Will Jay Kelly bring Noah Baumbach and George Clooney back in the Oscar mix and get Adam Sandler there for the first time? Out in limited release November 14th with a Netflix streaming debut on December 5th, the dramedy premiered at Venice. Baumbach shares screenplay duties with actress Emily Mortimer. In addition to the aforementioned leading men (with Clooney playing a giant movie star and Sandler as his manager), costars include Laura Dern, Billy Crudup, Riley Keough, Stacy Keach, and Jim Broadbent.
Some reviews are quite strong. However, Kelly is also drawing some mixed reactions out of Italy. Rotten Tomatoes is at 82% with Metacritic at 64. The latter is slightly alarming when it comes to Best Picture inclusion, but I could still see the Academy going for it.
Clooney is aiming for his fifth acting nod. He won his first nomination in supporting for Syriana. Word-of-mouth from Venice indicates he should be in contention again. Some write-ups are calling Sandler’s role on the thankless side. Yet others praise him enough that a Supporting Actor slot is in reach. The SNL alum likely came closest to an Oscar mention for 2019’s Uncut Gems.
Even if Kelly makes BP, I doubt Baumbach lands in the directorial quintet and even the screenplay could be questionable given the expected competition. Bottom line: Venice didn’t make this a slam dunk in any race, but it could still have an impressive showing. My Oscar Prediction posts will continue…
The fact that acclaimed filmmaker Richard Linklater’s latest effort lifted its review embargo one day before release could be seen as a red flag. Considering his previous pic LastFlagFlying didn’t particularly connect with critics or audiences might have been seen as a harbinger of things to come for Where’dYouGo, Bernadette.
Reaction out today confirms the suspicions. The Cate Blanchett led mystery comedy, based on Maria Semple’s 2012 bestseller, holds just a 35% Rotten Tomatoes score at press time. Five years after Linklater’s Boyhood won and was nominated for multiple Oscars, it appears this will be quickly forgotten in the slow August frame.
Blanchett has managed some praise for her work. It’s been 15 years since she won Supporting Actress for Martin Scorsese’s TheAviator and 6 years since she took gold for her leading role in Woody Allen’s BlueJasmine. She’s been nominated five other times.
I wouldn’t anticipate this will be #8. And overall – If Oscar watchers are looking for Bernadette come nominations time, they’ll be left wondering where it went. My Oscar Watch posts will continue…
Acclaimed director Richard Linklater brings his adaptation of a 2012 bestseller to the big screen with Where’dYouGo, Bernadette. Based on Maria Semple’s comedic mystery, the pic casts two-time Oscar winner Cate Blanchett in the title role of an agoraphobic wife and mother who disappears. The story finds her daughter (Emma Nelson) tracking her whereabouts. Costars include Billy Crudup, Kristin Wiig, Judy Greer, Laurence Fishburne, Steve Zahn, and Megan Mullaly.
It’s been five years since Linklater’s Boyhood bowed to critical praise and multiple Academy nominations. Since then, his efforts EverybodyWantsSome!! and LastFlagFlying have underwhelmed at the box office. The late summer release date here is curious as Bernadette is foregoing the festival circuit that often builds buzz for titles such as this.
Without that kind of chatter, the film will rely on fans of its source material. That could be a challenge for it to break out of mid single digits territory.
Where’dYouGo, Bernadette opening weekend prediction: $5.6 million
For my TheAngryBirdsMovie2 prediction, click here:
Ridley Scott is now nearly 40 years into his Alien franchise which started with his 1979 classic and preceded Alien: Covenant with the often confounding Prometheus from 2012. Scott has now made half of the six series entries. In many ways, this latest one is the least effective of all. It’s not bad and I’d say none of them have been (middling, yes). Covenant, however, lies in a strange place. The dark visual splendor and occasional jump horror scares are present at times. Memorable characters are not and that’s different than when we were rolling with Ripley (Sigourney Weaver) and others. The film is indeed a sequel to Prometheus, which was more of an existential exercise about where we come from and not a traditional xenomorph flick. Covenant wants to cover that territory, as well as bringing H.R. Geiger’s famed creature more in the frame.
There’s another crew in deep space and they’re on a colonization mission occurring a decade after the events of Prometheus. The membership of this crew (the Covenant) differs from previous ones in that they’re married couples. When a malfunction on the ship wakes them from their long slumber, they must deal with that quickly. A longer term problem is an unexpected xenomorph presence onboard which soon causes a growing widow population.
Katherine Waterston is Daniels and she’s basically new Ripley, but not as interesting. Danny McBride brings a little gravitas to the party as Tennessee, the ship’s pilot. Billy Crudup is the anointed captain. Yet it’s a Prometheus holdover that gets the most attention. Michael Fassbender is back as David, the android who stood out in the predecessor. When the crew must land on a planet they weren’t supposed to, they find him. Finding out what he’s been up to since the end of Prometheus takes up plenty of screen time. Fassbender doubles his time as he also plays Walter, a newer model droid that part of the Covenant crew. Their dynamic is somewhat intriguing in moments, but I never got over one big issue. I simply wasn’t begging for the unanswered Prometheus questions to be filled in, as that picture didn’t ultimately warrant the curiosity.
The talented Mr. Ridley never struggles to master production design and visuals. True here. And he strives to bring the gory action that we previously expected from this franchise. It’s here, but the mayhem is inflicted upon characters we won’t remember for long and with a xenomorph who’s popped out of better written people before.
BatmanvSuperman: DawnofJustice was a bit of a mess and it earned its reputation as such in many ways. However, I found myself seemingly in the minority of those who sort of dug it. Where it failed – it failed significantly. That includes the casting of Jesse Eisenberg as Lex Luthor with his manic and bizarre take on the iconic villain. There were some narrative choices that were questionable. Yet when BvS worked, I felt it worked well and that included Ben Affleck succeeding as Batman.
JusticeLeague is less cluttered. Zack Snyder, directing this DC Universe for the third time, captains a tighter ship with a shorter running time than what’s preceded it… and nearly all recent comic book adaptations for that matter. It is, of course, Warner Bros venture into Avengers territory. There’s a somewhat lighter tone that we first saw in the summer’s WonderWoman stand-alone feature. The inclusion of The Flash (Ezra Miller) and Aquaman (Jason Momoa) contribute to that. So does the fact that the unusually somber Superman (Henry Cavill) who brooded through much of ManofSteel and BvS is absent much of the time.
As you’ll recall, Superman was dead and buried at the BvS conclusion. JusticeLeague opens with the world missing him and crime on the rise. Batman is doing his level best, but he needs a squad. Wonder Woman (Gal Gadot) is still dealing with the loss she experienced in her own movie, but she’s game to help. They recruit the newbies only glimpsed upon in BvS: The Flash, Aquaman, and Cyborg (Ray Fisher). It is their mission to thwart the Earth dominating plans of Steppenwolf (voiced by Ciaran Hinds), a motion capture evil alien. The League incorporates their powers to do so, but they know they must resurrect the Big S to complete the task.
TheAvengers had the advantage of having introduced several of its core characters in separate entries. That doesn’t hold true here for half of the Justice League. Miller provides some decent comic relief, Momoa has a memorable moment or two and Fisher’s backstory is a bit blah. Their inclusion feels a little rushed and a little watered down.
Curiously the villain issue of BvS, while highly disappointing, was at least fascinating to witness in a rather bad way. Here the character of Steppenwolf isn’t really interesting at all. Many of these comic book adaptations have suffered the most from bland baddies and this is another.
League finds time to bring back Alfred (Jeremy Irons), Lois Lane (Amy Adams), and Clark’s mama (Diane Lane) in limited fashion. J.K. Simmons turns up briefly as the previously MIA Commissioner Gordon. It is Gadot who shines brightest, which is no surprise considering her rock solid solo spotlight just months prior.
In essence, JusticeLeague feels ordinary too often. It’s got the same flaws as others in the genre. It has the same bright spots with certain performances. There’s action sequences that impress and others with dodgier CG. Call me crazy, but I admired BvS often for its occasional audacity and untidiness. With Justice, it joins a league of plenty others like it.
Five years after director Ridley Scott returned to the franchise that got his career going, he’s back behind the camera again for Alien: Covenant next weekend. This is the sixth installment in the series that Scott began 38 years ago with the beloved Alien.
That love did not quite extend to 2012’s Prometheus, which drew mixed audience and critical response. Michael Fassbender returns as android Walter with a cast including Katherine Waterston, Billy Crudup, Danny McBride, Demian Bichir, reported return appearances from Noomi Repace and Guy Pearce, and James Franco apparently.
Five years ago, Prometheus opened to $51 million but its so-so buzz meant a front loaded overall gross of $126M. Reviews for Covenant have been mostly solid and it stands at 75% on Rotten Tomatoes. One encouraging sign: several critics have noted this gets the franchise back to its horror roots unlike its predecessor.
It’s also said to be a direct sequel to Prometheus and one wonders if the bad taste it left in some mouths will prevent this from topping it. I’ll predict Covenant does not reach the $50M+ achieved half a decade ago and that mid 40s seems more feasible.
Alien: Covenant opening weekend prediction: $44.6 million
For my Diary of a Wimpy Kid, The Long Haul prediction, click here:
Pablo Larrain’s Jackie presents a subject in a horrific stage of grief on a stage very few can identify with. Dealing with loss is a universal feeling. The universe watching you grieve is rare and was even more so in November 1963 when the 35th President of the United States was assassinated. A country turned to Jackie Kennedy and her decisions in the days following the tragedy are explored here.
Yet the most effective moments in the picture belong to Jackie’s quieter moments as she deals with her husband’s death. They are made even more powerful by Natalie Portman’s portrayal of her. In what is easily her finest performance since her Oscar-winning turn in BlackSwan, Jackie is propelled by her even when narrative shortcomings present themselves.
The film is primarily set in the immediate days after President Kennedy’s fateful ride in Dallas. Mrs. Kennedy is tasked with planning a funeral when national security concerns are at a fever pitch. She’s also already grappling with how to preserve his legacy and we witness that through her interview with a journalist (Billy Crudup). It is here we see Jackie’s recollection of the proper way to memorialize a slain leader. How extravagant should the funeral be from a First Lady accused of being a bit extravagant? We see brief glimpses of tension with President Johnson (John Carroll Lynch) and especially his aide Jack Valenti (Max Casella).
Some of Jackie’s decisions literally have potential world implications. Far more personal ones are there like informing two young children. We also witness her bond with Bobby Kennedy (Peter Sarsgaard) and childhood friend Nancy Tuckerman (Greta Gerwig). Her psyche is explored in another flashback narrative as she talks about it with a priest, played by the late John Hurt.
The dual flashback setup often feels a tad familiar and sometimes stale. Those with a passing knowledge of the JFK assassination aftermath won’t learn much here. What is rewarding is Portman’s mesmerizing work. There’s also a haunting musical score by Mica Levi. John F. Kennedy has been called the first TV President. One thing does come through here with his First Lady’s recounting of events is her understanding of that. In her darkest moments, she also realizes that she must do all she can to control the story before others do. This does provide some fascinating moments of conversation with Crudup’s reporter. Even in her fragile and stricken state, Jackie feels the duty to write this chapter of history her way.
20th Century Women first screened at the New York Film Festival in the fall and quickly became mentioned for awards attention. The 1970s set comedic drama is directed by Mike Mills and stars Annette Bening, Greta Gerwig, Elle Fanning, and Billy Crudup. Reviews have been strong and it stands at 93% on Rotten Tomatoes.
Yet it can’t be denied that its Oscar hopes have appeared to dim significantly. Its Best Picture prospects appear gone and even Annette Bening (once looked at as a sure fire Actress nominee) could be on the outside looking in. This is important because the lack of buzz could greatly hurt its box office abilities when it opens wide next weekend.
Women has performed decently in limited release, but I’m not convinced that will hold true for its roll out. I’ll say this manages just under $3 million.
20th Century Women opening weekend prediction: $2.8 million
For my xXx: Return of Xander Cage prediction, click here:
The New York Film Festival has screened another high-profile Oscar contender and that would be Mike Mills’s 20th Century Women. The comedic drama set in the late 1970s was unveiled today to a lot of positive reviews and some that pointed out various flaws.
I’ve included Women on my list of 25 possible Best Picture nominees (as of yesterday it stood at #19). Based on the initial buzz, it could move up some slots next Thursday. Yet I would maintain that it’s unlikely at this juncture that it’ll be included among the five to ten eventual nominees. Same goes for Mills in the Director race.
The director’s last effort (Beginners) nabbed Christopher Plummer a Best Supporting Actor victroy. And it’s in the acting categories that this film has always seemed like a stronger contender and the New York screening has confirmed that. Ms. Bening has heard her name called for Academy recognition four times, but she’s never won. My latest predictions listed her as fourth for likelihood in receiving a Best Actress nod and that still seems right. Critics have praised her work here and she’s probably on her way to her fifth nomination. It still appears, however, that the trio of Emma Stone (La La Land), Natalie Portman (Jackie), and Viola Davis (Fences) have a firmer chance at actually winning.
Early notices have also pointed out the work of both Elle Fanning and Greta Gerwig. It’s unlikely that both will be nominated in Supporting Actress (though you never know). The edge currently goes to Gerwig. As for Crudup in Supporting Actor, he’s probably on the outside looking in, though it’s worth noting that Supporting Actor looks wide open at the moment. While Mills won’t see a Directing nod, Original Screenplay is possible (though there’s major competition there too).
Bottom line: The early buzz for 20th Century Women solidified the standing of Bening and Gerwig, with outside shots at other races.
As readers of my blog may have seen last week, I made my first initial round of Oscar predictions last week. Now… we move onto the next phase. Every Thursday, I will be giving my weekly updated Oscar predictions in the following categories: Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress, Original Screenplay, Adapted Screenplay.
When we get into the later part of the year, the list will expand to include other categories. Each Thursday, I will list 25 possibilities for Best Picture and 15 possibilities for the other races and you’ll be able to track whether the picks go up or down on a weekly basis.
Please note that if I rank something #1 in a certain race, it doesn’t mean I think it’ll win. It means I think its nomination is currently the most probable. The film festival season (especially Toronto) can and probably will alter some of these picks even next week.
Let’s get right to it, shall we?
Best Picture
Predicted Nominees:
1) La Land Land
2) Billy Lynn’s Long Halftime Walk
3) Silence
4) Fences
5) Moonlight
6) Loving
7) Manchester by the Sea
8) Nocturnal Animals
9) American Pastoral
Other Possibilities:
10) The Birth of a Nation
11) Lion
12) Jackie
13) Arrival
14) 20th Century Women
15) Hidden Figures
16) Sully
17) Passengers
18) Hell or High Water
19) Allied
20) Moana
21) The Founder
22) The Jungle Bok
23) Collateral Beauty
24) Gold
25) Live by Night
Best Director
Predicted Nominees:
1) Damien Chazelle, La La Land
2) Ang Lee, Billy Lynn’s Long Halftime Walk
3) Martin Scorsese, Silence
4) Kenneth Lonergan, Manchester by the Sea
5) Denzel Washington, Fences
Other Possibilities:
6) Barry Jenkins, Moonlight
7) Jeff Nichols, Loving
8) Tom Ford, Nocturnal Animals
9) Nate Parker, The Birth of a Nation
10) Denis Villenueve, Arrival
11) Garth Davis, Lion
12) Ewan McGregor, American Pastoral
13) Theodore Melfi, Hidden Figures
14) Pablo Larrain, Jackie
15) Mike Mills, 20th Century Women
Best Actor
Predicted Nominees:
1) Denzel Washington, Fences
2) Casey Affleck, Manchester by the Sea
3) Joel Edgerton, Loving
4) Michael Keaton, The Founder
5) Joe Alwyn, Billy Lynn’s Long Halftime Walk
Other Possibilities:
6) Tom Hanks, Sully
7) Jake Gyllenhaal, Nocturnal Animals
8) Ryan Gosling, La La Land
9) Dev Patel, Lion
10) Trevante Rhodes, Moonlight
11) Bryan Cranston, Wakefield
12) Ewan McGregor, American Pastoral
13) Nate Parker, The Birth of a Nation
14) Andrew Garfield, Silence
15) Miles Teller, Bleed for This
Best Actress
Predicted Nominees:
1) Emma Stone, La La Land
2) Viola Davis, Fences
3) Natalie Portman, Jackie
4) Ruth Negga, Loving
5) Annette Bening, 20th Century Women
Other Possibilities:
6) Amy Adams, Nocturnal Animals
7) Isabelle Huppert, Elle
8) Meryl Streep, Florence Foster Jenkins
9) Amy Adams, Arrival
10) Rooney Mara, Una
11) Taraji P. Henson, Hidden Figures
12) Jennifer Lawrence, Passengers
13) Emily Blunt, The Girl on the Train
14) Jessica Chastain, Miss Sloane
15) Marion Cotillard, Allied
Best Supporting Actor
Predicted Nominees:
1) Steve Martin, Billy Lynn’s Long Halftime Walk
2) Liam Neeson, Silence
3) Mahershala Ali, Moonlight
4) Michael Shannon, Nocturnal Animals
5) Stephen Henderson, Fences
Other Possibilities:
6) Lucas Hedges, Manchester by the Sea
7) Hugh Grant, Florence Foster Jenkins
8) Aaron Eckhart, Bleed for This
9) Warren Beatty, Rules Don’t Apply
10) Timothy Spall, Denial
11) Billy Crudup, 20th Century Women
12) Vin Diesel, Billy Lynn’s Long Halftime Walk
13) John Legend, La La Land
14) Aaron Eckhart, Sully
15) Jeff Bridges, Hell or High Water
Best Supporting Actress
Predicted Nominees:
1) Michelle Williams, Manchester by the Sea
2) Naomie Harris, Moonlight
3) Laura Linney, Nocturnal Animals
4) Kristen Stewart, Billy Lynn’s Long Halftime Walk
5) Bryce Dallas Howard, Gold
Other Possibilities:
6) Dakota Fanning, American Pastoral
7) Greta Gerwig, 20th Century Women
8) Aja Naomi King, The Birth of a Nation
9) Nicole Kidman, Lion
10) Octavia Spencer, Hidden Figures
11) Julianne Moore, Maggie’s Plan
12) Elle Fanning, 20th Century Women
13) Helen Mirren, Collateral Beauty
14) Margo Martindale, The Hollars
15) Laura Dern, The Founder
Best Original Screenplay
Predicted Nominees:
1) Manchester by the Sea
2) Moonlight
3) La La Land
4) Loving
5) Jackie
Other Possibilities:
6) 20th Century Women
7) Hell or High Water
8) The Lobster
9) The Birth of a Nation
10) The Founder
11) Zootopia
12) Gold
13) Passengers
14) Rules Don’t Apply
15) Allied
Best Adapted Screenplay
Predicted Nominees:
1) Fences
2) Billy Lynn’s Long Halftime Walk
3) Nocturnal Animals
4) Silence
5) American Pastoral
Other Possibilities:
6) Lion
7) Hidden Figures
8) Arrival
9) Love & Friendship
10) The Girl on the Train
11) Elle
12) Sully
13) Live by Night
14) Denial
15) The Jungle Book
And that’ll do it for now, folks! My weekly updates will be back next Thursday…
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