99th Academy Awards: FIRST Predictions in Best Actor

And we are off to the races with my first Oscar predictions for the 99th Academy Awards.

We are a couple weeks removed from the 98th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take in the supporting fields and they can be found here:

We arrive at Best Actor. When I did my first picks for last year’s race, I correctly named one of the eventual five nominees and that was Timothée Chalamet for Marty Supreme. In Other Possibilities, I identified Leonardo DiCaprio in One Battle After Another. At that early juncture, I did not list the eventual winner Michael B. Jordan (Sinners), Ethan Hawke (Blue Moon), or Wagner Moura (The Secret Agent).

Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actors listed here could end up being campaigned in supporting. And there will be movies we’re not even anticipating that will rise up with performances currently not on the radar.

For this premiere post, it’s probable that we already know one member of the quintet and that’s Ryan Gosling in Project Hail Mary. His film is a box office juggernaut and he has to carry much of the running time by himself. If he makes the cut, it would mark his fourth attempt at the gold statue behind lead noms for Half Nelson and La La Land and a supporting nod for Barbie.

He’s not the only star potentially in line for a fourth mention. The same holds true for Tom Cruise in Alejandro Gonzales Inarritu’s Digger. He won an honorary Oscar at the 98th ceremony, but is 0 for 3 in the competitive races are being up in lead for Born on the Fourth of July and Jerry Maguire and in supporting for Magnolia.

We aren’t finished yet talking about thespians getting their fourth nominations. Matt Damon contended for lead in Good Will Hunting and The Martian and a supporting turn in Invictus. His 4th try could come via Christopher Nolan’s The Odyssey.

John Malkovich is probably going lead for Martin McDonagh’s Wild Horse Nine after two supporting attempts for Places in the Heart and In the Line of Fire. He could make it in for the first time in 33 years.

For my fifth pick, I’m perhaps going out a limb and selecting Robert Aramayo (I Swear) who pulled off a BAFTA upset in Best Actor weeks ago. It comes out stateside in a couple of weeks and could have enough staying power for the BAFTA recipient to stake a claim. I’ll admit this a long shot projection, but hey it’s early right?

The speculation will continue in earnest during the weeks and months ahead, but here’s the first snapshot for Best Actor. Best Actress up next!

TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTOR AT THE 99TH ACADEMY AWARDS

Robert Aramayo, I Swear

Tom Cruise, Digger

Matt Damon, The Odyssey

Ryan Gosling, Project Hail Mary

John Malkovich, Wild Horse Nine

Other Possibilities:

Adam Driver, Paper Tiger

Andrew Garfield, Artificial

Nicholas Hoult, Cry to Heaven

Jaafar Jackson, Michael

Josh O’Connor, Jack of Spades

Pedro Pascal, Behemoth!

Will Poulter, Saturn Return

Dominic Sessa, Tony

Sebastian Stan, Fjord

Hanns Zischler, Fatherland

The Super Mario Galaxy Movie Box Office Prediction

Illumination Entertainment looks to light up the Easter frame with The Super Mario Galaxy Movie on April 1st. The animated comedic adventure is the follow-up to 2023’s The Super Mario Bros. Movie which debuted over the same holiday to fantastic results. Aaron Horvath and Michael Jelenic are back co-directing with Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, Keegan- Michael Key, and Kevin Michael Richardson reprising the voices of their Nintendo character roles. Newcomers behind the mic include Benny Safdie, Donald Glover, Issa Rae, Luis Guzmán, and Brie Larson.

As mentioned, 2023’s original was a massive blockbuster. In early April, it too rolled out over an expanded five-day period to top level results. The three-day start was $146.3 million with $204.6 million when counting Wednesday and Thursday. It would leg out to $574 million and become the year’s second largest domestic earner behind Barbie.

With a short lag time for the sequel, a best case scenario might be a premiere on par or slightly better than its predecessor. I suspect it might coming in lower, but still with impressive numbers.

The Super Mario Galaxy Movie opening weekend prediction: $126.5 million (Friday to Sunday); $172.2 million (Wednesday to Sunday)

For my The Drama prediction, click here:

March 27-29 Box Office Predictions

Project Hail Mary touched down with fantastic results as it looks to easily repeat in 1st place as March closes out. Horror comedy They Will Kill You is the sole wide release newcomer and my detailed prediction post on it can be accessed here:

A best case scenario for They Will Kill You might be a second place finish in the low double digits or low teens. I’m going lower in the mid single digits for a third place start.

Space set Hail Mary opened at the top end of its expected range for 2026’s highest premiere (more on that below). It scored the second largest debut for a non-franchise, non-sequel behind Oppenheimer and Ryan Gosling’s second best unveiling after Barbie. I suspect the sophomore dip will be in the mid 40s (similar to Oppenheimer).

Hoppers should remain in the runner-up position as it heads into the Easter frame. The 4-5 spots should be close between Reminders of Him and Ready or Not 2: Here I Come after its meh debut.

Here’s how I see the top 5 shaking out:

1. Project Hail Mary

Predicted Gross: $44.8 million

2. Hoppers

Predicted Gross: $12 million

3. They Will Kill You

Predicted Gross: $6.3 million

4. Reminders of Him

Predicted Gross: $4.3 million

5. Ready or Not 2: Here I Come

Predicted Gross: $4.2 million

Box Office Results (March 20-22)

Project Hail Mary reached for the stars and achieved a remarkable launch with $80.5 million, zooming beyond my $69 million prediction. With solid reviews and awards buzz, it turned out to be the event film that Amazon MGM was hoping for. The future looks bright as it faces no obstacles topping the charts again.

Hoppers, after two weeks in 1st, was second with $17.8 million. That’s on target with my $18.4 million call as Disney/Pixar’s latest hit $120 million after three weeks.

Indian action sequel Dhurandhar: The Revenge managed bragging rights by outgrossing the Ready or Not follow-up. With the second best per theater average, it made $10 million compared to my $7.8 million forecast with $14 million in the bank since its Wednesday bow.

Ready or Not 2: Here I Come stumbled in fourth with $9 million, under my $11.2 million take. The horror sequel showed that most genre fans fell on the not ready side.

Reminders of Him rounded out the top five with $8 million (I said $9.2 million) for a two-week tally of $33 million.

Scream 7 was sixth with $4.3 million. I went with $5.3 million as the latest franchise entry’s four-week earnings rose to $114 million.

And that does it for now, folks! Until next time…

Wuthering Heights Box Office Prediction

Wuthering Heights (stylized as “Wuthering Heights”) looks to have a commanding #1 debut over a crowded President’s Day weekend beginning February 13th. Loosely adapting Emily Brontë’s 1847 novel, the tawdry romantic drama marks the third directorial of Emerald Fennel behind Promising Young Woman and Saltburn. Margot Robbie and Jacob Elordi headline with a supporting cast including Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell.

This could be seen as Robbie’s first majorly visible role since her 2023 phenomenon Barbie. Last year’s A Big Bold Beautiful Journey was barely marketed by Sony with poor word-of-mouth and reviews. Elordi has been on viewers’ radar with his Oscar-nominated turn in Netflix’s Frankenstein.

With that star power, familiar source material, and encouraging buzz, I suspect Heights could climb above current forecasts which are already rosy. The shrewdly timed release with Valentine’s Day falling on a Saturday could guarantee a large female turnout and plenty may bring their mates along for the journey. I’m going with a three-day in the mid to high 50s and a low 60s four-day

Wuthering Heights opening weekend prediction: $55 million (Friday to Sunday); $62.1 million (Friday to Monday)

For my Goat prediction, click here:

For my Crime 101 prediction, click here:

For my Cold Storage prediction, click here:

For my Good Luck, Have Fun, Don’t Die prediction, click here:

Oscar Predictions: A Big Bold Beautiful Journey

The fact that A Big Bold Beautiful Journey skipped the recent film festival circuit might have been a clue that the studio was worried about its critical prospects. From acclaimed director Kogonada (Columbus, After Yang), the fantasy romance stars Margot Robbie (in her first major project since Barbie) and Colin Farrell with Kevin Kline and Phoebe Waller-Bridge providing support.

That antenna about it avoiding Telluride or Venice or Toronto appears in tune. Many reviews are calling this a misfire with 56% on Rotten Tomatoes and a 41 Metacritic. Despite some appreciation for technical aspects, the Academy won’t be looking into nominations for this Journey. My Oscar Prediction posts will continue…

September 19-21 Box Office Predictions

The box office should come down to Earth a bit this weekend after Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle smashed the opening weekend record for an anime title. We have football themed horror thriller Him starring Marlon Wayans, fantastical drama A Big Bold Beautiful Journey with Margot Robbie and Colin Farrell and football themed inspirational tale The Senior featuring Michael Chiklis opening. You can peruse my detailed prediction posts on the newcomers here:

Him, from Jordan Peele’s production house, should have bragging rights in 1st position though my low 20s take puts it well behind what other recent horror flicks have achieved.

The other newcomers might not make the top 5. Journey is a head scratcher. As I pointed out in the long post, this is Robbie’s first significant project since Barbie and you’d think there would be more hype. My mid single digits estimate has it in sixth.

As for The Senior, Angel Studios dusted it off after it premiered at a Floridian film festival two years back. Their marketing might get this to mid single digits (if they’re lucky) for seventh place.

Demon Slayer indeed slayed this past weekend (more on that below). These types of anime offerings are typically front loaded and I expect that to be case here. A sophomore drop in the mid to high 70s would give it mid teens and it certainly could repeat in 1st if Him underwhelms.

Being that I’m unconvinced about Journey and The Senior, holdovers The Conjuring: Last Rites, Downton Abbey: The Grand Finale and The Long Walk could populate the rest of the high five.

Here’s how I see the top 7 shaking out:

1. Him

Predicted Gross: $20.3 million

2. Demon Slayer: Kimsetsu no Yaiba – The Movie: Infinity Castle

Predicted Gross: $16.2 million

3. The Conjuring: Last Rites

Predicted Gross: $12.4 million

4. Downton Abbey: The Grand Finale

Predicted Gross: $6.5 million

5. The Long Walk

Predicted Gross: $6.2 million

6. A Big Bold Beautiful Journey

Predicted Gross: $4.8 million

7. The Senior

Predicted Gross: $3.3 million

Box Office Results (September 12-14)

Demon Slayer (I’ve tired of writing the rest of its name) lived up to its late breaking hype with a gargantuan haul of $70.6 million, above my $64.6 million projection. The Crunchyroll release capitalized on unprecedented domestic interest in the genre as it attained the status of an event picture.

The Conjuring: Last Rites, after its own huge start, dropped an understandable 69% to second with $25.6 million. I predicted a tad more at $28.5 million. The two-week tally is a scary good $130 million as it nears the $137 million franchise record held by 2013’s original.

Downton Abbey: The Grand Finale managed to slightly outdo its 2022 predecessor in third with $18.1 million. My guesstimate? $18.1 million! This should also be front loaded and I’m thinking a low to mid 60s fall for this weekend.

Stephen King adaptation The Long Walk was fourth with $11.7 million compared to my $8.7 million call. Solid critical reaction likely helped push it past double digits.

The 30th anniversary re-release of Pixar’s inaugural effort Toy Story rounded out the top five with $3.4 million. I didn’t do a prediction for it. The additional dollars brought its three decade old total to $195 million (or over $400 million stateside adjusted for inflation).

Finally, mockumentary sequel Spinal Tap II: The End Continues flopped in ninth (at least it didn’t go to 11th) with $1.6 million. I was more generous at $3.4 million as interest wasn’t present for the sequel to the classic 1984 original.

And that does it for now, folks! Until next time…

A Big Bold Beautiful Journey Box Office Prediction

Margot Robbie and Colin Farrell headline the fantastical drama A Big Bold Beautiful Journey beginning September 19th. Kogonada, best known for making Columbus and After Yang, directs with a supporting cast including Kevin Kline, Phoebe Waller-Bridge, Lily Rabe, Jodie Turner-Smith and Billy Magnussen.

Nearly five years ago, the script by Seth Reiss was featured on the “Black List” of Hollywood’s hottest screenplays not yet produced. Yet with its release less than a week away, buzz for Beautiful is exceedingly quiet. This is even more surprising since it’s Robbie’s first major project since her 2023 box office phenomenon Barbie. I also find it curious that this skipped the film festival circuit of Venice, Telluride and Toronto where this could’ve built word-of-mouth.

That all may spell an inconsequential start in the mid single digits.

A Big Bold Beautiful Journey opening weekend prediction: $4.8 million

For my Him prediction, click here:

For my The Senior prediction, click here:

Oscar Predictions: The Lost Bus

The Lost Bus found its way to the Toronto Film Festival prior to its September 19th limited theatrical release and October 3rd Apple TV streaming debut. The true life wildfire survival tale comes from Paul Greengrass (the Bourne franchise, United 93, Captain Phillips) with Matthew McConaughey and America Ferrara headlining. Yul Vazquez and Ashlie Atkinson costar.

The 100% Rotten Tomatoes rating is a little deceiving with the 66 on Metacritic more accurately reflecting the critical consensus. McConaughey (a 2013 Best Actor victor for Dallas Buyers Club) and Ferrera (a Supporting Actress nominee in 2023 for Barbie) are being appreciated for their performances, but not enough to anticipate their second tries at gold. Where Bus could be in sole contention is in Visual Effects. If it manages to make the shortlist, it might be a trendy pick for inclusion. My Oscar Prediction posts will continue…

Best Picture 2023: The Final Five

As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.

What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?

For the 96th Academy Awards, we know Christopher Nolan’s Oppenheimer would have been one of them. It dominated the show by winning Best Picture, Director, Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr.), Cinematography, Film Editing, and Original Score.

Picking the other 4 of 9 for the final five is less obvious. And I really mean it this time because, with one exception, selecting the others was tough. Here’s my best speculation.

American Fiction

Cord Jefferson’s dramedy performed better than anticipated with five nominations including a win in Adapted Screenplay over heavy hitters Barbie, Oppenheimer, Poor Things, and The Zone of Interest. Other nods were Jeffrey Wright in Actor, Sterling K. Brown for supporting, and Original Score.

Does It Make the Final Five?

Yes, but I went back and forth on this one and came very close to saying no. Gods and Monsters from 1998 is the last Adapted Screenplay winner to not be nominated for BP so that’s what gives this a slight edge.

Anatomy of a Fall

The French legal drama was inexplicably not selected for International Feature Film, but nabbed a quintet of nods that included Director (Justine Triet), Actress (Sandra Hüller), Film Editing, and a victory in Original Screenplay (over The Holdovers and Past Lives).

Does It Make the Final Five?

No, but I went back and forth on this one and came very close to saying yes. Like with Fiction, there’s a screenplay component at play. Eternal Sunshine of the Spotless Mind from 2004 was the previous Original Screenplay winner to not be nominated for BP. In this case, the case for some other pics was just a tad stronger.

Barbie

Greta Gerwig’s smash hit had six other nods in Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, 2 Original Songs, and Production Design. The sole victory was for Billie Eilish’s ballad “What Was I Made For?”.

Does It Make the Final Five?

I went back and forth on this one… you get the idea. I’m going with no with its glaring omission for Gerwig’s direction and Margot Robbie’s snub to a lesser degree. That said, it is certainly feasible that AMPAS could’ve made room had this been a quintet.

The Holdovers

Alexander Payne’s dramedy was a winner in Supporting Actress for Da’Vine Joy Randolph with Paul Giamatti nominated in Actor and nods for Film Editing and Original Screenplay.

Does It Make the Final Five?

No. If Giamatti had taken lead actor or the screenplay been victorious, this would be a tougher choice. I think it’d be on the outside looking in.

Killers of the Flower Moon

Martin Scorsese’s historial epic had ten overall nominations behind Oppenheimer and Poor Things – directing, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. It went 0 for 10 on the night.

Does It Make the Final Five?

Yes, but I don’t think it’s automatic. No nods for the adapted screenplay or Leonardo DiCaprio in Actor make me questions its inclusion. So do the zero trophies. Yet Scorsese’s clout causes me to grant it a spot.

Maestro

Bradley Cooper’s biopic of Leonard Bernstein is a seven-time nominee for Actor (Cooper), Actress (Carey Mulligan), Original Screenplay, Cinematography, Makeup and Hairstyling, and Sound. It did not pick up any of the hardware.

Does It Make the Final Five?

No, but it did perform quite well as far as nods. Cooper’s exclusion from Best Director was my deciding factor.

Past Lives

Celine Song’s romance was the least nominated of the BP contestants with Original Screenplay as its only other nom.

Does It Make the Final Five?

No and this was the easiest of the five to decide considering the amount of nominations.

Poor Things

The multi-genre experience from Yorgos Lanthimos was second only to Oppenheimer in terms of mentions with 11 including wins for Emma Stone in Actress, Costume Design, Makeup and Hairstyling, and Production Design. Other nods: director, Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Film Editing, and Original Score.

Does It Make the Final Five?

Yes and this was the easiest of the nine to leave in due to its volume of noms and victories.

The Zone of Interest

The wartime drama from Jonathan Glazer, with Anatomy of a Fall out of competition, easily took International Feature Film while also grabbing a Sound win and noms for direction and Adapted Screenplay.

Does It Make the Final Five?

I don’t think it is automatic, but yes. I nudged it just past Fall considering the IFF gold.

And that means my final 2023 five would be:

American Fiction

Killers of the Flower Moon

Oppenheimer

Poor Things

The Zone of Interest

I plan to post my selection for 2024 in the near future!

77th Directors Guild of America Awards Nomination Predictions

This Wednesday (01/08), the Directors Guild of America reveals their five nominees for behind the camera achievement in 2024. The DGA is normally a reliable barometer to project 4 of the 5 eventual Oscar nominees. Over the past decade, the match has been that margin in eight of the years. For two of the years, the match was 3 for 5. That includes last year when Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) made the DGA cut but Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) received Academy attention.

I believe there are two shoo-in nominees for the 77th ceremony in Brady Corbet for The Brutalist and Sean Baker for Anora. Furthermore, I see Edward Berger (Conclave) as really close to being an automatic pick.

Then it gets interesting. The DGA often prioritizes American pictures over foreign entries or foreign directors. We certainly saw that last year with Gerwig/Payne over Glazer/Triet. In 2021, Denis Villeneuve was in the DGA quintet for Dune while Ryusuke Hamaguchi (Drive My Car) replaced him in the Academy five. In 2022, it was Ruben Östlund (Triangle of Sadness) vying for Oscar instead of DGA selection Joseph Kosinski for Top Gun: Maverick.

That’s why I wouldn’t pencil in Mohammad Rasoulof (The Seed of the Sacred Fig) or Payal Kapadia (All We Imagine as Light) here. And that’s why being skeptical about Jacques Audiard (Emilia Pérez) or Coralie Fargeat (The Substance) is warranted. Both could get in and both movies are over performing in various precursors. Pérez, it could be argued, is doing so by an even more impressive margin. That’s why I’m leaving Audiard in while Fargeat is barely on the outside looking in.

So who gets the fifth slot? I wouldn’t count out RaMell Ross for Nickel Boys or even James Mangold for A Complete Unknown or Jon M. Chu for Wicked (though I’m finding that one increasingly unlikely). I’m reminded that DGA also selects some filmmakers for blockbuster fare the Academy ignores. Gerwig for Barbie and Kosinski for Top Gun. Ridley Scott for The Martian.

And… Denis Villeneuve for Dune. I think history could repeat itself with Villeneuve in contention for the sequel and that’s the direction I’m going for DGA.

DGA Predicted Nominees

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Edward Berger, Conclave

Brady Corbet, The Brutalist

Denis Villeneuve, Dune: Part Two

Runner-Up: Coralie Fargeat, The Substance