October 4-6 Box Office Predictions

Blogger’s Update (10/03): With the announcement that White Bird is only hitting just over 1000 screens, I’m downgrading my prediction from $3.1 million to $1.5 million

Warner Bros hopes Joker: Folie à Deux can approach the gargantuan grosses that its predecessor earned five years ago while Lionsgate has the long delayed Wonder prequel White Bird out this weekend. You can peruse my detailed prediction posts on the newcomers here:

A half decade ago, Joker rode a wave of sizzling buzz to a $96 million debut (the best October start of all time), a $335 eventual domestic gross, and an Oscar statue for Joaquin Phoenix. With Lady Gaga joining the mayhem as Harley Quinn, word-of-mouth is more mixed for part Deux and it likely won’t achieve the hotshot premiere of part un. While my mid 50s forecast easily has it topping the charts, that’s over $40 million less out of the gate.

As for White Bird, I expect it to be another significant under performer for distributor Lionsgate who just saw Megalopolis crash and burn (more on that below). My number for Bird puts it just outside the top five.

As for holdovers, The Wild Robot might see a mid to high 40s decline after its solid beginning while Beetlejuice Beetlejuice and Speak No Evil‘s percentage dips should be smaller. The highest plummet in the top 5 (same as this past frame) should belong to Transformers One.

Here’s how I see it playing out:

1. Joker: Folie à Deux

Predicted Gross: $54.3 million

2. The Wild Robot

Predicted Gross: $19.8 million

3. Beetlejuice Beetlejuice

Predicted Gross: $11.6 million

4. Transformers One

Predicted Gross: $4.4 million

5. Speak No Evil

Predicted Gross: $3.2 million

Box Office Results (September 27-29)

DreamWorks Animation’s The Wild Robot, with fresh reviews and an A Cinemascore grade, performed impressively with $35.7 million. That’s just ahead of my $33.8 million take and it should play well throughout the next few weeks.

Beetlejuice Beetlejuice, after three weeks in 1st, slid to second with $16.2 million. That’s a mere 37% decline and beyond my $14.8 million prediction. The sequel has amassed $250 million in four weeks.

The news was more distressing for Transformers One as it plummeted 63% in its sophomore frame to $9.1 million. I was more generous at $11.5 million as Hasbro’s latest underwhelming franchise entry has taken in $39 million in ten days.

Epic Indian Telugu-language action flick Devara: Part 1 opened in fourth with $5.6 million with the second best per screen average in the top 10. I incorrectly had it outside the high five.

Speak No Evil was fifth with $4.2 million (I said $3.4 million). The thriller sits at $28 million after three weeks.

Finally, Francis Ford Coppola’s self-financed Megalopolis (with a reported $120 million price tag) could not overcome mostly middling reviews and audience ambivalence. It was sixth with $4 million compared to my $4.7 million call. With a D+ Cinemascore, I suspect this falls over 65% in its second weekend. Ouch.

And that does it for now, folks! Until next time…

Beetlejuice Beetlejuice Box Office Prediction

Over three and a half decades after the original made a killing at the box office, Beetlejuice Beetlejuice appears in theaters on September 6th. Tim Burton returns to direct the macabre comedy with Michael Keaton reprising his title role as the demented bio-exorcist. Winona Ryder and Catherine O’Hara are back as Lydia and Delia Deetz with Jenna Ortega (hot off Netflix’s Wednesday from exec producer Burton) joining as third gen Deetz. Other newcomers to the franchise are Justin Theroux, Monica Bellucci, and Willem Dafoe.

The long-in-development sequel received a high-profile slot kicking off the Venice Film Festival this week. Reviews are mostly fresh with many critics saying it’s a return to form for its filmmaker. In 1988, Beetlejuice grossed $74 million domestically and was the 10th highest earner of the year. Since then, its reputation has grown as a classic genre mixup of humor and genial horror.

This should succeed in bringing in 36 years worth of fans and it doesn’t hurt that Ortega is present. Tracking continues to tick up from $65-75 million as it’s now expected to rise above well above that and maybe even in nine figures. The domestic September opening weekend records are held by 2017’s It ($123 million) and its 2019 sequel It Chapter Two with $91 million. Third place belongs to the MCU’s Shang-Chi and the Legend of the Ten Rings at $75 million.

Beetlejuice Beetlejuice should face no trouble achieving second place and it could absolutely come in first. The momentum appears real and I’ll say it gets beyond the century mark.

Beetlejuice Beetlejuice opening weekend prediction: $115.7 million

Oscar Predictions: Beetlejuice Beetlejuice

It was surprising when the Venice organizers announced that Beetlejuice Beetlejuice (out September 6th) would open their film festival which kicked off today. The long-in-development sequel (as in 36 years) brings Tim Burton back in the director’s chair with Michael Keaton reprising his iconic role as the ghost with the most. Winona Ryder and Catherine O’Hara return with Jenna Ortega (who stars in Netflix’s Wednesday from Burton), Justin Theroux, Monica Bellucci, and Willem Dafoe entering the macabre universe.

Projections have Beetlejuice squared circling big numbers at the box office. The Italian premiere announcement has prognosticators pondering the awards viability. The 1988 original earned a sole Oscar nod and it won Best Makeup (before it was Makeup and Hairstyling), beating out a worthy competitor in Coming to America.

Most of the reviews for the follow-up are in the plus column with 21 out of the current 27 sporting red on Rotten Tomatoes. Many are saying it’s a welcome return to form for Burton. It could certainly land another Makeup mention though defeating Dune: Part Two won’t be an easy chore. I wouldn’t totally rule out Production Design or Visual Effects as possibilities.

Anything beyond that is unlikely as the same probably holds true for its Golden Globes chances in Musical/Comedy. My Oscar Prediction posts will continue with frequency now that Venice is underway…

Oscar Predictions: Renfield

Reviews are out for this Friday’s Renfield and the general consensus is that it doesn’t suck. From The Lego Batman Movie and The Tomorrow War maker Chris McKay, Nicolas Cage stars as Dracula with Nicholas Hoult as his title character employee. Awkwafina, Ben Schwartz, Adrian Martinez, and Shohreh Aghdashloo costar.

With a 72% Rotten Tomatoes score, the bulk of the praise is going to Cage for his unsurprisingly demented work as the iconic vampire. Universal is certainly not looking at this as an awards contender, but it’s fair to wonder whether a tech race like Makeup and Hairstyling could be in play. Horror comedies have seen past successes there, including 80s winners An American Werewolf in London and Beetlejuice. In recent years, the genre has been underrepresented. I wouldn’t expect Renfield to change that, but it’s at least possible. My Oscar Prediction posts will continue…

Oscar Watch: Coming 2 America

The long awaited sequel Coming 2 America begins streaming on Amazon Prime tomorrow as Eddie Murphy and Arsenio Hall return as their characters (plural) made famous in the 1988 classic. This was originally scheduled for the summer of 2020 before the COVID-19 pandemic changed its theatrical rollout plan and its release date.

Its review embargo lifted today and the results are mixed with a current 52% score on Rotten Tomatoes. Don’t get me wrong – no one was thinking America would vie for Best Picture or additional top line races in 2022. That’s unlike 2019’s collaboration between Murphy and Coming director Craig Brewer. That film received far better critical reaction and some chatter of a Best Actor nod for its star that never came to fruition.

There are, however, categories down the line where this could contend. The obvious one is Makeup and Hairstyling. Part 1 was nominated and lost to Beetlejuice. The original also picked up a nod for Costume Design where Dangerous Liaisons emerged with the gold. Both of those races are most certainly in play for part 2 as well as Production Design (which could be a stretch). If it manages recognition for its costumes, Ruth Carter (who won in 2018 for Black Panther) would be back in the mix.

Bottom line: audiences have waited over 30 years for the return of Eddie and Arsenio as royalty, barbers, preachers, and an atrocious R&B crooner. It could also return in the same races come Oscar time next year. My Oscar Watch posts will continue…