The fact that A Big Bold Beautiful Journey skipped the recent film festival circuit might have been a clue that the studio was worried about its critical prospects. From acclaimed director Kogonada (Columbus, After Yang), the fantasy romance stars Margot Robbie (in her first major project since Barbie) and Colin Farrell with Kevin Kline and Phoebe Waller-Bridge providing support.
That antenna about it avoiding Telluride or Venice or Toronto appears in tune. Many reviews are calling this a misfire with 56% on Rotten Tomatoes and a 41 Metacritic. Despite some appreciation for technical aspects, the Academy won’t be looking into nominations for this Journey. My Oscar Prediction posts will continue…
The box office should come down to Earth a bit this weekend after Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle smashed the opening weekend record for an anime title. We have football themed horror thriller Him starring Marlon Wayans, fantastical drama A Big Bold Beautiful Journey with Margot Robbie and Colin Farrell and football themed inspirational tale The Senior featuring Michael Chiklis opening. You can peruse my detailed prediction posts on the newcomers here:
Him, from Jordan Peele’s production house, should have bragging rights in 1st position though my low 20s take puts it well behind what other recent horror flicks have achieved.
The other newcomers might not make the top 5. Journey is a head scratcher. As I pointed out in the long post, this is Robbie’s first significant project since Barbie and you’d think there would be more hype. My mid single digits estimate has it in sixth.
As for The Senior, Angel Studios dusted it off after it premiered at a Floridian film festival two years back. Their marketing might get this to mid single digits (if they’re lucky) for seventh place.
Demon Slayer indeed slayed this past weekend (more on that below). These types of anime offerings are typically front loaded and I expect that to be case here. A sophomore drop in the mid to high 70s would give it mid teens and it certainly could repeat in 1st if Him underwhelms.
Being that I’m unconvinced about Journey and The Senior, holdovers The Conjuring: Last Rites, Downton Abbey: The Grand Finale and The Long Walk could populate the rest of the high five.
Here’s how I see the top 7 shaking out:
1. Him
Predicted Gross: $20.3 million
2. Demon Slayer: Kimsetsu no Yaiba – The Movie: Infinity Castle
Predicted Gross: $16.2 million
3. The Conjuring: Last Rites
Predicted Gross: $12.4 million
4. Downton Abbey: The Grand Finale
Predicted Gross: $6.5 million
5. The Long Walk
Predicted Gross: $6.2 million
6. A Big Bold Beautiful Journey
Predicted Gross: $4.8 million
7. The Senior
Predicted Gross: $3.3 million
Box Office Results (September 12-14)
Demon Slayer (I’ve tired of writing the rest of its name) lived up to its late breaking hype with a gargantuan haul of $70.6 million, above my $64.6 million projection. The Crunchyroll release capitalized on unprecedented domestic interest in the genre as it attained the status of an event picture.
The Conjuring: Last Rites, after its own huge start, dropped an understandable 69% to second with $25.6 million. I predicted a tad more at $28.5 million. The two-week tally is a scary good $130 million as it nears the $137 million franchise record held by 2013’s original.
Downton Abbey: The Grand Finale managed to slightly outdo its 2022 predecessor in third with $18.1 million. My guesstimate? $18.1 million! This should also be front loaded and I’m thinking a low to mid 60s fall for this weekend.
Stephen King adaptation The Long Walk was fourth with $11.7 million compared to my $8.7 million call. Solid critical reaction likely helped push it past double digits.
The 30th anniversary re-release of Pixar’s inaugural effort Toy Story rounded out the top five with $3.4 million. I didn’t do a prediction for it. The additional dollars brought its three decade old total to $195 million (or over $400 million stateside adjusted for inflation).
Finally, mockumentary sequel Spinal Tap II: The End Continues flopped in ninth (at least it didn’t go to 11th) with $1.6 million. I was more generous at $3.4 million as interest wasn’t present for the sequel to the classic 1984 original.
Margot Robbie and Colin Farrell headline the fantastical drama A Big Bold Beautiful Journey beginning September 19th. Kogonada, best known for making Columbus and After Yang, directs with a supporting cast including Kevin Kline, Phoebe Waller-Bridge, Lily Rabe, Jodie Turner-Smith and Billy Magnussen.
Nearly five years ago, the script by Seth Reiss was featured on the “Black List” of Hollywood’s hottest screenplays not yet produced. Yet with its release less than a week away, buzz for Beautiful is exceedingly quiet. This is even more surprising since it’s Robbie’s first major project since her 2023 box office phenomenon Barbie. I also find it curious that this skipped the film festival circuit of Venice, Telluride and Toronto where this could’ve built word-of-mouth.
That all may spell an inconsequential start in the mid single digits.
A Big Bold Beautiful Journey opening weekend prediction: $4.8 million
The Lost Bus found its way to the Toronto Film Festival prior to its September 19th limited theatrical release and October 3rd Apple TV streaming debut. The true life wildfire survival tale comes from Paul Greengrass (the Bourne franchise, United 93, Captain Phillips) with Matthew McConaughey and America Ferrara headlining. Yul Vazquez and Ashlie Atkinson costar.
The 100% Rotten Tomatoes rating is a little deceiving with the 66 on Metacritic more accurately reflecting the critical consensus. McConaughey (a 2013 Best Actor victor for Dallas Buyers Club) and Ferrera (a Supporting Actress nominee in 2023 for Barbie) are being appreciated for their performances, but not enough to anticipate their second tries at gold. Where Bus could be in sole contention is in Visual Effects. If it manages to make the shortlist, it might be a trendy pick for inclusion. My Oscar Prediction posts will continue…
As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.
What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?
For the 96th Academy Awards, we know Christopher Nolan’s Oppenheimer would have been one of them. It dominated the show by winning Best Picture, Director, Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr.), Cinematography, Film Editing, and Original Score.
Picking the other 4 of 9 for the final five is less obvious. And I really mean it this time because, with one exception, selecting the others was tough. Here’s my best speculation.
American Fiction
Cord Jefferson’s dramedy performed better than anticipated with five nominations including a win in Adapted Screenplay over heavy hitters Barbie, Oppenheimer, Poor Things, and The Zone of Interest. Other nods were Jeffrey Wright in Actor, Sterling K. Brown for supporting, and Original Score.
Does It Make the Final Five?
Yes, but I went back and forth on this one and came very close to saying no. Gods and Monsters from 1998 is the last Adapted Screenplay winner to not be nominated for BP so that’s what gives this a slight edge.
Anatomy of a Fall
The French legal drama was inexplicably not selected for International Feature Film, but nabbed a quintet of nods that included Director (Justine Triet), Actress (Sandra Hüller), Film Editing, and a victory in Original Screenplay (over The Holdovers and Past Lives).
Does It Make the Final Five?
No, but I went back and forth on this one and came very close to saying yes. Like with Fiction, there’s a screenplay component at play. Eternal Sunshine of the Spotless Mind from 2004 was the previous Original Screenplay winner to not be nominated for BP. In this case, the case for some other pics was just a tad stronger.
Barbie
Greta Gerwig’s smash hit had six other nods in Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, 2 Original Songs, and Production Design. The sole victory was for Billie Eilish’s ballad “What Was I Made For?”.
Does It Make the Final Five?
I went back and forth on this one… you get the idea. I’m going with no with its glaring omission for Gerwig’s direction and Margot Robbie’s snub to a lesser degree. That said, it is certainly feasible that AMPAS could’ve made room had this been a quintet.
The Holdovers
Alexander Payne’s dramedy was a winner in Supporting Actress for Da’Vine Joy Randolph with Paul Giamatti nominated in Actor and nods for Film Editing and Original Screenplay.
Does It Make the Final Five?
No. If Giamatti had taken lead actor or the screenplay been victorious, this would be a tougher choice. I think it’d be on the outside looking in.
Killers of the Flower Moon
Martin Scorsese’s historial epic had ten overall nominations behind Oppenheimer and Poor Things – directing, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. It went 0 for 10 on the night.
Does It Make the Final Five?
Yes, but I don’t think it’s automatic. No nods for the adapted screenplay or Leonardo DiCaprio in Actor make me questions its inclusion. So do the zero trophies. Yet Scorsese’s clout causes me to grant it a spot.
Maestro
Bradley Cooper’s biopic of Leonard Bernstein is a seven-time nominee for Actor (Cooper), Actress (Carey Mulligan), Original Screenplay, Cinematography, Makeup and Hairstyling, and Sound. It did not pick up any of the hardware.
Does It Make the Final Five?
No, but it did perform quite well as far as nods. Cooper’s exclusion from Best Director was my deciding factor.
Past Lives
Celine Song’s romance was the least nominated of the BP contestants with Original Screenplay as its only other nom.
Does It Make the Final Five?
No and this was the easiest of the five to decide considering the amount of nominations.
Poor Things
The multi-genre experience from Yorgos Lanthimos was second only to Oppenheimer in terms of mentions with 11 including wins for Emma Stone in Actress, Costume Design, Makeup and Hairstyling, and Production Design. Other nods: director, Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Film Editing, and Original Score.
Does It Make the Final Five?
Yes and this was the easiest of the nine to leave in due to its volume of noms and victories.
The Zone of Interest
The wartime drama from Jonathan Glazer, with Anatomy of a Fall out of competition, easily took International Feature Film while also grabbing a Sound win and noms for direction and Adapted Screenplay.
Does It Make the Final Five?
I don’t think it is automatic, but yes. I nudged it just past Fall considering the IFF gold.
And that means my final 2023 five would be:
American Fiction
Killers of the Flower Moon
Oppenheimer
Poor Things
The Zone of Interest
I plan to post my selection for 2024 in the near future!
This Wednesday (01/08), the Directors Guild of America reveals their five nominees for behind the camera achievement in 2024. The DGA is normally a reliable barometer to project 4 of the 5 eventual Oscar nominees. Over the past decade, the match has been that margin in eight of the years. For two of the years, the match was 3 for 5. That includes last year when Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) made the DGA cut but Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) received Academy attention.
I believe there are two shoo-in nominees for the 77th ceremony in Brady Corbet for The Brutalist and Sean Baker for Anora. Furthermore, I see Edward Berger (Conclave) as really close to being an automatic pick.
Then it gets interesting. The DGA often prioritizes American pictures over foreign entries or foreign directors. We certainly saw that last year with Gerwig/Payne over Glazer/Triet. In 2021, Denis Villeneuve was in the DGA quintet for Dune while Ryusuke Hamaguchi (Drive My Car) replaced him in the Academy five. In 2022, it was Ruben Östlund (Triangle of Sadness) vying for Oscar instead of DGA selection Joseph Kosinski for Top Gun: Maverick.
That’s why I wouldn’t pencil in Mohammad Rasoulof (The Seed of the Sacred Fig) or Payal Kapadia (All We Imagine as Light) here. And that’s why being skeptical about Jacques Audiard (Emilia Pérez) or Coralie Fargeat (The Substance) is warranted. Both could get in and both movies are over performing in various precursors. Pérez, it could be argued, is doing so by an even more impressive margin. That’s why I’m leaving Audiard in while Fargeat is barely on the outside looking in.
So who gets the fifth slot? I wouldn’t count out RaMell Ross for Nickel Boys or even James Mangold for A Complete Unknown or Jon M. Chu for Wicked (though I’m finding that one increasingly unlikely). I’m reminded that DGA also selects some filmmakers for blockbuster fare the Academy ignores. Gerwig for Barbie and Kosinski for Top Gun. Ridley Scott for The Martian.
And… Denis Villeneuve for Dune. I think history could repeat itself with Villeneuve in contention for the sequel and that’s the direction I’m going for DGA.
These are last Oscar predictions in calendar year 2024 and I’ll likely do the final forecast on Tuesday, January 14th before the nominations are revealed on Friday, January 17th. It got me wondering how accurate my projections were for the 96th Academy Awards covering 2023 at this point in the calendar. Turns out… I did a post on December 29th of last year. The results? That’s what I’ll focus on in this write-up while giving you my predictions for the next broadcast.
The quick version is that my December 29th, 2023 forecast yielded 79 of the eventual 105 nominees. That’s not far off from my eventual tally of 84 of 105 when the announcements were made in January 2024. This includes 10 for 10 (!) in Best Picture and 5 for 5 in Makeup & Hairstyling. I went 4 for 5 in 10 other competitions while getting 3 for 5 in eight other competitions. There wasn’t one category where I didn’t have the winner listed as a nominee… except for in Visual Effects (we’ll get to that at the bottom).
Let’s get to it with some chatter about my performance in the previous year to use a potential context for what’s to come.
Best Picture
Predicted Nominees:
1. The Brutalist (Previous Ranking: 1) (Even)
2. Conclave (PR: 2) (E)
3. Anora (PR: 3) (E)
4. Emilia Pérez (PR: 4) (E)
5. Wicked (PR: 5) (E)
6. Dune: Part Two (PR: 6) (E)
7. A Complete Unknown (PR: 9) (+2)
8. The Substance (PR: 7) (-1)
9. Nickel Boys (PR: 10) (+1)
10. Sing Sing (PR: 8) (-2)
Other Possibilities:
11. A Real Pain (PR: 11) (E)
12. The Seed of the Sacred Fig (PR: 13) (+1)
13. September 5 (PR: 12) (-1)
14. All We Imagine as Light (PR: 14) (E)
15. Nosferatu (PR: 15) (E)
2023 Performance on December 29th –
10 for 10 on the Best Picture nominees and that includes listing eventual victor Oppenheimer at #1.
Best Director
Predicted Nominees:
1. Brady Corbet, The Brutalist (PR: 1) (E)
2. Sean Baker, Anora (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Jacques Audiard, Emilia Pérez (PR: 4) (E)
5. Coralie Fargeat, The Substance (PR: 5) (E)
Other Possibilities:
6. RaMell Ross, Nickel Boys (PR: 7) (+1)
7. Denis Villeneuve, Dune: Part Two (PR: 6) (-1)
8. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 8) (E)
9. Payal Kapadia, All We Imagine as Light (PR: 9) (E)
10. James Mangold, A Complete Unknown (PR: Not Ranked)
Dropped Out:
Jon M. Chu, Wicked
2023 Performance on December 29th –
4 for 5 and I correctly had Christopher Nolan’s direction of Oppenheimer listed in 1st. Where I went wrong – I had Greta Gerwig (Barbie) in over Justine Triet (Anatomy of a Fall), who was listed in 8th position.
Best Actress
Predicted Nominees:
1. Mikey Madison, Anora (PR: 1) (E)
2.Angelina Jolie, Maria (PR: 4) (+2)
3. Demi Moore, The Substance (PR: 2) (-1)
4. Karla Sofia Gascón, Emilia Pérez (PR: 3) (-1)
5. Marianne Jean-Baptiste, Hard Truths (PR: 6) (+1)
Other Possibilities:
6. Cynthia Erivo, Wicked (PR: 5) (-1)
7. Fernanda Torres, I’m Still Here (PR: 7) (E)
8. Kate Winslet, Lee (PR: 9) (+1)
9. Nicole Kidman, Babygirl (PR: 8) (-1)
10. Amy Adams, Nightbitch (PR: Not Ranked)
Dropped Out:
Saoirse Ronan, The Outrun
2023 Performance on December 29th –
4 for 5. Eventual winner Emma Stone (Poor Things) was listed in 2nd after Lily Gladstone (Killers of the Flower Moon). I incorrectly had Greta Lee (Past Lives) nominated over Annette Bening (Nyad), who I had listed in ninth.
Best Actor
Predicted Nominees:
1. Adrien Brody, The Brutalist (PR: 1) (E)
2. Timothée Chalamet, A Complete Unknown (PR: 2) (E)
3. Ralph Fiennes, Conclave (PR: 3) (E)
4. Colman Domingo, Sing Sing (PR: 4) (E)
5. Daniel Craig, Queer (PR: 5) (E)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 6) (E)
7. Jesse Eisenberg, A Real Pain (PR: 8) (+1)
8. Sebastian Stan, A Different Man (PR: 9) (+1)
9. Hugh Grant, Heretic (PR: 7) (-2)
10. Glen Powell, Hit Man (PR: 10) (E)
2023 Performance on December 29th –
4 for 5. I had the winner Cillian Murphy of Oppenheimer listed second after Bradley Cooper from Maestro. Where I went wrong – I had Leonardo DiCaprio (Killers of the Flower Moon) nominated over my #6 Colman Domingo (Rustin).
Best Supporting Actress
Predicted Nominees:
1. Zoe Saldaña, Emilia Pérez (PR: 1) (E)
2. Ariana Grande, Wicked (PR: 2) (E)
3. Felicity Jones, The Brutalist (PR: 4) (+1)
4. Isabella Rossellini, Conclave (PR: 3) (-1)
5. Danielle Deadwyler, The Piano Lesson (PR: 5) (E)
Other Possibilities:
6. Aunjanue Ellis-Taylor, Nickel Boys (PR: 7) (+1)
7. Margaret Qualley, The Substance (PR: 6) (-1)
8. Selena Gomez, Emilia Pérez (PR: 8) (E)
9. Elle Fanning, A Complete Unknown (PR: Not Ranked)
10. Saoirse Ronan, Blitz (PR: 10) (E)
Dropped Out:
Joan Chen, Dídi
2023 Performance on December 29th –
3 for 5. I correctly had Da’Vine Joy Randolph in The Holdovers listed in 1st. Where I went wrong – Julianne Moore (May December) and Rachel McAdams (Are You ThereGod? It’s Me, Margaret) in over Jodie Foster for Nyad (who I had in sixth) and America Ferrera in Barbie (who was 8th at that time).
Best Supporting Actor
Predicted Nominees:
1. Guy Pearce, The Brutalist (PR: 2) (+1)
2. Kieran Culkin, A Real Pain (PR: 1) (-1)
3. Clarence Maclin, Sing Sing (PR: 3) (E)
4. Denzel Washington, Gladiator II (PR: 5) (+1)
5. Edward Norton, A Complete Unknown (PR: 4) (-1)
Other Possibilities:
6. Yura Borisov, Anora (PR: 6) (E)
7. Jeremy Strong, The Apprentice (PR: 8) (+1)
8. Stanley Tucci, Conclave (PR: 7) (-1)
9. Adam Pearson, A Different Man (PR: 9) (E)
10. Brian Tyree Henry, The Fire Inside (PR: 10) (E)
2023 Performance on December 29 –
4 for 5. I correctly had Robert Downey Jr. (Oppenheimer) listed in first. Where I went wrong – I had Charles Melton (May December) being nominated over #7 Sterling K. Brown in American Fiction.
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. The Brutalist (PR: 2) (E)
3. A Real Pain (PR: 3) (E)
4. The Substance (PR: 4) (E)
5. September 5 (PR: 6) (+1)
Other Possibilities:
6. The Seed of the Sacred Fig (PR: 5) (-1)
7. Hard Truths (PR: 7) (E)
8. All We Imagine as Light (PR: 8) (E)
9. Saturday Night (PR: 9) (E)
10. A Different Man (PR: Not Ranked)
Dropped Out:
Challengers
2023 Performance on December 29th –
4 for 5. Winner The Holdovers was listed 2nd while I had Barbie ranked 1st. It would be moved into Adapted Screenplay shortly thereafter. Where I went wrong – listing Barbie instead of #7 Maestro.
Best Adapted Screenplay
Predicted Nominees:
1. Conclave (PR: 1) (E)
2. Nickel Boys (PR: 2) (E)
3. Sing Sing (PR: 3) (E)
4. Emilia Pérez (PR: 4) (E)
5. Dune: Part Two (PR: 5) (E)
Other Possibilities:
6. The Room Next Door (PR: 7) (+1)
7. A Complete Unknown (PR: 6) (-1)
8. I’m Still Here (PR: 8) (E)
9. Wicked (PR: 9) (E)
10. Hit Man (PR: 10) (E)
2023 Performance on December 29th –
3 for 5. Per above, I had Barbie listed in Original instead of Adapted at that time. Winner American Fiction was slotted fourth. Where I went wrong – having Killers of the Flower Moon and All of Us Strangers instead of Barbie and #6 The Zone of Interest.
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. The Seed of the Sacred Fig (PR: 2) (E)
3. I’m Still Here (PR: 3) (E)
4. The Girl with the Needle (PR: 4) (E)
5. Vermiglio (PR: 5) (E)
Other Possibilities:
6. Kneecap (PR: 7) (+1)
7. Universal Language (PR: 9) (+2)
8. How to Make Millions Before Grandma Dies (PR: 10) (+2)
9. Flow (PR: 8) (-1)
10. Dahomey (PR: 6) (-4)
2023 Performance on December 29th –
4 for 5. The Zone of Interest was correctly listed in 1st. Where I went wrong – The Taste of Things was predicted over #9 lo capitano.
Best Animated Feature Film
Predicted Nominees:
1. The Wild Robot (PR: 1) (E)
2. Flow (PR: 2) (E)
3. Inside Out 2 (PR: 3) (E)
4. Memoir of a Snail (PR: 4) (E)
5. Wallace & Gromit: Vengeance Most Fowl (PR: 5) (E)
Other Possibilities:
6. Moana 2 (PR: 7) (+1)
7. Piece by Piece (PR: 6) (-1)
8. Chicken for Linda! (PR: 8) (E)
9. Transformers One (PR: 9) (E)
10. Spellbound (PR: 10) (E)
2023 Performance on December 29th –
4 for 5. Winner The Boy and the Heron was listed in 2nd. Where I went wrong – predicting The Peasants over #10 Robot Dreams.
Best Documentary Feature
Predicted Nominees:
1. No Other Land (PR: 1) (E)
2. Sugarcane (PR: 2) (E)
3. Will & Harper (PR: 4) (+1)
4. Daughters (PR: 3) (-1)
5. Soundtrack to a Coup d’Etat (PR: 8) (+3)
Other Possibilities:
6. Black Box Diaries (PR: 6) (E)
7. Dahomey (PR: 5) (-1)
8. Union (PR: 7) (-1)
9. Porcelain War (PR: 9) (E)
10. The Remarkable Life of Ibelin (PR: 10) (E)
2023 Performance on December 29th –
3 for 5. 20 Days in Mariupol was correctly listed 1st. Where I went wrong – Beyond Utopia and American Symphony were predicted over #9 Bobi Wine: The People’s President and unranked To Kill a Tiger.
Best Cinematography
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Nickel Boys (PR: 3) (E)
4. Maria (PR: 4) (E)
5. The Girl with the Needle (PR: 5) (E)
Other Possibilities:
6. Conclave (PR: 6) (E)
7. Nosferatu (PR: 7) (E)
8. Emilia Pérez (PR: 8) (E)
9. Wicked (PR: Not Ranked)
10. A Complete Unknown (PR: 10) (E)
Dropped Out:
Anora
2023 Performance on December 29th –
4 for 5. Oppenheimer was correctly listed 1st. Where I went wrong – I had The Zone of Interest nominated over #10 El Conde.
Best Costume Design
Predicted Nominees:
1. Wicked (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Nosferatu (PR: 4) (+1)
4. Gladiator II (PR: 3) (-1)
5. Maria (PR: 5) (E)
Other Possibilities:
6. Conclave (PR: 6) (E)
7. Beetlejuice Beetlejuice (PR: 10) (+3)
8. The Brutalist (PR: 9) (+1)
9. A Complete Unknown (PR: 8) (-1)
10. Blitz (PR: 7) (-3)
2023 Performance on December 29th –
4 for 5. Winner Poor Things was listed in 2nd (behind Barbie). Where I went wrong – The Color Purple getting nominated over #7 Napoleon.
Best Film Editing
Predicted Nominees:
1. The Brutalist (PR: 3) (+2)
2. Conclave (PR: 1) (-1)
3. Anora (PR: 2) (-1)
4. Dune: Part Two (PR: 6) (+2)
5. Emilia Pérez (PR: 4) (-1)
Other Possibilities:
6. Wicked (PR: 9) (+3)
7. September 5 (PR: 5) (-2)
8. Challengers (PR: 7) (-1)
9. The Substance (PR: 8) (-1)
10. Nickel Boys (PR: 10) (E)
2023 Performance on December 29th –
3 for 5. Oppenheimer was correctly listed 1st. Where I went wrong – I had Air and Barbie nominated over #6 The Holdovers and #8 Anatomy of a Fall.
Best Makeup & Hairstyling
Predicted Nominees:
1. The Substance (PR: 1) (E)
2. Wicked (PR: 2) (E)
3. Dune: Part Two (PR: 3) (E)
4. A Different Man (PR: 4) (E)
5. Nosferatu (PR: 6) (+1)
Other Possibilities:
6. Emilia Pérez (PR: 7) (+1)
7. Beetlejuice Beetlejuice (PR: 5) (-2)
8. Waltzing with Brando (PR: 9) (+1)
9. Maria (PR: 8) (-1)
10. The Apprentice (PR: 10) (E)
2023 Performance on December 29th –
5 for 5! Winner Poor Things was listed second behind Maestro.
Best Original Score
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Conclave (PR: 2) (E)
3. Emilia Pérez (PR: 3) (E)
4. Challengers (PR: 5) (+1)
5. The Room Next Door (PR: 9) (+4)
Other Possibilities:
6. The Wild Robot (PR: 4) (-2)
7. Wicked (PR: 6) (-1)
8. Sing Sing (PR: 7) (-1)
9. Nosferatu (PR: 8) (-1)
10. Blitz (PR: 10) (E)
2023 Performance on December 29th –
3 for 5. Oppenheimer was correctly listed 1st. Where I went wrong – I had The Zone of Interest and The Boy and the Heron nominated over #10 American Fiction and the unranked Indiana Jones and the Dial of Destiny.
Best Original Song
Predicted Nominees:
1. “El Mal” from Emilia Pérez (PR: 1) (E)
2. “Mi Camino” from Emilia Pérez (PR: 3) (+1)
3. “Kiss the Sky” from The Wild Robot (PR: 2) (-1)
4. “The Journey” from The Six Triple Eight (PR: 4) (E)
5. “Harper and Will Go West” from Will & Harper (PR: 7) (+2)
Other Possibilities:
6. “Like a Bird” from Sing Sing (PR: 5) (-1)
7. “Compress/Repress” from Challengers (PR: 6) (-1)
8. “Tell Me It’s You” from Mufasa: The Lion King (PR: 8) (E)
9. “Piece by Piece” from Piece by Piece (PR: 9) (E)
10. “Sick in the Head” from Kneecap (PR: 10) (E)
2023 Performance on December 29th –
3 for 5. “What Was I Made For?” from Barbie was correctly in 1st. Where I went wrong – I had “Road to Freedom” from Rustin and “Keep It Movin” from The Color Purple nominated over #6 “It Never Went Away” from American Symphony and #9 “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon
Best Production Design
Predicted Nominees:
1. Wicked (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. The Brutalist (PR: 3) (E)
4. Gladiator II (PR: 4) (E)
5. Conclave (PR: 7) (+2)
Other Possibilities:
6. Nosferatu (PR: 5) (-1)
7. Maria (PR: 6) (-1)
8. Blitz (PR: 8) (E)
9. Emilia Pérez (PR: 10) (+1)
10. A Complete Unknown (PR: 9) (-1)
2023 Performance on December 29th –
4 for 5. Winner Poor Things was listed 2nd behind Barbie. Where I went wrong – The Color Purple getting nominated over #7 Napoleon.
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Wicked (PR: 2) (E)
3. Emilia Pérez (PR: 4) (+1)
4. A Complete Unknown (PR: 3) (-1)
5. Blitz (PR: 5) (E)
Other Possibilities:
6. Gladiator II (PR: 6) (E)
7. Alien: Romulus (PR: 8) (+1)
8. The Wild Robot (PR: 7) (-1)
9. Deadpool & Wolverine (PR: 9) (E)
10. Joker: Folie à Deux (PR: 10) (E)
2023 Performance on December 29th –
3 for 5. I had winner The Zone of Interest listed fourth. Where I went wrong – Ferrari and Napoleon being nominated over #8 Mission: Impossible – Dead Reckoning and #10 The Creator.
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. Wicked (PR: 3) (-1)
5. Alien: Romulus (PR: 8) (+3)
Other Possibilities:
6. Twisters (PR: 6) (E)
7. Better Man (PR: 5) (-2)
8. Mufasa: The Lion King (PR: 7) (-1)
9. Deadpool & Wolverine (PR: 9) (E)
10. Civil War (PR: 10) (E)
2023 Performance on December 29th –
3 for 5. My #4 Godzilla Minus One won. Where I went wrong – this is the one category where my #1 (Poor Things) ended up not getting nominated. That’s in addition to having Society of the Snow getting in. #7 Mission: Impossible – Dead Reckoning and #10 Napoleon made the cut instead.
Whew. And that leaves the following pictures garnering these numbers of nominations:
11 Nominations
Emilia Pérez
10 Nominations
The Brutalist
9 Nominations
Dune: Part Two
8 Nominations
Conclave
7 Nominations
Wicked
5 Nominations
Anora, The Substance
4 Nominations
A Complete Unknown, Gladiator II, Sing Sing
3 Nominations
Maria, Nickel Boys
2 Nominations
The Girl with the Needle, Nosferatu, A Real Pain, The Wild Robot, Will & Harper
1 Nomination
Alien: Romulus, Blitz, Challengers, Daughters, A Different Man, Flow, Hard Truths, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, No Other Land, The Piano Lesson, Queer, The Room Next Door, The Seed of the Sacred Fig, September 5, The Six Triple Eight, Soundtrack to a Coup d’Etat, Sugarcane, Vermiglio, Wallace & Gromit: Vengeance Most Fowl
**Blogger’s Update (11/20): I have posted a $4 million forecast for Bonhoeffer today which puts it in fourth place. That change is reflected below and we now have a top 7 projections.
Hollywood hopes for a massive box office weekend ahead as Wicked and Gladiator II look to inject $200 million or more in domestic receipts. You can peruse my detailed prediction posts on the newcomers here:
In July 2023, the phenomenon known as Barbenheimer occurred when Barbie soared with a $162 million starting haul while Oppenheimer took in $82 million. I don’t think the grosses will be as gargantuan with Wicked and Gladiator II, but multiplexes should be in for a much needed boost.
Wicked adapts the well-known stage musical with Cynthia Erivo and Ariana Grande as early versions of the Wicked Witch of the West and Glinda the Good Witch from The Wizard of Oz, respectively. This is part 1 of Jon M. Chu’s fantasy musical with part II arriving in a year. I’m projecting nearly $135 million out of the gate as a wide audience seems destined to greet it.
Gladiator II is the long-in-development follow-up to Ridley Scott’s Best Picture winner with Paul Mescal headlining and Denzel Washington in an Oscar baity supporting turn. My high 60s forecast puts it in the runner-up position. I would note that either of these titles could over perform and keep on this post to see if there are any upgrades by Thursday.
With families flocking to Wicked and action fans packed for Gladiator, current champ Red One will slide to third. The holiday themed action comedy may experience a decline north of 50% considering the fresh competition.
The rest of the high five will consist of holdovers Venom: The Last Dance and The Best Christmas Pageant Ever and Heretic in a close race for fifth. Here’s how I envision the top 6 shaking out:
1. Wicked
Predicted Gross: $134.6 million
2. Gladiator II
Predicted Gross: $69.8 million
3. Red One
Predicted Gross: $14.9 million
4. Bonhoeffer
Predicted Gross: $4 million
5. Venom: The Last Dance
Predicted Gross: $3.6 million
6. The Best Christmas Pageant Ever
Predicted Gross: $2.7 million
7. Heretic
Predicted Gross: $2.5 million
Box Office Results (November 15-17)
On one hand, Red Notice with Dwayne Johnson and Chris Evans was originally set for Amazon only distribution so any number is better than nothing. On the other, its debut is fairly ho-hum considering the reported $250 million price tag. It made $32.1 million which did manage to exceed my $27.6 million take. As mentioned, I do expect a hefty dip though it could rebound over the Turkey Day frame.
Venom: The Last Dance was second after three weeks in 1st with $7.3 million, falling behind my $10.2 million prediction. The comic book based threequel sits at $127 million after four outings.
The Best Christmas Pageant Ever was third with $5.2 million. In a trend from this past weekend, it didn’t match my number as I pegged it at $7.6 million. The two-week tally is $19 million.
Heretic was fourth with $5.1 million (I said $6.3 million) as Hugh Grant horror thriller’s total is $20 million after its second go-round.
The Wild Robot rounded out the top five with $4.2 million compared to my $5.5 million call. The animated tale has earned $137 million in eight weeks.
For decades in Hollywood, the first weekend of May (or occasionally last frame of April) has served as the official start of cinematic summer. Ryan Gosling’s character in The Fall Guy might have worked on some of those kickoff projects as his stuntman title character gets top billing here. Emily Blunt co-headlines the action comedy from director David Leitch (Atomic Blonde, Deadpool 2, Bullet Train). Aaron Taylor-Johnson, Winston Duke, Hannah Waddingham, and Stephanie Hsu provide supporting work.
This Universal project (loosely based on the 1980s TV show) finds the studio in an unfamiliar position. The summer season has begun in many recent years with a Disney/MCU blockbuster getting the financial ball rolling (last year it was Guardians of the Galaxy Vol. 3).
Obviously The Fall Guy won’t reach MCU figures, but it has a lot going for it. Gosling is hot off Barbie and a recent SNL hosting stint that generated lots of buzz. Blunt is coming off reigning BP winner Oppenheimer. The Barbenheimer duo’s teaming initially debuted at South by Southwest to loud buzz and solid reviews (the RT score is 90%).
I do believe a $50 million opening is achievable but unlikely. Low 40s to mid 40s is also reasonable while mid to high 30s might be where it lands. Regardless I think this will leg out impressively throughout May.
The Fall Guy opening weekend prediction: $38.3 million
For my Star Wars: Episode 1 – The Phantom Menace re-release prediction, click here:
We are over a month removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days. I already posted my first takes on the acting derbies and Director and they can be perused here:
We now move to the big prize. When I did my first picks on the competition in 2023, it yielded half of the eventual nominees: the winner Oppenheimer in addition to Killers of the Flower Moon, Maestro, Past Lives, and Poor Things. Under the 10 other possibilities, I named Barbie and The Holdovers. I did not identify American Fiction, Anatomy of a Fall, or The Zone of Interest at that early juncture.
Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders.
It is a safe assumption that the year’s biggest grosser thus far – Dune: Part Two – has punched its ticket to contention. Everything else, frankly, is guesswork right now. With Cannes coming up, some questions will be answered soon. Followers of the blog, however, know this is a months long process in the BP puzzle. It starts today.
Here’s the first snapshot…
TODD’S FIRST OSCAR PREDICTION FOR BEST DIRECTOR AT THE 97TH ACADEMY AWARDS:
Bird
Blitz
Conclave
Dídi
Dune: Part Two
The End
The Fire Inside
Kinds of Kindness
Queer
Sing Sing
Other Possibilities:
The Apprentice
Civil War
A Different Man
Emilia Perez
Furiosa: A Mad Max Saga
Gladiator 2
Hard Truths
Horizon: Am America Saga – Chapter 2
Joker: Folie à Deux
Megalopolis
The Nickel Boys
Nightbitch
The Piano Lesson
A Real Pain
Wicked
I’ll have my first rankings in the six major categories up in short order!
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