Box Office Predictions: August 10-12

***Blogger’s Note II (08/09/18): A big change has happened. I am revising my estimate for The Meg up to $22.7 million, therefore giving it the #1 spot. I am also increasing my BlacKkKlansman estimate once again from $7.6M to $9.6M

**Blogger’s Note (08/08/18): I have revised my BlacKkKlansman estimate from $5.6M to $7.6M, which gives it the #5 spot and drops The Spy Who Dumped Me outside the top five.

A quartet of newbies attempt to dethrone Tom Cruise this weekend as shark tale The Meg, Internet meme based horror pic Slender Man, canine tale Dog Days, and Spike Lee’s awards hopeful BlacKkKlansman all open. You can peruse my detailed prediction posts on each here:

https://toddmthatcher.com/2018/07/31/the-meg-box-office-prediction/

https://toddmthatcher.com/2018/07/31/slender-man-box-office-prediction/

https://toddmthatcher.com/2018/07/31/dog-days-box-office-prediction/

https://toddmthatcher.com/2018/08/03/blackkklansman-box-office-prediction/

Of the four newcomers, The Meg appears poised to earn the most. Audiences have proven they dig their shark flicks and the upside here is real. However, my high teens projection leaves it behind Mission: ImpossibleFallout and that would give Cruise and company a third weekend atop the charts.

Slender Man is a real question mark. Its studio doesn’t seem to have much faith in it, but horror titles can often surprise. I’m definitely at the lower end of expectations currently with a forecast in the high single digits. That would leave it lurking in fourth place behind Christopher Robin. 

The five-spot depends on how the other two newcomers perform. Dog Days is opening on Wednesday and my $5.1 million estimate for its Friday to Sunday performance leaves it behind the $5.6 million I’m predicting for BlacKkKlansman (which certainly could go higher). That leaves both of them behind the second frame of The Spy Who Dumped Me, which should drop in the mid 40s range.

It’s an unpredictable weekend we have before us, but here’s how I have the top 5 looking:

1. The Meg

Predicted Gross: $22.7 million

2. Mission: Impossible – Fallout

Predicted Gross: $21.3 million

3. Christopher Robin

Predicted Gross:$13.8 million

4. BlacKkKlansman

Predicted Gross: $9.6 million

5. Slender Man

Predicted Gross: $9.1 million

***If these numbers change throughout the week, I’ll post updates!

Box Office Results (August 3-5) 

Mission: Impossible – Fallout had a terrific hold in weekend #2, dropping just 42% to gross $35.3 million (above my $32 million projection) and remain #1. The sixth installment of Tom Cruise’s franchise has amassed $124 million so far.

Disney’s Christopher Robin came in on the bottom end of expectations in the runner-up position with $24.5 million compared to my more generous $29.6 million estimate. Winnie the Pooh and company will hope for small declines in coming weekends.

The Mila Kunis/Kate McKinnon comedy The Spy Who Dumped Me also debuted on the low-end of the expected scale in third with just $12.1 million, under my $15.3 million forecast.

Mamma Mia! Here We Go Again was fourth with $9 million (I said $8.3 million) for $91 million in three weeks.

I mistakenly left The Equalizer 2 out of the top five, but it was fifth with $8.7 million. The Denzel Washington sequel has made $79 million and looks to potentially top the $101 million earned by its predecessor.

Hotel Transylvania 3 was sixth with $8 million (I was lower at $6.9 million) and it’s earned $136 million overall. The franchise has shown remarkable consistency and I’d look for a fourth installment in about three years.

Finally, YA adaptation The Darkest Minds suffered a bad opening in 8th place with $5.8 million, in line with my $6.3 million prediction.

And that does it for now, folks! Until next time…

BlacKkKlansman Box Office Prediction

***Blogger’s Note II (08/09/18): My estimate is once again increasing – from $7.6M to $9.6M

**Blogger’s Note (08/08/18): I have revised my estimate from $5.6M up to $7.6M

The latest Spike Lee joint is the first in a while that comes with Oscar buzz and widespread  critical acclaim when BlacKkKlansman debuts next weekend. The true life crime flick about an African-American detective infiltrating the Ku Klux Klan premiered at the Cannes Film Festival and was instantly a highlight. Its Rotten Tomatoes score stands at 96%.

The cast includes John David Washington (son of Denzel), Adam Driver, Laura Harrier, Topher Grace, Corey Hawkins, Paul Walter Hauser, and Harry Belafonte. Jason Blum and Jordan Peele serve as producers. The awards buzz could give this a shot at performing decently as it opens on approximately 1500 screens.

One comp that BlacKkKlansman might want to avoid is Detroit, which opened around the same time last year to disappointing results. That pic made $7.1 million in its first wide release frame on about twice as many screens.

This seems to garnering more buzz, however. I’ll say Mr. Lee’s latest manages between $5-6 million.

BlacKkKlansman opening weekend prediction: $9.6 million

For my The Meg prediction, click here:

https://toddmthatcher.com/2018/07/31/the-meg-box-office-prediction/

For my Slender Man prediction, click here:

https://toddmthatcher.com/2018/07/31/slender-man-box-office-prediction/

For my Dog Days prediction, click here:

https://toddmthatcher.com/2018/07/31/dog-days-box-office-prediction/

Oscar Watch: Blindspotting

Over the weekend, the dramedy Blindspotting opened in limited fashion to solid results and will expand this coming weekend. The pic debuted at the Sundance Film Festival earlier this year to acclaim and it stands at 91% on Rotten Tomatoes. Blindspotting has received attention due its subject matter of racial issues and police brutality. Daveed Diggs (best known for Broadway’s Hamilton and a supporting role in last year’s hit Wonder) costars and co-wrote the screenplay with fellow star Rafael Casal. Carlos Lopez Estrada, who’s made numerous music videos, makes his directorial debut.

Blindspotting debuts in the middle of two other titles with similar themes and Oscar hopes. Sorry to Bother You is another candidate for attention with Spike Lee’s upcoming August release BlacKkKlansman on the horizon.

The best hope for Blindspotting, like Bother You, is in Original Screenplay but it could see itself having trouble breaking through.

My Oscar Watch posts will continue…

Oscar Watch: BlacKkKlansman

It’s been almost 30 years since the Academy suffered a bit of backlash when Spike Lee’s Do the Right Thing missed the cut of Best Picture nominees. Since then, the writer/director has had critical hits and misses and none of his joints have managed to score a nod for the top prize (including 1992’s acclaimed Malcolm X).

That could finally change as his latest, BlacKkKlansman, was unleashed today at the Cannes Film Festival. It tells the true and amazing story of an African-American cop in the 1970s who infiltrated a chapter of the Ku Klux Klan. John David Washington (son of Lee’s frequent star Denzel) plays the role with a supporting cast that includes Adam Driver, Laura Harrier, Corey Hawkins, Paul Walter Hauser, Harry Belafonte, and Topher Grace as David Duke. Blumhouse Productions (the studio behind last year’s Get Out) distributes with its director Jordan Peele as a producer. The film opens stateside this August.

Early buzz from the French Riviera indicates this is Lee’s strongest, most mainstream, and entertaining and timely movie in some time. It seems destined to receive plenty of attention later this summer.

Could that translate to a Best Picture nomination and one for Lee’s direction? The Cannes attention raises that prospect considerably. As for performances, Washington is getting very positive writeups. The same applies to Driver (playing Washington’s partner) and Grace as the former KKK head. Either one of them could see strong campaigns mounted in Supporting Actor. If I had to guess right now, Blumhouse might focus more on Driver.

Bottom line: BlacKkKlansman was one of the festival’s most eagerly awaited pictures and its unveiling today could lead to months long Oscar chatter.

My Oscar Watch posts will continue…