Ahead of its Friday release, the embargo has lapsed for the eagerly awaited sequel Wicked: For Good and we are seeing just how popular or unpopular it is with critics. Jon M. Chu returns to direct alongside the cast of Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, and Jeff Goldblum.
Based on the Broadway phenomenon, Good is expected to generate massive box office dollars. Will it be able to match or exceed the Oscar performance of its predecessor from last year? At the 97th Academy Awards, Wicked picked up 10 nominations – Best Picture, Actress (Erivo), Supporting Actress (Grande), Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Production Design, Sound, and Visual Effects. It won for Costume Design and Production Design.
We’ll get into all those in a second, but let’s start with the headline. As one of the final pieces to this grand awards puzzle, Good‘s reviews aren’t as strong as part 1’s. 2024’s original had 88% on Rotten Tomatoes and 73 on Metacritic. At the time of publication, RT for Good is 71% with Metacritic at 61.
In short, that makes its prospects murkier in most categories starting with BP. On Sunday when I posted my latest update, I dropped the follow-up from 6th to 8th in that race. I wouldn’t be surprised to see it slide further in my next update and I certainly don’t expect it to go up. Anywhere from 8-10 seems reasonable with the possibility that it could miss the cut. A Directing nod for Chu appears out of reach.
Since April when I did my first projections, I’ve had Erivo and Grande getting back to back noms as the Wicked Witch and Glinda the Good. That’s likely to continue though I’m less confident that they’re both slam dunk inclusions. Actress is crowded and Erivo faces tough competition. I think Grande in Supporting Actress is safer. She was probably runner-up for the victory last year when she fell short to Zoe Saldaña in Emilia Pérez. Grande has been ranked 1st for months on this blog and I still believe she could make the podium walk. The mixed overall reaction opens up victory narratives for others, including Teyana Taylor in One Battle After Another, Elle Fanning or Inga Ibsdotter Lilleass in Sentimental Value, and maybe even Amy Madigan for Weapons (though I’ve yet to predict her).
As for the tech races, Costume Design, Makeup and Hairstyling, and Production Design are close to shoo-in noms. I’m a little less assured about Sound and Visual Effects and far less so for Film Editing and Original Score.
Then there’s categories where the second helping of Wicked could pop up where Wicked did not. That includes original song. Universal is submitting “The Girl in the Bubble” and “No Place Like Home” for the tune derby. I included both in my quintet on Sunday. Some critical reaction indicates the new songs (in other words – not in the Broadway show) are not standouts. I still think one gets in (“Bubble”) but you never know.
The 98th Academy Awards marks the first year for the Best Casting prize. Had this existed last year, Wicked would have had 11 mentions instead of 10. Like most other races mentioned above, For Good making this list of five (or ten in BP) in tenuous.
Bottom line – the range of nominations for Wicked: For Good could be anywhere from 3 to maybe matching the 10 of Wicked in a best case scenario. My Oscar Prediction posts will continue…
Wicked: For Good sweeps into theaters November 21st and it should eclipse what part one accomplished out of the gate last year. Jon M. Chu returns directing the second half of the saga based on the hugely popular Stephen Schwartz/Winnie Holzman Broadway play. The stage musical, of course, draws its inspiration from the written works of L. Frank Baum and 1939’s iconic The Wizard of Oz. Cynthia Erivo and Ariana Grande are back headlining along with supporting players Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, and Jeff Goldblum.
Last November, Wicked drew critical kudos, 10 Oscar nominations, and a $112 million domestic opening on its way to $473 million overall stateside. The goodwill left over is expected to mean a larger debut upfront. The Universal release could contend for 2025’s largest premiere thus far. In order to accomplish that feat, it would need to surpass the $162 million that A Minecraft Movie brought in. That is certainly within Good‘s range and I wouldn’t be surprised if it manages the record. I’m putting it a bit below Minecraft‘s figure though it should play well throughout the holidays.
Wicked: For Good opening weekend prediction: $158.1 million
For my Sisu: Road to Revenge prediction, click here:
Rom com remake The Wedding Banquet opens in theaters on Easter weekend from director Andrew Ahn. Arriving 22 years after Ang Lee’s acclaimed pic (which was nominated in the international race at the Oscars), the new version stars Bowen Yang, Lily Gladstone, Kelly Marie Tran, Han Gi-chan, Joan Chen, and Minari Supporting Actress winner Youn Yuh-jung.
After its premiere at the Sundance Film Festival in January, critical reaction was encouraging. The Rotten Tomatoes meter is at 97% with 72 on Metacritic. I don’t see this as an Academy contender for Bleecker Street (a distributor with a rough record at awards campaigning). Maybe they’ll give it a shot in the Musical/Comedy race at the Golden Globes, but they better up their game. My Oscar Prediction posts will continue…
Bowen Yang and Rachel Sennott announced nominees for the 97th Academy Awards this morning after being delayed from last week due to the California wildfires. For the ceremony airing March 2nd (hosted by Conan O’Brien), I went 89 for 105 in my picks. I’ll allow myself a pat on the back as I managed to go 20/20 in the four acting derbies and 10/10 in the screenplay races.
As predicted, Emilia Pérez led all hopefuls and it managed to nab 13 nominations (I projected it would get 11). The Brutalist and Wicked followed with 10 apiece while A Complete Unknown and Conclave generated 8.
Let’s walk through each competition with how I did and some initial thoughts, shall we?
BEST PICTURE
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, Wicked
How I Did: 9/10
The surprise of the morning was Brazilian drama I’m Still Here making the cut. I had A Real Pain instead. As has been discussed frequently on the blog, this is an uncharacteristically open BP field with several winner possibilities. Readers know that I’ve had The Brutalist listed in 1st and I see no reason to change that, but Anora, A Complete Unknown, Conclave (to a lesser degree… we’ll get to that), Pérez, and maybe Wicked loom.
BEST DIRECTOR
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), James Mangold (A Complete Unknown)
How I Did: 4/5
DGA nominee Mangold is in the quintet over Edward Berger (Conclave). The latter has his second significant snub just two years after being left off for All Quiet on the Western Front. Even if The Brutalist doesn’t emerge as the BP victor, Corbet is the frontrunner. I think Conclave‘s BP chances took a hit with Berger missing.
BEST ACTRESS
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance), Fernanda Torres (I’m Still Here)
How I Did: 5/5
The narrative for Moore might be too enticing for the Academy to ignore, but I’m beginning to wonder if Torres is a bigger threat than even Madison to upset. I’ll note that all nominees are from BP contenders.
BEST ACTOR
Adrien Brody (The Brutalist), Timothée Chalmaet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)
How I Did: 5/5
The showdown should come down to Brody v. Chalamet.
BEST SUPPORTING ACTRESS
Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
How I Did: 5/5
Like Actress, all nominees hail from BP hopefuls with Grande v. Saldaña anticipated to be the storyline.
BEST SUPPORTING ACTOR
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)
How I Did: 5/5
Culkin is out front, but it’s worth noting that A Real Pain missed BP. Does this open the door for Norton or Pearce?
BEST ORIGINAL SCREENPLAY
Anora, The Brutalist, A Real Pain, September 5, The Substance
How I Did: 5/5
This is where Anora is expected to shine.
BEST ADAPTED SCREENPLAY
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing
How I Did: 5/5
This is where Conclave is expected to shine.
BEST INTERNATIONAL FEATURE FILM
Emilia Pérez, Flow, The Girl with the Needle, I’m Still Here, The Seed of the Sacred Fig
How I Did: 3/5
After those acting and screenplay runs, my predictions come back down to Earth. My alternate Flow and Needle are in over Kneecap and Vermiglio. Despite I’m Still Here being an unanticipated addition to BP, Pérez should receive this.
BEST ANIMATED FEATURE
Flow, Inside Out 2, Memoir of a Snail. Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 5/5
This was probably the race that all prognosticators nailed as this was an easy quintet to project. Flow vs. The Wild Robot.
BEST DOCUMENTARY FEATURE
Black Box Diaries, No Other Land, Porcelain War, Soundtrack to a Coup d’Etat, Sugarcane
How I Did: 3/5
Black Box Diaries and my alternate Soundtrack are in with Daughters (a surprising snub) and Will & Harper out. The Doc branch can hard to figure out though No Other Land is racking up early precursor awards.
BEST CINEMATOGRAPHY
The Brutalist, Dune: Part Two, Emilia Pérez, Maria, Nosferatu
How I Did: 3/5
My alternate Pérez and Maria (in its sole nom) are in over A Complete Unknown and Conclave. This is probably going to The Brutalist.
BEST COSTUME DESIGN
A Complete Unknown, Conclave, Gladiator II, Nosferatu, Wicked
How I Did: 4/5
Conclave (which was my runner-up) makes it in over Dune: Part Two. It should be noted that Dune‘s 5 nominations is certainly on the lower end of its expected range. Wicked is the frontrunner.
BEST FILM EDITING
Anora, The Brutalist, Conclave, Emilia Pérez, Wicked
How I Did: 3/5
I went with an upset by leaving off my alternate Anora, but it’s in and so is Wicked over A Complete Unknown and Dune. This is a tricky race to figure out and, frankly, I’m not ready to designate a favorite quite yet.
BEST MAKEUP & HAIRSTYLING
A Different Man, Emilia Pérez, Nosferatu, The Substance, Wicked
How I Did: 5/5
This is where The Substance could materialize.
BEST ORIGINAL SCORE
The Brutalist, Conclave, Emilia Pérez, Wicked, The Wild Robot
How I Did: 3/5
It’s Wicked and Wild (my alt) over Challengers (which was blanked this morning) and Nosferatu. This could be a Brutalist prize.
BEST ORIGINAL SONG
“El Mal” from Emilia Pérez; “The Journey” from The Six Triple Eight; “Like a Bird” from Sing Sing; “Mi Camino” from Emilia Pérez; “Never Too Late” from Elton John: Never Too Late
How I Did: 3/5
“Like a Bird” and Sir Elton’s ditty are part of the mix over “Harper and Will Go West” from Will & Harper and “Kiss the Sky” from The Wild Robot, which was expected to make it. The Pérez tracks are out front with “El Mal” as your Globe victor.
BEST PRODUCTION DESIGN
The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked
How I Did: 5/5
This could be a Wicked win.
BEST SOUND
A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked, The Wild Robot
How I Did: 3/5
My alt Pérez and The Wild Robot (in a category where few were predicting it) instead of Blitz and Gladiator II (which had a poor morning with only Costume Design). While Dune could take this, I question whether the subpar five noms makes it vulnerable to others.
BEST VISUAL EFFECTS
Alien: Romulus, Better Man, Dune: Part Two, Kingdom of the Planet of the Apes, Wicked
How I Did: 4/5
My alt Wicked and not Twisters represented here. The same logic from Sound applies to VE with Dune. Could Alien or Better Man pose a threat?
And there you have it, folks! It’s now time to start my Case Of posts. Readers of the blog may recall that I do individual posts for the 10 BP nominees and the 25 director and acting hopefuls where I lay out the case for and against their winning. Those will be up in short order.
Here’s how the nominations tallies played out:
13 Nominations
Emilia Pérez
10 Nominations
The Brutalist, Wicked
8 Nominations
A Complete Unknown, Conclave
6 Nominations
Anora
5 Nominations
Dune: Part Two, The Substance
4 Nominations
Nosferatu
3 Nominations
I’m Still Here, Sing Sing, The Wild Robot
2 Nominations
The Apprentice, Flow, Nickel Boys, A Real Pain
1 Nomination
Alien: Romulus. Better Man, Black Box Diaries, A Different Man, Elton John: Never Too Late, The Girl with the Needle, Gladiator II, Inside Out 2, Kingdom of the Planet of the Apes, Maria, Memoir of a Snail, No Other Land, Porcelain War, The Seed of the Sacred Fig, September 5, The Six Triple Eight, Soundtrack to a Coup d’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl
So we actually have 51 cast members in my all-time top 50 because it’s impossible not to put these two together. Let’s be honest – Saturday Night Live is a show that can swing from a strong episode one weekend to a weaker outing the next. Sometimes this depends on the host or maybe the third episode in as many weeks tends to run out of gas.
Yet in the past decade, Weekend Update has been a consistent highlight thanks to the coanchoring skills of Michael Che and Colin Jost. The latter has been on staff as a writer since 2005 while the former came on board in 2013. Lorne Michaels paired them together at the beginning of season 40 on air and they’re still going in season 50.
The Che/Jost Update started off shaky. It didn’t take long for them to hit their stride and this is best evidenced by the hilariously inappropriate Joke Swap bit they do each year. That’s when the anchors pen off-color gags for one another to read without the deliverer having seen it. As Banya from Seinfeld would say, it’s (comedy) gold. They also expertly manage top-notch performers including Kate McKinnon, Cecily Strong, Heidi Gardner, Pete Davidson, Bowen Yang, and more doing some of their best work on the fake news set. Che and Jost are in the upper echelon of SNLers behind the Update desk in its half century of existence. #21 will be up soon!
Based on one of the 21st century’s most acclaimed theater productions from Stephen Schwartz, Wicked looks to bewitch audiences this Friday. Crazy Rich Asians director Jon M. Chu helms the reported $145 million production with Cynthia Erivo and Ariana Grande headlining. Costars include Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum.
Representing part 1 of the epic musical with its follow-up arriving next November, Wicked is expected to be a massive hit worldwide. With its box office fortunes appearing secure, lingering Oscar buzz was confirmed with today’s review embargo lift.
The Rotten Tomatoes score is 93% with Metacritic at 73. Technical noms were always a strong possibility. Costume Design (where it could win), Makeup and Hairstyling (same), Production Design, Sound, and Visual Effects are all on the table. There are no original songs so that’s off the table.
A Best Picture nod certainly seems achievable and I had it listed 8th in last weekend’s update. That still seems about right. I don’t believe it’s guaranteed a slot, but its impending popularity gives the Academy a chance to honor a crowd favorite that many viewers have actually seen. Chu’s direction and the screenplay seem far less likely to make the cut.
On the performance front, Erivo will vie for Actress with Grande contending in supporting. Best Actress is super crowded and I’m skeptical Erivo gets her second nomination behind 2019’s Harriet. Grande, meanwhile, stands a better shot even though Supporting Actress has plenty of contenders as well. My Oscar Prediction posts will continue…
Universal is banking on Wicked casting a spell on a wide audience when it debuts November 22nd. Based on the Stephen Schwartz musical, the fantasy set in the land of Oz comes from Crazy Rich Asians director Jon M. Chu. Cynthia Erivo and Ariana Grande headline with a supporting cast including Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum. The adaptation serves as part one with the sequel scheduled for November of 2025.
Expectations are high, especially after industry screenings that were met with Oscar buzz in Best Picture, Supporting Actress fo Grande, and numerous tech races. Moviegoers of all ages have familiarity with the Broadway show and, of course, The Wizard of Oz. There’s even some Barbenheimer chatter since it is opening on the same date as Gladiator II, which is also anticipated to perform well.
The forecasted range of its start is wide with some estimates less than $100 million, but going all the way up to $150 million. I’m skeptical it gets that high as some viewers may choose to wait until the extended Thanksgiving frame to check it out. Yet I do think it will easily clear nine digits out of the gate.
In the 50th season premiere episodes of Saturday Night Live this month, it has become clear that Bowen Yang has moved into the status of MVP. From taking on the role of VP candidate JD Vance or his Update appearance as viral hippo Moo Deng or as English pop star Charli XCX, it was one Yang showcase after another. He nabs the 34 spot on my top 50 cast members of all time.
He started as a writer in 2018 before joining as a Not Ready for Prime Time player the following year. Notable bits in the past half decade include appearing as the iceberg that sunk the Titanic, as notorious Congressman George Santos and playing the Straight Man to a fawning Sydney Sweeney. It probably won’t be long before Yang gets his feature film or TV series centered around his considerable talents. Hopefully we’ll have him on SNL for a while longer. #33 will be up soon!
Our nation’s most famous lasagna adoring orange cat hits theaters this Memorial Day weekend with The Garfield Movie. A year after (somewhat controversially) providing the voice of Mario in The Super Mario Bros. Movie, Chris Pratt does the same for this title character. Other notable thespians lending their talents are Samuel L. Jackson, Hannah Waddingham, Ving Rhames, Nicholas Hoult, Cecily Strong, Harvey Giuillén, Brett Goldstein, Bowen Yang, Janelle James, and Snoop Dogg. Mark Dindal directs.
Even the fresher reviews for Garfield mostly call it nothing more than a pleasant diversion. The Rotten Tomatoes meter sits at a meager 55%. Mario didn’t manage any attention in the Animated Feature race and Pratt’s latest contribution to animation won’t either. My Oscar Prediction posts will continue…
Arriving 20 years after the live-action version Garfield: The Movie based on the comic strip from Jim Davis, The Garfield Movie hits multiplexes this Memorial Day weekend. Mark Dindal, who made Disney’s The Emperor’s New Groove and Chicken Little, directs. Chris Pratt, after providing the vocal stylings for Mario in The Super Mario Bros. Movie last year, mics up for the iconic tabby cat. Other voice work comes from Samuel L. Jackson, Hannah Waddingham, Ving Rhames, Nicholas Hoult, Cecily Strong, Harvey Guillén, Brett Goldstein, Bowen Yang, Janelle James, and Snoop Dogg.
The aforementioned Garfield: The Movie from two decades ago (which led to a classic comedy line from Bill Murray in Zombieland) took in $21 million for starters and $75 million overall domestically. The 2006 sequel Garfield: A Tale of Two Kitties was the equivalent of cinematic kitty litter with only $28 million total in its coffers.
This animated rendering seems poised for better results than what happened several years ago. The holiday frame should bring families out in droves and competition from the second weekend of IF may only be a minor threat.
For the Friday to Monday frame, I believe this could get a little north of $40 million.
The Garfield Movie opening weekend prediction: $41.5 million (Friday to Monday estimate)
For my Furiosa: A Mad Max Saga prediction, click here:
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