Playing a dying documentary filmmaker recounting his life, on paper Oh, Canada sounds like the kind of project that could give 74-year-old Richard Gere his first Oscar nomination. It reunites the actor with his American Gigolo collaborator Paul Schrader some four and a half decades later. Schrader is adapting the Russell Banks novel, who also wrote Affliction. The director’s version of that source material resulted in Nick Nolte being up for Best Actor in 1998 and James Coburn winning Supporting Actor.
Canada premiered in France at Cannes. The supporting cast includes Jacob Elordi (playing Gere’s younger self), Uma Thurman, Michael Imperioli, Victoria Hill, Penelope Mitchell, and Kristine Froseth.
There’s only a smattering of reviews and they’re mixed with a current 60% RT score. Schrader has been a busy man lately. 2018’s First Reformed nabbed him a nod for Best Original Screenplay (somehow his first). Follow-ups The Card Counter and Master Gardener were not on the radar of voters. It’s highly unlikely this will be either.
As for Gere, that acting nom should remain elusive. He was rather famously omitted for 2002’s Chicago, despite the movie taking Best Picture and four of his costars being recognized. My Oscar Prediction posts will continue…
The previous two features from Yorgos Lanthimos – 2018’s The Favourite and last year’s Poor Things – combined for 21 Oscar nominations. This includes two Actress victories for Olivia Colman in the former and Emma Stone in the latter. Mere months after Poor Things, Lanthimos’s follow-up Kinds of Kindness has premiered at Cannes prior to its June 21st stateside bow. The three hour anthology has Ms. Stone headlining alongside Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer.
Unlike his two Academy contending predecessors, Lanthimos reunites with writing partner Efthimis Filippou. They collaborated on the filmmaker’s earlier projects Dogtooth (2012), The Lobster (2016), and The Killing of a Sacred Deer (2017).
The Rotten Tomatoes score is 94%, but that doesn’t tell the whole story. Several critics, while praising many aspects, are calling this an easier picture to admire than like. This will be a true test of the Academy’s affinity for its maker. Those last two projects yielded five acting nominations and the aforementioned two wins. Stone and Plemons in particular are generating plenty of kudos. I do question whether Searchlight hones in on any of the cast for recognition. Perhaps SAG will take notice. In my previous prediction posts, I singled out Hong Chau for Supporting Actress consideration. I doubt that happens now. The best bet could be a sole Screenplay nod.
I wouldn’t discount Kinds receiving the kindness of awards voters. That said, I believe it faces more of an uphill battle than Lanthimos’s recent things that the Academy favoured. My Oscar Prediction posts will continue…
English filmmaker Andrea Arnold has been a Cannes favorite for years. Three of her works – Red Road (2006), Fish Tank (2009), and American Honey (2016) – received jury awards at the French fest. Yet her exposure to the Academy is limited to 2004’s Wasp which took Best Live Action Short Film at the ceremony two decades ago.
Arnold is hoping her longer film Bird gets love from Cannes and the Academy. Described as both gritty and full of heart, it features Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Edward Buda, James Nelson Joyce, and Jasmine Jobson.
With a 92% RT rating, some critics hint this could be the auteur’s biggest commercial breakout. It’ll be interesting to track who picks up stateside distribution rights. Whoever does will likely mount a campaign in several categories. One could be for Actress where newcomer Adams plays the 12-year-old central character. While her odds could be shaky for Oscar attention, I’d already pencil her in for a spot in Best Newcomer at the BAFTAs. There’s also Keoghan who was up two years ago in Supporting Actor for The Banshees of Inisherin. My previous prediction posts had him listed as a hopeful in Actor, but it certainly sounds like he is in support mode.
I have had Bird in my very early 10 picks in Best Picture. While reviews are positive, that could be a reach. It might depend on how hard its eventual studio pushes to know how high this flies in BP, Original Screenplay, and beyond. My Oscar Prediction posts will continue…
Instead of saying it’s made with spirit, you can accurately say Megalopolis was made with spirits. As in wine because legendary filmmaker Francis Ford Coppola reportedly sold a hefty portion of that business to finance the $120 million production. This is Coppola’s dream project (in development since the late 1970s) and the sci-fi drama influenced by the fall of the Roman Empire has premiered at Cannes. The large cast includes Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Jason Schwartzman, Talia Shire, Grace VanderWaal, Laurence Fishburne, Kathryn Hunter, Chloe Fineman, and Dustin Hoffman.
Some reaction from the Riviera is heaping praise on the long gestating picture. There’s plenty more calling it a mess (though a wildly ambitious one) and you can see it in the 47% Rotten Tomatoes rating.
At 85, Coppola is rightfully regarded as one of cinema’s most important figures. That said, for every The Godfather, The Conversation, and Apocalypse Now, there’s some flops and flicks that received middling reviews. His 2011 predecessor Twixt, for example, came and went with scant fanfare.
Despite the high profile surroundings with this unveiling, awards prospects are shaky and that might be generous. I suppose tech races like Production Design or Costume Design could happen, but I think it’s entirely possible the Academy ignores this altogether. One might think Visual Effects is doable yet that aspect is receiving its share of disparagement. The large cast should come up empty-handed too. The three Godfather sagas saw 10 performers get nominated. Based on the write-ups I’ve seen, I don’t see any of the thespians here contending. Same goes for Coppola and his movie. My Oscar Prediction posts will continue…
Furiosa: A Mad Max Saga storms into theaters this Memorial Day weekend as it hopes to improve upon the numbers of its 2015 predecessor Mad Max: Fury Road. The fifth feature of a franchise that began in 1979, George Miller returns to the director’s chair and this is the first Max tale without Max (in the form of Mel Gibson or Tom Hardy). The prequel casts Anya Taylor-Joy in the title role that Charlize Theron played nine years back. Chris Hemsworth costars along with Alyla Browne, Tom Burke, Lachy Hulme, Nathan Jones, Josh Helman, John Howard, and Angus Sampson.
With a reported budget of nearly $170 million, Warner Bros is banking on fruitful stateside returns and buoyant international results. Early signs are encouraging. Its Cannes premiere has produced an 88% RT score. While that’s not as high as Fury, word-of-mouth should be solid.
Back in 2015, Fury grossed $45 million in its mid-May opening slot en route to $153 million domestically. Furiosa will have the benefit of a four-day report due to the holiday. Hitting $50 million is achievable from Friday to Monday. I suspect it may slightly fall under that figure.
Furiosa: A Mad Max Saga opening weekend prediction: $47.2 million (Friday to Monday estimate)
At the 88th Academy Awards covering the films of 2015, Mad Max: Fury Road received 10 nominations (the second highest behind The Revenant) and the most victories with 6. The wins were for Costume Design, Film Editing, Makeup and Hairstyling, Production Design, Sound Editing, and Sound Mixing. It came up short in Picture, Director (George Miller), Cinematography, and Visual Effects.
For the 97th Oscars, voters will have prequel Furiosa: A Mad Max Saga to consider. Miller’s fifth feature in the franchise that began 45 years ago has screened at Cannes prior to its Memorial Day weekend domestic release. Anya Taylor-Joy plays the title character portrayed by Charlize Theron in Fury Road. Chris Hemsworth costars along with Tom Burke, Alyla Browne, Lachy Hulme, Josh Helman, John Howard, and Angus Sampson.
Early reaction is certainly encouraging with an 87% Rotten Tomatoes rating. Some critics are claiming it’s on par with the predecessor while others say it doesn’t quite measure up (Road‘s RT score was 97%).
Saga‘s biggest hurdle to break into Picture and Director could be another sci-fi series entry from earlier this year and that is Dune: Part Two. That pic has likely punched its ticket in those two big races and there may not be room for Furiosa. That said, all those tech competitions could be in play and it could fall short to Dune in a few of them. Sound Editing and Mixing has since become one category so a best case scenario could be seven nods. There will some internet chatter for Hemsworth in Supporting Actor, but I suspect it will remain just that. My Oscar Prediction posts will continue…
The Cannes Film Festival is underway and the opening feature is from an auteur named Quentin! Not that one. The Second Act is a French comedy about the first AI directed movie and it’s the latest from filmmaker Quentin Dupieux. Also… don’t get this confused with Second Act, Jennifer Lopez’s rom com from 2018 (because why would that open Cannes??). Léa Seydoux, Vincent Lindon, Louis Garrel, and Raphaël Quenard star.
Clocking in at a mere 82 minutes, initial reactions call this a very meta experience. Reviews themselves are mixed. The Rotten Tomatoes score is currently 60% based on a handful of critics.
I find it highly unlikely that the French will select this as their contender for International Feature Film months down the line. Any awards prospects seem shaky at best. My Oscar Prediction posts will continue…
Cinco de Mayo brings the second ranked post for the 97th Academy Awards in the six major races- Picture, Director, and the four acting derbies. Obviously we’re early in the process and, at the moment, a lot of speculation is simply on where certain performers will be placed (lead or supporting). Some examples: His Three Daughters from director Azazel Jacobs screened to impressive reviews at Toronto last fall and has been given a plum Netflix streaming start for this autumn. The title characters are played by Carrie Coon, Natasha Lyonne, and Elizabeth Olsen. The studio has a decision to make on which categories the trio are campaigned in. I am currently guesstimating that Lyonne will be lead with the other two in supporting. It is indeed a guesstimate. They could all go supporting. Coon could be an Actress play with the others in supporting. Obviously I’ll adjust as the weeks and months move along as updates are provided.
Then there’s Saoirse Ronan. The four-time nominee and no time winner has two 2024 shots. Her work in The Outrun premiered at Sundance, indicating a definite possibility for a lead Actress nod. She is also in Steve McQueen’s Blitz which sure looks like an awards hopeful on paper. Whether she’s lead or supporting in it remains to be seen. Apple TV might have better luck putting her in Supporting Actress and that’s where I have her. However, we don’t know if that’s workable at press time.
Beyond the thespians, we have head scratchers like Kevin Costner’s western epic Horizon: An American Saga. Make that Horizon: An American Saga – Chapter 1 (slated for late June) and Horizon: An American Saga – Chapter 2 (arriving mid-August). Could the Dances with Wolves maker have another chance at Oscar glory? If so, which chapter books its spot on the BP list? I’m speculating that the better chance lies with the second one.
Horizon will first be seen at Cannes and that fest kicks off May 14th. Some other pictures showing there include Kinds of Kindness, Megalopolis, The Apprentice, Bird, Furiosa: A Mad Max Saga, Emilia Perez, and Anora. When I publish my next update in a couple of weeks, some of them will have reviews and buzz.
Here’s how I have it shaking out now!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Conclave (PR: 3) (E)
4. Sing Sing (PR: 4) (E)
5. Queer (PR: 6) (+1)
6. The End (PR: 5) (-1)
7. The Fire Inside (PR: 7) (E)
8. Kinds of Kindness (PR: 9) (+1)
9. Bird (PR: 8) (-1)
10. His Three Daughters (PR: Not Ranked)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. Horizon: An American Saga – Chapter 2 (PR: 19) (+7)
13. The Apprentice (PR: 12) (-1)
14. Furiosa: A Mad Max Saga (PR: 14) (E)
15. The Piano Lesson (PR: 18) (+3)
16. Megalopolis (PR: 17) (+1)
17. Maria (PR: 16) (-1)
18. The Nickel Boys (PR: 22) (+4)
19. Civil War (PR: 15) (-4)
20. Hit Man (PR: Not Ranked)
21. A Real Pain (PR: 20) (-1)
22. The Supremes at Earl’s All-You-Can-Eat (PR: 13) (-9)
23. Dídi (PR: 10) (-13)
24. Hard Truths (PR: 23) (-1)
25. SNL 1975 (PR: Not Ranked)
Dropped Out:
Here
Wicked
Gladiator II
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Joshua Oppenheimer, The End (PR: 4) (E)
5. Andrea Arnold, Bird (PR: 9) (+4)
Other Possibilities:
6. Luca Guadagnino, Queer (PR: 6) (E)
7. Yorgos Lanthimos, Kinds of Kindness (PR: 8) (+1)
8. Rachel Morrison, The Fire Inside (PR: 5) (-3)
9. Todd Phillips, Joker: Folie à Deux (PR: 10) (+1)
10. Greg Kwedar, Sing Sing (PR: 7) (-3)
11. George Miller, Furiosa: A Mad Max Saga (PR: 11) (E)
12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)
13. Francis Ford Coppola, Megalopolis (PR: 14) (+1)
14. Ali Abbisi, The Apprentice (PR: 15) (+1)
15. Azazel Jacobs, His Three Daughters (PR: Not Ranked)
Dropped Out:
Sean Wang, Dídi
Alex Garland, Civil War
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Saoirse Ronan, The Outrun (PR: 10) (+8)
3. Natasha Lyonne, His Three Daughters (PR: Not Ranked) – moved from Supporting
4. Ryan Destiny, The Fire Inside (PR: 3) (-1)
5. Lady Gaga, Joker: Folie à Deux (PR: 4) (-1)
Other Possibilities:
6. Tilda Swinton, The End (PR: 5) (-1)
7. Amy Adams, Nightbitch (PR: 6) (-1)
8. Karla Sofia Gascón, Emilia Perez (PR: 9) (+1)
9. Marianne Jean-Baptiste, Hard Truths (PR: 7) (-2)
10. Zendaya, Challengers (PR: 13) (+3)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Florence Pugh, We Live in Time (PR: Not Ranked)
13. Anne Hathaway, Mother Mary (PR: 12) (-1)
14. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat (PR: 8) (-6)
15. Noemie Merlant, Emmanuelle (PR: 15) (E)
Dropped Out:
Saoirse Ronan, Blitz (moved to Supporting)
Cynthia Erivo, Wicked
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 4) (+1)
4. Barry Keoghan, Bird (PR: 3) (-1)
5. André Holland, The Actor (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (E)
7. Glen Powell, Hit Man (PR: 9) (+2)
8. Sebastian Stan, The Apprentice (PR: 8) (E)
9. John David Washington, The Piano Lesson (PR: 10) (+1)
10. George MacKay, The End (PR: 7) (-3)
11. Sebastian Stan, A Different Man (PR: 13) (+2)
12. Paul Bettany, The Collaboration (PR: 14) (+2)
13. Andrew Garfield, We Live in Time (PR: Not Ranked)
14. Kingsley Ben-Adir, Bob Marley: One Love (PR: 15) (+1)
15. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)
Dropped Out:
Timothée Chalamet, Dune: Part Two
Adam Driver, Megalopolis
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 2) (+1)
2. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from lead Actress
3. Joan Chen, Dídi (PR: 1) (-2)
4. Carrie Coon, His Three Daughters (PR: Not Ranked)
5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 8) (+3)
Other Possibilities:
6. Hong Chau, Kinds of Kindness (PR: 5) (-1)
7. Lesley Manville, Queer (PR: 4) (-3)
8. Danielle Deadwyler, The Piano Lesson (PR: 9) (+1)
9. Elizabeth Olsen, His Three Daughters (PR: Not Ranked)
10. Erin Kellyman, Blitz (PR: 3) (-7)
11. Jodie Comer, The Bikeriders (PR: 6) (-5)
12. Maria Bakalova, The Apprentice (PR: 7) (-5)
13. Toni Collette, Juror No. 2 (PR: Not Ranked)
14. Margaret Qualley, Kinds of Kindness (PR: 15) (+1)
15. Zoe Saldaña, Emilia Perez (PR: 11) (-4)
Dropped Out:
Natasha Lyonne, His Three Daughters (moved to lead Actress)
Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat
Cailee Spaeny, Civil War
Naomi Watts, Emmanuelle
Best Supporting Actor
Predicted Nominees:
1. Stanley Tucci, Conclave (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Brian Tyree Henry, The Fire Inside (PR: 3) (E)
4. Kieran Culkin, A Real Pain (PR: 4) (E)
5. Samuel L. Jackson, The Piano Lesson (PR: 7) (+2)
Other Possibilities:
6. Drew Starkey, Queer (PR: 8) (+2)
7. Jeremy Strong, The Apprentice (PR: 6) (-1)
8. Franz Rogowski, Bird (PR: Not Ranked)
9. John Lithgow, Conclave (PR: 11) (+2)
10. Adam Pearson, A Different Man (PR: 10) (E)
11. Harris Dickinson, Blitz (PR: 9) (-2)
12. Leigh Gill, Blitz (PR: 5) (-7)
13.Jesse Plemons, Kinds of Kindness (PR: Not Ranked)
14. Stephen Graham, Blitz (PR: Not Ranked)
15. Javier Bardem, Dune: Part Two (PR: Not Ranked)
After hitting Cannes last May and debuting in European markets in the fall, Jessica Hausner’s dark satire Club Zero is rolling out in limited fashion stateside. Mia Wasikowska plays a boarding school teacher leading a handful of students down an eating disorder rabbit hole. Costars include Sidse Babett Knudsen, Elsa Zylberstein, Mathieu Demy, and Amir El-Masry.
Zero failed to generate significant buzz on the festival circuit and that may explain the time it took for domestic distribution. The Rotten Tomatoes score is a mixed 66%. Despite a lot of praise for Wasikowska in particular, this April premiere indicates little faith that awards buzz will come its way. My Oscar Prediction posts will continue…
After playing the festival circuit beginning in Cannes nearly a year ago and releasing overseas in autumn 2023, Alice Rohrwacher’s 1980s set romantic dramady La chimera is at last out in limited fashion domestically. Josh O’Connor (soon to be seen in the buzzy Challengers), Carol Duarte, Vincenzo Nemolato, Alba Rohrwacher (younger sibling of the director), and Isabella Rossellini star.
While chimera received a fine response in France and beyond (the RT score is 91%), the Italians chose Io capitano as their submission for International Feature Film at last year’s Oscars. Their choice paid off as it was one of the five nominated pics. Perhaps chimera would’ve made the cut though we’ll never know. Despite its Neon stateside distribution in 2024, this was eligible for the 96th Academy Awards so contention is moot for the 97th. My Oscar Prediction posts will continue…
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