Tag: Cannes Film Festival

Oscar Watch: Everybody Knows

This year’s opening selection for the Cannes Film Festival came with understandable questions about its Oscar possibilities. The Spanish language dramatic thriller Everybody Knows, after all, is from director Asghar Farhadi and he’s made two winners in the Best Foreign Language Film category (2012’s A Separation and last year’s The Salesman). It stars two Academy recipients with real life spouses Javier Bardem (Supporting Actor in 2007 for No Country for Old Men) and Penelope Cruz (2008’s Supporting Actress in Vicky Christina Barcelona).

Yet the buzz out of France likely quashed any notions of Academy recognition. Critics say Knows isn’t in the league of Farhadi’s previous works. Its Rotten Tomatoes score is just 46% as of this writing.

Bottom line: the director is one of the few who’s created more than Foreign Language Oscar winner, but Everybody Knows is in no position to be his third.

Oscar Watch: BlacKkKlansman

It’s been almost 30 years since the Academy suffered a bit of backlash when Spike Lee’s Do the Right Thing missed the cut of Best Picture nominees. Since then, the writer/director has had critical hits and misses and none of his joints have managed to score a nod for the top prize (including 1992’s acclaimed Malcolm X).

That could finally change as his latest, BlacKkKlansman, was unleashed today at the Cannes Film Festival. It tells the true and amazing story of an African-American cop in the 1970s who infiltrated a chapter of the Ku Klux Klan. John David Washington (son of Lee’s frequent star Denzel) plays the role with a supporting cast that includes Adam Driver, Laura Harrier, Corey Hawkins, Paul Walter Hauser, Harry Belafonte, and Topher Grace as David Duke. Blumhouse Productions (the studio behind last year’s Get Out) distributes with its director Jordan Peele as a producer. The film opens stateside this August.

Early buzz from the French Riviera indicates this is Lee’s strongest, most mainstream, and entertaining and timely movie in some time. It seems destined to receive plenty of attention later this summer.

Could that translate to a Best Picture nomination and one for Lee’s direction? The Cannes attention raises that prospect considerably. As for performances, Washington is getting very positive writeups. The same applies to Driver (playing Washington’s partner) and Grace as the former KKK head. Either one of them could see strong campaigns mounted in Supporting Actor. If I had to guess right now, Blumhouse might focus more on Driver.

Bottom line: BlacKkKlansman was one of the festival’s most eagerly awaited pictures and its unveiling today could lead to months long Oscar chatter.

My Oscar Watch posts will continue…

Good Time Box Office Prediction

A long way from Twilight, Robert Pattinson is receiving critical acclaim for his latest pic and it is heist drama Good Time, which expands nationwide this weekend. The A24 release comes from directors Ben and Josh Sadfie with a supporting cast featuring Barkhad Abdi and Jennifer Jason Leigh.

The film premiered at the Cannes Film Festival in May to solid notices and it stands at 90% on Rotten Tomatoes, with a performance from Mr. Pattinson that’s drawn raves. Over the previous weekend, it drew a commendable $165,000 on just 20 screens.

Doing an opening weekend estimate for Good Time is a little tricky since I don’t have a theater count at press time (in other words, this prediction could change). I’m going to assume it’s on maybe 600-700 screens. For now, I’ll say it manages to reach a bit between $1-$2M out of the gate.

Good Time opening weekend prediction: $1.5 million

For my Leap! prediction, click here:

https://toddmthatcher.com/2017/08/16/leap-box-office-prediction/

For my All Saints prediction, click here:

https://toddmthatcher.com/2017/08/16/all-saints-box-office-prediction/

For my Birth of the Dragon prediction, click here:

https://toddmthatcher.com/2017/08/17/birth-of-the-dragon-box-office-prediction/

Oscar Watch: The Florida Project

The first trailer was released today for The Florida Project, a coming of age drama that debuted at Cannes earlier this summer. It is director Sean Baker’s follow-up to his critically acclaimed 2015 feature Tangerine and early word for this Project is quite glowing as well. The pic was snatched up by A24 for distribution rights and it opens in limited release on October 6th.

Rotten Tomatoes currently has Florida at 100% and it stands a good chance at some 2017 Oscar recognition. A24 has proven itself to be a player over the last couple of cycles in the awards derby by distributing such titles as Ex Machina, Room, The Lobster, 20th Century Women, and most notably – last year’s Best Picture winner Moonlight. 

Early buzz here suggests a nomination may well be in store for Willem Dafoe. If so, it would mark his third nomination after 1986’s Platoon and 2000’s Shadow of the Vampire. Reviews suggest this is one of his finest performances. It’s not totally clear if he’ll be campaigned for in Lead Actor or Supporting, but the smart money is on the latter. I would also say it’s worth keeping an eye on the Original Screenplay category where Baker and co-writer Chris Bergoch could find themselves in the mix.

As for Best Picture, A24 would need one heck of a push to make that happen, but they’ve proven themselves before. For that reason, this Project is one to keep an eye on when it comes to nominations.

Oscar Watch: The Beguiled

Sofia Coppola burst onto the film scene with two highly regarded directorial efforts – 1999’s The Virgin Suicides and 2003’s Lost in Translation. The latter scored multiple Oscar nods, including Picture. Since then, Coppola has been off the awards radar screen for the most part (2006’s Marie Antoinette did win Best Costume Design).

Yet Coppola’s name came up over the weekend as her latest, The Beguiled, won her the Best Director prize at the Cannes Film Festival. The period piece drama/thriller is actually based on a novel that served as source material for a 1971 Clint Eastwood flick. Colin Farrell, Nicole Kidman, Kirsten Dunst, and Elle Fanning headline.

The Beguiled hits stateside screens on June 23rd and reaction from the French fest was positive. It stands at a decent 76% on Rotten Tomatoes. If it manages to over perform at the box office, perhaps there could some chatter for Coppola getting Academy attention, though it’s doubtful. One wild card could perhaps be Kidman, who seems to garnering some raves for her performance. And who knows? Perhaps a Costume Desjgn nod.

My Oscar Watch posts will continue…

Oscar Watch: Wind River

Taylor Sheridan has been quite the hot screenwriter as of late with 2015’s Sicario and last year’s Hell or High Water, for which he received an Oscar nomination in Original Screenplay. His latest is Wind River, a thriller involving a murder case at an Indian reservation. It also marks his directorial debut and its buzz from both the Sundance and Cannes Film Festivals could receive awards attention.

Jeremy Renner, Elizabeth Olsen, and Jon Bernthal headline River, which rolls in stateside in August. Reviews have been solid thus far and it stands at 85% on Rotten Tomatoes. I would say it stands a fair, but not overwhelming shot at being this year’s Hell or High Water – which scored four Academy nods including Best Picture.

Wind River very likely won’t reach that number, but the possibility exists for a second straight Original Screenplay recognition for Mr. Sheridan.

My Oscar Watch posts will continue…

Oscar Watch: You Were Never Really Here

As the Cannes Film Festival culminated today with its awards ceremony, we may have a legitimate Best Actor contender and then some with You Were Never Really Here. The film, written and directed by Lynne Ramsey (in her first work since 2011’s acclaimed We Need to Talk About Kevin , casts Joaquin Phoenix as a war vet trying to save a girl from a sex trafficking ring. Early reviews indicate it’s tough stuff, but well worth it and it sits at 92% on Rotten Tomatoes.

Mr. Phoenix won the Actor prize for his work and it immediately vaults him into contention for his fourth acting nomination. The same could end up holding true for Ramsey, both for her direction and adapted screenplay from the Jonathan Ames novel it’s based upon. Best Picture is also not out of the question.

It remains to be seen whether Amazon Studios can garner the attention for this in the way it managed to for last year’s Manchester by the Sea, but they’ll surely try.

My Oscar Watch posts will continue…

Oscar Watch: Good Time

The Cannes Film Festival showcased a rather unexpected potential player in the awards derby with the crime drama Good Time, which debuts stateside in August. The film comes from indie directors Ben and Josh Safdie and finds Twilight star Robert Pattinson as a bank robber trying to break his brother out of jail. Barkhad Abdi and Jennifer Jason Leigh are among the supporting cast.

Early word of mouth for the A24 offering has been quite positive. It stands at 94% on Rotten Tomatoes and it was reportedly greeted with a six minute standing ovation in Cannes. Much of the praise has been awarded to Mr. Pattinson. If the pic is able to break out in any substantial way in the U.S., he could emerge as a dark horse candidate for Best Actor and the Original Screenplay could get some buzz as well.

My Oscar Watch posts will continue…

 

Oscar Watch: The Meyerowitz Stories (New and Selected)

Another Cannes Film Festival screening has put two items in the same sentence that don’t really belong together: Oscar buzz and Adam Sandler. Yes, it’s true. When we think of Sandler pics premiering on Netflix over the last couple of years, quality doesn’t immediately spring to mind.

However, The Meyerowitz Stories (New and Selected) isn’t your typical Sandler fare. The comedic drama (or dramatic comedy if you will) is from acclaimed indie director Noah Baumbach, maker of The Squid and the Whale and Frances Ha. Instead of David Spade and Rob Schneider, the costars here include Dustin Hoffman, Ben Stiller, and Emma Thompson.

Early reviews from France suggest this is Mr. Sandler’ finest performance since at least Punch–Drunk Love 15 years ago. And that has some folks whispering Oscar nomination. In all likelihood, even with strong notices and a current 90% rating on Rotten Tomatoes, the star of Meyerowitz is probably a bit of a long shot. Yet a weak Best Actor race could change that dynamic come autumn.

My Oscar Watch posts will continue…

Oscar Watch: Wonderstruck

The Cannes Film Festival started this week across the pond in France and that means some likely Oscar hopefuls are receiving their first screenings. One such picture is Wonderstruck, the latest from director Todd Haynes. It’s based on a 2011 novel by Brian Selznick, the same author who wrote the Hugo series in which Martin Scorsese’s 2011 Best Picture nominee is based upon.

Wonderstruck features Julianne Moore and Michelle Williams in supporting roles and child actors Oakes Fegley and Millicent Simmonds in lead parts. Reaction from the Cannes screening has been mostly positive and it currently stands at 81% on Rotten Tomatoes. Haynes’ three previous efforts have all garnered Oscar nods – 2002’s Far from Heaven, 2007’s I’m Not There, and 2015’s Carol. However, none of them got Best Picture nominations. Instead, the focus was on acting. That will likely apply here with some potential for attention on down ballot categories.

Based on early buzz, I’d keep an eye out for Simmonds, the teenage deaf actress said to be a standout. Wonderstruck could also make a play for Adapted Screenplay as well as Costume Design and Original Score. The film hits theaters stateside in October.

My Oscar Watch posts will continue…