As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second performer in Best Actress and that’s Lily Gladstone in Killers of the Flower Moon. Let’s get to it!
Previous Oscar Acting Nominations:
None
The Case for Lily Gladstone:
After critically appreciated roles in Kelly Reichardt’s Certain Women and First Cow, Gladstone has been in the awards conversation since Martin Scorsese’s Killers of the Flower Moon was announced. Her work as Mollie Kyle in the historical epic won her the Golden Globe for Actress in Drama and the National Board of Review prize. That’s in addition to nominations at Critics Choice and SAG. Gladstone could make history as the first Native-American thespian to emerge victorious in the category.
The Case Against Lily Gladstone:
Any possibility of a sweep ended when Emma Stone took Critics Choice for Poor Things. Then there’s the shocking BAFTA omission. Gladstone did not make the cut for that show. Since 2010, only one Best Actress Oscar winner (Jessica Chastain for 2021’s The Eyes of Tammy Faye) has missed BAFTA. Killers also underperformed a bit with misses in Actor (Leonardo DiCaprio) and Adapted Screenplay.
The Verdict:
SAG on February 24th could offer a gigantic clue as to whether Gladstone or Stone are the soft frontrunner. That BAFTA snub sticks out. That said, Gladstone is a real contender.
My Case Of posts will continue with Colman Domingo in Rustin…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Director quintet and it starts with Jonathan Glazer for The Zone of Interest. Let’s get to it!
Previous Directing Nominations:
None
The Case for Jonathan Glazer:
The English filmmaker’s fourth feature comes after three acclaimed predecessors: 2001’s Sexy Beast, 2004’s Birth, and 2014’s Under the Skin. The Holocaust drama is the frontrunner for Best International Feature Film and had a solid showing with five nominations. He hopes to follow in the footsteps of other directors in recent years who took the prize along with IFF like Alfonso Cuaròn (Roma) and Bong Joon-ho (Parasite).
The Case Against Jonathan Glazer:
Cuaròn and Joon-ho didn’t have to compete against the juggernaut that is Christopher Nolan for Oppenheimer. He is the far and away favorite. Glazer managed a BAFTA mention, but didn’t make the cut for Critics Choice, the Globes, or DGA.
The Verdict:
Barring a massive upset, Nolan towers over all competitors.
My Case Of posts will continue with Lily Gladstone in Killers of the Flower Moon…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Supporting Actress quintet and it starts with Emily Blunt in Oppenheimer. Let’s get to it!
Previous Oscar Acting Nominations:
None
The Case for Emily Blunt:
Despite an impressive filmography covering dramas, action/adventure pics, family fare, and horror hits – from Sicario and Edge of Tomorrow to A Quiet Place to Mary Poppins Returns and Jungle Cruise – Blunt has somehow never nabbed an Oscar nod until now for the BP frontrunner. That’s despite her six Golden Globes noms for feature films and four SAG mentions. There could be an overdue vibe occurring and Oppenheimer‘s coattails could be large. As the alcoholic wife of the title character, she’s landed recognition in key precursors like the Globes, SAG, BAFTA, and Critics Choice.
The Case Against Emily Blunt:
The Globes and Critics Choice have gone with Da’Vine Joy Randolph in The Holdovers and she is certainly the favorite. A SAG or BAFTA victory win may be needed to show any strength. Voters may honor her costars Cillian Murphy and Robert Downey Jr. in their races and that might feel like enough.
The Verdict:
For quite some time, I had Danielle Brooks (The Color Purple) as the runner-up to Randolph. I’d say the spot belongs to Blunt now. However, nothing has happened yet to show that Randolph is vulnerable.
My Case Of Posts will continue with Sterling K. Brown in American Fiction…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Actor quintet and it starts with Bradley Cooper in Maestro. Let’s get to it!
Previous Oscar Acting Nominations:
Silver Linings Playbook (2012, Actor); American Hustle (2013, Supporting Actor); American Sniper (2014, Actor); A Star Is Born (2018, Actor)
The Case for Bradley Cooper:
For his portrayal of the legendary EGOT recipient Leonard Bernstein in the Netflix production, Mr. Cooper has been nominated for BAFTA, Critics Choice, SAG, and the Globes. There could also be the feeling that he’s overdue as this marks his fifth acting nod with no hardware to show for it (just like Annette Bening in Nyad per my previous post).
The Case Against Bradley Cooper:
He didn’t win the Globe or Critics Choice as Paul Giamatti (The Holdovers) and Cillian Murphy (Oppenheimer) have split the prizes so far. While Maestro had a decent nomination morning, Cooper was not recognized for his direction. That’s what happened in 2018 when he got the Actor mention for Star (he would lose to Rami Malek in Bohemian Rhapsody), but not his behind the camera work. Of all the BP contenders, this has the lowest RT rating and there’s a feeling among some that Cooper is trying too hard in Maestro for the gold.
The Verdict:
Cooper is third behind Murphy and Giamatti. I don’t think his victory is an impossibility. Yet it looks to be a long shot unless he scores an upset at SAG or BAFTA. In other words, the O in EGOT should still be unfulfilled.
My Case Of posts will continue with Emily Blunt in Oppenheimer…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at the Actress quintet and it starts with Annette Bening in Nyad. Let’s get to it!
Previous Oscar Acting Nominations:
The Grifters (1990, Supporting Actress); American Beauty (1999, Actress), Being Julia (2004, Actress), The Kids Are All Right (2010, Actress)
The Case for Annette Bening:
SAG and Globe nominations preceded this, but Bening’s potential ace in the hole could be the overdue factor. While costar Jodie Foster (up for Supporting Actress) is a two-time Oscar recipient, Bening is 0 for 4.
The Case Against Annette Bening:
She’s swimming upstream for the victory with Nyad. The picture itself is not an awards player beyond its two leads. Bening missed the cut at BAFTA and Critics Choice. Emma Stone (Poor Things) vs. Lily Gladstone (Killers of the Flower Moon) appears to be the showdown for the gold.
The Verdict:
The strong likelihood is Bening will be 0 for 5 come March 10th.
My Case Of posts will continue with our first write-up in Actor. That’s Bradley Cooper in Maestro…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered eight of the BP nominees. They are linked at the bottom of the post. Next up is Poor Things from Yorgos Lanthimos.
The Case for Poor Things:
After The Favourite generated 10 nominations in 2018, Lanthimos’s follow-up bested that by 1 with 11. The multi-genre affair scored the second most nods overall for this year’s ceremony behind Oppenheimer‘s 13. The others are for the direction, Actress (Emma Stone), Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, and Production Design. Truth be told, it didn’t really miss anywhere (though Willem Dafoe was probably close to getting in for Supporting Actor alongside his costars). It’s been nominated for top honors at key precursors like BAFTA and Critics Choice and won Musical/Comedy (over Barbie) at the Globes.
The Case Against Poor Things:
Poor Things might be a little too out there for even the Academy. More importantly, you have to place it in at least second position (maybe third after The Holdovers) behind strong frontrunner Oppenheimer.
The Verdict:
Just as The Favourite wasn’t, this isn’t the favorite for BP. Like The Favourite and Olivia Colman, it might yield a Best Actress winner in Emma Stone and some tech victories. This might also go home empty-handed.
My Case Of posts will continue with The Zone of Interest…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered the first half of the BP lineup. They are linked at the bottom of the post. Next up is Bradley Cooper’s Maestro.
The Case for Maestro:
Marking the filmmaker’s second behind the camera effort after 2018’s A Star is Born, the Leonard Bernstein biopic landed BP nods at Critics Choice and the Globes. Cooper and costar Carey Mulligan have been a fixture in the lead acting derbies. Its seven total nominations matched and arguably even exceeded expectations. The other nods (Star managed one better at 8): the aforementioned Cooper and Mulligan in their respective races, Original Screenplay, Makeup and Hairstyling, and Sound.
The Case Against Maestro:
It hasn’t won any of those BP competitions. The 80% Rotten Tomatoes score is actually the lowest of the ten hopefuls. BAFTA didn’t recognized it for Best Film. There were key misses in Director (just as Cooper missed that category for Star five years back) and Film Editing.
The Verdict:
Maestro has a solid chance at taking Makeup and Hairstyling. Everything else looks questionable and BP looks totally out of reach.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered our first three pics with American Fiction, Anatomy of a Fall, and Barbie. They are linked at the bottom of the post. Behind door #4 is Alexander Payne’s The Holdovers.
The Case for The Holdovers:
With a 97% rating, it is #1 on the Tomato-meter (just edging the 96% of Past Lives and Anatomy of a Fall). The 70s set Christmas dramedy is Payne’s fourth feature to nab a BP nod after Sideways, The Descendants, and Nebraska and this might be his most appreciated work yet. It has scored BP nods at the Globes, Critics Choice, and BAFTA. Paul Giamatti is a threat to win Best Actor and Da’Vine Joy Randolph is absolutely the frontrunner in Supporting Actress. The Holdovers may also take Original Screenplay. If it emerges in all 3 of those races, that’s a nice little formula for a BP victory.
The Case Against The Holdovers:
It hasn’t won any of the aforementioned BP derbies (Globes, Critics) and it’s unlikely to take BAFTA. Payne missed the quintet in Director. In the 21st century, only 3 movies (Argo, Green Book, CODA) have been named BP without their maker being nominated. And then there’s the fact that Oppenheimer is simply a heavy favorite.
The Verdict:
An argument can be made that The Holdovers is #2 in the BP sweepstakes. However, Payne’s omission in Director sticks out and topping Oppenheimer is a potentially insurmountable challenge.
My Case Of posts will continue with Killers of the Flower Moon…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered American Fiction and Anatomy of a Fall and you missed them, they are linked at the bottom of the post. Our third contestant for BP glory is a little picture called Barbie. Perhaps you’ve heard of it. Let’s get into it.
The Case for Barbie:
If Oscar voters go with the most popular and seen choice, Greta Gerwig’s fantasy dramedy based on the Mattel doll is your selection. The pic became 2023’s largest earner last summer to the tune of nearly $1.5 billion worldwide and $636 million domestically. It landed BP nods at key precursors including SAG, the Globes, and Critics Choice. In addition to BP, there are seven other nods: Supporting Actress (America Ferrera), Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, Production Design, and 2 possibilities in Original Song (“I’m Just Ken” and “What Was I Made For?”), making it the fourth most nominated feature behind Oppenheimer, Poor Things, and Killers of the Flower Moon.
The Case Against Barbie:
Despite the 8 total nominations, there were significant snubs (in case you haven’t read the news this week). Greta Gerwig did not make the quintet in Director and Margot Robbie (despite making all the major precursors) missed in Actress. It is rare (only thrice this century) for a BP recipient to have its filmmaker not even nominated. Barbie didn’t turn up in the final five at BAFTA.
The Verdict:
One could argue that the widely publicized news of Gerwig and Robbie’s exclusions could cause Academy voters to honor it here. I wouldn’t bank on it. Barbie is unlikely to go home empty-handed (victories in Production Design and Original Song are probably happening and Costume Design and Adapted Screenplay are doable). As for BP, Barbie‘s roadblock is the movie it will forever be linked with: Christopher Nolan’s Oppenheimer. They opened the same day, crushed the box office charts together, and coined the Barbenheimer phenomenon. It is Oppenheimer way out in front in the big race.
My Case Of posts will continue with The Holdovers…
Starting about 365 days ago with the Sundance Film Festival, my speculation of the nominees for the 96th Academy Awards kicked off. As it does each year, dozens of predictions posts followed.
And now… after clues from the Golden Globes, SAG, PGA, DGA, Critics Choice, BAFTA, regional critics groups, and good ole fashioned gut feelings, my FINAL projections are here! They will be out Tuesday and I’ll have a recap up that evening.
The speculations ends here. With each race, I’m giving you my selections along with a runner-up and a second runner-up. Let’s get to it!
Best Picture
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
Poor Things
The Zone of Interest
1st Alternate: The Color Purple
2nd Alternate: Saltburn
Best Director
Jonathan Glazer, The Zone of Interest
Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
1st Alternate: Alexander Payne, The Holdovers
2nd Alternate: Justine Triet, Anatomy of a Fall
Best Actress
Lily Gladstone, Killers of the Flower Moon
Sandra Hüller, Anatomy of a Fall
Carey Mulligan, Maestro
Margot Robbie, Barbie
Emma Stone, Poor Things
1st Alternate: Greta Lee, Past Lives
2nd Alternate: Aunjanue Ellis-Taylor, Origin
Best Actor
Bradley Cooper, Maestro
Colman Domingo, Rustin
Paul Giamatti, The Holdovers
Cillian Murphy, Oppenheimer
Jeffrey Wright, American Fiction
1st Alternate: Leonardo DiCaprio, Killers of the Flower Moon
2nd Alternate: Going to Mars: The Nikki Giovanni Project
Best Cinematography
Killers of the Flower Moon
Maestro
Oppenheimer
Poor Things
The Zone of Interest
1st Alternate: Barbie
2nd Alternate: El Conde
Best Costume Design
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Poor Things
1st Alternate: Napoleon
2nd Alternate: Maestro
Best Film Editing
Anatomy of a Fall
The Holdovers
Killers of the Flower Moon
Maestro
Oppenheimer
1st Alternate: Poor Things
2nd Alternate: Barbie
Best Makeup and Hairstyling
Golda
Killers of the Flower Moon
Maestro
Oppenheimer
Poor Things
1st Alternate: Society of the Snow
2nd Alternate: The Last Voyage of the Demeter
Best Original Score
Killers of the Flower Moon
Oppenheimer
Poor Things
Society of the Snow
The Zone of Interest
1st Alternate: Spider-Man: Across the Spider-Verse
2nd Alternate: Indiana Jones and the Dial of Destiny
Best Original Song
“The Fire Inside” from Flamin’ Hot
“I’m Just Ken” from Barbie
“Road to Freedom” from Rustin
“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon
“What Was I Made For?” from Barbie
1st Alternate: “It Never Went Away” from American Symphony
2nd Alternate: “Quiet Eyes” from Past Lives
Best Production Design
Barbie
Killers of the Flower Moon
Napoleon
Oppenheimer
Poor Things
1st Alternate: The Zone of Interest
2nd Alternate: Asteroid City
Best Sound
Ferrari
Maestro
Napoleon
Oppenheimer
The Zone of Interest
1st Alternate: Killers of the Flower Moon
2nd Alternate: Mission: Impossible – Dead Reckoning
Best Visual Effects
The Creator
Godzilla Minus One
Guardians of the Galaxy Vol. 3
Indiana Jones and the Dial of Destiny
Spider-Man: Across the Spider-Verse
1st Alternate: Poor Things
2nd Alternate: Mission: Impossible – Dead Reckoning
And that means I’m predicting these movies generate these numbers in terms of nominations:
13 Nominations
Oppenheimer
12 Nominations
Killers of the Flower Moon
10 Nominations
Poor Things
9 Nominations
Barbie
7 Nominations
Maestro, The Zone of Interest
5 Nominations
The Holdovers
4 Nominations
American Fiction, Anatomy of a Fall
2 Nominations
The Color Purple, Ferrari, Napoleon, Past Lives, Rustin, Society of the Snow, Spider-Man: Across the Spider-Verse
1 Nomination
20 Days in Mariupol, Beyond Utopia, The Boy and the Heron, The Creator, Elemental, The Eternal Memory, Fallen Leaves, Flamin’ Hot, Four Daughters, Godzilla Minus One, Golda, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, May December, Nimona, Perfect Days, Saltburn, Still: A Michael J. Fox Movie, Suzume, Tótem
All My Life... I Wanted To Be A Blogster 