After the entirety of the original cast had left SNL by 1980 as well as creator Lorne Michaels, the program was in a precarious position. Indeed the 1980-81 season is perhaps the worst of the 50 when associate producer Jean Doumanian took over show running duties.
There was one decision that failed season that literally saved the show and that was hiring Eddie Murphy at age 19. He joined SNL in the fourth episode that year and the rest was history. For the next four seasons, his comedic brilliance would shine brightly and turned Murphy into a phenom.
His mimicry skills were impeccable with classic bits like James Brown in a hot tub or the creation of Little Richard Simmons, a mashup of flamboyant singer Little Richard and fitness guru Richard Simmons. Other impersonations included James Brown and Stevie Wonder.
Mister Robinson was a takeoff on children’s host Fred Rogers with a more urban feel. One of the greatest pre-taped segments was “White Like Me” when Murphy came back to host in 1984 shortly after his departure. It was a preview of the kind of makeup effects he would become known for in The Nutty Professor and more years later. There’s Gumby (damnit) and Buckwheat and Velvet Jones. Buckwheat’s “assassination” is an all-timer.
Murphy would reprise many of these characters 35 years later in a triumphant Christmas show hosting gig in 2019. It was one more reminder of his vital contributions to SNL during a period where he also shot 48 Hrs., Trading Places, and Beverly Hills Cop and created the iconic stand-up special Delirious. The 40 years that followed are thanks to him and he deserves that credit. #1 will be up soon!
Beverly Hills Cop: Axel F is frequently an amusing ride of overt nostalgia mining. It works better than the other two sequels to the 1984 original, especially 1994’s embarrassing III set at an amusement park. Is it good? That might hinge on your generosity level any given moment or reverence for what happened four decades ago. Eddie Murphy is certainly trying harder than he did 30 years ago (and in several mediocre titles between now and then). This is also a notch above Coming 2 America, his other recent long gestating legacy follow-up. Having this premiere on Netflix kinda makes sense. You can check out from time to time and it might not disrupt your overall experience. Does it try too hard to capture a 40-year-old vibe? I guess. Was I still watching? Yes and with more attentiveness than when Axel Foley donned an elephant costume in BHC III (never forget).
The role of renegade Detroit cop Axel Foley is the one that turned Murphy from a movie star to iconic superstar. Part one additionally blended action and comedy in ways that many copiedand still do. Beverly Hills Cop II, despite some guilty pleasure high gloss moments courtesy of Tony Scott, couldn’t think of much more to do with the concept. III, despite reuniting its star and Trading Places and Coming to America director John Landis… well we’ve covered that already. Seeing him slide on his Detroit Lions jacket again could’ve been yet another big-budget letdown. Yet just as that team has recently shown signs of life, this series does in part IV.
Foley returns to the West Coast for family business after a cool Motor City prologue set at a Red Wings game (this allows for Paul Reiser to reprise his role as our protagonist’s former partner). His estranged daughter Jane (Taylour Paige) is an attorney representing an innocent man for killing a cop. The dirty police captain (Kevin Bacon) responsible for the murder may need to off the Foley offspring to cover his tracks. So Axel’s ole pal Billy (Judge Reinhold) sends up the 90210 signal before he gets kidnapped himself. His old partner Taggart (John Ashton) is now the Chief. Side note – he was nowhere to be found in III because he probably read the screenplay.
Some of the script allows time for Axel to attempt rekindling a strained relationship with Jane. He also acquaints himself with Detective Abbott (Joseph Gordon-Levitt), his main partner in property destruction and Jane’s ex-flame. Both Gordon-Levitt and Paige are serviceable additions to the proceedings.
I can’t say the same for everyone else. Bronson Pinchot is back as the flamboyant Serge. An art gallery employee in Beverly Hills Cop, he stole two hilarious minutes from Murphy 40 years back. By III (I’m sorry to keep returning to that disaster), he was inexplicably a weapons dealer whose cameo was as unfunny as everything else in the runtime. Now he’s a bleach blonde real estate agent whose appearance feels tacked on. Same goes for Luis Guzman’s eccentric gang leader. Their parts could’ve been eliminated and we would’ve been better off without their 80s vibes.
Perhaps the shameless callbacks to the best franchise moments will leave you cold. I must admit the Pointer Sisters and Harold Faltermeyer and Bob Seger and Glenn Frey needle drops provided joy. Additionally the scaled down nature of the action sequences felt retro positive. Director Mark Molloy often succeeds in making this feel like it could’ve been produced in the era it celebrates. Never mind that everyone looks older and sorer with the notable exception of the seemingly ageless Murphy. This is not an action comedy for the ages. Despite Kevin Bacon as the chief baddie, all four Cop‘s share forgettable villains.
The series that made “Shakedown” an Oscar nominated track doesn’t attempt anything close to a shakeup. Thankfully its megawatt star is in his groove enough that it warrants going back to Cali.
Beverly Hills Cop: Axel F is out on Netflix today with Eddie Murphy reprising his iconic role as the wisecracking policeman. It arrives 40 years after the original and 30 years behind the unfortunate Beverly Hills Cop III (even its lead has trashed that one). Judge Reinhold, Josh Ashton, Paul Reiser, and Bronson Pinchot return to the franchise with Joseph Gordon-Levitt, Taylour Paige, and Kevin Bacon joining the fourth entry. Mary Malloy directs.
This might seem like a pointless Oscar Predictions posts until you realize there’s awards history with the first two Cop‘s. Part 1 was up for Best Original Screenplay (losing to Places in the Heart). At the Golden Globes, the original competed for Best Musical/Comedy (falling short to Romancing the Stone) and Murphy up for Actor in that category with Dudley Moore (Micki & Maude) emerging victorious. Three years later, Bob Seger’s track “Shakedown” from the first sequel was up for Original Song at the Oscars and Globes. “(I’ve Had) The Time of My Life” from Dirty Dancing defeated it at both shows. Unsurprisingly, part III failed to generate any nods except the Razzies where John Landis was up for Worst Director (“losing” to Steven Seagal for On Deadly Ground). Wyatt Earp prevented it from taking Worst Remake or Sequel.
Now that we’ve dispensed with that fun trip down memory lane, Axel F is getting mixed reviews with 67% on RT. That’s behind part 1 (83%) but ahead of II (46%) and III (11%). I wouldn’t count on Lil Nas X’s musical contribution “Here We Go!” competing like Seger’s song did. Same goes for any other category. On the bright side, it probably won’t factor into the Razzie conversation either. My Oscar Prediction posts will continue…
We all know Tom Cruise does his own stunts. He reminds us of that frequently and is the biggest artist handling the bulk of those duties himself. David Leitch’s The Fall Guy takes time to honor those performers doubling for the non-Cruisers and that’s a noble cause though it often plays like a long shaggy dog story.
Sort of based on the 1980s TV show with Lee Majors, Ryan Gosling is Colt Seavers. He’s Cliff Booth to Aaron Taylor-Johnson’s Rick Dalton… or rather Tom Ryder, who’s a mega action superstar with a penchant for hard partying. Seavers does the trickier work while Ryder takes all the credit. A prologue details a setup gone wrong that derails Colt’s career and his budding relationship with camerawoman Jody Moreno (Emily Blunt).
A year and a half later, Colt is parking cars instead of crashing them. He is summoned by producer Gail (Hannah Waddingham, kind of looking like 70s era Robert Evans in a wig) to set in Sydney. The selling point is the opportunity to make up with Jody, who is now directing the sci-fi saga Metalstorm with Ryder headlining. Upon his arrival down under, it turns out Jody has no idea what’s up or that he was joining the production.
The picture’s lead has mysteriously disappeared and Colt is tasked with tracking him down while also stunting by day. And, of course, there’s some serious and humorous tension with his ex.
I was reminded at times of 80s action comedies like Beverly Hills Cop or Fletch where the plot is inconsequential and where coasting on the above the title players’ charisma is enough. Obviously Gosling and Blunt have that level of appeal.
Somehow I didn’t fall for it despite their efforts. They have chemistry, but this fails to coast on their charms. The action scenes are well-choreographed. They should be given the subject matter and Leitch (John Wick, Atomic Blonde, Bullet Train) in charge. Yet there’s not one sequence that rivals, say, the antics of you know who in fill in the recent Mission: Impossible entry.
There are more references to Miami Vice or other 80s artifacts than the TV show it takes its name from. This includes Jody belting out “Against All Odds” by Phil Collins at a karaoke bar while Colt is engaged in an elaborate car chase. Blunt being more involved in the fights might have helped. Her one scene where she gets to do so is memorable.
The Fall Guy, given the personnel, is a minor disappointment especially with how convoluted it gets in the denouement. The occasionally on point self-referential jokes and the Barbenheimer cast mates provide the highlights. When they’re apart, it can feel like just an empty space.
Top Gun: Maverick was supposed to arrive a mere 34 years after its iconic predecessor. Due to numerous COVID delays, it now hits theaters on May 27th and some 36 years behind the original. By nearly all accounts, Tom Cruise and the filmmakers have landed the plane.
Ahead of its Cannes premiere, the review embargo has lapsed for Maverick and the Rotten Tomatoes score is a sizzling 96%. Nearly all critics are calling it an improvement over the ’86 blockbuster and it could be in line to give Cruise his largest opening and overall hit of his career (my box office prediction will arrive next week).
Three and a half decades back, part one caught the attention of Academy voters in four categories. The Berlin theme “Take My Breath Away” won Best Song and Gun nabbed nods for Film Editing, Sound, and Sound Effects Editing. All those races are in play again in one form or another.
Best Sound has been condensed to one category and it’s a near lock that the sequel will play there. Film Editing, Cinematography, and Visual Effects are also possibilities. Then there’s the sound of Lady Gaga’s voice. The superstar contributed the track “Hold My Hand” and it could be hard to beat. Ms. Gaga is poised for her third Song nomination behind 2015’s “Til It Happens to You” from The Hunting Ground and “Shallow” from A Star Is Born (which won). She also shares Score credit with Hans Zimmer (who just won a trophy for Dune) and Harold Faltermeyer (best known for his Beverly Hills Cop tune “Axel F”).
Let’s assume Sound and Song are gimmes. With the aforementioned others, we could be looking at a handful of mentions. Will the Academy go beyond the tech derbies? It looks like Maverick will be a gigantic earner and crowdpleaser. I have no doubt there will be a push from Paramount for Best Picture recognition and Cruise in Best Actor. If so, it would be his fourth acting nod. There were two in lead for 1989’s Born on the Fourth of July and 1996’s Jerry Maguire and a supporting mention for 1999’s Magnolia. He’s never made a victorious trip to the podium.
I’m skeptical about it playing in the major leagues, but wins in Sound and Song are doable. My Oscar Prediction posts will continue…
At the Golden Globes honoring the pictures of 1984, Romancing the Stone managed to win the Musical/Comedy race. In doing so, it beat out sturdy competitors like Beverly Hills Cop, Ghostbusters, and Splash. Furthermore, Kathleen Turner took home Best Actress for her performance while costar Michael Douglas wasn’t nominated.
Why am I talking about this comedic adventure from nearly 40 years ago? The Lost City (out March 25th) is being compared to it a lot in the early reviews (which currently sit at 100% on Rotten Tomatoes).
From filmmakers Adam and Aaron Nee, Sandra Bullock and Channing Tatum headline with a supporting cast including Brad Pitt (the critics are praising him), Daniel Radcliffe, Da’Vine Joy Randolph, and Bowen Yang. Here’s the deal… this isn’t really an Oscar Predictions post. I don’t think it’ll be in the running from Academy voters.
The Hollywood Foreign Press Association is a different branch and could be a different story. Depending on the level of competition from future musicals and comedies in 2022, The Lost City‘s early buzz indicates it could make a play in that feature film competition or for Bullock. That would keep those comps to Stone relevant. My Oscar (and Globe) Prediction posts will continue…
The list of my personal top 25 cinematic performances from the many alumni at Saturday Night Live reaches the top 5 today! If you missed my previous entries covering numbers 25-6, you can find them all at the following links:
5. Chevy Chase, National Lampoon’s Vacation (1983)
Chase’s finest and funniest work belongs to his doofus dad role as Clark Griswold in this classic that spawned three sequels, including the cherished Christmas Vacation. This is one of the pictures that can be rewatched endlessly and much of that is due to Chase’s signature performance.
4. Mike Myers, Austin Powers: International Man of Mystery (1997)
Myers successfully translated his SNL character Wayne Campbell to the silver screen in 1992’s blockbuster Wayne’s World alongside his costar Dana Carvey (who nearly made the list for his work in that film). Yet the most hilarious work from Myers comes here as both the title character and (especially) nemesis Dr. Evil. Two sequels would give Myers an opportunity to play even more deliriously over the top parts.
3. Will Ferrell, Anchorman: The Legend of Ron Burgundy (2004)
After the back to back hits of Old School and Elf, Ferrell developed his most iconic character with his arrogant and clueless news anchor. Anchorman has deservedly became an all-time comedy classic.
2. Eddie Murphy, Coming to America (1988)
Let’s face it – this list could have been dominated by Eddie. I had Trading Places and The Nutty Professor in the top 25, but could have included 48 Hrs., Beverly Hills Cop, Bowfinger, Shrek, Dreamgirls, or Dolemite Is My Name as well. However, my personal favorite is this 1988 humorous fairy tale when Murphy was at the peak of his power. This is the first pic that gave him the opportunity to portray multiple characters and he certainly makes the most of it.
1. Bill Murray, Groundhog Day (1993)
Just as with Murphy, many movies from Murray could have made the cut. You already saw Ghostbusters and Lost in Translation on here and other contenders included Caddyshack, Scrooged, What About Bob?, Kingpin, Rushmore, and Zombieland. Overall, I go with Groundhog Day as his finest hour and #1 on the whole list. Simply put, I find Groundhog Day to be perfection and the quintessential vehicle for its versatile star.
And there you have it, folks! It’s been fun putting together the list and I hope you enjoyed reading it…
My list of the top 25 personal favorite big screen performances by Saturday Night Live alumni brings us to the second post encompassing numbers 20-16. If you missed part one of the series, you can find it right here:
Today’s list brings us three performers that we will see again in future editions as we move up the chart as well as a versatile and twice Oscar nominated actress and a star that we lost just as his film career was blossoming.
Let’s get to it!
20. Chris Farley, Tommy Boy (1995)
The boundless energy of Mr. Farley was certainly best encapsulated in his first major starring role alongside fellow cast member David Spade. His follow-up comedies Black Sheep, Beverly Hills Ninja, and Almost Heroes didn’t nearly match the quality of what we witnessed here. Farley’s 1997 death will always leave us wondering how his cinematic trajectory would have gone.
19. Joan Cusack, School of Rock (2003)
Cusack only was on SNL for one highly forgettable season (1985-86). However, her career has been a triumph of mostly supporting roles since. She earned Oscar nods for both Working Girl and In & Out, but my personal favorite is the uptight principal trying to reign in Jack Black’s substitute teacher here.
18. Bill Murray, Ghostbusters (1984)
Murray’s first appearance on the list is from this quintessential 80s landmark feature that shows him at his smarmy and often charming best. Ghostbusters solidified his leading man status and was a preview of more amazing work to come.
17. Will Ferrell, Elf (2003)
Ferrell has perfected portraying both the lovable doofus and the arrogant doofus. His performance as Buddy the Elf is the former and probably the best example in this already beloved Christmas classic.
16. Eddie Murphy, Trading Places (1983)
It it hard to name a more amazing one-two-three start to a movie career than Murphy’s with 48 Hrs., Trading Places, and Beverly Hills Cop. I could have chosen any of them , but Places has always been my slight favorite in the trio. Spoiler alert: Eddie is not done on this list.
And there you have it! I’ll be back with numbers 15-11 in short order…
Next weekend sees the release of two high-profile sequels: The Equalizer 2 and Mamma Mia! Here We Go Again. The pair of part II’s have something rather interesting in common: they serve as the first sequels that their stars Denzel Washington and Meryl Streep have ever appeared in. Pretty surprising huh? Both have been mega-stars for decades and have never followed up on a character until now.
This got me thinking: what other major actors have never been in a sequel? And it’s not an easy list to cobble together.
Some actors are known for their cases of sequelitis. We know Samuel L. Jackson has appeared in a multitude of them, including Marvel Cinematic Universe pics and franchises ranging from Star Wars to xXx to Incredibles. He was John McClane’s sidekick in Die Hard with a Vengeance. And looking early in his filmography, 1990 saw him appearing in The Exorcist III and The Return of Superfly. There’s also Patriot Games from 1992 and Kill Bill: Vol. 2 from 2004. Son of Shaft will be out next year. Dude loves his m****f***ing sequels!
Sylvester Stallone has made a career of out of them. Creed II will mark his 15th sequel by my count. There’s the Rocky, Rambo, and Expendables series and there’s also Staying Alive (which he directed and had a cameo in), Spy Kids 3-D: Game Over, Guardians of the Galaxy Vol. 2, and the just released Escape Plan 2: Hades.
Eddie Murphy has returned in the following series: 48 Hrs., Beverly Hills Cop, The Nutty Professor, Dr. Dolittle, and Shrek. There could be a part II of Coming to America on the horizon.
Harrison Ford has the famous series like Star Wars, Indiana Jones, and the Jack Ryan pictures. There’s also More American Graffiti, Anchorman 2: The Legend Continues, and last year’s Blade Runner 2049.
OK, back to thespians who don’t constantly appear in sequels. Leonardo DiCaprio? Well, who can forget one of his first roles as Josh in 1991’s Critters 3?
Matthew McConaughey has a similar situation. Since he’s become known, no sequels (not even returning in Magic Mike XXL). Yet one of his first roles was in Texas Chainsaw Massacre: The Next Generation.
Unlike his 80s comedic counterparts Bill Murray, Chevy Chase, Dan Aykroyd, and Steve Martin (all in plenty of them), I couldn’t immediately think of any sequel that John Candy did. Yet he provided a voice-over in the 1990 Disney animated follow-up The Rescuers Down Under.
With Marlon Brando, I guess it depends on how you look at it. He refused to come back for a flashback cameo in The Godfather Part II. Yet he did appear in 2006’s Superman Returns… with a caveat. That footage was culled completely from his work nearly three decades earlier in Superman and it happened two years after his death.
So here’s the deal… it is really tough to come up with performers in the modern age who haven’t appeared in at least one sequel. However, here’s five of them and feel free to list others in the comments!
Warren Beatty
He’s famously picky about his projects and he’s never played the same man twice. There were rumors that he wanted to do another Dick Tracy, but it never materialized.
Annette Bening
Beatty’s wife has had a long and distinguished career free of sequels. She was originally cast as Catwoman in 1992’s Batman Returns but dropped out due to pregnancy.
Russell Crowe
The Oscar winner has yet to return to a role, though I’d certainly sign up for The Nice Guys II. P.S. – I do not count Man of Steel as a sequel.
Jodie Foster
She declined to return as Clarice Starling in 2001’s Hannibal after an Oscar-winning turn in The Silence of the Lambs ten years earlier. That was her biggest chance at a sequel and there are none before or after.
Jake Gyllenhaal
His first role was as Billy Crystal’s son in City Slickers, but he was nowhere to be found for part II or any other sequel. However, that long streak ends next summer with Spider-Man: Far From Home.
And there you go! As I said, feel free to chime in with your own non-sequel actors…
29 years ago today in Movie History – January 11 – Beverly Hills Cop with Eddie Murphy would top the box office in its sixth weekend while on its way to breaking various records. Cop was released at the height of Murphy’s super stardom. He’d already had significant successes with 48 HRS. and Trading Places, but Beverly Hills Cop turned him into the biggest movie star in America. The film would end up grossing $234 million domestically, making it 1984’s highest domestic grosser and the biggest earning R-rated picture of all time. That record would stand for almost two decades until 2003’s The Matrix Reloaded. The inevitable sequel in 1987 would post solid numbers with $153 million. By the time part 3 came out in 1994, Murphy’s career was on the downslide and a meager $42 million domestic gross would result. The actor’s inability to turn the third installment into a hit and the following year’s bomb Vampire in Brooklyn had some wondering if Murphy’s career was over, but 1996’s The Nutty Professor would revive his standing with audiences.
As for birthdays, Rod Taylor turns 84 today. He is best known for his leading man roles in 1960’s The Time Machine and especially in Alfred Hitchcock’s classic 1963 pic The Birds. He would continue to work in movies and TV for decades. Recently, Quentin Tarantino was able to coax him out of retirement to play Winston Churchill in an important sequence alongside Mike Myers and Michael Fassbender in 2009’s Inglourious Basterds.
Amanda Peet is 42 today. She first became known to moviegoers as Matthew Perry’s dental assistant turned aspiring hit woman in The Whole Nine Yards. Since then, she’s appeared in various pics from Saving Silverman to Changing Lanes to Igby Goes Down to Something’s Gotta Give to Syriana to 2012.
As for Six Degrees of Separation between the two:
Rod Taylor was in Inglourious Basterds with Brad Pitt
Brad Pit was in 12 Monkeys with Bruce Willis
Bruce Willis was in The Whole Nine Yards with Amanda Peet
All My Life... I Wanted To Be A Blogster 