Jim Jarmusch’s Father Mother Sister Brother is your surprise Venice Golden Lion winner (top prize) for 2025. The dramedy anthology from the veteran indie filmmaker boasts a cast featuring Cate Blanchett, Adam Driver, Tom Waits, Vicky Krieps, Mayim Bialik, Charlotte Rampling, Indya Moore, Luka Sabbat, and Sarah Greene.
The three act pic is being distributed by Mubi with a stateside release on Christmas Eve. While Italian reaction was positive, it would seem the jury’s verdict was even more effusive. Rotten Tomatoes is at 100% with 79 on Metacritic.
Five of the last 10 Lion recipients have gone onto a Best Picture nomination from the Academy – The Shape of Water (which won), Roma, Joker, Nomadland (which also won), and Poor Things. Jarmusch has never been a fixture with Oscar voters. Despite the Venice boost, I doubt that will change with Original Screenplay perhaps being the only realistic possibility. My Oscar Prediction posts will continue…
Previously on the blog, I wrote a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 in recently years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned numerous posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them! Also – I still need to write these posts for 2023 and 2024. They’re coming.**
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five movies that I believe would’ve gotten in. I’ve already covered 2005-08 and you can peruse my posts on them here:
We move to 2004. There’s an obvious five pictures that would’ve made the cut and that’s the group that were nominated. It begins with Clint Eastwood’s Million Dollar Baby. That boxing drama made a late surge 21 years back and took four trophies – Picture, Director, Actress (Hilary Swank), and Supporting Actor and was nominated for three more.
Martin Scorsese’s The Aviator scored a ceremony high 11 nods and won five – Cate Blanchett in Supporting Actress, Art Direction, Cinematography, Costume Design, and Film Editing. Finding Neverland from Marc Forster landed 7 nominations with a victory in Original Score. Taylor Hackford’s musical biopic Ray made Jamie Foxx a Best Actor victor and won Sound Editing in addition to nods in BP, Director, and two tech races. Alexander Payne’s Sideways was also up for Director, two acting races (though notably not Paul Giamatti in lead actor), and was the recipient of Adapted Screenplay.
That’s the quintet we know. Now we can speculate. And that begins with an unlikely contender in Michael Moore’s Fahrenheit 9/11. Moviegoers of a certain younger age may not recall. but the documentarian’s critical look at George W. Bush’s presidency and the Iraq War was a Palme d’Or winner at Cannes, a critical smash, and became the highest grossing documentary of all time in the summer of 2004. However, Moore chose not to submit Fahrenheit for consideration in Documentary Feature where it probably would’ve been a lock to win that prize.
Fahrenheit was, however, eligible for BP. And this is the rare place on the blog where I will speak of politics coming into play. Had President Bush lost reelection in 2004, Fahrenheit might’ve been seen as a contributing factor. And in Hollywood, that might’ve been enough to earn it a spot among the theoretical 10 nominees. That did not happen and I’m therefore not including it among the expanded contenders.
While Fahrenheit is a question mark, there are some features that I feel strongly would have made the longer list. Mike Leigh’s Vera Drake was up for Director, Actress (Imelda Staunton), and Original Screenplay. Michel Gondry’s Eternal Sunshine of the Spotless Mind was the winner in Original Screenplay while Kate Winslet was up in Actress (though Jim Carrey was notably snubbed in Actor). Hotel Rwanda was also nominated in Original Screenplay along with performers Don Cheadle and Sophie Okenedo.
In previous posts covering2007-2008, Ratatouille and Wall-E made the expanded 10. For 2004, same goes for The Incredibles. The Pixar property was the Animated Feature and Sound Editing honoree and it had nominations in (you guessed it) Original Screenplay and Sound Mixing.
That leaves one spot and there’s lots of contenders. Mel Gibson’s The Passion of the Christ was a box office smash that was up for Original Score, Cinematography, and Makeup. Yet I question whether the Academy would’ve gone for it even with five added possibilities.
Collateral from Michael Mann saw Jamie Foxx as a double nominee in Supporting Actor and a Film Editing nod. Closer had supporting nominations for Clive Owen and Natalie Portman. If it had managed a Screenplay nomination, I might’ve included it. Various tech nominations were bestowed upon Harry Potter and the Prisoner of Azkaban, Lemony Snicket’s A Series of Unfortunate Events, The Phantom of the Opera, Spider-Man 2, and A Very Long Engagement. If this were a do-over list, Azkaban probably would get in considering many believe it’s the best of the franchise. I don’t believe you’d see it at the time. Same goes for the second Spidey adventure.
For the tenth spot (and it’s admittedly a tricky one), I’m settling on The Motorcycle Diaries from Walter Salles. Diaries was subject to controversy at the Oscars in the Best Foreign Language Film (now International Feature Film) competition. The Academy ruled it ineligible in that race because “it didn’t have sufficient elements from any of the countries to qualify” (huh?). It still picked up nods in Adapted Screenplay and won Original Song. With a doubling of nominees, I think voters would’ve found room for it. That’s especially since it should have been a lock in the foreign derby.
Hollywood hopes that Disney’s live-action remake of Snow White can wake up a sleepy box office this weekend while The Alto Knights with a double dose of Robert De Niro also debuts. You can peruse my detailed prediction posts on the newcomers here:
With Rachel Zegler in the title role and Gal Gadot as the Evil Queen, there’s no doubt Snow White will dwarf all competitors. The question is by how much. A best case scenario might be around $60 million though it could bottom out in the mid to high 30s. I’m giving it high 40s. While that’s nothing to sneeze at, it’s not that happy a result for the Mouse House considering most of their other live-action retellings far outpaced that figure.
Mr. De Niro portrays two real-life gangsters in the period piece Knights. Warner Bros hasn’t given it much of a marketing push. My lower to mid single digits forecast could put it anywhere from second to sixth.
Holdovers Novocaine (the current champ), Black Bag, Captain America: Brave New World, and Mickey 17 should all generate similar earnings. In fact, I have #2 and #6 separated by only half a million bucks. That’s with Novocaine dwindling just over 50% and Black Bag falling in the high 40s in its sophomore frame. Captain America is likely to experience the smallest decline.
Here’s how I have the top 6 playing out:
1. Snow White
Predicted Gross: $49.6 million
2. Novocaine
Predicted Gross: $4.1 million
3. Captain America: Brave New World
Predicted Gross: $4.1 million
4. Black Bag
Predicted Gross: $4 million
5. The Alto Knights
Predicted Gross: $3.7 million
6. Mickey 17
Predicted Gross: $3.6 million
Box Office Results (March 14-16)
It was a painful weekend in multiplexes as no feature topped $10 million. Novocaine with Jack Quaid had muted bragging rights in 1st with $8.8 million. Failing to match my $9.8 million prediction, look for this to fade quickly with a meh B Cinemascore.
Also sporting a B Cinemascore was Steven Soderbergh’s Black Bag with Cate Blanchett and Michael Fassbender. The spy thriller was second with $7.6 million, just over my $7.3 million projection.
Bong Joon-ho’s Mickey 17 suffered a considerable 61% drop and was third with $7.4 million. I was a tad more generous to the Robert Pattinson sci-fi satire at $8.1 million. The two-week tally is an unimpressive $33 million.
Captain America: Brave New World was fourth at $5.6 million (I said $5.7 million) for a five-week total of $185 million and $200 million domestic looking achievable.
The Day the Earth Blew Up: A Looney Tunes Movie rounded out the top five with a mere $3.1 million compared to my $3.8 million estimate for the animated offering.
Jack Quaid is unconventional hero Novocaine, Cate Blanchett and Michael Fassbender carry the romantic thriller Black Bag from Steven Soderbergh, and Daffy Duck and Porky Pig headline The Day the Earth Blew Up: A Looney Tunes Movie this weekend. You can peruse my detailed prediction posts on the new trio here:
It could be a battle for the #1 spot. I’m projecting no feature will top $10 million though I believe Novocaine has the best shot and that it manages first place with only mild bragging rights.
I foresee Mickey 17 suffering a significant drop in its sophomore frame after a so-so start (more on that below). A mid to high 50s plummet would put it in second or maybe even third.
Black Bag, generating impressive reviews, could outdo my third place number but the adult drama should face trouble bringing in a younger crowd.
Speaking of younger crowds, Looney Tunes hopes to cash in on its well-known animated stars. Yet this seems to be severely under marketed and I have it in fifth behind Captain America: Brave New World.
Here’s how I have the high five shaking out:
1. Novocaine
Predicted Gross: $9.8 million
2. Mickey 17
Predicted Gross: $8.1 million
3. Black Bag
Predicted Gross: $7.3 million
4. Captain America: Brave New World
Predicted Gross: $5.7 million
5. The Day the Earth Blew Up: A Looney Tunes Movie
Predicted Gross: $3.8 million
Box Office Results (March 7-9)
Bong Joon-ho’s Mickey 17 ended Captain America‘s three-week #1 reign with $19 million. Given the reported price tag of around $120 million, that’s not a result to brag about. However, the sci-fi satire with Robert Pattinson did surpass my $17.9 million prediction.
Captain America: Brave New World fell to second with $8.3 million. I was on target at $8.4 million. The MCU adventure now stands at $176 million.
Last Breath was third with $4 million, a bit lower than my $4.6 million forecast for the survival flick. The two-week take is $14 million.
The Monkey was fourth with $3.9 million (I said $3.4 million) for $31 million after three weeks.
Paddington in Peru rounded out the top five at $3.7 million and I incorrectly had it outside the leading quintet. The sequel’s four-week gross is $36 million.
Finally, Rule Breakers from Angel Studios stumbled in ninth with a paltry $1.5 million. I was far more generous at $3.7 million.
Steven Soderbergh unveils his second 2025 picture in weeks when Black Bag opens on March 14th. The spy thriller is led by Cate Blanchett and Michael Fassbender with Marisa Abela, Tom Burke, Naomie Harris, Regé-Jean Page, and Pierce Brosnan in support.
The Focus Features flick is generating impressive critical support with 96% on Rotten Tomatoes. That’s some of the best recent reviews in the prolific director’s long career. Bag‘s buzz could mean this over performs. If this reaches $10 million, that would be quite an accomplishment. I don’t think it gets there, but it should certainly outpace the $3.3 million that Soderbergh’s January predecessor Presence earned out of the gate.
Black Bag opening weekend prediction: $7.3 million
Arriving just weeks after his well-reviewed haunted house flick Presence, the prolific Steven Soderbergh helms the spy thriller Black Bag. Out March 14th, David Koepp handles screenplay duties (he also scripted Presence) with eight-time nominee and two-time Academy winner Cate Blanchett and two-time nominee Michael Fassbender starring. The supporting cast includes Marisa Abela, Tom Burke, Naomie Harris, Regé-Jean Page, and Pierce Brosnan.
Critics are digging what they’re finding in Bag. The Rotten Tomatoes score is 95% with Metacritic at 86. Blanchett, Fassbender, and Brosnan (in what’s said to be a small but memorable role) are getting kudos as are the screenplay and cinematography.
That said, Bag probably isn’t an awards play for Focus Features despite the impressive reviews thus far. My Oscar Prediction posts will continue…
The 2024 Venice Film Festival has wrapped production with a bit of a surprise ending. Pedro Almodóvar’s English language debut The Room Next Door has taken the Golden Lion (equivalent to Best Picture) in Italy. The relationship drama starring Julianne Moore and Tilda Swinton has received positive reviews (95% RT), but the general consensus is they might not have been strong enough for this particular prize.
What does that mean for its Oscar chances? Well, it certainly helps exposure prior to its December 20th limited stateside start and nationwide expansion in January. Five of the past seven Golden Lion recipients have ended up nabbing BP nods – The Shape of Water (winner), Roma, Joker, Nomadland (winner), and Poor Things.
Venice spreads the wealth when it comes to the victors. The Silver Lion designation (equivalent to Best Director) was bestowed to Brady Corbet for The Brutalist. The Holocaust survivor epic was the breakout of the fest with its awards possibilities going through the roof. It could become a major player at the 97th Academy Awards and Corbet’s inclusion here proves it. On the other hand, this was probably the betting odds favorite for the Lion and didn’t get there.
The Volpi Cups go to Actor and Actress. The former went to Vincent Lindon for The Quiet Son. It’s doubtful that he’ll be a factor in the Academy’s race. In the past decade, two Volpi Actor winners have garnered Oscar nods (Willem Dafoe for At Eternity’s Gate and Colin Farrell in The Banshees of Inisherin).
In Best Actress, the story could be different with Nicole Kidman being named for Babygirl. Seeking her sixth Academy nom, she was unable to accept the Venice award due to her mother’s passing. At the Oscars, Best Actress is starting to look crowded. Yet A24 is likely to mount a spirited campaign for the performer. Half of the previous the Actress honorees have made the Academy’s cut: winners Emma Stone (La La Land) and Olivia Colman (The Favourite) in addition to Vanessa Kirby (Pieces of a Woman), Penélope Cruz (Parallel Mothers), and Cate Blanchett (Tár).
Keep checking the blog for rolling awards coverage!
Before you laugh at me for putting “Oscar Predictions” in front of Borderlands (out tomorrow), the sci-fi action spectacle based on a popular video game series has plenty of special effects. Therefore Eli Roth’s rendering of the source material could theoretically play in Visual Effects.
It won’t. The cast includes two-time Academy Award recipient Cate Blanchett, Kevin Hart, Jack Black, Édgar Ramirez, Ariana Greenblatt, Florian Munteanu, and recent Supporting Actress winner Jamie Lee Curtis. However, this is shaping up to be one of the biggest box office bombs of 2024. With a budget reportedly in the $120 million vicinity, I don’t even have it reaching $10 million during opening weekend.
Then there’s the reviews. Oof. The embargo was lifted hours before its release and now we know why. The Rotten Tomatoes score is 3% with a grand total of one positive(ish) write-up (here’s looking at you Grace Randolph)!
You can safely assume Borderlands won’t resonate with the Academy’s voters. On the other hand, it is the likely frontrunner for the Razzie Awards early next year. My Oscar Prediction posts will continue…
Blogger’s Updates (08/08): Two updates for the newcomers on the eve of their premieres. Bumping It Ends with Us from $39.8 million to $43.8 million and downsizing Borderlands from $11.3 million to $8.1 million.
After the 8th best second weekend of all time at the domestic box office, Deadpool & Wolverine should rule the charts for a third frame. Yet the most serious competition for Ryan Reynolds thus far will come from his wife Blake Lively. That’s courtesy of the romantic drama It Ends with Us based on the bestseller from Colleen Hoover. Its breakout potential could cause it to over perform even beyond my forecast. We also have the video game based sci-fi action comedy Borderlands with Cate Blanchett and Kevin Hart. My detailed prediction posts on both newbies can be found here:
It Ends should begin with impressive numbers. The source material looks to bring in a sizable female audience who have been underserved in these summer months. My low to mid 30s call puts it easily in second and I could envision it going even higher.
I’m not expecting fireworks for Borderlands. Despite its video game series being popular, my low double digits take would place it in fourth behind the fourth go-round for Twisters.
Deadpool & Wolverine should lose about half its sophomore weekend crowd and that would give it high 40s for a third championship session.
Despicable Me 4 may only fall one slot to fifth. The percentage drop should be meager compared to M. Night Shyamalan’s Trap. His latest thriller underwhelmed (more on that below) and I foresee it plummeting around 60% to sixth place.
Here’s how I see that top 6 playing out:
1. Deadpool & Wolverine
Predicted Gross: $49.6 million
2. It Ends with Us
Predicted Gross: $43.8 million
3. Twisters
Predicted Gross: $13.9 million
4. Despicable Me 4
Predicted Gross: $8.6 million
5. Borderlands
Predicted Gross: $8.1 million
6. Trap
Predicted Gross: $6.1 million
Box Office Results (August 9-11)
As mentioned, Deadpool & Wolverine managed the 8th largest weekend #2 with $96.8 million, easily clawing beyond my $84.6 million prediction. The MCU mashup has amassed $395 million in only ten days.
Twisters held tight in second with $22.8 million, blowing past my $18.1 million estimate. In three weeks, the sequel has hit $195 million with $200 million coming this week.
Mr. Shyamalan’s Trap performed in line with predecessors Old and Knock at the Cabin. In third place, the $15.4 million gross was under my $19.2 million projection. This opening is certainly on the lower end of the expected range and the C+ Cinemascore grade suggests the aforementioned large drop is coming.
Despicable Me 4 was fourth with $11.4 million compared to my $9.4 million call. The five-week total is $314 million.
Inside Out 2 rounded out the top five with $6.8 million for $626 million so far in eight weeks. I incorrectly had it outside the high five.
That’s because the family friendly and poorly reviewed Harold and the Purple Crayon couldn’t draw its crowd. With $6 million in sixth place, it fell under my $7.6 million prediction.
Blogger’s Update (08/08): On the eve of its premiere, I’m downsizing my estimate from $11.3 million to $8.1 million
For quite some, “based on a video game” was a kiss of death for cinematic adaptations. Some of the massive failures include 1993’s live-action Super Mario Bros., Double Dragon, Wing Commander, and Max Payne. That trend has reversed in recent years with hits like Uncharted, last year’s animated The Super Mario Bros. Movie, and Five Nights at Freddy’s. So where Eli Roth’s Borderlands land? I suspect it might fail to break out.
The sci-fi action comedy is spawned from one of the most successful game franchises that began 15 years ago. An impressive cast includes Cate Blanchett, Kevin Hart, Jack Black (doing voiceover work), Edgar Ramirez, Ariana Greenblatt, Florian Munteanu, Gina Gershon, Haley Bennett, Bobby Lee, and Jamie Lee Curtis.
Some die-hard aficionados of the role-playing first-person shooter series will obviously turn up. Crossover appeal, despite the recognizable cast, could be a tall order. A debut of over $20 million should be considered a win, but I think it might stall out in the low double digits.
Borderlands opening weekend prediction: $8.1 million
All My Life... I Wanted To Be A Blogster 