Focus Features hopes that audiences will be happy to attend Piece by Piece when it assembles in theaters October 11th. This is quite the interesting mashup of genres. From documentarian Morgan Neville, it is a biopic of music producer Pharrell Williams of the Neptunes told through Lego animation. Besides the central character, his musician friends Gwen Stefani, Kendrick Lamar, Timbaland, Justin Timberlake, Busta Rhymes, Jay-Z, Daft Punk, and Snoop Dogg lend their voices to the project.
After its premiere at Telluride, Piece generated mostly complimentary reaction. The RT score is 91% with Metacritic at 64. I’m not sure the reviews are strong enough that this will compete for Best Animated Feature at the Oscars.
With no significant buzz awards wise or elsewhere, I wonder who turns up for this. This isn’t really geared towards kids (and they could still be preoccupied with The Wild Robot). Adults aren’t likely clamoring for a Lego themed doc about the producer of “Hollaback Girl” and “Drop It Like It’s Hot”.
If this managed higher single digits for starters, Focus should consider it a victory. Slated for 1800 screens, I don’t think it gets there.
Piece by Piece opening weekend prediction: $5.4 million
The animated Japanese superhero series My Hero Academia has made the bulk of its booty overseas, but performed admirably stateside. On October 11th comes the fourth feature You’re Next. Tensai Okamura takes over directorial duties with a voice cast including Daiki Yamashita, Nobuhiko Okamato, Yuki Kaji, Ayane Sakura, and Kaito Ishikawa.
Based on the manga series that kicked off in 2014, original cinematic franchise entry Two Heroes in 2018 had a limited theatrical release in the United States and Canada. In February 2020, sequel Heroes Rising earned $5.1 million for its start while October 2021’s World Heroes’ Mission upgraded a bit at $6.4 million.
We’ve had a longer layoff between parts three and four than any of the others. I doubt that will change the dynamic much and I foresee mid single digits as the best bet.
My Hero Academia: You’re Next opening weekend prediction: $5.9 million
Blogger’s Update (10/03): With the announcement that White Bird is only hitting just over 1000 screens, I’m downgrading my prediction from $3.1 million to $1.5 million
Warner Bros hopes Joker: Folie à Deux can approach the gargantuan grosses that its predecessor earned five years ago while Lionsgate has the long delayed Wonder prequel White Bird out this weekend. You can peruse my detailed prediction posts on the newcomers here:
A half decade ago, Joker rode a wave of sizzling buzz to a $96 million debut (the best October start of all time), a $335 eventual domestic gross, and an Oscar statue for Joaquin Phoenix. With Lady Gaga joining the mayhem as Harley Quinn, word-of-mouth is more mixed for part Deux and it likely won’t achieve the hotshot premiere of part un. While my mid 50s forecast easily has it topping the charts, that’s over $40 million less out of the gate.
As for White Bird, I expect it to be another significant under performer for distributor Lionsgate who just saw Megalopolis crash and burn (more on that below). My number for Bird puts it just outside the top five.
As for holdovers, The Wild Robot might see a mid to high 40s decline after its solid beginning while Beetlejuice Beetlejuice and Speak No Evil‘s percentage dips should be smaller. The highest plummet in the top 5 (same as this past frame) should belong to Transformers One.
Here’s how I see it playing out:
1. Joker: Folie à Deux
Predicted Gross: $54.3 million
2. The Wild Robot
Predicted Gross: $19.8 million
3. Beetlejuice Beetlejuice
Predicted Gross: $11.6 million
4. Transformers One
Predicted Gross: $4.4 million
5. Speak No Evil
Predicted Gross: $3.2 million
Box Office Results (September 27-29)
DreamWorks Animation’s The Wild Robot, with fresh reviews and an A Cinemascore grade, performed impressively with $35.7 million. That’s just ahead of my $33.8 million take and it should play well throughout the next few weeks.
Beetlejuice Beetlejuice, after three weeks in 1st, slid to second with $16.2 million. That’s a mere 37% decline and beyond my $14.8 million prediction. The sequel has amassed $250 million in four weeks.
The news was more distressing for Transformers One as it plummeted 63% in its sophomore frame to $9.1 million. I was more generous at $11.5 million as Hasbro’s latest underwhelming franchise entry has taken in $39 million in ten days.
Epic Indian Telugu-language action flick Devara: Part 1 opened in fourth with $5.6 million with the second best per screen average in the top 10. I incorrectly had it outside the high five.
Speak No Evil was fifth with $4.2 million (I said $3.4 million). The thriller sits at $28 million after three weeks.
Finally, Francis Ford Coppola’s self-financed Megalopolis (with a reported $120 million price tag) could not overcome mostly middling reviews and audience ambivalence. It was sixth with $4 million compared to my $4.7 million call. With a D+ Cinemascore, I suspect this falls over 65% in its second weekend. Ouch.
Blogger’s Update (10/03): With the announcement that White Bird is only hitting just over 1000 screens, I’m downgrading my prediction from $3.1 million to $1.5 million
White Bird at last flies into theaters after significant delays on October 4th. The period drama is a prequel to 2017’sblockbuster Wonder. Like that hit, it’s based on source material from R.J. Palacio. Marc Forster directs and the cast includes Ariella Glaser, Orlando Schwerdt, Bryce Gheisar, Gillian Anderson, and Helen Mirren.
Lionsgate originally was slated to release Bird in September 2022 and then in summer 2023 before finally landing on this date. The distributor has seemingly been conducting a yard sale of flops over the past several weeks such as Borderlands, The Crow, The Killer’s Game, Never Let Go, and Megalopolis.
I don’t see White Bird reversing the trend. Wonder was seven years ago, but a bigger problem might be that audiences aren’t aware of the prequel’s existence. Like the aforementioned features, hitting $5 million out of the gate might be a challenge.
White Bird opening weekend prediction: $1.5 million
For my Joker: Folie à Deux prediction, click here:
Arriving five years to the day behind its billion plus grossing predecessor, Joker: Folie à Deux dances into multiplexes on October 4th. Todd Phillips is back in the director’s chair with Joaquin Phoenix reprising his Oscar-winning role as Arthur Fleck. Lady Gaga’s Harley Quinn joins the musical mayhem alongside Catherine Keener, Brendan Gleeson, Zazie Beetz, Harry Lawtey, and Steve Coogan.
A half decade ago, Joker decimated expectations and set records with a $96 million opening on its way to $335 million domestically. Worldwide it amassed a haul of just over one billion bucks and garnered 11 Academy Awards nominations including Phoenix’s victory.
Like the original, Deux was first seen at the Venice Film Festival where reaction was decidedly mixed. The Rotten Tomatoes meter is at 63% with 54 on Metacritic. Tracking suggests the sequel might not be the phenomenon of what we witnessed in 2019.
This is not expected to top the starting number of Joker. The question is how far it falls under. I suspect the so-so buzz could mean mid 50s and that’s a far cry from its predecessor.
Joker: Folie à Deux opening weekend prediction: $54.3 million
While Hasbro’s Transformers One fell short of expectations this past weekend, DreamWorks Animation looks to bring families out in force with The Wild Robot this Friday. We also have Francis Ford Coppola’s long in the works sci-fi epic Megalopolis premiering. You can peruse my detailed prediction posts on the newcomers here:
I projected a mid 30s start for Transformers and came to regret it (more on that below). I’m estimating the same for The Wild Robot which is generating stronger reviews and comes from a studio whose animated works usually perform well.
As for Megalopolis, it might be a megaflop. Coppola’s passion project premiered at Cannes to plenty of negative reaction. This might do decent business on the coasts, but I don’t expect much interest in between. A mid single digits gross could mean fourth place.
Beetlejuice Beetlejuice will drop to second after three weeks on top with a percentage dip in the low to mid 40s. Despite an A Cinemascore grade, Transformers will likely suffer with a low to mid 50s decline due to the Robot competition. Speak No Evil should round out the top five.
Here’s how I see it playing out:
1. The Wild Robot
Predicted Gross: $33.8 million
2. Beetlejuice Beetlejuice
Predicted Gross: $14.8 million
3. Transformers One
Predicted Gross: $11.5 million
4. Megalopolis
Predicted Gross: $4.7 million
5. Speak No Evil
Predicted Gross: $3.4 million
Box Office Results (September 20-22)
In an upset, moviegoers made Tim Burton’s sequel the champion three times in a row as Beetlejuice Beetlejuice took in $25.9 million. That’s right on target with my $26.7 million forecast as its total has reached $226 million.
Transformers One couldn’t catch on in the runner-up position with $24.6 million. That’s well under my $35.4 million take and it’s another underwhelming result for the franchise behind last year’s Transformers: Rise of the Beasts.
Speak No Evil was third at $5.7 million, a bit shy of my $6.5 million call. The thriller has grossed $21 million after two weeks in multiplexes.
Halle Berry’s survival thriller was another yawner for Lionsgate in fourth with $4.4 million, on pace with my $4.7 million prediction.
Deadpool & Wolverine rounded out the top five with $3.8 million (I said $3.9 million). In nine outings, 2024’s second largest domestic earner has amassed $627 million.
Finally, I didn’t do a projection for Demi Moore’s critically hailed The Substance. It opened in sixth with a fairly respectable $3.2 million.
Financed on his own dime for $120 million, legendary filmmaker Francis Ford Coppola brings his passion project Megalopolis to the big screen on September 27th. The sci-fi epic has a sprawling cast to match its budget including Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Chloe Fineman, and Dustin Hoffman.
This is only Coppola’s fourth feature in the 21st century and his first in 13 years (since the little seen Twixt). Cinephiles should have an interest on that fact alone, but there should be struggles for this to have any sort of mainstream breakthrough. When Megalopolis premiered at Cannes, it did so with mixed to negative reactions (the RT score is 52 and Metacritic is 59). It may not help that Coppola was recently subject to news stories about unprofessional behavior on set.
Lionsgate picked up distribution and they’ve had a string of failures in recent weeks including Borderlands and The Crow. This may turn out to be the biggest bomb of all. Tracking is suggesting only mid single digits and I don’t see it getting beyond that.
Megalopolis opening weekend prediction: $4.7 million
DreamWorks Animation hopes families turn up in droves for The Wild Robot when it debuts September 27th. The sci-fi pic is based on a book series by Peter Brown and directed by How to Train Your Dragon and The Croods maker Chris Sanders. Voiceover work comes courtesy of Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, Matt Berry, and Ving Rhames.
Robot was unveiled days ago at the Toronto Film Festival to satisfying results. The Rotten Tomatoes score is 100% and it could be a frontrunner for Best Animated Feature at the 97th Academy Awards. DreamWorks is putting this out while Transformers One is only in its sophomore outing. That could slightly limit the opening weekend crowd, but Robot will likely leg out impressively over the next several frames.
I still wouldn’t be surprised if this slightly exceeds tracking and that should mean low to mid 30s.
The Wild Robot opening weekend prediction: $33.8 million
Hasbro’s animated Transformers One looks to dislodge Beetlejuice Beetlejuice from its #1 perch and Halle Berry’s horror pic Never Let Go hopes to bring in genre fans this weekend. You can peruse my detailed prediction posts on the newcomers here:
Transformers should manage to assemble a first place showing in the middle to higher 30s. Expectations aren’t as high for this compared to the live-action action pics, but decent reviews and kid business should help.
Lionsgate has had a string of flops over the past few weeks (The Killer’s Game being the latest) and I expect that to continue with Never Let Go. My mid single digits projection for it should mean a fourth place premiere.
Beetlejuice Beetlejuice, after ruling the charts for the past two weeks, should ease close to 50% for second place. See No Evil may also see a drop in the low to mid 40s for third with Deadpool & Wolverine rounding out the top five in its ninth outing.
Here’s how I have it playing out:
1. Transformers One
Predicted Gross: $35.4 million
2. Beetlejuice Beetlejuice
Predicted Gross: $26.7 million
3. Speak No Evil
Predicted Gross: $6.5 million
4. Never Let Go
Predicted Gross: $4.7 million
5. Deadpool & Wolverine
Predicted Gross: $3.9 million
Box Office Results (September 13-15)
It was a lucky Friday the 13th frame for Tim Burton and company as Beetlejuice Beetlejuice held up stronger than I assumed in its sophomore frame. The long in development sequel grossed $51.3 million compared to my $40.9 million take. After ten days, its impressive haul stands at $187 million.
Psychological thriller Speak No Evil with James McAvoy debuted on the lower end of its anticipated range at $11.3 million in second. I was more generous at $14.6 million. With a B+ Cinemascore (solid for its genre), it may hold up fairly well in the weekends to come.
Deadpool & Wolverine was third with $5.2 million, a tad more than my $4.4 million call. After 8 weeks, the MCU juggernaut has earned $621 million.
I incorrectly did not have hot button documentary Am I Racist? in my top five but it performed impressively in fourth with $4.5 million.
Reagan was in the five spot with $2.9 million (I said $3.1 million) for $23 million after three weeks in play.
Finally, the aforementioned The Killer’s Game with Dave Bautista was DOA in sixth with $2.6 million. I gave it slightly more credit with a $3.7 million forecast.
Never Let Go tries to avoid a recent Lionsgate curse when it opens this Friday. That might be unavoidable for the Alexandre Aja (Crawl) directed horror flick starring Halle Berry. Percy Daggs IV, Anthony B. Jenkins, Matthew Kevin Anderson, Christin Park, and Stephanie Lavigne costar.
The survival tale seems to be flying considerably under the radar. As mentioned, Lionsgate had been experiencing an onslaught of financial underachievers over the last few weeks thanks to Borderlands, The Crow, and The Killer’s Game.
It also won’t help that genre fans have had plenty of material in 2024 and Speak No Evil will be in its sophomore frame. Mid single digits is where I’m going with this.
Never Let Go opening weekend prediction: $4.7 million
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