Tag: benicio del toro

2015 Early Oscar Predictions: Best Supporting Actor

Continuing on with part two of my impossibly early Oscar predictions for 2015, we move to Best Supporting Actor. As I mentioned in the previous Supporting Actress piece, the predictions that I did at this time of the year in 2014 yielded two out of the five eventual nominees. Same goes for Supporting Actor last year, though it’s worth noting that last year in early September – I mentioned all five eventual nominees in the predicted or other possibilities category.

Unlike Supporting Actress, where Rooney Mara seems to be a shoo in for a nod in Carol, there are no obvious nominees in this category as of yet. One thing seems very possible – Quentin Tarantino has a knack for getting his supporting players attention and that may bode well for either Kurt Russell or Samuel L. Jackson. Right now, I’ll give Russell the edge.

David O. Russell is also known for his performers receiving Academy love and his December release Joy could mean nods for either Bradley Cooper or Robert De Niro. We’ll go with Mr. Cooper at press time.

Alejandro Gonzalez Inarritu’s The Revenant could garner plenty of attention and Tom Hardy could benefit from it in this category. It doesn’t hurt that he’s had a terrific year coming off the acclaimed Mad Max: Fury Road.

The Cannes Film Festival brought forth raves for the indie drama Youth and Harvey Keitel’s work in it while this fall’s Steven Spielberg drama Bridge of Spies seems to have a major supporting role for character actor Mark Rylance.

Danny Boyle’s Steve Jobs may mean nods for either Jeff Daniels or Seth Rogen. The Brian Wilson biopic Love and Mercy has both John Cusack and Paul Dano (depending on who the studio puts in which category). The Catholic Church sex scandal drama Spotlight has Michael Keaton and Mark Ruffalo. Past winner Benicio del Toro is said to be a standout in this September’s Sicario. And on and on.

In other words, lots of possibilities here and we shall see how it shakes out. For now:

TODD’S FIRST PREDICTIONS – BEST SUPPORTING ACTOR

Bradley Cooper, Joy

Tom Hardy, The Revenant

Harvey Keitel, Youth

Kurt Russell, The Hateful Eight

Mark Rylance, Bridge of Spies

Other Possibilities:

Steve Carell, Freeheld

John Cusack, Love and Mercy

Jeff Daniels, Steve Jobs

Paul Dano, Love and Mercy

Benicio del Toro, Sicario

Robert De Niro, Joy

Samuel L. Jackson, The Hateful Eight

Michael Keaton, Spotlight

Jude Law, Genius

Ewan McGregor, Miles Ahead

Seth Rogen, Steve Jobs

Mark Ruffalo, Spotlight

Billy Bob Thornton, Our Brand is Crisis

And that’ll do it for now! Best Actress coming up tomorrow…

You can peruse my Supporting Actress early picks here:

https://toddmthatcher.com/2015/08/30/2015-early-oscar-predictions-best-supporting-actress/

 

Inherent Vice Movie Review

Like its constantly reefer toking lead character, Paul Thomas Anderson’s Inherent Vice could use a bit more focus and clarity. The complicated plot sometimes feels like a pothead is describing it to you as it’s occasionally challenging to follow along with. Yet you come away with the notion that Anderson, the master filmmaker responsible for Boogie Nights and There Will Be Blood, has made exactly the picture he wanted to make.

Based on a 2009 novel by Thomas Pynchon, Vice stars Joaquin Phoenix (who gave a much different and also terrific performance in PTA’s last previous The Master) as Doc, a stoner private eye in California circa 1970. When we open, he’s visited by his hippie ex Shasta (Katherine Waterston) who’s gotten herself into some trouble with a real estate mogul (Eric Roberts) who may be the victim of some shady dealings by his family. It leads Doc to a case that involves Nazis, a thought to be dead musician (Owen Wilson), and a drug addled dentist (a typically memorable Martin Short). Along the way, we discover Doc’s antagonistic relationship with LAPD detective “Bigfoot”, played with gusto by Josh Brolin.

There’s a lot of subplots involved in Inherent Vice and it provides for smaller roles by familiar faces like Benicio del Toro and Joaquin’s Walk the Line counterpart Reese Witherspoon, among others. At its center is the love story between Doc and Shasta, though they talk about their connection like it barely exists. Phoenix, as always, turns in a fascinating performance that further demonstrates his considerable abilites (the guy can do slapstick comedy when called upon). Waterston, daughter of Sam, is the real find here in a sea of more famous faces.

For the most part, Inherent Vice couldn’t be more different than 2012’s The Master. They are similar in one way: I found it tough to get emotionally involved in either. To be fair, I do not believe that’s what PTA is going for. Vice is about atmosphere and characters and the plot is mostly an afterthought. As with all previous efforts by the director, the atmosphere is something to behold, as is the acting.

The picture has moments where it has a Big Lebowski vibe and not just due to the weed love of the star. There are times when you’ll remember this is coming from the guy who made the brilliant Boogie Nights. Inherent Vice doesn’t belong in the same category as either of those movies, but fans of PTA (of which I certainly am) should find this worthwhile. I suspect that this, like most of Anderson’s work, will improve upon subsequent viewings. The fact that I’ll likely sign up for a second viewing in the future is recommendation enough.

*** (out of four)

Inherent Vice Box Office Prediction

Paul Thomas Anderson has certainly been making some of the most fascinating pictures of the last nearly two decades with Boogie Nights, Magnolia, There Will Be Blood and The Master among his credits. This Friday, his latest effort Inherent Vice makes its debut. The crime thriller/comedy boasts an all star cast that includes Joaquin Phoenix, Josh Brolin, Reese Witherspoon, Benicio del Toro, Maya Rudolph, Martin Short and Owen Wilson.

Based on the novel by Thomas Pynchon, critical notices for Vice has been generally positive if a bit under Anderson’s normal acclaim. Its Rotten Tomatoes meter stands at 71% currently. Like most of the director’s work, this is certainly not expected to be a blockbuster and is primarily aimed at core fans. As expected, it’s had a successful run in limited release but faces the question as to how well it plays nationwide. Currently estimates put it at just over 400 theaters (relatively low) Friday.

Inherent Vice could pull in about the same per screen average as Joaquin’s last pic Her which expanded one year ago. I’ll estimste it gets a little higher since it’s on considerably less screens, but that still leaves it struggling to reach $2 million out of the gate.

Inherent Vice opening weekend prediction: $1.8 million

For my prediction post on Taken 3, click here:

https://toddmthatcher.com/2015/01/03/taken-3-box-office-prediction/

For my Selma prediction, click here:

https://toddmthatcher.com/2015/01/04/selma-box-office-prediction/

 

 

 

Todd’s Early Oscar Predictions: Best Supporting Actor

We’ve arrived at Day #2 of my first Oscar predictions covering the films of 2014. If you missed my post yesterday on Best Supporting Actress, you may find it here:

https://toddmthatcher.com/2014/08/29/todds-early-oscar-predictions-best-supporting-actress/

For round 1 of my predictions, I’m just listing my current five predictions, along with other possibilities in races that are just beginning to take shape. Let’s get to Best Supporting Actor, shall we? I will note that my inaugural 2013 picks done around the same time last year correctly yielded 2 of the 5 eventual nominees.

Todd’s Early Predictions for Best Supporting Actor

Domhall Gleeson, Unbroken

Logan Lerman, Fury

Edward Norton, Birdman

Tim Roth, Selma

Mark Ruffalo, Foxcatcher

 

Other Possibilities:

Josh Brolin, Inherent Vice

Albert Brooks, A Most Violent Year

Benicio del Toro, Inherent Vice

Johnny Depp, Into the Woods

Robert Duvall, The Judge

Matthew Goode, Men, Women, and Children

Neil Patrick Harris, Gone Girl

Ethan Hawke, Boyhood

John Lithgow, Love is Strange

Adam Sandler, Men, Women, and Children

J.K. Simmons, Whiplash

Christoph Waltz, Big Eyes

Tom Wilkinson, Selma

We’ll get to Best Actress tomorrow!

 

 

 

Guardians of the Galaxy Box Office Prediction

Marvel Studios is back in action this Friday with Guardians of the Galaxy, their $170 million dollar project that is certainly more of a gamble than their previous megahits. It’s based on a comic book not nearly as well-known as Iron Man, Captain America, or Thor – in other words, the Avengers cast.

Still positive signals are sprouting up. The James Gunn directed saga boasts a 100% current score on Rotten Tomatoes and TV spots are omnipresent. The cast features Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, and Bradley Cooper as the voice of Rocket, a genetically engineered raccoon.

While Guardians is not likely to match the $95M debut that the latest Disney/Marvel pic, Captain America: The Winter Soldier, opened at – a healthy debut is expected. I foresee a premiere in the mid seventies and if word of mouth is solid (and it should be), it could have a nice run at the #1 spot.

Guardians of the Galaxy opening weekend prediction: $74.6 million

For my Get On Up prediction, click here:

https://toddmthatcher.com/2014/07/27/get-on-up-box-office-prediction/

This Day in Movie History: December 27

This Day in Movie History – December 27 – brings us another trio of pictures that opened attempting to make their Oscar qualifying runs.

13 years ago brought Traffic, Steven Soderbegh’s epic pic which explored the war on drugs from various different angles with multiple storylines. With an all-star cast featuring Michael Douglas, Benicio del Toro, Don Cheadle, Catherine Zeta-Jones, and Don Cheadle, Traffic won Oscars for its Direction, Supporting Actor (del Toro), and Adapted Screenplay. It would lose Best Picture to Ridley Scott’s Gladiator. It was a massive box office success earning $124 million domestically. **Blogger’s note: a few scenes of Traffic were filmed in my town of Columbus, Ohio and I got to witness part of it being filmed at the Ohio Statehouse. I saw Michael Douglas descend the steps of the Statehouse (it’s early in the movie) and I even got to chat briefly with Mr. Soderbergh, who was wearing an Ohio State ball cap (Go Bucks!).

22 years ago today saw the release of Fried Green Tomatoes, Jon Avnet’s Depression era comedic drama. It combined the Best Actress winner from two years prior, Jessica Tandy, with the Best Actress winner from the previous year, Kathy Bates. The pic resonated with audiences with an $82 million domestic box office tally but received Oscar nods only for Tandy in Supporting Actress and Adapted Screenplay, winning neither.

Milos Forman’s The People vs. Larry Flynt opened 17 years ago today. The biopic of Hustler magazine founder Larry Flynt cast Woody Harrelson in the title role with Courtney Love and Edward Norton in supporting roles. Flynt failed to resonate with moviegoers earning just $20 million. It did manage to pick up Oscar nominations (but no wins) for Forman and Harrelson.

As for actors with birthdays today, John Amos turns 74. You may know the veteran actor best for TV work from “Good Times” to “The Fresh Prince of Bel-Air” to “The West Wing” to the miniseries Roots. He’s had his share of notable film roles as well, including Coming to America, Die Hard 2, and Madea’s Witness Protection.

Actress Theresa Randle is 49 today. She’s appeared in many high-profile pics over the past coupe of decades from the two Bad Boys flicks to Sugar Hill to Beverly Hills Cop III to her starring role in Spike Lee’s Girl 6.

As for Six Degrees of Separation between the two birthdays performers:

John Amos was in Coming to America with Eddie Murphy

Eddie Murphy was in Beverly Hills Cop III with Theresa Randle

And that’s today in Movie History!

Savages Movie Review

In Savages, director Oliver Stone take a rare break from making films about politics and instead concentrates on a fairly straightforward drug crime flick. There’s no grand statements about the drug war (this isn’t Traffic), but there is one fascinating subtext. A corrupt DEA agent (John Travolta) explains at one point that eventually the U.S. is going to legalize pot and it got me thinking about how all the bloody mayhem involved in this picture probably wouldn’t happen if that occurred. However, that’s a discussion for another day and it’s not the primary focus here.

Savages centers on two independent marijuana dealers – one is short fused Afghanistan War vet Chon (Taylor Kitsch) and the other is Ben (Aaron Taylor-Johnson), a Buddhist and more of a pacifist. Together, they make a fortune out of developing a potent product with highly elevated THC levels. Other than a successful business, they also share something else: Ophelia (known as O), played by Blake Lively, a beach babe who loves them both.

Naturally, Chon and Ben’s thriving company attracts the fascination of the Mexican drug cartels, who look to buy out the boys. When things don’t go as planned, O is kidnapped and thy must figure out a way to get her back.

We meet the disreputable cast of characters who make up the cartel. It’s headed by Elena (Salma Hayek), who inherited the business through her dead husband. She’s lost some of her children in brutal fashion as well and her daughter (who lives in the States) wants nothing to do with her. This is actually a fact that makes Elena proud. If you’ve been lucky enough to watch the documentary Cocaine Cowboys (if not, watch it immediately), you’ll notice that Elena’s character is very similar to Griselda Blanco, a real-life drug kingpin who was just recently assassinated. Elena is the best character in Savages – so much so that I wish the entire movie had been about her.

Elena’s enforcer Lado is played in a typically solid and slightly bizarre performance by Benicio Del Toro. He has a memorable scene with Travolta’s DEA agent that comes towards the end. Once again, the fine acting of Hayek, Del Toro, and Travolta and their dynamic could have been one unique picture.

Alas, Savages is more about Chon, Ben, and O. And therein lies the central flaw of the film… it’s central characters aren’t very special. Especially O. I will not blame Lively wholly for this, even though her performance is lackluster. It’s more that her character is written as nothing more than a dull pothead beach babe. Frankly, with her being the character in the most danger, it’s hard to really care much about what happens.

Savages is no doubt a stylish feast for the eyes. Stone is, of course, a heckuva director. And the secondary performances mentioned above are noteworthy. It’s the main troika of characters and their relationship that makes Savages a bit of a letdown, albeit a good looking one.

**1/2 (out of four)