Financed on his own dime for $120 million, legendary filmmaker Francis Ford Coppola brings his passion project Megalopolis to the big screen on September 27th. The sci-fi epic has a sprawling cast to match its budget including Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Chloe Fineman, and Dustin Hoffman.
This is only Coppola’s fourth feature in the 21st century and his first in 13 years (since the little seen Twixt). Cinephiles should have an interest on that fact alone, but there should be struggles for this to have any sort of mainstream breakthrough. When Megalopolis premiered at Cannes, it did so with mixed to negative reactions (the RT score is 52 and Metacritic is 59). It may not help that Coppola was recently subject to news stories about unprofessional behavior on set.
Lionsgate picked up distribution and they’ve had a string of failures in recent weeks including Borderlands and The Crow. This may turn out to be the biggest bomb of all. Tracking is suggesting only mid single digits and I don’t see it getting beyond that.
Megalopolis opening weekend prediction: $4.7 million
The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.
In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.
All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.
First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.
Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.
Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.
Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.
Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.
Horizon: An American Saga – Chapter 1 was a critical and commercial disappointment when it opened in late June following its Cannes premiere in May. Kevin Costner’s epic western underwhelmed enough so that part 2’s release plan is undetermined (though it’s still expected to be out by year’s end). The second chapter of a planned four (part 3’s principal photography is underway) has also debuted in Europe via the Venice fest. The director/cowriter headlines a cast that includes Sienna Miller, Sam Worthington, Giovanni Ribisi, Danny Huston, Jena Malone, Ella Hunt, Will Patton, Luke Wilson, Isabelle Fuhrman, Thomas Haden Church, Glynn Turman, and Kathleen Quinlan.
Initial word-of-mouth is that while Chapter 2 is a slight improvement, don’t get your hopes too high. In other words, awards voters are not likely to get their sights on either 2024 Horizon. My Oscar Prediction posts will continue…
Our neighbor to the north had a solid run in the International Feature Film at the Oscars for the front half century of this 21st century. Not so much in the second. In 2003, The Barbarian Invasions was Canada’s first and thus far only winner in the race. A nomination followed three years later for Water. From 2010-12, they went three for three in the quintet of hopefuls with Incendies, Monsieur Lazhar, and War Witch. Since then, the nation has not been represented in IFF’s final five.
Universal Language was initially unveiled at Cannes in early summer. From director Matthew Rankin, the absurdist comedy stars Rojina Esmaeili, Saba Vahedyousefi, Soban Javadi, and Pirouz Nemati. Canada announced this week that it’s their latest at bat for Academy consideration.
The pic definitely has its ardent admirers and it stands at 100% on Rotten Tomatoes. The Canadians will probably need to campaign hard for it to make the cut. They’ve not even made the shortlist since 2016. However, the strong reviews should mean this is their best chance in some time. My Oscar Prediction posts will continue…
France may have a tricky decision to make when it comes to selecting their Best International Feature Film contender. One such hopeful is The Count of Monte Cristo based on the mid-19th century adventure by Alexandre Dumas. It premiered at Cannes in May and is out in its native country already. Matthieu Delaporte and Alexandre de La Patellière co-direct with a cast including Pierre Niney, Bastien Bouillon, Anaïs Demoustier, Anamaria Vartolomei, and Laurent Lafitte.
Based on a small number of reviews, Count totals 100% on RT. They’re not all raves, but are encouraging enough that France should consider it for submission. Another Cannes premiere – the animated The Most Precious of Cargoes from the Oscar winning The Artist director Michel Hazanavicius – drew a more mixed reaction. Audrey Diwan’s thriller Emmanuelle is arriving this fall and it could also be a player in the awards game.
Eight pictures from France have made the cut in the 21st century with no victors (you have to go back to 1992’s Indochine for that). Cristo could get in, but I wouldn’t count on it becoming the first winner in over three decades. My Oscar Prediction posts will continue…
Kinds of Kindness is the latest offering from Yorgos Lanthimos and it hits just months after the filmmaker’s multi Oscar nominee Poor Things. The dark comedy anthology stars Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer.
After a Cannes premiere that yielded mostly positive reviews, the RT score now stands at a respectable if not overwhelming 73%. This is not expected to be the awards player that Poor Things was (four wins in 11 nominations including Stone for Best Actress). That buzz certainly assisted in getting Things to a $34 million domestic gross.
Kindness did open on 5 screens this weekend in NY/LA and it posted the strongest per theater average of 2024 with an estimated $350k or $70k per. On June 28th, it will see an expansion to 500+ venues across the nation.
How this plays between the coasts is a trickier proposition. I’ll say the wider rollout gives it another $3 million and change as I don’t see it reaching Poor numbers.
Kinds of Kindness opening weekend prediction: $3.2 million
For my A Quiet Place: Day One prediction, click here:
No, this is not a family friendly version of Oliver Stone’s 2012 drugs drama with John Travolta and Salma Hayek. Instead Swiss animator looks to make it two Best Animated Feature Oscar noms in a row with Savages (or Sauvages in French). The environmentally conscious stop-motion tale premiered at Cannes with stateside distribution still being worked out. The voice cast includes Babette De Coster, Martin Verset, Laetitia Dosch, and Benoit Poelvoorde.
The filmmaker’s previous full-length work was 2016’s My Life as a Zucchini, which made the contending quintet at the 89th Academy Awards (ultimately falling short to Zootopia). Reviews for Savages stand at 100% on RT based on a handful of write-ups. I would expect to see it in the mix for the 97th ceremony a few months down the road so be conscious of it. My Oscar Prediction posts will continue…
In 1974, filmmaker Bernardo Bertolucci and Marlon Brando were respectively nominated for Director and Actor for their work in Last Tango in Paris. Jessica Palud’s Being Maria recounts the making of that controversial picture with a focus on its leading lady. Anamaria Vartolomei portrays Maria Schneider with Guiseppe Maggio as Bertolucci and Matt Dillon as Brando.
After premiering at Cannes last month, the French release is slated for next week with a domestic rollout still TBD. With a 75% Rotten Tomatoes score, even the positive notices are measured in their praise. The source material managed to be a contender half a century ago. This won’t. My Oscar Prediction posts will continue…
Payal Kapadia’s road trip drama All We Imagine as Light won the Grand Prix (equivalent to second place) at the Cannes Film Festival this year. Marking the first feature from India to play the French fest in 30 years, it turned into one of the buzziest titles overall. Kani Kusruti, Divya Prabha, Chhaya Kadam, and Hridhu Haroon star.
Driven by a 100% Rotten Tomatoes rating, this could be a leading contender for International Feature Film. Yet there’s the caveat that its native nation is unlikely to submit it for consideration. That’s because Kapadia’s screenplay is said to be critical of its government.
Could Light shine in Best Picture and beyond? The distributor will need to run a smart campaign, but I think you’ll see this listed as at least a possibility when I post my next predictions this weekend. In order to contend in BP, it will need at least one another nom and that’s where Kapadia might factor into either Director or Original Screenplay or both. My Oscar Prediction posts will continue…
For his 2011 silent film The Artist, French filmmaker Michel Hazanavicius took the 84th Academy Awards by storm with a quintet of victories including Picture, Director, and Actor for Jean Dujardin. Follow-ups The Search, Redoubtable, and Final Cut have failed to generate awards buzz.
In his native country this year, the auteur has premiered The Most Precious of Cargoes at Cannes. The animated Holocaust drama is based on a novel from Jean-Claude Grumberg with voiceover work from Jean-Louis Trintignant, Grégory Gadebois, Denis Podalydés, and Dominique Blanc.
Reviews indicate this might face headwinds vying for the animated prize at next year’s Academy Awards. The RT score is 60% and that makes this artist’s latest an unlikely contender. My Oscar Prediction posts will continue…
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