Ari Aster’s fourth feature Eddington hits screens July 18th after a May premiere at Cannes. The small town set satire takes place during the height of COVID with Joaquin Phoenix (who starred in Aster’s predecessor Beau is Afraid) and the suddenly everywhere Pedro Pascal headlining. Other cast members include Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.
Reviews from the French fest were mixed with 67% on Rotten Tomatoes and a 64 Metacritic. That buzz zapped any awards chatter for the A24 feature. This has the appearance of an autumn release trapped in midsummer and I am doubtful that adult crowds will turn up. For one thing, audiences might be hesitant to relive the lockdown days of a half decade ago. If this gets over $5 million, I’d be surprised.
Eddington opening weekend prediction: $3.4 million
For my I Know What You Did Last Summer prediction, click here:
Paramount Animation hopes that Smurfs works for family audiences when it debuts July 18th. Based originally on a Belgian comic book series that turned into 1980s Saturday morning cartoon, Shrek the Third and Puss in Boots maker Chris Miller directs. Rihanna leads the voice cast as Smurfette. Others behind the mic include James Corden, Nick Offerman, JP Karliak, Daniel Levy, Amy Sedaris, Natasha Lyonne, Sandra Oh, Jimmy Kimmel, Octavia Spencer, Nick Kroll, Hannah Waddingham, Alex Sinter, Maya Erskine, Kurt Russell, and John Goodman.
The musical comedy hopes to reinvigorate a series that saw diminishing returns for the blue characters on the silver screen. 2011’s The Smurfs blended live-action with animation to terrific results with a $35 million opening and $142 million domestic haul. The 2013 follow-up essentially cut those earnings in half with an $18 million start and $71 million stateside. Smurfs: The Lost Village in 2017 was fully animated and totally underwhelming with $13 million out of the gate and $45 million overall.
Taking over distribution rights from Sony, Paramount is banking on Rihanna and nostalgia for this to land. That could be a challenge as younger viewers have had options this summer and the IP may not be one they’re even that familiar with.
Indications are that this might be lucky to match even the lowly Village numbers. That could mean just surpassing double digits or low teens.
Smurfs opening weekend prediction: $12.4 million
For my I Know What You Did Last Summer prediction, click here:
Sony hopes horror fans get hooked on the nostalgic scares of I Know What You Did Last Summer on July 18th. It restarts the late 90s franchise that capitalized on Kevin Williamson’s notoriety from Scream (he penned both). Jennifer Kaytin Robinson directs with Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Winters, Sarah Pidgeon, and Billy Campbell among the cast. Jennifer Love Hewitt and Freddie Prinze Jr. reprise their roles from the features over a quarter century ago.
The teen centric slasher from 1997 was a financial success ($72 million domestically) while 1998 follow-up I Still Know What You Did Last Summer couldn’t measure up with $40 million stateside. This series may not hold the same reverence that Scream does among genre fans. Name brand familiarity could still mean decent grosses.
Tracking has this pegged in the mid to late teens. I think it could go higher in the low 20s, but I’ll go with the expectations.
I Know What You Did Last Summer opening weekend prediction: $17.7 million
Jurassic World Rebirth achieved the third best debut of 2025, but Superman will attempt to do the same on Friday. James Gunn’s DC reboot of the iconic superhero franchise is the only new wide release this weekend and you can peruse my detailed prediction post here:
In order to reach that third best mark, it’ll need to top Rebirth‘s low 90s start (more on that below). I’m projecting it’ll do so with plenty of room to spare while not reaching the heights of A Minecraft Movie or Lilo & Stitch. My mid to high 120s projection puts it just ahead of 2013’s Man of Steel which kicked off the previous iteration of the series.
As for Rebirth, I’m estimating a sophomore drop around 60%. That would it in line with the second weekend dips for Jurassic Park III, Jurassic World: Fallen Kingdom, and Jurassic World: Dominion. It is possible that the Superman competition and the ho-hum B Cinemascore could mean a more precipitous fall.
Holdovers F1, How to Train Your Dragon, and Elio should populate the rest of the top 5 and here’s how I envision it shaking out:
1. Superman
Predicted Gross: $128.6 million
2. Jurassic World Rebirth
Predicted Gross: $34.2 million
3. F1
Predicted Gross: $13.3 million
4. How to Train You Dragon
Predicted Gross: $6.8 million
5. Elio
Predicted Gross: $3.5 million
Box Office Results (July 4-6)
Jurassic World Rebirth didn’t match the grosses of the three previous Jurassic World experiences. The dino adventure from Gareth Edwards did, however, manage to outdo most expectations including mine. It ruled over the holiday frame with $92 million from Friday to Sunday and $147.8 million since its Wednesday bow. That exceeds my respective forecasts of $80.8 million and $133 million. The long-running franchise is certainly not extinct and we can anticipate future sequels.
I miscalculated the staying power of F1 in its second lap. The racing drama was second with $25.7 million (a 55% ease). My $39.7 million estimate was obviously far more generous as I assumed word-of-mouth would carry it to a sturdier hold. The ten-day take is still a commendable $109 million and the overseas earnings are impressive.
How to Train Your Dragon was third with $11.2 million, a bit below my $12.9 million call. The live-action remake of the animated pic is up to $224 million in four weeks.
Disney/Pixar’s woes continued as the disappointing Elio was fourth with $5.7 million (I said $6.2 million). The three-week total is just $55 million.
28 Years Later rounded out the top five with $4.5 million. My prediction? $4.5 million! It’s made $60 million in three weeks.
After bringing lesser known superheroes to box office dominance over a decade ago, James Gunn helms a reboot with perhaps the most iconic one via Superman starting July 11th. Warner Bros hopes the latest reboot of the Man of Steel saga flies high with David Corenswet donning the tights, Rachel Brosnahan playing Lois Lane, and Nicholas Hoult handling villainous duties as Lex Luthor. The supporting cast includes Edi Gathergi, Anthony Carrigan, Nathan Fillion, Isabela Merced, Pruitt Taylor Vince, Neva Howell, Skyler Gisondo, and Wendell Pierce.
With a reported budget of $225 million, hopes are high for the summer tentpole. Gunn’s contribution as director is in addition to his duties as head of DC Studios. He was given the role after successfully handling three Guardians of the Galaxy features for the MCU. Counting Supergirl, this marks the 10th overall feature in the Supes series that began in 1978.
The best opening of the bunch is 2016’s Batman v Superman: Dawn of Justice which kicked off with $166 million. #2 on the board is 2013’s last proper restart Man of Steel, which made $116 million in its inaugural weekend. Opening above Justice would be a massive victory for WB while debuting below Steel would be a disappointment.
I’m guessing the opening will be somewhere in between, but closer to Steel than Justice.
Superman opening weekend prediction: $128.6 million
Dinosaurs seek to rule the Independence Day weekend courtesy of the seventh feature in the 32-year-old franchise with Jurassic World Rebirth. It is the only wide release newcomer stomping into multiplexes over the holiday and you can peruse my detailed prediction post on it here:
The Jurassic series has proven itself to be critic proof in recent years and that should come into play with the new installment starring Scarlett Johansson. An opening weekend in nine figures is unlikely since it premieres on Wednesday (the last three World‘s achieved $100M+ out of the gate but debuted on traditional Friday to Sunday frames). I’m projecting a three-day in the $80 million ballpark with $130M+ when factoring in Wednesday and Thursday.
After a sizzling start, F1 with Brad Pitt will drop to second. With an A Cinemascore grade and appeal to adult moviegoers, you can expect impressive holds in the weekends to come. This may only ease around 30% and don’t be shocked if it’s even a little less for a strong runner-up position.
Holdovers will populate 3-6 with How to Train Your Dragon firmly in third and the lackluster Elio in fourth. Numbers five and six could be close between sequels 28 Years Later and M3GHAN 2.0, which short-circuited over the weekend.
Here’s how I see it playing out:
1. Jurassic World Rebirth
Predicted Gross: $80.8 million (Friday to Sunday); $133 million (Wednesday to Sunday)
2. F1
Predicted Gross: $39.7 million
3. How to Train Your Dragon
Predicted Gross: $12.9 million
4. Elio
Predicted Gross: $6.2 million
5. 28 Years Later
Predicted Gross: $4.5 million
6. M3GAN 2.0
Predicted Gross: $4.2 million
Box Office Results (June 27-29)
F1 or F1: The Movie, Joseph Kosinski’s follow-up to Top Gun: Maverick, revved up impressive results with $57 million, lapping my $46.2 million prediction. It also performed with top-notch earnings overseas. As mentioned, word-of-mouth should keep this in the zeitgeist over the weekends to come. A sequel is already in the planning stages.
How to Train Your Dragon, after two weeks atop the charts, was second with $19.5 million. That’s in line with my $19.1 million forecast as the live-action remake has fired up $200 million in three weeks.
Elio, after a worst ever Pixar premiere, didn’t hold up well in third with $10.4 million. I was more generous at $13 million as its sophomore plunge was a steep 50% (especially for its studio). This is undoubtedly one of the summer’s most significant flops.
Same goes for M3GAN 2.0. The sequel eschewed horror for a campier sci-fi tone and audiences rejected it. The fourth place showing was a DOA $10.2 million compared to the original’s $30 million. There’s no spinning that result for Blumhouse.
Finally, zombie threequel 28 Years Later plummeted 67% in its second outing with $9.7 million compared to my $12.6 million take. The ten-day tally is $50 million.
Jurassic World Rebirth looks to rule the Independence Day holiday frame beginning July 2nd. This is now the third iteration of the dino franchise that kicked off with 1993’s Jurassic Park from Steven Spielberg and the seventh entry overall. Gareth Edwards, no stranger to franchise fare with Godzilla and Rogue One: A Star Wars Story in his discography, directs. Scarlett Johansson headlines the cast that features Mahershala Ali, Jonathan Bailey, Rupert Friend, and Manuel Garcia-Rulfo.
The second Jurassic trilogy premiered in spectacular fashion a decade back when Jurassic World made $208 million out of the gate and $652 million domestically. The follow-ups performed well though with diminishing results. Jurassic World: Fallen Kingdom in 2018 debuted at $148 million and $417 million overall. 2022’s Jurassic World: Dominion was barely behind at $145 million and $376 million in total.
I anticipate that Rebirth will continue the downward trend. When World opened 10 years ago, there was pent up anticipation for the franchise with a nostalgia factor in play. Such factors are diluted with only a three-year layover between entries. It doesn’t help that Dominion was generally considered a disappointment.
That means the streak of Jurassic tales making nine figures in the traditional weekend is endangered. I’ll say high 70s to low 80s is likelier. However, the five-day could top $130 million.
Jurassic World Rebirth opening weekend prediction: $80.8 million (Friday to Sunday); $133 million (Wednesday to Sunday)
Racing drama F1: The Movie starring Brad Pitt looks to finish first this weekend while campy horror sequel M3GAN 2.0 aims for a strong second. You can peruse my detailed prediction posts on the newbies here:
The range for F1 could be wide and it wouldn’t surprise me if it topped $50 million. The low bar appears to be in the mid 30s. With mostly solid reviews and fans of the sport likely to turn up (that could be more significant overseas), I’m going with a mid 40s premiere.
I’m definitely going on the lower end of the spectrum for M3GAN 2.0, the follow-up to 2023’s surprise hit. As I wrote in my post, I’m not convinced audiences are clamoring for the title character’s return. My low 20s projection puts it in the runner-up spot though not by much.
Current two-week champ How to Train Your Dragon could lose close to half its sophomore frame crowd for high teens in third. The four and five spot could be close between Elio and 28 Years Later in their second outings. The former had a historically weak debut (more on that below) while 28 Years also kicked off at the bottom portion of its anticipated spread. I suspect Elio will have a much better hold than Danny Boyle’s zombie threequel.
Here’s how I envision the top 5 playing out:
1. F1: The Movie
Predicted Gross: $46.2 million
2. M3GAN 2.0
Predicted Gross: $21.7 million
3. How to Train Your Dragon
Predicted Gross: $19.1 million
4. Elio
Predicted Gross: $13 million
5. 28 Years Later
Predicted Gross: $12.6 million
Box Office Results (June 20-22)
How to Train Your Dragon managed to stay atop the charts, but it did have a heftier decline that I figured. The live-action remake of the DreamWorks animated original brought in $36.5 million compared to my $41.6 prediction for $160 million in its initial ten days.
28 Years Later was second with $30 million, not matching my $33.7 million call. While that’s easily the strongest debut of the trilogy (it’s been eighteen years since its predecessor), some prognosticators had this pegged at $35-$40 million. With a so-so B Cinemascore, the dip this weekend could be pronounced.
Pixar experienced its smallest debut ever courtesy of Elio at $20.8 million. I was slightly more generous with $24.5 million. Despite mostly solid reviews, the original story struggled to find its family audience as remakes and sequels dominate the season. It will hope for smallish declines in the weekends to come (something that occurred with 2023’s Elemental after its uninspired beginning).
Lilo & Stitch was fourth with $9.7 million, eclipsing my $8.1 million take. This live-action remake of an animated property now sits at $386 million after five weeks with $400M+ firmly in its sights.
Mission: Impossible – The Final Reckoning rounded out the top five with $6.4 million (I said $6.5 million) as the franchise finale(?) has made $178 million in five weeks.
Finally, Materialists was sixth in weekend #2 with $5.8 million, a bit under my $6.6 million forecast. The ten-day tally is $23 million.
Two and a half years ago, Blumhouse scored a sci-fi horror hit with the demonic doll tale M3GAN and now the inevitable sequel M3GAN 2.0 arrives June 27th. Gerard Johnstone returns to direct along with cast members Allison Williams, Violet McGraw, Brian Jordan Alvarez, Amie Donald (embodying the title character), and Jenna Davis (voicing her). New faces to the franchise include Jenna Davis, Ivanna Sakhno, Aristotle Athari, Timm Sharp, and Jemaine Clement.
In January of 2023, M3GAN rode a wave of buzz to a better than anticipated $30 million premiere and $95 million overall domestic take. Early projections have part 2 (.0) achieving around the same number. It absolutely could, but I have a nagging feeling it may fall short.
I suspect there might be casual viewers who aren’t clamoring to view the AI killer’s next moves. There was a bit of a novelty factor to the original that may not carry over to those same theater goers. Therefore I’m saying low to mid 20s is more likely.
M3GAN 2.0 opening weekend prediction: $21.7 million
F1 (or F1: The Movie) hopes to be #1 when it debuts June 27th. The racing drama comes from Top Gun: Maverick maker Joseph Kosinski with Brad Pitt in the lead. Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem provide support.
There are some reports that the budget is around $300 million so profitability is a question mark. Its title sport is more popular overseas so Warner Bros is certainly banking on impressive foreign grosses. Reviews are mostly complimentary with 87% on Rotten Tomatoes and Metacritic at 70.
I believe the star power and solid word-of-mouth should be enough to power F1 to the top spot. $50 million plus would be a welcome sight for its studio considering the price tag. I’ll project it doesn’t quite get there.
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