Tag: Bleecker Street

Oscar Predictions: Fackham Hall

The laughs in Fackham Hall starts with the title (say it out loud… it won’t take you long). With a screenplay whose co-writers include comedian Jimmy Carr, Jim O’Hanlon directs the British spoof that primarily sends up Downton Abbey. The cast includes Damian Lewis, Thomasin McKenzie, Ben Radcliffe, Katherine Waterston, and Tom Felton.

Distributor Bleecker Street is putting Hall out this weekend domestically with the U.K. release on December 12th. Reviews are saying it mostly succeeds with 81% on Rotten Tomatoes and a 69 Metacritic. No, this is not an Oscar contender (shocker), but there are comedy specific categories at the Golden Globes and Critics’ Choice Awards. It probably wouldn’t play at those ceremonies either and it is likely arriving too late in the calendar anyway for voters to notice it. My Oscar Prediction posts will continue…

Spinal Tap II: The End Continues Box Office Prediction

1984’s This Is Spinal Tap popularized the mockumentary and became an all-time comedy classic. Over four decades later, the clueless rock band consisting of Christoper Guest, Michael McKean and Harry Shearer is back in Spinal Tap II: The End Continues. So is Rob Reiner as their documentarian and the sequel’s actual director. Expect plenty of cameos as evidenced by Sirs Paul McCartney and Elton John in the trailer.

With Bleecker Street handling distribution duties, marketing for the follow-up is a little underwhelming. Many younger viewers simply may not be familiar with the source material while some fans of the original may wait until a streaming start.

The original’s biggest fans should still turn up, but that might only mean a debut in the mid single digits at best.

Spinal Tap II: The End Continues opening weekend prediction: $3.4 million

For my Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle prediction, click here:

Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle Box Office Prediction

For my Downton Abbey: The Grand Finale prediction, click here:

Downton Abbey: The Grand Finale Box Office Prediction

For my The Long Walk prediction, click here:

The Long Walk Box Office Prediction

Oscar Predictions: Relay

David Mackenzie’s Relay was first seen at the Toronto Film Festival a year ago and is finally running theatrically this weekend. Riz Ahmed (best actor nominee for 2020’s Sound of Metal), Lily James, and Sam Worthington headline the thriller with Bleecker Street handling distribution.

In 2016, Mackenzie’s Hell or High Water nabbed numerous Academy noms including Best Picture. He’s since followed up with 2019’s Outlaw King and has heist flick Fuze slated for this year’s Toronto Film Festival.

Reviews for Relay are mostly satisfactory with 82% on Rotten Tomatoes and a 70 Metacritic. They’re not high enough for awards consideration and Bleecker is not exactly a force when it comes to campaigning anyway. My Oscar Prediction posts will continue…

Oscar Predictions: Hard Truths

Marianne Jean-Baptiste was up for Supporting Actress 28 years ago in Mike Leigh’s Secrets & Lies, which received five total nominations including Best Picture, Director, Actress (Brenda Blethyn) and Original Screenplay. Leigh and Jean-Baptiste have collaborated again for Hard Truths which was unveiled at the Toronto Film Festival before its December 6th stateside bow. Costars include Michele Austin, David Webber, and Tuwaine Barrett. It could certainly put Jean-Baptiste in the mix again and this time for lead Actress.

The Metacritic score for the drama is 86 while some reviews say it’s not top-tier Leigh. The British filmmaker is a five-time hopeful for Original Screenplay (he’s never won). In addition to his Lies mention, the other nominated screenplays are Topsy-Turvy, Vera Drake, Happy-Go-Lucky, and Another Year. He could still make the Academy’s cut for Truths, but it’s no guarantee given the slightly more mixed reaction.

Based on buzz alone, Jean-Baptiste would be a slam dunk for Best Actress inclusion. Yet there’s the competition to consider. That includes a growing list that includes Angelina Jolie (Maria), Mikey Madison (Anora), Saoirse Ronan (The Outrun), Karla Sofia Gascón (Emilia Pérez), Nicole Kidman (Babygirl), and, yes, Amy Adams (Nightbitch). I also question whether distributor Bleecker Street is equipped to run an effective campaign. That said, she is certainly in the top 10 of competitors and likely close to making the quintet. My Oscar Prediction posts will continue…

The Fabulous Four Box Office Prediction

Out July 26th, The Fabulous Four is the latest entry in the growing number of comedies centered on senior women. The actresses making up the title quartet are Susan Sarandon, Bette Midler, Sheryl Lee Ralph, and Megan Mullaly. Jocelyn Moorhouse directs with a supporting cast including Bruce Greenwood, Timothy V. Murphy, and Michael Bolton (!).

From Book Club and its recent sequel to Queen Bees and 80 for Brady, this sub genre continues to expand. The first Club and Brady both managed to exceed expectations at the box office, but Four faces a significant challenge. Distributor Bleecker Street is not known for opening their pictures to impressive grosses.

I have yet to see a screen count for this, but recent Bleecker releases like What Happens Later with Meg Ryan and Ezra with Robert De Niro rolled out between 1300-1500 venues. Their respective starts were $1.5 million and $1.2 million. Assuming Four hits about the same number, I’ll project similar results. In fact, I’ll give it exactly what Later managed.

The Fabulous Four opening weekend prediction: $1.5 million

For my Deadpool & Wolverine prediction, click here:

Deadpool & Wolverine Box Office Prediction

Oscar Predictions: The Lesson

After premiering at the Tribeca Festival last month, British thriller The Lesson is out in limited release stateside. Marking the feature length debut of Alice Troughton (who’s done her share of TV work across the pond), the cast includes Richard E. Grant, Julie Delpy, Daryl McCormack, and Stephen McMillan.

The Bleecker Street release is generating decent if rather subdued reviews with an 83% Rotten Tomatoes score. Five years back, Grant was a Supporting Actor contender for Can You Ever Forgive Me? and he may find himself in that mix for the upcoming Oscars with Emerald Fennell’s Saltburn. McCormack nabbed a BAFTA mention for Good Luck to You, Leo Grande last year.

Perhaps The Lesson could show up among the 10 nominees for Outstanding British Film at the BAFTAs. That could even be a stretch though maybe Outstanding Debut by a British Writer, Director, or Producer is feasible. Don’t look for the Academy to notice it. My Oscar Prediction posts will continue…

Oscar Predictions: Mr. Malcolm’s List

Adapting her own 2009 novel, Suzanne Allain scripts the period piece dramedy Mr. Malcolm’s List. Out July 1st and apparently borrowing influence from Jane Austen, Emma Holly Jones makes her directorial debut. The cast includes Freida Pinto (from 2008’s Best Picture winner Slumdog Millionaire), Sope Dirisu, Oliver Jackson-Cohen, Ashley Park, Zawe Ashton, and Theo James.

Early reviews are decent at 89% on Rotten Tomatoes with the bulk calling it a pleasant diversion. That’s hardly enough for it to contend for any major awards prizes. Furthermore, distributor Bleecker Street has a sketchy track record getting their films noticed (ask the ensemble from Mass last year).

There’s always the possibility of Costume Design, but I suspect heavier hitters are arriving in the fall. My Oscar Prediction posts will continue…

Oscar Watch: What They Had

A week from today, Bleecker Street releases What They Had in limited fashion. The film marks the directorial debut of Elizabeth Chomko (who also wrote the script) and centers on a family dealing with a mother diagnosed with Alzheimer’s. It premiered at Sundance back in January and features a cast including Hilary Swank (two-time winner for Boys Don’t Cry and Million Dollar Baby), Michael Shannon, Blythe Danner, Robert Forster, Taissa Farmiga, and Josh Lucas.

Early reviews have been positive and it stands at 92% on Rotten Tomatoes. That said, critical reaction likely isn’t strong enough to make this a player in Best Picture. What They Had could struggle generally to get noticed at all. Its best chances aren’t with Swank or Shannon, but with Danner and Forster. For them to get noticed, the picture will need to at least break through with audiences to a certain degree. That could be a tall order in the midst of more high-profile contenders.

Bottom line: while this is generating solid reviews, Had is a long shot for Academy attention. My Oscar watch posts will continue…