Michael Mann’s first feature in nearly a decade zooms into multiplexes on Christmas Day with Ferrari. Adam Driver plays the automative entrepreneur with a supporting cast including Penélope Cruz, Shailene Woodley, Sarah Gadon, Gabriel Leone, Jack O’Connell, and Patrick Dempsey.
The Neon release (with a budget reportedly approaching $100 million) premiered at the Venice Film Festival early in the fall. Buzz was pretty decent (it’s at 75% on RT), but it hasn’t managed to become a serious awards contender. That kind of chatter could help its numbers. Yet it didn’t materialize.
My suspicion is that Ferrari will fail to make a significant dent in the holiday box office. Competition is fierce and this could get lost in the shuffle. Since it is out on Christmas Day (falling on Monday), this estimate is for that date only.
Ferrari opening day prediction: $2.1 million (Christmas Day estimate only)
For my Aquaman and the Lost Kingdom prediction, click here:
Blogger’s Update (12/21): I am increasing my The Color Purple one-day projection from $7.9M to $12.9M
An adaptation of the Broadway musical that was adapted from the 1985 Steven Spielberg film that was adapted from the Alice Walker novel, The Color Purple is out in theaters Christmas Day. The awards hopeful’s cast includes Fantasia Barrino (reprising her role from the play), Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Ciara, Halle Bailey, Aunjanue Ellis, Jon Batiste, Louis Gossett Jr., and David Alan Grier. Blitz Bazawule directs with Spielberg and Oprah Winfrey (who first rose to fame in the ’85 version) producing.
The source material is obviously well-known as this hopes to attract moviegoers on the big holiday. Christmas is on a Monday in 2023 so this projection is only for that day. Obviously that limits the estimate, but that’s not the only limiting factor. Purple has not generated the Oscar buzz that it’s probably hoped for (though Brooks is a threat to win Supporting Actress). Its inclusion in Best Picture is very much in question (it missed a Golden Globe nod earlier this week).
This should still succeed in bringing an African-American and female audience. I’m anticipating its initial day could see a gross in the higher single digits as it hopes to perform well throughout the end of the year and January.
The Color Purple opening day prediction: $12.9 million (Monday estimate only)
For my Aquaman and the Lost Kingdom prediction, click here:
Sony is banking on rom com fans making a holiday trek to Anyone but You when it debuts December 22nd. A modern take on Shakespeare’s Much Ado About Nothing, Will Gluck directs Sydney Sweeney (of Euphoria fame) and Glen Powell (of Top Gun: Maverick fame). Costars include Alexandra Shipp, GaTa, Hadley Robinson, Michelle Hurd, Dermot Mulroney, Rachel Griffiths, and Bryan Brown.
The studio has been heavily promoting their product, but Sweeney and Powell (despite their previous high profile projects) aren’t exactly known to open a picture. Barring an unexpectedly heavy female turnout, this should struggle out of the gate. From its Friday start through Monday (Christmas Day), the best case scenario is probably $10 million. Mid single digits seems more likely.
Anyone but You opening weekend prediction: $5.3 million (Friday to Monday estimate)
For my Aquaman and the Lost Kingdom prediction, click here:
A24 drops The Iron Claw into multiplexes on December 22nd. The wrestling biopic focuses on the Von Erich family, who were prominent in the sport during the 1980s. Sean Durkin directs with Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany, and Lily James headlining.
Critical reaction is impressive with 91% on Rotten Tomatoes. In my Oscar Predictions post earlier this week, I maintain that this would be more of an awards contender had it played the festival circuit early in the fall.
Fans of wrestling and adult moviegoers looking for entertainment over the holiday weekend could cause this to over perform. $6-7 million would be a decent start from Friday to Monday (Christmas) and I think it could exceed that a little.
The Iron Claw opening weekend prediction: $8.7 million (Friday to Monday estimate)
For my Aquaman and the Lost Kingdom prediction, click here:
Universal and Illumination Entertainment hope families flock to Migration when it debuts over the long holiday weekend on December 22nd. The animated comedic adventure is directed by Benjamin Renner with a voice cast including Kumail Nanjiani, Elizabeth Banks, Awkwafina, Keegan-Michael Key, David Mitchell, Carol Kane, and Danny DeVito.
This studio knows how to put out blockbusters with the Despicable Me and Minions franchises. They had one of the biggest hits of the year with The Super Mario Bros. Movie. During Christmastime at multiplexes, films geared toward kids can start out a little slower than they normally would. However, they tend to leg out impressively over the weekends to come.
That might be the case with Migration. A high teens or lows 20s start sounds about right.
Migration opening weekend prediction: $19.6 million (Friday to Monday estimate)
For my Aquaman and the Lost Kingdom prediction, click here:
Aquaman and the Lost Kingdom hopes to rescue a troubling 2023 for the DCU when it opens December 22nd. Following up on the 2018 original, James Wan returns to direct with Jason Momoa back in the title role. Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, and Nicole Kidman costar.
With a reported budget of $215 million, the sequel needs solid domestic and overseas grosses to stay above water. That could be a challenge. The DCU has seen its share of flops this year including Shazam! Fury of the Gods, The Flash, and Blue Beetle.
The superhero’s first adventure five years ago ended up making an impressive $335 million stateside and $1.1 billion worldwide. It exceeded expectations, but Kingdom could fall under or just match them.
With Christmas on a Monday, I’m projecting a Friday to Monday number. Aquaman also came out on the big holiday weekend and Christmas was on a Tuesday. It took in $105 million in its first five days. This one might be fortunate to gross about half of that during its first four. I’m saying it won’t.
Aquaman and the Lost Kingdom opening weekend prediction: $42.8 million (Friday to Monday estimate)
The iconic chocolatier, this time played by Timothee Chalamet, looks to dominate the box office as Wonka opens this weekend. It is the only new wide release coming our way before a slew of Christmas offerings arrive. You can peruse my detailed prediction post on it here:
My mid 30s projection easily gives it the #1 spot as it hopes to leg out splendidly throughout the holiday season. It should manage to do so with the known IP and mostly positive critical reaction. Kiddos and their parents should eat this up as the season moves along.
The rest of the top five should be filled with leftovers. After a strong start (more on that below), The Boy and the Heron should slide to second. It might have the largest drop of the returnees (possibly close to 50%), but then again I thought Godzilla Minus One would have a considerably heftier sophomore dip.
I have The Hunger Games: The Ballad of Songbirds and Snakes in third with the aforementioned Godzilla in fourth and Trolls Band Together rounding out the high five. Here’s how I see it playing out:
1. Wonka
Predicted Gross: $36.4 million
2. The Boy and the Heron
Predicted Gross: $7 million
3. The Hunger Games: The Ballad of Songbirds and Snakes
Predicted Gross: $6.6 million
4. Godzilla Minus One
Predicted Gross: $5.7 million
5. Trolls Band Together
Predicted Gross: $4.6 million
Box Office Results (December 8-10)
Legendary Japanese animator Hayao Miyazaki’s The Boy and the Heron flew to the top spot with an impressive $12.9 million. This soars past my $8 million projection and should become the director’s highest grosser stateside in short order.
The Hunger Games: The Ballad of Songbirds and Snakes held in second with $9.2 million, just ahead of my $8.6 million take. The four-week total is $135 million.
Godzilla Minus One had a strong hold, down just 25% in third with $8.5 million. I figured it would fall a lot more and forecasted the green giant at $4.9 million. The ten-day tally is $25 million.
Trolls Band Together was fourth with $6 million (I said $4.7 million) as the animated threequel sits at $82 million after four frames.
Finally, last weekend’s champ Renaissance: A Film by Beyoncé plummeted 75% to fifth with $5.4 million. I was more kind at $7.6 million. Total is $28 million for the concert flick.
Warner Bros hopes audiences will take a look and then they’ll see pure dollar signs when Wonka opens December 15th. Timothee Chalamet takes over the iconic title role already filled by Gene Wilder in 1971 and Johnny Depp in 2015. The musical fantasy comes from Paul King, best known for Paddington and its sequel. Costars include Keegan-Michael Key, Paterson Joseph, Matt Lucas, Mathew Boynton, Sally Hawkins, Rowan Atkinson, Jim Carter, Tom Davis, Olivia Colman, and Hugh Grant.
An origin story about Roald Dahl’s eccentric chocolatier, the $125 million budgeted confection is generating mostly strong reviews at 85% on Rotten Tomatoes. Hoping to sell lots of golden tickets, it could experience small declines in the holiday weekends ahead.
That may mean its debut isn’t gigantic even though it could be solid. The rosiest out of the gate projections could be in the mid 40s to even $50 million. I’ll say it starts in the mid 30s but word-of-mouth and the time of year could propel it to impressive holds in the future.
Blogger’s Update (12/06): It appears The Boy and the Heron is opening on approximately 2100 screens. That is more than I assumed and my estimate rises from $3.8 million to $8 million. I’m also lowering my Renaissance prediction from $8.9M to $7.6M and raising my Hunger Games estimates from $7.8M to $8.6M. This dramatically alters my previous top five.
Before some high profile holiday releases are unwrapped, it should be a quiet weekend at the box office as Hayao Miyazaki’s The Boy and the Heron is the only significant newcomer. You can peruse my detailed prediction post on it here:
We may not see any picture top $10 million in this sleepy frame. Beyoncé may manage to rule the charts for a second time even though I have Renaissance having a sophomore slide in the high 50s. A gross approaching $9 million should keep it ahead of The Hunger Games: The Ballad of Songbirds and Snakes (which should fall in the mid 40s).
After an impressive debut, Godzilla Minus One should stay in third with Trolls Band Together remaining in fourth. I have Heron rounding out the top five, just ahead of Disney’s dud Wish.
Here’s how I see it playing out:
1. The Hunger Games: The Ballad of Songbirds and Snakes
Predicted Gross: $8.6 million
2. The Boy and the Heron
Predicted Gross: $8 million
3. Renaissance: A Film by Beyoncé
Predicted Gross: $7.6 million
4. Godzilla Minus One
Predicted Gross: $4.9 million
5. Trolls Band Together
Predicted Gross: $4.7 million
Box Office Results (December 1-3)
Audiences might not have been crazy in love with Renaissance: A Film by Beyoncé to the level of Taylor Swift’s tour feature, but it opened in line with its anticipated range. Premiering in first, the acclaimed concert pic started with $21.8 million. That’s on pace with my $20.7 million take.
The Hunger Games: A Ballad of Songbirds and Snakes slid to second with $14.1 million in its third outing, just ahead of my $13.1 million call. The franchise prequel is up to $120 million.
In a weekend with many debuts, Godzilla Minus One achieved the largest one at $11.4 million. The Japanese was third with $11.4 million, well ahead of my $7.6 million projection. This is especially impressive since it’s making most of its green overseas.
Trolls Band Together was fourth with $7.8 million (I said $8.5 million) as the three-week total is $75 million.
Disney’s Wish tumbled a steep 61% for fifth in its sophomore frame with $7.7 million. I was more generous at $9.3 million. The two-week tally is a troubling $42 million.
The second weekend plummet was even higher for Napoleon in sixth. It was down 65% to $7.2 million compared to my $9.2 million forecast. The overall gross is $45 million.
Newcomers filled the 7-9 spots. Hindi-language action flick Animal exceeded my expectations in seventh with $6.4 million. I said $4 million.
Sci-fi tale The Shift from Angel Studios was eighth with $4.6 million. That’s in line with my expectations at $4.3 million.
John Woo’s Silent Night was quiet in ninth with $3 million. That’s below my expectations as I went with $5 million.
Lastly, Eli Roth’s slasher Thanksgiving was tenth with $2.6 million, a tad under my $3.3 million prediction. Total is $28 million.
Blogger’s Update (12/06): It appears The Boy and the Heron is opening on approximately 2100 screens. That is more than I assumed and my estimate rises from $3.8 million to $8 million
Legendary Japanese animator Hayao Miyazaki (of My Neighbor Totoro, Spirited Away, and Howl’s Moving Castle acclaim) came out of retirement to make The Boy and the Heron. It flies into North American venues on December 8th after robust business overseas. Unsurprisingly, critics are lauding it (97% RT score) as it might battle Spider-Man: Across the Spider-Verse at the Oscars. The fantasy arrives with a dubbed version for stateside crowds featuring the voices of Christian Bale, Dave Bautista, Gemma Chan, Willem Dafoe, Karen Fukuhara, Mark Hamill, Robert Pattinson, and Florence Pugh.
After debuting in Japan over the summer and expanding to other nations, it has made $83 million thus far. GKIDS is handling North American distribution and it is said to have the widest release in the studio’s history. That said, I’ve yet to see a theater count and that could alter my projection.
Miyazaki is a bigger draw elsewhere, but he certainly has his ardent fans here. Again, depending on the count, I can’t see this getting below $3 million. Earning over $5 million could be a chore.
The Boy and the Heron opening weekend prediction: $8 million
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