

With no new wide releases this weekend (or the next one), The Batman should easily maintain its perch atop the charts. The question is how much it drops in the sophomore frame.

I’m projecting a dip in the low to mid 50s range which would give it around $60-$65 million. Other holdovers should maintain their current rankings in the top five with smallish declines considering the lack of competition.

Here’s how I see it breaking down:

1. The Batman

Predicted Gross: $62.5 million

2. Uncharted

Predicted Gross: $6.7 million

3. Dog

Predicted Gross: $4.4 million

4. Spider-Man: No Way Home

Predicted Gross: $3.8 million

5. Death on the Nile

Predicted Gross: $1.9 million

Box Office Results (March 4-6)

As was widely expected, The Batman easily achieved the second best opening of the COVID era (behind Spidey). Robert Pattinson’s introduction as the Caped Crusader took in $134 million. That’s not near as high as my $155.2 million projection but it’s still a solid haul. With an A- Cinemascore grade and little competition, it will rule the month of March until The Lost City arrives on March 25th.

Uncharted dropped to second with $11.1 million, a tad ahead of my $10.5 million forecast. Tom Holland’s almost sure to be newest franchise sits at a cool $100 million.

Channing Tatum’s Dog was third with $6.1 million (I said $6.4 million) for a three-week take of $40 million.

Spider-Man: No Way Home was fourth at $4.5 million compared to my $3.8 million prediction. The massive tally is $786 million.

Death on the Nile rounded out the top five with $2.7 million (I went with $2.5 million). Total is $37 million.

And that does it for now, folks! Until next time… same Bat time… same Bat channel…

March 4-6 Box Office Predictions

It’s an eagerly awaited weekend at the box office as The Batman looks to have the second highest debut of the COVID era (behind only Spider-Man: No Way Home). The DCEU reboot with Robert Pattinson as the Caped Crusader is the only new release of this weekend (and the majority of March) and my detailed prediction post on it can be found here:

The Batman Box Office Prediction

The range of possibility is wide (anywhere from $100 to $200 million depending on what you’re reading). I believe a gross just north of $150 million is most likely and my projection gives it the 20th largest domestic opening of all time.

Holdovers should experience heftier dips than this past weekend with Uncharted, Dog, Spider-Man, and Death on the Nile all sliding a spot. Here’s how I see it looking:

1. The Batman

Predicted Gross: $155.2 million

2. Uncharted

Predicted Gross: $10.5 million

3. Dog

Predicted Gross: $6.4 million

4. Spider-Man: No Way Home

Predicted Gross: $3.8 million

5. Death on the Nile

Predicted Gross: $2.5 million

Box Office Results (February 25-27)

The leftovers didn’t spoil during the last frame of February while the two newcomers didn’t prove appetizing to moviegoers.

Uncharted ruled the charts for the second frame with $23 million, just ahead of my $21.8 million forecast for a two-week total of $83 million. Tom Holland, as I mentioned last week, has himself another promising franchise.

Channing Tatum’s Dog was a good boy in its sophomore outing with $10.1 million, outpacing my $8.4 million take. The two-week haul is $30 million.

Spider-Man: No Way Home was third with $5.8 million (I said $6 million) for a gargantuan take of $779 million.

Death on the Nile was fourth with $4.4 million, edging my $3.7 million prediction for a stalled $32 million overall.

Jackass Forever rounded out the top five with $3.1 million (I went with $2.8 million). It’s up to $52 million.

The fresh product managed respective 8th and 9th place starts. Studio 666, the horror comedy from the Foo Fighters, made only $1.5 million compared to my $2.1 million estimate. Cyrano with Peter Dinklage fared even worse with $1.3 million (I said $1.8 million).

And that does it for now, folks! Until next time…