Tag: Brian Cox

Oscar Predictions: The Electric State

What does an astronomical $320 million budget get you in Hollywood these days? Apparently a mid-March Netflix release and a heap of critical derision. Meet The Electric State, a comedic sci-fi adventure hitting the streamer March 14th from Anthony and Joe Russo of Avengers: Infinity War and Endgame fame. The human cast for the ultra expensive flick includes Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Stanley Tucci, Woody Norman, Giancarlo Esposito, and Jason Alexander. An equally impressive voice cast includes Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Alan Tudyk, Hank Azaria, Colman Domingo, and Rob Gronkowski.

It is worth noting that the Russo’s follow-ups to the Avengers juggernauts are the unimpressively reviewed Cherry and The Gray Man. Yet this appears to be receiving the worst of it with 23% on Rotten Tomatoes and 30 on Metacritic. The term “wasted potential” pops up more than once. Only the visual effects would be a possibility for awards attention and the Electric buzz might sink that. This has much more viability at the Razzies than with the Academy. My Oscar Prediction posts will continue…

Oscar Predictions – The Lord of the Rings: The War of the Rohirrim

Tolkien goes anime when The Lord of the Rings: The War of the Rohirrim marches into multiplexes this weekend. Set nearly 200 years before the events of Peter Jackson’s blockbuster trilogy,
Kenjii Kamiyama helms the fantasy adventure with Brian Cox, Gaia Wise, Luke Pasqualino, and Miranda Otto providing vocal support.

Word-of-mouth is rather middling with 65% on Rotten Tomatoes and a 58 Metacritic. While the live-action LOTR flicks all received Best Picture noms (with capper The Return of the King winning), Rohirrim appears on the outside looking in. The Animated Feature five already seems set with The Wild Robot, Inside Out 2, Flow, Memoir of a Snail, and Wallace & Gromit: Vengeance Most Fowl. Surprises are always possible, but it won’t be this getting into the race. My Oscar Prediction posts will continue…

The Lord of the Rings: The War of the Rohirrim Box Office Prediction

A beloved fantasy franchise gets the anime and prequel treatment when The Lord of the Rings: The War of the Rohirrim debuts December 13th. Set nearly 200 years before the events of Peter Jackson’s Oscar-winning trilogy, Kenji Kamiyama directs the animated adventure with Brian Cox, Gala Wise, Luke Pasqualino, and Miranda Otto providing voiceover work.

Obviously there’s a built-in audience for any adaptation of J.R.R. Tolkien’s creations. That makes this estimate tricky. A small portion of moviegoers may turn up not even knowing that it is anime. Some may stay away for that very reason. There’s also Kraven the Hunter opening the same weekend that could siphon off some action fans.

This certainly has the chance to exceed my number, but I’m projecting high single digits for a lackluster showing.

The Lord of the Rings: The War of the Rohirrim opening weekend prediction: $8 million

For my Kraven the Hunter prediction, click here:

Kraven the Hunter Box Office Prediction

Oscar Predictions: That Christmas

Netflix looks for family audiences to be in the holiday spirit when That Christmas begins streaming on December 4th. This is Locksmith Animation’s second animated feature after 2021’s Ron’s Gone Wrong. Simon Otto directs with a screenplay cowritten by Richard Curtis, the rom com guru behind Four Weddings and a Funeral, Notting Hill, Bridget Jones’s Diary, and Love Actually. Voiceover work is provided by Brian Cox, Fiona Shaw, Jodie Whittaker, and Bill Nighy.

The Yuletide comedy premiered at the London Film Festival and reaction is split at 50% on Rotten Tomatoes. With that kind of response, I doubt Netflix will mount much of an attempt at an Animated Feature campaign. They stand a much stronger chance with Wallace & Gromit: Vengeance Most Fowl. My Oscar Prediction posts will continue…

Oscar Predictions: Prisoner’s Daughter

Catherine Hardwicke’s Prisoner’s Daughter is one of the pics that failed to generate any buzz out of the Toronto Film Festival last fall. The drama casts Brian Cox as a terminally ill felon attempting to reconnect with his daughter played by Kate Beckinsale. Costars include Christopher Convery, Jon Huertas, and Ernie Hudson.

The film is out this weekend in limited fashion. Despite Cox’s recent visibility and acclaim in HBO’s smash Succession, Daughter has received scant promotion. Reviews are mostly weak with a 47% Rotten Tomatoes score.

I saw it in Toronto and can attest to its mediocrity. Hardwicke has been in the Oscar mix before when she directed Holly Hunter to a Supporting Actress nod in her 2003 breakout Thirteen. To mass audiences, the filmmaker is best known for 2008’s Twilight.

Despite Cox receiving some solid notices, this will most assuredly be unlucky when it comes to awards chatter. My Oscar Prediction posts will continue…

Separation Box Office Prediction

Open Road Films hopes to reunite horror fans with theaters by way of Separation on April 30. William Brent Bell, maker of The Devil Inside, The Boy and its sequel Brahms: The Boy II, directs with a cast featuring Rupert Friend, Mamie Gummer, Madeline Brewer, and Brian Cox.

Luckily for prognosticators, there is a recent comp with The Unholy. It opened over Easter weekend with $3.2 million. Somewhat surprisingly, despite poor reviews and a mediocre C+ Cinemascore grade, that horror flick has experienced meager declines in subsequent weekends.

Separation doesn’t seem to have much buzz going for it either, but it should debut with a bit less than its genre counterpart. I’ll put it just over $2 million.

Separation opening weekend prediction: $2.3 million

Super Troopers 2 Box Office Prediction

Arriving over 16 years after its predecessor turned into a cult comedy hit, Super Troopers 2 hits theaters next weekend. Continuing to follow the exploits of a group of inept Vermont law enforcement officials, the sequel brings back the team from the Broken Lizard team. That includes Jay Chandrasekhar (who also directs), Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske. Other costars include Brian Cox, Damon Wayans Jr., Sean William Scott, Emmanuelle Chriqui, Jim Gaffigan, Rob Lowe, Paul Walter Hauser, Fred Savage, and original Wonder Woman Lynda Carter.

In February 2002, Super Troopers debuted to $6.2 million with an overall $18 million domestic gross. That doesn’t exactly warrant an immediate sequel, but the pic increased in popularity once released for home viewing. Even with its devoted following, part 2 may have trouble matching the premiere of part 1 from a decade and a half ago. 16 years is a long gap and younger moviegoers may not be familiar with the source material at all. Even some fans of the original may choose to wait until Troopers 2 is available on demand.

For meow, I’ll say this falls about a million bucks short of what the 2002 pic accomplished.

Super Troopers 2 opening weekend prediction: $5.2 million

For my I Feel Pretty prediction, click here:

https://toddmthatcher.com/2018/04/10/i-feel-pretty-box-office-prediction/

For my Traffik prediction, click here:

https://toddmthatcher.com/2018/04/14/traffik-box-office-prediction/

The Autopsy of Jane Doe Movie Review

Andre Ovredal’s The Autopsy of Jane Doe is a brisk and largely effective experience that focuses on a profession not often explored in the movies: morticians. They’re the father and son team of Tommy (Brian Cox) and Austin Tilden (Emile Hirsch), Virginia coroners given an unusual late night assignment.

The title character has been delivered to them after being discovered at a grisly homicide scene. Jane Doe (Olwen Catherine Kelly) is a beautiful twenty something found in the basement of a house where the crime occurred. The other victims are marked with the bloody injuries you’d come to expect. Her corpse is in pristine condition.

As the duo pry away at her body, the cause of her demise becomes even more confounding. What’s inside of Jane Doe can’t explain her outward appearance. The Tildens begin to question who or what they have lying on the slab. And that’s when the supernatural elements kick in.

The screenplay doesn’t dwell much on character development or backstory. There is a couple minutes on Tildens family history that’s not really necessary, but it’s thankfully brief. What is dwelled upon is close ups of Jane’s cold gray eyes and other cut open features. You begin to wonder when and if those eyes will blink or move. In many ways, it is Kelly’s performance that’s the most expressive and she never utters a word.

The screenplay succeeds at turning Cox and Hirsch into amateur sleuths as they go about their assignment. Cox’s Tommy is the veteran who thought he’d seen it all while Hirsch’s Austin is still his apprentice in the nearly 100 year old family business. This is a different and often original kind of detective story before the scare tactics take over the second half.

It’s the first half that succeeds the best as we wonder where this is all leading. Once we’re clued in, the explanation makes some sense (not always the case in this genre). The Autopsy of Jane Doe is also sensible in being quick and efficient with enough suspense to keep horror enthusiasts happy.

*** (out of four)