A fight between two elementary school boys leads to other drama in the Norwegian film Armand from first time director Halfdan Ullmann Tøndel. It has premiered at Cannes prior to its planned September bow in its native land. Domestic distribution is pending. Renate Reinsve, who wowed critics in 2021’s The Worst Person in the World, stars alongside Ellen Dorrit Petersen, Thea Lambrechts Vaulen, Endre Hellesveit, Øystein Røger, and Vera Veijovic.
There is praise for Reinsve’s work and the cinematography, but some of the reviews are tempered in their enthusiasm. The RT score is 75%. It wouldn’t surprise me if Norway goes with Armand as their selection for International Feature Film. The aforementioned Worst Person was a contender in the race three years back and lost to Drive My Car. Prior to that, you have to go back to 2012 and Kon-Tiki for the previous Norwegian nominee (they’re 0 for 6 total as far as wins).
Perhaps Armand can make the shortlist, but I don’t see it in the final quintet. My Oscar Prediction posts will continue…
Ahead of its May 31st bow on Disney+, Jim Henson Idea Man has premiered at Cannes. The high profile doc chronicles the life of the famed puppeteer including his creation of Sesame Street and the Muppets. Oscar winner Ron Howard directs.
It is a safe assumption that this will be one of the most viewed documentaries of 2024. Critical reaction is appreciative though some of the early reviews aren’t overly glowing. The RT score is 88%.
The voters in this particular branch of the Academy often don’t go for pics based on iconic figures. Two recent examples include Won’t You Be My Neighbor? from 2018 and Still: A Michael J. Fox Movie from last year. I suspect the story may play out the same for this. My Oscar Prediction posts will continue…
Italian filmmaker Paolo Sorrentino’s filmography has experienced success at the Oscars. In 2013, The Great Beauty took the prize for International Feature Film (then titled Best Foreign Language Film). 2021’s The Hand of God was up for IFF and ultimately fell short to Drive My Car. His latest is Parthenope which has premiered at Cannes.
The Naples set drama stars newcomer Celeste Dalla Porta in the title role alongside Stefenia Sandrelli, Gary Oldman, Silvio Orlando, Luisa Ranieri, and Isabella Ferrari.
Reviews from the Riviera aren’t pretty with many suggesting it’s the auteur’s darkest hour… or rather two hours and change. With a Rotten Tomatoes score of 15%, I doubt Italy will bother to submit this as their contender in the international competition. My Oscar Prediction posts will continue…
Mikey Madison is best known for the Scream reboot two years ago, but awards voters seemed poised to become more familiar with her thanks to Anora. From The Florida Project and Red Rocket writer/director Sean Baker, Madison is the title character Brooklyn escort who enters into a romance and business situation with a Russian oligarch played by Mark Eydelshteyn. The supporting cast includes Yuriy Borisov, Karren Karagulian, Vache Tovmasyan, and Darya Ekamasova.
Its premiere at Cannes has drawn some of the best word-of-mouth of any film at the festival with 100% on Rotten Tomatoes. The two leads are being heralded with Madison especially being singled out for a breakout role. I have not had her in the mix in my Best Actress projections. That is going to change and do not be surprised if she’s in my high five when I update predictions this weekend. Baker, who probably came close to an Original Screenplay nod in 2017 for Florida, could contend.
Best Picture could be a stretch though Madison has immediately vaulted into the conversation as critics should be screaming her name throughout the season. My Oscar Prediction posts will continue…
When it comes to Academy possibilities for Kevin Costner’s latest directorial epic, think The Postman more than Dances with Wolves. The latter from 1990 was up for 12 Oscars and took home 7 including Picture and Director. The former was a flop at multiplexes and on the awards circuit.
His latest is Horizon: An American Saga – Chapter One and it has premiered at Cannes ahead of its June 28th theatrical bow. The Western is not only directed by Costner, but he stars and cowrites what is a mostly self-financed project. The large supporting cast includes Sienna Miller, Sam Worthington, Giovanni Ribisi, Danny Huston, Duval Branch, Jena Malone, Abbey Lee, Jamie Campbell Bower, Owen Crow Shoe, Tatanka Means, Luke Wilson, Ella Hunt, Will Patton, Isabelle Fuhrman, Jeff Fahey, and Thomas Haden Church.
I kind of thought Cannes seemed like an odd launch pad for the Yellowstone lead’s first behind the camera big screen production since 2003’s Open Range. Critics have not been kind as evidenced by the 29% Rotten Tomatoes rating.
I’m not sure how much the reviews will hurt its commercial prospects. This could be effective adult counter programming in the summer months and Costner’s visibility from his hit show won’t hurt. Chapter 2 will follow in mid-August. Who knows? Maybe it will garner better notices from cinematic pundits. You can close the book on any Oscar buzz for this first chapter. My Oscar Prediction posts will continue…
Awards prospects for Ali Abbasi’s The Apprentice might have less to do with today’s Cannes premiere or whatever date the eventual distributor places it for domestic release. November 5th might be the biggest factor in whether it gets various nominations. That’s the date of the Presidential election and Oscar voters could react based on the results of whether the 45th POTUS becomes the 47th POTUS.
Set in the 1970s and 80s, this is essentially a Donald Trump origin story about ruthless attorney Roy Cohn’s influence on his life. Sebastian Stan is Trump with Jeremy Strong as Cohn. Costars include Maria Bakalova as Ivana and Martin Donovan as family patriarch Fred.
Reviews trickling in from France are somewhat all over the map. Yet compliments for the men playing Trump and Cohn is mostly universal. Mr. Stan’s biggest competition for a final five slot in Actor could be himself as he’s also being lauded for A Different Man. It rolled out at Sundance and is slated for a September domestic bow. Strong, an Emmy winner for Succession, could book his first Academy recognition in Supporting Actor. In fact, he might be in competition with his costar/onscreen sibling from that acclaimed HBO show in Kieran Culkin (A Real Pain). As for Bakalova, a previous nominee for the Borat sequel in 2020, her role is probably too small to contend.
If Stan and Strong are up for their roles, it greatly increases the chances of BP inclusion despite the varying reactions. I am skeptical that Abbasi (maker of international critical darlings Border and Holy Spider) or the screenplay are up (the latter would be more feasible). Yet it might be the general election ballot that ultimately chooses the viability of The Apprentice. My Oscar Prediction posts will continue…
To stateside audiences, Ben Whishaw might be best known as Q in the last three Daniel Craig 007 pics or as the voice of Paddington in those two acclaimed family flicks. He is hoping to generate awards chatter in Limonov: The Ballad which has premiered at Cannes.
Whishaw plays the title role of a Russian dissident who founded the National Bolshevik Party in the early 1990s. Kirill Serebrennikov directs with a screenplay cowritten by Pawel Pawlikowski (the Oscar nominated maker of 2018’s Cold War). Costars include Tomas Arana and Sandrine Bonnaire.
Reviews thus far are mixed enough that I question its viability in awards conversations. Despite Whishaw getting some high marks, the real-life character he’s playing might be too controversial for him to factor into discussions as well. My Oscar Prediction posts will continue…
The trio of directors involved have confirmed at Cannes that Rumours is indeed named after the iconic Fleetwood Mac album. It probably will hold the title of “best movie that is also a Fleetwood Mac album” since it is getting better reviews than Kevin Smith’s Tusk from 2014. That doesn’t mean awards will follow.
From Guy Maddin, Evan Johnson, and Galen Johnson (who also wrote the screenplay), the satire is set at the G7 summit where strange happenings occur. Cate Blanchett, Alicia Vikander, Charles Dance, Roy Dupuis, Denis Ménochet, Nikki Amuka-Bird, Rolando Revello, and Takehiro Hira are among the politicos.
Bleecker Street has recently acquired distribution rights and reviews indicate this might be the lauded Canadian filmmakers’ most commercially accessible work. That said, I’m skeptical that will lead to any significant awards buzz. My Oscar Prediction posts will continue…
My latest round of Oscar predictions arrives at the midpoint of the Cannes Film Festival and the hoopla on the French Riviera has cleared up some lingering questions. Is Francis Ford Coppola’s decades in development sci-fi epic Megalopolis a contender? That answer appears to be no. Same goes for Paul Schrader’s Oh, Canada.
It gets a lot more uncertain after that. Andrea Arnold’s Bird has its fans and I do think its BP chances are intact. Category placement issues abound. I thought Barry Keoghan would be lead for Bird, but reaction suggests he’s supporting.
Then there’s Kinds of Kindness from Yorgos Lanthimos. The WOM for it suggests it definitely faces longer odds for Academy inclusion that his two predecessors The Favourite and Poor Things. That said, I wouldn’t totally discount it. I could see it generating a lone Original Screenplay nod. Right now I’m putting Emma Stone and Jesse Plemons in lead as possibilities and hopefully we’ll know soon if they’re being campaigned there or in supporting.
Furiosa: A Mad Max Saga also is behind its predecessor Mad Max: Fury Road in terms of possibilities. While it should land a few tech nods, BP and Director chances are feasible yet less than what happened nine years ago.
I would suggest that Jacques Audiard’s Emilia Pérez has done itself the most good at Cannes. The crowd-pleasing reaction has me elevating it into the top 10 in BP with Zoe Saldaña in Actress and Karla Sofia Gascón in Supporting Actress. In previous posts, I had those two performers in each other’s categories. It’s still not locked as to where they will be, but this is my best guess based on the information available.
In news not related to Cannes, it was announced that The Supremes at Earl’s All-You-Can-Eat will be a Hulu exclusive premiere. That would seem to take it out of contention at the Oscars.
I will likely have another update posted next weekend since more Cannes titles will be unveiled including Horizon: An American Saga and The Apprentice. Stay tuned, folks!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Conclave (PR: 3) (E)
4. Sing Sing (PR: 4) (E)
5. Queer (PR: 5) (E)
6. The End (PR: 6) (E)
7. His Three Daughters (PR: 10) (+3)
8. Emilia Pérez (PR: Not Ranked)
9. The Piano Lesson (PR: 15) (+6)
10. The Apprentice (PR: 13) (+3)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. Nightbitch (PR: Not Ranked)
13. Bird (PR: 9) (-4)
14. Dídi (PR: 23) (+9)
15. Furiosa: A Mad Max Saga (PR: 14) (-1)
16. Horizon: An American Saga – Chapter 2 (PR: 12) (-4)
17. The Fire Inside (PR: 7) (-10)
18. Kinds of Kindness (PR: 8) (-10)
19. Hit Man (PR: 20) (+1)
20. A Real Pain (PR: 21) (+1)
21. Civil War (PR: 19) (-2)
22. Maria (PR: 17) (-5)
23. Gladiator II (PR: Not Ranked)
24. The Nickel Boys (PR: 18) (-6)
25. Here (PR: Not Ranked)
Dropped Out:
Megalopolis
The Supremes at Earl’s All-You-Can-Eat
Hard Truths
SNL 1975
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Luca Guadagnino, Queer (PR: 6) (+2)
5. Joshua Oppenheimer, The End (PR: 4) (-1)
Other Possibilities:
6. Azazel Jacobs, His Three Daughters (PR: 15) (+9)
7. Greg Kwedar, Sing Sing (PR: 10) (+3)
8. Jacques Audiard, Emila Pérez (PR: Not Ranked)
9. Todd Phillips, Joker: Folie á Deux (PR: 9) (E)
10. Ali Abbasi, The Apprentice (PR: 14) (+4)
11. Marielle Heller, Nightbitch (PR: Not Ranked)
12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: 12) (E)
13. Malcolm Washington, The Piano Lesson (PR: Not Ranked)
14. Andrea Arnold, Bird (PR: 5) (-9)
15. George Miller, Furiosa: A Mad Max Saga (PR: 11) (-4)
Dropped Out:
Yorgos Lanthimos, Kinds of Kindness
Rachel Morrison, The Fire Inside
Francis Ford Coppola, Megalopolis
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Saoirse Ronan, The Outrun (PR: 2) (E)
3. Natasha Lyonne, His Three Daughters (PR: 3) (E)
4. Amy Adams, Nightbitch (PR: 7) (+3)
5. Zoe Saldana, Emilia Pérez (PR: Not Ranked, moved from Supporting)
Other Possibilities:
6. Lady Gaga, Joker: Folie á Deux (PR: 5) (-1)
7. Tilda Swinton, The End (PR: 6) (-1)
8. Ryan Destiny, The Fire Inside (PR: 4) (-4)
9. Zendaya, Challengers (PR: 10) (+1)
10. Marianne Jean-Baptiste, Hard Truths (PR: 9) (-1)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Florence Pugh, We Live in Time (PR: 12) (E)
13. Anne Hathaway, Mother Mary (PR: 13) (E)
14. Noemie Merlant, Emmanuelle (PR: 15) (+1)
15. Emma Stone, Kinds of Kindness (PR: Not Ranked)
Dropped Out:
Karla Sofia Gascón, Emilia Pérez (moved to Supporting)
Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR 3) (E)
4. Sebastian Stan, The Apprentice (PR: 8) (+4)
5. André Holland, The Actor (PR: 5) (E)
Other Possibilities:
6. Glen Powell, Hit Man (PR: 7) (+1)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-1)
8. John David Washington, The Piano Lesson (PR: 9) (+1)
9. George MacKay, The End (PR: 10) (+1)
10. Paul Mescal, Gladiator II (PR: Not Ranked)
11. Kevin Costner, Horizon: An America Saga – Chapter 2 (PR: 15) (+4)
12. Kinglsey Ben-Adir, Bob Marley: One Love (PR: 14) (+2)
13. Andrew Garfield, We Live in Time (PR: 13) (E)
14. Tom Hanks, Here (PR: Not Ranked)
15. Paul Bettany, The Collaboration (PR: 12) (-3)
Dropped Out:
Barry Keoghan, Bird (moved to Supportong)
Sebastian Stan, A Different Man
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 1) (E)
2. Karla Sofia Gascón, Emilia Perez (PR: Not Ranked – moved from lead)
3. Saoirse Ronan, Blitz (PR: 2) (-1)
4. Carrie Coon, His Three Daughters (PR: 4) (E)
5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 5) (E)
Other Possibilities:
6. Danielle Deadwyler, The Piano Lesson (PR: 8) (+2)
7. Maria Bakalova, The Apprentice (PR: 12) (+5)
8. Joan Chen, Dídi (PR: 3) (-5)
9. Elizabeth Olsen, His Three Daughters (PR: 9) (E)
10. Lesley Manville, Queer (PR: 7) (-3)
11. Jodie Comer, The Bikeriders (PR: 11) (E)
12. Robin Wright, Here (PR: Not Ranked)
13. Toni Collette, Juror No. 2 (PR: 13) (E)
14. Naomi Watts, Emmanuelle (PR: Not Ranked)
15. Cailee Spaeny, Civil War (PR: Not Ranked)
Dropped Out:
Hong Chau, Kinds of Kindness
Erin Kellyman, Blitz
Margaret Qualley, Kinds of Kindness
Zoe Saldaña, Emilia Pérez (moved to lead)
Best Supporting Actor
Predicted Nominees:
1. Stanley Tucci, Conclave (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Samuel L. Jackson, The Piano Lesson (PR: 5) (+2)
4. Jeremy Strong, The Apprentice (PR: 7) (+4)
5. Kieran Culkin, A Real Pain (PR: 4) (-1)
Other Possibilities:
6. Drew Starkey, Queer (PR: 6) (E)
7. Brian Tyree Henry, The Fire Inside (PR: 3 (-4)
8. Harris Dickinson, Blitz (PR: 11) (+3)
9. Barry Keoghan, Bird (PR: Not Ranked, moved from lead)
10. John Lithgow, Conclave (PR: 9) (-1)
11. Adam Pearson, A Different Man (PR: 10) (-1)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Denzel Washington, Gladiator II (PR: Not Ranked)
Emilia Pérez seems to be both a genre mashup and a Cannes highlight for many thus far. From Jacques Audiard, whose 2009 effort A Prophet took the Grand Prix in the French Riviera and scored a Foreign Language Feature nom at the Oscars, his latest mixes music, crime, and comedy. Karla Sofia Gascón is a drug cartel leader undergoing gender reassignment surgery. Zoe Saldaña is the lawyer providing assistance with Selena Gomez as Gascón’s spouse. Édgar Ramirez also costars.
Audiard is a familiar presence at Cannes. In addition to his aforementioned work from 15 years ago, 2015’s Dheepan won the Palme d’Or. The screening for Emilia has provided some of the fest’s most enthusiastic reaction in its first few days. Called audacious and crowd-pleasing, the RT score is 80% (based on a handful of write-ups).
If Mexico submits this as their choice for International Feature Film (and I suspect they will), the chances to make that final five is high. It could nab more noms than that. Some of it will come down to category placement and that seems uncertain at the moment.
Early word-of-mouth would suggest that Saldaña might be campaigned for in lead Actress with Gascón in supporting. My previous prediction posts had that dynamic switched. This will be altered when I update projections later today. I strongly suspect Gascón will be in my estimated quintet with Saldaña as a possibility in Actress (I’m toying with putting her in my five but she might be just on the outside looking in).
I also believe this could mark Audiard’s first crossover into Best Picture and that could include a nod for the filmmaker himself. While other Cannes titles have hurt their possibilities upon their screenings, it seems like Pérez could be up on the upswing. My Oscar Prediction posts will continue…
All My Life... I Wanted To Be A Blogster 