November 8-10 Box Office Predictions

Critically acclaimed horror thriller Heretic and holiday family dramedy The Best Christmas Pageant Ever will both attempt to keep Venom: The Last Dance from a third weekend in first place. You can peruse my detailed prediction posts on the newbies here:

Heretic finds Hugh Grant dipping into scary territory and my low double digits estimate puts it in range with the September start of Speak No Evil. That’s likely good for second place.

I’ve got Christmas in third in the high single digits though its chances of over performing exist. I also think it might experience low declines as the holidays approach and get off to a relatively slow start.

My projections on the two openers does indeed leave Venom atop the charts for a third frame assuming it drops in the mid 40s. Holdovers The Wild Robot and Smile 2 should round out the high five and here’s how I have it playing out:

1. Venom: The Last Dance

Predicted Gross: $14.3 million

2. Heretic

Predicted Gross: $11.2 million

3. The Best Christmas Pageant Ever

Predicted Gross: $8 million

4. The Wild Robot

Predicted Gross: $5.6 million

5. Smile 2

Predicted Gross: $4.4 million

Box Office Results (November 1-3)

November started off in multiplexes with October product holding steadier than my forecasts. Venom: The Last Dance is the prime example as it declined only 49% in weekend #2 with $25.9 million. I was much lower at $17.3 million. That’s a bit of a surprise considering predecessor Let There Be Carnage plummeted in the mid 60s. Of course, it’s worth noting that Dance opened with nearly $40 million less than Carnage.

The Wild Robot was second with $7.4 million as it managed to rise 9% and blast past my $5 million call. The animated pic has amassed $121 million after six weeks.

Smile 2 was third with $6.7 million and that’s wider than my $5.6 million take. The horror sequel is up to $52 million after three frames.

Oscar hopeful Conclave eased a mere 24% in fourth with $5 million (I said $4.2 million) for $14 million in two outings.

Finally, Robert Zemeckis’s Here, which reunites his Forrest Gump leads Tom Hanks and Robin Wright, stumbled with critics and audiences. The fifth place showing netted $4.8 million. My prediction? $4.8 million!

And that does it for now, folks! Until next time…

The Best Christmas Pageant Ever Box Office Prediction

Lionsgate hopes to reverse a recent trend of box office lumps of coal when The Best Christmas Pageant Ever opens November 8th. Dallas Jenkins, creator of popular faith-based The Chosen series, directs with Judy Greer, Pete Holmes, and Lauren Graham in the cast.

The holiday themed dramedy based on the 1972 Barbara Robinson book is wishing for family audiences to turn out. That might not happen at all or at least right away. As mentioned, its distributor is in a significant slump. If moviegoers like what they see, perhaps it will experience meager declines as Thanksgiving approaches.

I’m projecting it won’t reach $10 million for starters.

The Best Christmas Pageant Ever opening weekend prediction: $8 million

For my Heretic prediction, click here:

Heretic Box Office Prediction

A24 is hoping audiences make some noise for Heretic when it debuts November 8th. The horror thriller comes from Scott Beck and Bryan Woods, who wrote the blockbuster A Quiet Place and recently directed the megaflop 65. Sophie Thatcher and Chloe East costar as Mormon missionaries who knock on Hugh Grant’s wrong door.

Critics opened up to Heretic upon its screening at the Toronto Film Festival. The Rotten Tomatoes score is a certified fresh 95% with Metacritic at 71. Moviegoers have had plenty of scary material to feast on in 2024 and that could limit its potential. I could see a start in the $11.5 million range that Speak No Evil managed in September.

Heretic opening weekend prediction: $11.2 million

For my The Best Christmas Pageant Ever prediction, click here:

November 1-3 Box Office Predictions

Robert Zemeckis reunites with his Forrest Gump leads Tom Hanks and Robin Wright some 30 years after that Best Picture recipient with the family drama Here this weekend. My detailed prediction post on the newcomer can be accessed here:

Here is likely to be the sole newbie to place in the top five. Unlike Gump, there’s no awards buzz for this. A debut in the mid single digits could mean anywhere from second to fifth.

Tom Hardy’s third and reportedly final go-round in The Last Dance had a subpar start (more on that below). With a troubling B- Cinemascore, a 60 percent plus percentage drop appears inevitable. That should mean mid or high teens for an unremarkable repeat performance in 1st place.

Holdovers Smile 2, The Wild Robot, and Conclave should fill out the rest of the high five and here’s how I have it playing out:

1. Venom: The Last Dance

Predicted Gross: $17.3 million

2. Smile 2

Predicted Gross: $5.6 million

3. The Wild Robot

Predicted Gross: $5 million

4. Here

Predicted Gross: $4.8 million

5. Conclave

Predicted Gross: $4.2 million

Box Office Results (October 25-27)

As mentioned, viewers were not grooving to Venom: The Last Dance. The comic book based sequel set in Sony’s Spider-Man Universe took in $51 million. That’s under my $62.3 million take and well below 2018’s Venom ($80 million) and 2021 follow-up Let There Be Carnage at $90 million. Crowds have clearly soured on the franchise.

The news wasn’t great for Smile 2 either. The horror sequel was second with $9.5 million and that represents a 59% plummet. Its 2022 predecessor only experienced an 18% decline in weekend #2. While I didn’t think that would occur, I had this pegged at $15.6 million during its follow-up frame.

The Wild Robot was third with $6.8 million compared to my $7.5 million call. The animated hit has taken in $111 million in five weeks.

Oscar hopeful Conclave with Ralph Fiennes was fourth with a better than anticipated $6.6 million. Edward Berger’s papal succession drama blew past my $4.8 million projection.

The Andrew Garfield/Florence Pugh romance We Live in Time added nearly 2000 screens and was fifth with $4.8 million. I incorrectly had it outside the top five as its total reached $11 million.

Finally, Terrifier 3 was sixth with $4.7 million (I said $5.4 million) for a robust $44 million in three weeks.

And that does it for now, folks! Until next time…

Here Box Office Prediction

Reuniting the director, screenwriter, and two leads from Forrest Gump some three decades after the Best Picture winner’s release, Here is present in multiplexes on November 1st. The high concept family drama utilizes a stationery home camera shot spanning decades of time. Robert Zemeckis directs and Eric Roth penned the script. Tom Hanks and Robin Wright headline a cast that includes Paul Bettany, Kelly Reilly, Michelle Dockery, and Gwilym Lee.

The collection of talent mentioned above might have generated big bucks if it arrived in the decade following Mr. Gump’s global treks. I suspect this may struggle to find the older audience it seeks. There has yet to be any awards buzz and that could have helped.

While Hanks recently had an adult themed hit via A Man Called Otto, it had the benefit of being based on a well-known novel. Here‘s best hope is that viewers who do see it will tell their friends about it and that it plays into Thanksgiving. That could be a stretch as I’m forecasting this will only reach a troubling mid single digits.

Here opening weekend prediction: $4.8 million

October 25-27 Box Office Predictions

Tom Hardy is back in the threequel Venom: The Last Dance while awards hopeful Conclave also debuts Friday. You can peruse my detailed prediction posts on the weekend’s newcomers here:

Hardy’s latest go-round as the comic book symbiote will easily dominate the charts. Yet I’m not bullish that The Last Dance will top the openings of predecessors Venom from 2018 ($80 million) and 2021’s Venom: Let There Be Carnage ($90 million). I have it in the low to mid 60s.

Conclave is expected to nab a Best Picture nomination. Edward Berger’s follow-up to All Quiet on the Western Front may have to settle for a mid single digits start that should put it in fourth or fifth place.

As for holdovers, Smile 2 may benefit from its genre in weekend #2 as horror fans seek content. The first Smile rode a wave of loud buzz to a startling 18% decline in its second frame. I’d be surprised if the sequel sees that, but mid to high 30s seems feasible. The Wild Robot and Terrifier 3 should fill out the remainder of the high five.

Here’s how I see it playing out:

1. Venom: The Last Dance

Predicted Gross: $62.3 million

2. Smile 2

Predicted Gross: $15.6 million

3. The Wild Robot

Predicted Gross: $7.5 million

4. Terrifier 3

Predicted Gross: $5.4 million

5. Conclave

Predicted Gross: $4.8 million

Box Office Results (October 18-20)

Smile 2 was barely able to open wider than part 1 at $23 million. The original hit $22.6 million two years later. I had this making slightly more at $27 million. That’s a fair result though (as mentioned above) I wouldn’t expect this to have quite the sturdy legs of what came before.

The Wild Robot held in second with $10 million, on par with my $10.7 million forecast. The animated adventure is now north of nine digits after four weeks with $101 million.

Terrifier 3 slid from first to third with $9.3 million, in line with my $9.8 million call. The $38 million total in ten days is quite a feat considering the reported teensy $2 million price tag.

Beetlejuice Beetlejuice was fourth with $5 million (I went with $5.8 million) for a seven-week haul of $283 million and $300 million potentially in its domestic sights.

Finally, the Andrew Garfield/Florence Pugh rom dram We Live in Time expanded to just under 1000 venues and posted $4.1 million. I was close with $4.3 million. That brought the overall tally to $4.5 million.

And that does it for now, folks! Until next time…

Conclave Box Office Prediction

Academy hopeful Conclave materializes in theaters on October 25th. Based on the Robert Harris novel, Ralph Fiennes headlines the thriller as a cardinal in charge of selecting the new Pope. Stanley Tucci, John Lithgow, Sergio Castellitto, Isabella Rossellini, and Lucien Msamati costar. Edward Berger, following up his nine-time Oscar nominee All Quiet on the Western Front from 2022, directs.

With 93% on Rotten Tomatoes and 78 on Metacritic, Conclave is expected to vie for multiple awards races including Best Picture. That buzz could assist in bringing in an adult audience. I wouldn’t be surprised if it starts out in the mid to possibly high single digits as it hopes for meager declines in later weekends. This forecast could change based on its final released screen count.

Conclave opening weekend prediction: $4.8 million

For my Venom: The Last Dance prediction, click here:

Venom: The Last Dance Box Office Prediction

Tom Hardy is back in the dual roles of Eddie Brock and his sadistic otherworldly symbiote on October 25th with Venom: The Last Dance. The third entry in the franchise that began in 2018, Dance marks the directorial debut of Kelly Marcel. She co-wrote the original and solely penned the 2021 sequel Venom: Let There Be Carnage. The supporting cast includes Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Peggy Lu, Alanna Ubach, and Stephen Graham.

Six years back, Venom exceeded expectations with an $80 million opening weekend and $213 million total domestically. Three years later, forecasters assumed Carnage wouldn’t match up due to COVID complications. That turned out to be incorrect as the sequel amassed $90 million out of the gate. Its final stateside gross (rather remarkably) was also $213 million.

Bottom line: don’t underestimate this subsection of the Spider-Man Universe franchise. While Morbius and Madame Web struggled for eyeballs, I envision this premiering similarly to its predecessors. It may not match what came before, but low to mid 60s seems doable.

Venom: The Last Dance opening weekend prediction: $62.3 million

For my Conclave prediction, click here:

October 18-20 Box Office Predictions

Smile 2 looks to make horror fans happy this weekend while the Andrew Garfield and Florence Pugh romantic drama We Live in Time debuts. You can peruse my detailed prediction posts on them here:

Likely building upon the goodwill from its predecessor two years ago, Smile 2 should outpace the $22 million that Smile opened wide with. My mid to high 20s estimate puts it easily out front.

Time is hitting just 1000 venues and I’m projecting mid single digits before it expands even wider on October 25th.

Terrifier 3 got off to a terrific start (more on that below). Projecting its sophomore fall is tricky. I would think the unrated horror threequel might be front loaded, but I’m not sure it drops over 60%. It’s actually theaters so it may only decline around 50% and that’s good for a horror flick of this nature. That should put it in third as I foresee The Wild Robot only easing in the mid 20s and staying in second. A similar meager decrease for Beetlejuice Beetlejuice should keep it in the top 5 in its seventh frame. Joker: Folie à Deux may manage fifth place though it should see another calamitous percentage fall. Yet I wouldn’t be surprised if Transformers One manages to rise the five spot.

Here’s how I see the top 6 playing out:

1. Smile 2

Predicted Gross: $27 million

2. The Wild Robot

Predicted Gross: $10.7 million

3. Terrifier 3

Predicted Gross: $9.8 million

4. Beetlejuice Beetlejuice

Predicted Gross: $5.8 million

5. We Live in Time

Predicted Gross: $4.3 million

Box Office Results (October 11-13)

Please note that Joker: Folie à Deux is not listed in my top 5 for its third go-round due to a historically awful sophomore weekend plummet. We’ll get to that in a second, but let’s focus on the other big story for now. Terrifier 3 wowed prognosticators with $18.8 million, ahead of my $14.4 million call. With a reported budget of $5 million, the grisly Art the Clown Christmas bloodbath solidified its franchise bonafides. You can expect a fourth cut in the near future.

The Wild Robot held in second with $14 million and surpassed my $11.7 million prediction. In its three weeks in multiplexes, the DreamWorks Animation adventure has amassed $84 million as it flies to nine digit territory.

Beetlejuice Beetlejuice was third with $7.3 million (I said $6.7 million) for a six-week tally of $275 million as it looks to scare up $300M+ domestically.

Joker: Folie à Deux, after a disastrous enough premiere, was down an embarrassing 81% in fourth with $7 million. I was more generous in thinking it would only go down 75% with $9.5 million. The lambasted sequel has taken in $51 million in ten days and will struggle to reach $75 million stateside. As a reminder, its 2019 predecessor made $335 million in the U.S. and Canada and over one billion worldwide.

A slew of newcomers that didn’t star Art the Clown failed to fill seats. Lego themed Pharrell documentary Piece by Piece was fifth with $3.8 million compared to my $5.4 million projection.

Holdover Transformers One was sixth with $3.7 million for a muted $52 million in four weeks. I did not do an estimate for the animated Hasbro title.

Saturday Night, Jason Reitman’s recounting of the lead-up to SNL’s first episode in 1975, was seventh with a discouraging $3.4 million. I had it pegged in fourth with $7.8 million. SHAMELESS PLUG ALERT: check out the homepage on my blog to see my Top 50 SNL Cast Members of All Time posts. At press time, I’ve written entries for numbers 50-43 and they are being uploaded on a daily(ish) basis.

Manga sequel My Hero Academia: You’re Next was eighth with a meh $3 million, just over half of my $5.9 million prediction.

Finally, The Apprentice stumbled in 10th with $1.6 million (I went with $2.4 million). The story of Donald Trump rising to prominence in the 1980s did not attract curious onlookers.

And that does it for now, folks! Until next time…

We Live in Time Box Office Prediction

StudioCanal is counting on audiences making time for We Live in Time when it expands nationwide on October 18th. The romantic drama from Brooklyn director John Crowley stars Andrew Garfield and Florence Pugh with a supporting cast including Adam James, Marama Corlett, and Aoime Hinds.

Critics were mostly on its side after its Toronto Film Festival premiere last month. The Rotten Tomatoes score is 79% with 61 on Metacritic. If this was based on source material like a bestselling novel, I might be more optimistic with Time. Awards buzz would also help and that doesn’t appear to be the case.

Unless a sizable female crowd turns up, mid single digits is the likely number.

We Live in Time opening weekend prediction: $4.3 million

For my Venom: The Last Dance prediction, click here:

For my Conclave prediction, click here: