He’s been an Oscar nominee for Milk, the star of Best Picture winner NoCountryforOldMen, a Man in Black for the third entry of that franchise, and (of course) the big brother in TheGoonies. And in 2018, Josh Brolin was unquestionably the king of the summer sequel, setting up roles that will continue for some time.
It all started with the summer season’s biggest blockbuster – Avengers: InfinityWar. As villainous Thanos, Brolin pretty much stole the show against the entire Marvel Cinematic Universe. A few weeks later, the actor starred alongside Ryan Reynolds in Deadpool2, which stands as the year’s fifth top earner. Sicario: DayoftheSoldado followed shortly after that with Brolin reprising his role as a CIA agent barking orders to Benicio del Toro. That follow-up managed to top the gross of its 2015 predecessor.
We can expect to see him in all three of these parts again. In summer 2019, Thanos will be back in Avengers: Endgame. He’s signed a four picture deal to be Cable in that cinematic universe. A third Sicario feature is planned.
In a career that kicked off over three decades ago alongside One-Eyed Willy and Sloth, Brolin established a trio of characters that we’ll likely see onscreen for the foreseeable future.
Continuing on with my look back at the major categories from 1990 to the present at the Oscars, we arrive at Best Supporting Actor! If you missed my post regarding Supporting Actress, you can find it right here:
As I did with that blog entry, I’m picking the top 3 least surprising winners (performers who essentially sailed right through awards season) and the 3 biggest upsets in each race. I am also selecting the strongest and weakest fields overall.
As a primer, here are the 28 actors whose support earned them a golden statue:
1990 – Joe Pesci, GoodFellas
1991 – Jack Palance, City Slickers
1992 – Gene Hackman, Unforgiven
1993 – Tommy Lee Jones, The Fugitive
1994 – Martin Landau, Ed Wood
1995 – Kevin Spacey, The Usual Suspects
1996 – Cuba Gooding Jr., Jerry Maguire
1997 – Robin Williams, Good Will Hunting
1998 – James Coburn, Affliction
1999 – Michael Caine, The Cider House Rules
2000 – Benicio del Toro, Traffic
2001 – Jim Broadbent, Iris
2002 – Chris Cooper, Adaptation
2003 – Tim Robbins, Mystic River
2004 – Morgan Freeman, Million Dollar Baby
2005 – George Clooney, Syriana
2006 – Alan Arkin, Little Miss Sunshine
2007 – Javier Bardem, No Country for Old Men
2008 – Heath Ledger, The Dark Knight
2009 – Christoph Waltz, Inglourious Basterds
2010 – Christian Bale, The Fighter
2011 – Christopher Plummer, Beginners
2012 – Christoph Waltz, Django Unchained
2013 – Jared Leto, Dallas Buyers Club
2014 – J.K. Simmons, Whiplash
2015 – Mark Rylance, Bridge of Spies
2016 – Mahershala Ali, Moonlight
2017 – Sam Rockwell, Three Billboards Outside Ebbing, Missouri
There are plenty to choose from as far least surprising winners, but here’s my top ones:
3. Gene Hackman, Unforgiven
Clint Eastwood’s Western picked up a slew of awards on Oscar night and Hackman’s inclusion in that race was never really in doubt. It was his second statue after winning Best Actor 21 years previously for The French Connection.
2. Heath Ledger, The Dark Knight
It was director Christopher Nolan giving numerous awards speeches on behalf of the late Ledger, as his work playing the iconic villain swept all precursors as well. This remains not only the only win in the omnipresent superhero genre in the 21st century, but the only nomination.
1. Javier Bardem, No Country for Old Men
Like Ledger, Bardem created a bad guy for the ages in the Coen Brothers Oscar-winning picture. He picked up all the precursors as well for his role.
And now the upsets!
3. James Coburn, Affliction
There was clearly no front-runner in 1998 as a different actor was honored in each preceding awards show. Ed Harris took the Golden Globe for The Truman Show, Billy Bob Thornton (A Simple Plan) was victorious at the Critics Choice Awards, Robert Duvall’s role in A Civil Action was honored at SAG, and Geoffrey Rush (Elizabeth) was the BAFTA recipient. Surely one of them would win the Oscar, but it instead went to Mr. Coburn.
2. Mark Rylance, Bridge of Spies
In 2015, the general consensus was that Sylvester Stallone would punch out the competition in his signature role for Creed. That would have been quite a feat after Rocky took Best Picture in 1976 – nearly four decades prior. Yet it didn’t materialize when Rylance made the trip to the podium.
1. Alan Arkin, Little Miss Sunshine
Along the same lines, Eddie Murphy was the strong favorite for his rare dramatic work in Dreamgirls. With Jennifer Hudson as a sure thing for Supporting Actress (which did happen), the musical looked safe for a supporting sweep. The Academy surprisingly went another route by honoring Arkin.
And now to the fields overall and choosing a strongest and weakest. For the least impressive of the bunch, I’m going with 2011. Here were the nominees:
Christopher Plummer, Beginners (winner)
Kenneth Branagh, My Week with Marilyn
Jonah Hill, Moneyball
Nick Nolte, Warrior
Max Von Sydow, Extremely Loud and Incredibly Close
When it comes to best overall field, I chose 1993. This is the year that Tommy Lee Jones got the gold in The Fugitive. That’s a rare acting win for an action flick. It was deserved in my view and the other four nominees were very strong as well. They were:
Leonardo DiCaprio, What’s Eating Gilbert Grape
Ralph Fiennes, Schindler’s List
John Malkovich, In the Line of Fire
Pete Postlethwaite, In the Name of the Father
Furthermore, I could keep going with other deserving actors that year, including Val Kilmer in Tombstone and Sean Penn for Carlito’s Way.
The next trip down memory lane will be Best Actress and it will be up soon!
Jurassic World: Fallen Kingdom isn’t the only high-profile sequel to a 2015 release coming to a theater near you this month. Sicario: Day of the Soldado follows up on the critically acclaimed Denis Villeneuve crime drama that garnered three Oscar nominations in that year. Soldado debuts a week from tomorrow and reviews are already out.
The verdict? Somewhat mixed as it stands at 65% on Rotten Tomatoes at press time. That’s a pretty far cry from the 93% that its predecessor earned. Interestingly, I’ve seen at least two critical reactions that compare it to Rambo: First Blood Part II. Go figure. Even with its great buzz from reviewers, 2015’s Sicario missed out on the big nominations, including Picture, Director, Original Screenplay, and Benicio del Toro for Supporting Actor. The pic did receive nods for the Cinematography of Roger Deakins, the late Johann Johannsson’s Score, and Sound Editing. Deakins does not return here and he finally won a long deserved statue for last year’s Blade Runner 2049. Villeneuve was busy with 2049 as well and Stefano Sollima takes over directorial duties here.
Bottom line: the Soldado reaction leaves it as an extreme long-shot for any recognition, while part 1 found itself more in the mix.
Not your traditional summer sequel involving superheroes, dinosaurs or animated characters, Sicario: Day of the Soldado arrives in theaters next weekend and hopes to serve as counter programming to said seasonal blockbusters. The pic is a follow-up to 2015’s Sicario, Denis Villeneuve’s critically acclaimed crime thriller that garnered three Oscar nominations. Benicio del Toro and Josh Brolin (this summer’s reigning sequel king) reprise their roles from the original, though Emily Blunt does not appear (she’s been busy with A Quiet Place and Mary Poppins Returns). New costars include Isabela Moner, Jeffrey Donovan, Catherine Keener, and Matthew Modine. As for Villeneuve, he’s moved onto Arrival and Blade Runner 2049 and Italian director Stefano Sollima is now on board. The original’s screenwriter, Taylor Sheridan (who also is responsible for Hell or High Water and Wind River), is back penning this sequel.
Sicario opened in the fall of 2015 and its first wide release weekend brought in $12.1 million with an eventual gross of over $46 million domestically (it earned $85 million total worldwide against a reported budget of $30 million). Soldado may manage to slightly outpace that debut number of part 1 and a sequel is apparently already in the works. That premiere could put it in a battle for third place with the weekend’s other newcomers (Uncle Drew) and behind Jurassic World: Fallen Kingdom and Incredibles 2.
Sicario: Day of the Soldado opening weekend prediction: $13.8 million
A decade into its multi-billion dollar cinematic universe, Avengers: InfinityWar invites viewers to marvel at its gathering of superhero titans to fight another – a villain from planet Titan who reverses one frequent MCU debit (a weak villain). It’s an experience that yields many positive results packed with the action and humor we’ve come to anticipate from the best of this franchise. This movie is massive and it feels that way. The 19th entry in the MCU that started with 2008’s IronMan, here we have nearly all the significant characters from its catalog banding together. If you ever wondered how Thor (Chris Hemsworth) would get along with the Guardians of the Galaxy, the answer is humorously provided. How do the egos of Tony Stark/Iron Man (Robert Downey Jr.) and Doctor Stephen Strange (Benedict Cumberbatch) and Star-Lord (Chris Pratt) meld? You’re about to find out. What happens when the original Avengers and others pick up their weapons alongside Black Panther (Chadwick Boseman) in Wakanda? Giddyup!
All of this runs the risk of InfinityWar coming off as gimmicky, but it mostly doesn’t. That’s because directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely do a remarkable job sticking these giants into the blender and creating something that goes down smooth. This is not necessarily a sequel to 2015’s Avengers: AgeofUltron or 2016’s CaptainAmerica: CivilWar (essentially the third Avengers flick). Rather it’s a follow-up to almost every MCU title. It’s important to know what happened in the actual Avengers pics and CivilWar, but I’d suggest having knowledge of the Guardians, Panther, and so on. Lucky for Disney and Marvel Studios, you probably do. The gathering of these comic book and box office behemoths leads InfinityWar to often feel like the continuation of a long running TV serial – albeit one with huge stars and an unlimited budget.
What brings all the characters together is Thanos (Josh Brolin). He has the proportions of the Hulk (Mark Ruffalo) and a similar sized ambitions of world destruction. Thanos is hell-bent on collecting the Infinity Stones, six potent gems that would render him all-powerful and capable of wiping out populations of many galaxies. After the breakup of the Avengers in CivilWar two years ago, it’s Thanos that causes Mr. Stark and Captain America (Chris Evans) to put their differences aside. Thus begins the jigsaw puzzle of matching up Guardians and Asgardian gods with Wakanda kings and mystical doctors and your friendly neighborhood Spider-Man (Tom Holland).
As you may recall, Thanos has history with one particular character – Gamora (Zoe Saldana). She’s his adopted daughter after he decimated her home planet when she was a little girl. For those who might have assumed the Guardians of the Galaxy would have a glorified cameo in this universe, that is certainly not the case. It’s Gamora’s backstory with Thanos that puts meat on his character’s bones and assists in making him one of the franchise’s best villains. Brolin, for his part, gives the performance his menacing all in crafting him.
Delving too far into what happens in InfinityWar would feel like cheating in any review. Part of the fun here is discovering just how these dozens of heroes and villains coexist. Some general observations: Thor alongside Groot and Rocket is a joy, as is witnessing Groot as a bratty teen with its attention rooted to a video game device. The return to Wakanda and its whip smart inhabitants feels welcome just weeks after Panther’s stand-alone effort. And after 10 years of Tony Stark onscreen in numerous MCU titles, Downey Jr.’s portrayal of him is still as strong as ever. There’s never been a moment in the decade where it felt like Downey was slumming it. He’s the heart of this franchise.
The conclusion of InfinityWar leaves a lot open for the sequel that will arrive next year. When the credits roll before the inevitable post-credits sequence, we witness something both powerful and perhaps not as powerful as it seems after careful thought (saying more would be a spoiler). There’s no doubt, however, that this comic book all-star game is a winner.
This weekend is all about Avengers: Infinity War at the box office as it barrels toward a potentially record-setting debut. The film looks, at the least, poised to set the all-time opening weekend record for the Marvel Cinematic Universe. This is the 19th picture in the MCU as the multi-billion dollar franchise is about to hit its ten-year anniversary.
Infinity will certainly make its mark financially, but could Academy voters take notice? In short – probably not. The pic stands at 85% currently on Rotten Tomatoes. That’s a bit below the original Avengers from 2012 (92%) and a bit above 2015 sequel Age of Ultron (75%). No MCU title or any comic book adaptation has managed a Best Picture nomination and I see no reason to think this will.
Having said that, the Marvel folks stand their best opportunity yet to score a nod in the biggest category of them all. And that would be Black Panther, which was released in February. It stands a real shot. Looking through the Oscar history with this franchise, The Avengers scored a Best Visual Effects nomination in 2012 and lost to Life of Pi. No nominations were given to Ultron.
Bottom line: Infinity War could find itself in the mix for Visual Effects and possibly even the Sound categories. Yet any real MCU love from voters will go to King T’Challa.
It may feel like winter in many parts of the country even though it’s spring, but next weekend is essentially the start of the summer box office in 2018 when Avengers: Infinity War invades theaters. This is the 19th picture in the Marvel Cinematic Universe that began a decade ago with 2008’s Iron Man and the third installment of the Avengers franchise that kicked off in 2012 (an untitled fourth installment is out next summer).
After 10 years of these superheroes populating our screens in one form or another, Infinity War is the picture that brings them all together. That means we have the Avengers we’re used to seeing together: Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner). They’ve got a whole lot of company this time around, including Black Panther (Chadwick Boseman), Spider-Man (Tom Holland), Doctor Strange (Benedict Cumberbatch), Ant-Man (Paul Rudd), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Falcon (Anthony Mackie), Loki (Tom Hiddleston), Bucky (Sebastian Stan), and the whole Guardians of the Galaxy gang (Chris Pratt, Zoe Saldana, Dave Bautista, and the vocal work of Bradley Cooper and Vin Diesel). Josh Brolin is main villain Thanos. Other actors from the MCU returning include Gwyneth Paltrow, Idris Elba, Paul Bettany, Letitia Wright, Danai Gurira, Benicio del Toro, Cobie Smulders, Angela Bassett, Tessa Thompson, and Jon Favreau. Brothers Anthony and Joe Russo (who directed 2016’s Captain America: Civil War) are behind the camera. Whew…
The gathering of the entire MCU is one impressive selling point and there’s been developments that have even increased the anticipation for Infinity‘s release. Last summer’s Spider-Man: Homecoming was well-received, as were Guardians and Thor sequels. Yet perhaps more than anything else, this February’s Black Panther turned into a phenomenon – becoming the third highest grossing domestic earner of all time.
Projections have steadily increased in the past few weeks. It is not outside the realm of possibility that Infinity War could have the largest stateside opening of all time. In order to do so, it would need to surpass the $247 million achieved by 2015’s Star Wars: The Force Awakens. To accomplish the 2nd biggest debut, it would need to exceed the $220 million of last year’s Star Wars: The Last Jedi. It will almost certainly achieve the record for an MCU premiere, which is currently held by the original Avengers at $207 million.
I believe this will pass Jedi and rather easily. Getting to the Awakens number is doable, but I’ll project it falls a bit under that milestone.
Avengers: Infinity War opening weekend prediction: $240.2 million
StarWars: TheLast Jedi is an experience of seemingly big moments in the most famous and loved franchise in history. There are instances of enormous satisfaction here and smaller developments and touches that work.
Jedi is also a little deceiving. When the credits rolled, I slowly began to realize the seismic occurrences witnessed weren’t necessarily all that. There are major developments with some historic characters, but there’s also examples of stagnation with some principals and truly furthering the action along. There is no other series of pictures where the positive aspects are magnified to legendary status and the flaws are portrayed as crimes against humanity. If Jar Jar Binks were to be tried in a court of fanatics, his demise would come slowly and with pain.
In the cycle of endless chatter that accompanies each episode, the 8th appears primed to garner both emotions. To this writer, some of its shortcomings were more obvious than what we saw in episode VII, TheForceAwakens.
The knock on Awakens was simple and I believe mostly misguided. When J.J. Abrams and Disney took over the reigns from George Lucas, complaints were registered that it was essentially a remake of the 1977 original. This is a fair point to a small degree but I walked away from Awakens highly energized and quite pleased with the new crop of characters mixed with the ones we’ve grown up with. I didn’t feel it was just an effective ripening of our collective member berries. It stood on its own.
When we last left our heroine Rey (Daisy Ridley), she was standing on a lush mountain top seeking the help of one Luke Skywalker (Mark Hamill). An Awakens surprise was that Luke loomed in the story, but didn’t say a word and didn’t appear until the final frames. He’s present here and he’s plenty conflicted about whether he wants to help his Force bearing wannabe apprentice. While Daisy and Luke work all that out, Chewbacca gets to hang out with seriously adorable creatures called Porgs. They’ll make great Christmas toys.
Meanwhile, Finn (John Boyega) awakens from his slumber caused in the previous installment to befriend Rose (Kelly Marie Tran), a maintenance worker who becomes his right-hand girl. Poe (Oscar Isaac) is still the cocky fighter pilot who drives his superiors crazy. They include Princess Leia (Carrie Fisher) and another high ranking official played by Laura Dern.
Of course, there’s also the First Order. Kylo Ren (Adam Driver), who made his mom a widow, is back. He’s still experiencing family conflict drama that would probably keep his ship’s psychiatrist busy if there was one. Kylo is still under the command of Supreme Leader Snoke (Andy Serkis) and he’s developed a telepathic type communication with Ren. It’s their dynamic that gives Jedi some of its most significant and powerful moments. Much credit is due to the superb work of Ridley and Driver, which was the case the first time around.
Not all character arcs work as well. It mostly does with Luke and Jedi features Hamill’s most convincing work as Luke. Isaac’s Poe is still a bit of a one trick pony, but the talented actor is granted more screen time to shine. Boyega’s Finn is sidelined with subpar subplots. He’s also saddled by teaming up with a thief played by Benicio del Toro. The Oscar winning actor plays his role so over the top that it’s a tad distracting. I’d say the same for Domhnall Gleeson as First Order General Hux. Finn and company have a whole segment on a new planet filled with degenerates and a lush casino. A triumph of production design, yes, but it also felt like filler.
TheLastJedi has a lot of humor in it, more so that I expected from its new director Rian Johnson. The reliance of it may disappoint some die hards, but I found most of it welcome. By its nature, some of the most dramatic moments succeed just because they’re present. Luke walking into the Falcon? Check. Luke and Leia reuniting after years apart? Check. So for those who complained about episode VII’s nostalgia peddling, it’s a bit unavoidable I say.
Bottom line: my LastJedi reaction was a little more mixed than when I saw Awakens. It’s easily better than anything Lucas gave us in episodes I-III. For those hoping this would be the Empire of the new trilogy, you can transfer that hope to IX.
The most eagerly anticipated review embargo of 2017 ended early this afternoon as critical reaction is pouring in for Star Wars: The Last Jedi. Opening Friday, it’s pretty much a foregone conclusion that episode VIII of the vaunted franchise will generate the year’s biggest debut (and very possibly the second highest of all time after predecessor The Force Awakens).
So my attention now turns to its Oscar viability. At this moment, The Last Jedi stands at 93% on Rotten Tomatoes. That’s quite an impressive number (Force Awakens ended up at 93%) and it’s likely the Jedi number will fluctuate over the next couple of days. Still, many reviews have indicated it’s the strongest entry in the series since 1980’s The Empire Strikes Back – generally and rightfully considered the best of the lot. Other reviews, while positive, haven’t gone that far.
It’s worth noting that only the 1977 original managed a Best Picture nomination. Simply put, I don’t see that changing here nor do I see any of the actors getting recognition.
The Force Awakens ended up garnering five nods two years ago: Original Score, Editing, Sound Editing, Sound Mixing, and Visual Effects. It won zero. My estimate is that Jedi will not reach that number. Composer John Williams will face competition with himself and I see his work for Steven Spielberg’s The Post being nominated instead. Editing could be a stretch as some reviewers are already nitpicking its pacing. It could certainly nab nominations in both Sound categories and Visual Effects is a given. Like Force Awakens, I believe it won’t emerge victorious in any of the races it gets in for.
Bottom line: Star Wars: The Last Jedi, even with its general consensus that it improves over Awakens, is unlikely to be an Academy player in any significant manner other than technical stuff.
The cinematic event of 2017 invades theaters next Friday when StarWars: TheLastJedi debuts. The eighth episode of the beloved franchise arrives 40 years after the original changed the landscape of the moviegoing world. In more recent times, it is of course the sequel to 2015’s TheForceAwakens, which broke every box office record in its path. It had the biggest opening of all time and is the highest grossing picture of all time (not adjusted for inflation).
What J.J. Abrams started two December’s ago is continued here with Rian Johnson handling directorial duties (Abrams will be back for episode IX). Returnees from Awakens include Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Andy Serkis, Anthony Daniels, Lupita Nyong’o, and Domhnall Gleeson. Of course, there’s also Mark Hamill back as Luke Skywalker and with considerably more screen time and Carrie Fisher as Princess Leia in her final performance. Familiar faces entering the StarWars universe for the first time include Benicio del Toro, Laura Dern, and Kelly Marie Tran.
TheForceAwakens obliterated the all-time opening weekend to the tune of $247 million with a $936 million eventual domestic haul. Anticipation for the follow-up is feverish. That said, Jedi is not expected to top its predecessor out of the gate. A more serious question is whether or not it will manage the second biggest stateside premiere in history.
First things first : it should not have trouble nabbing the 2017 record by sailing past another Disney title, BeautyandtheBeast at $174 million. And it will absolutely be the runner-up franchise opening, which currently is last year’s spin-off RogueOne: AStarWarsStory at $155 million.
In order to achieve the #2 debut, it will need to top the $208 million earned by JurassicWorld in 2015. I am predicting it will manage to get there with about $10 million to spare as it sets up for a long run over the holidays.
StarWars: TheLastJedi opening weekend prediction: $219.7 million
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