As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fifth performer in Best Actress and that’s Emma Stone in Poor Things. Let’s get to it!
Previous Oscar Acting Nominations:
Birdman (Supporting Actress, 2014); La La Land (Actress, 2016, WON); The Favourite (Supporting Actress, 2019)
The Case for Emma Stone:
Stone has posted significant wins this season with the Globes for Musical/Comedy, BAFTA, and Critics Choice. As Bella in Yorgos Lanthimos’s latest multi-genre concoction, she leads the picture with the second most overall nominations after Oppenheimer.
The Case Against Emma Stone:
Lily Gladstone (Killers of the Flower Moon) has key victories of her own at the Globes (Drama) and, most notably, SAG last weekend. Voters may opt to honor her in what would be a history making win over Stone’s second statue in seven years.
The Verdict:
This appears to be the one acting derby coming down to the wire. Between Stone and Gladstone, I’ll be pondering it all the way to final predictions in the coming days.
My Case Of posts will continue with Jeffrey Wright in American Fiction…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our fourth filmmaker in Best Director and that’s Martin Scorsese in Killers of the Flower Moon. Let’s get to it!
Previous Directing Oscar Nominations:
Raging Bull (1980); The Last Temptation of Christ (1988); GoodFellas (1990); Gangs of New York (2002); The Aviator (2004); The Departed (2006, WON); Hugo (2011); The Wolf of Wall Street (2013); The Irishman (2019)
The Case for Martin Scorsese:
Being one of the most celebrated directors in the history of the medium helps. For this epic historical drama, Scorsese nabs a 10th nod for his behind the camera work (moving ahead of Steven Spielberg’s 9). That’s second only to William Wyler’s 12. DGA, Globe, and Critics Choice mentions preceded this.
The Case Against Martin Scorsese:
It’s Christopher Nolan’s year as Oppenheimer glides to a BP crowning. That should easily correlate to this race. Scorsese also missed the BAFTA cut.
The Verdict:
The stats will be 1 for 10 for Marty when it comes to victories as Nolan is taking this.
My Case Of posts will continue with Emma Stone in Poor Things…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our fourth performer in Best Supporting Actor and that’s Ryan Gosling in Barbie. Let’s get to it!
Previous Oscar Acting Nominations:
Half Nelson (Actor, 2006); La La Land (Actor, 2016)
The Case for Ryan Gosling:
For his third nomination and first in the supporting field, Gosling has been mentioned everywhere that counts (Globes, SAG, BAFTA, Critics Choice). His show stopping performance of “I’m Just Ken” was a highlight of the year’s biggest blockbuster.
The Case Against Ryan Gosling:
He’s lost all of those precursors to Robert Downey Jr. in Oppenheimer. It’s also rare for comedic performances to get victories in any of the acting derbies. Barbie underperformed a tad with omissions for Margot Robbie and director Greta Gerwig (though America Ferrera made the cut).
The Verdict:
I’m just saying Downey Jr. is looking solid for gold. Gosling might be runner-up, but distantly.
My Case Of posts will continue with Martin Scorsese’s direction in Killers of the Flower Moon…
There was an upset tonight at the 35th PGA Awards and there’s only 3 categories covering feature films…
Did the unthinkable happen and something other than Oppenheimer collected their top prize?!?! Of course not. As rightly called, Christopher Nolan’s future Oscar juggernaut is the victor as it continues to pick up every precursor imaginable.
The surprise happened in their documentary derby where American Symphony emerged over the favored 20 Days in Mariupol.
That made me go 2 for 3 in my picks. This is not, however, a boon to Symphony‘s Academy play since it isn’t nominated. One could argue that the makers of Four Daughters could get an unexpected assist. That is seen as Mariupol‘s main competition at the Oscars and tonight at least opens the door for something other Mariupol winning.
There was a little intrigue in their animated feature race as The Boy and the Heron acquired trophies at BAFTA and the Globes. Yet Critics Choice and Annie Award recipient Spider-Man: Across the Spider-Verse seemed more safe for PGA and the branch followed suit. Heron could upset Spidey in two weeks, but I’d still consider it an upset.
As a side note, I wrote this post before I even saw that Oppenheimer triumphed. That’s how much I’m now taking its success for granted. Unless a seismic shock occurs, I will hit publish as soon as I know for sure it won and this will be the last sentence of the post…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our fourth performer in Best Supporting Actress and that’s Jodie Foster in Nyad. Let’s get to it!
Previous Oscar Acting Nominations:
Taxi Driver (Supporting Actress, 1976); The Accused (Actress, 1988, WON); The Silence of the Lambs (Actress, 1991, WON); Nell (Actress, 1994)
The Case for Jodie Foster:
The legendary actress hit the Globes/SAG/Critics Choice trifecta of precursors. Foster’s fifth Oscar nod comes nearly 40 years after her initial supporting try and almost 30 years since her last leading nomination. It may not hurt that she’s just coming off an acclaimed TV role on HBO’s True Detective: Night Country.
The Case Against Jodie Foster:
In addition to Foster missing BAFTA, Da’Vine Joy Randolph (The Holdovers) has won everywhere and appears easily headed toward the victory. While costar Annette Bening is up for lead actress, Nyad showed up nowhere else in the Academy’s mentions.
The Verdict:
This is Randolph’s prize.
My Case Of posts will continue with Ryan Gosling in Barbie…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actor and that’s Cillian Murphy in Oppenheimer.
Previous Oscar Acting Nominations:
None
The Case for Cillian Murphy:
Mr. Murphy’s sixth collaboration with Christopher Nolan earned him his first Academy nod. Oppenheimer is far and away the BP frontrunner and he is the title character. Already the victor at the Globes and BAFTA, Murphy picked up a key award last night at SAG. 17 out of the past 20 SAG recipients went on to take Actor at the Oscars.
The Case Against Cillian Murphy:
Paul Giamatti (The Holdovers) was named in Musical/Comedy at the Globes and he took Critics Choice where 16 of the last 20 winners have won Oscar.
The Verdict:
SAG has put Murphy out front in the competition. Giamatti is still viable, but the star of the future BP winner is now the likely winner.
My Case Of posts will continue with Jodie Foster in Nyad…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actress and that’s Carey Mulligan in Maestro. Let’s get to it!
Previous Oscar Acting Nominations:
An Education (2009, Actress); Promising Young Woman (2020, Actress)
The Case for Carey Mulligan:
After likely coming up just a little short to Frances McDormand (Nomadland) in 2020 for PromisingYoungWoman, Mulligan has made the cut at key precursors with the Golden Globes, Critics Choice, BAFTA, and SAG. As Leonard Bernstein’s spouse Felicia, she has a number of Oscar clips to choose from alongside costar Bradley Cooper.
The Case Against Carey Mulligan:
So do Emma Stone (Poor Things) and Lily Gladstone (Killers of the Flower Moon) and they’ve taken the hardware in ceremonies that have already occurred.
The Verdict:
The third time won’t be the charm for Mulligan.
My Case Of posts will continue with Cillian Murphy in Oppenheimer…
The 30th SAG Awards air this Saturday and they are rightly viewed as an often reliable barometer for the Oscars, especially in the acting derbies. The biggest prize honors the strongest ensemble and that’s a less reliable match with Best Picture. Over the past 10 ceremonies, the correlation has been 5 out of 10 and that includes the last two shows with CODA and Everything Everywhere All at Once.
On the other hand, it was four for four in Actress, Actor, and the supporting competitions last year. That also holds true for 2021.
Sunday’s program could solidify frontrunner statuses for Actress/Actor hopefuls and further potential sweeps for the supporting players. Let’s walk through all 6 categories with a winner and runner-up selection.
Outstanding Performance by a Cast in a Motion Picture
Nominees: American Fiction, Barbie, The Color Purple, Killers of the Flower Moon, Oppenheimer
You have to go back to the second SAG Awards and The Birdcage to find a nominee that wasn’t an Oscar BP nominee so you can cross The Color Purple out immediately. My hunch is this comes down to Barbenheimer. We know that Oppenheimer is the overwhelming favorite for the Academy’s BP. However, Barbie could legitimately pick this up. This is a close call and I wouldn’t totally rule out Fiction. Yet the fact is that Oppenheimer might be strong enough to nab this one in addition to all the other precursors.
Predicted Winner: Oppenheimer
Runner-Up: Barbie
Outstanding Performance by a Female Actor in a Leading Role
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)
This is where Gladstone could make the Oscar race a nail biter. Stone has taken Critics Choice and BAFTA. If she gets the victory at SAG, she’ll become the easy favorite. Arguably a coin flip, but I’m sensing Stone gets it.
Predicted Winner: Emma Stone, Poor Things
Runner-Up: Lily Gladstone, Killers of the Flower Moon
Outstanding Performance by a Male Actor in a Leading Role
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
Read what I said about Female Actor in a Leading Role. In this race, Cillian Murphy is Emma Stone. Paul Giamatti is Lily Gladstone (except Giamatti took Critics Choice). Murphy could achieve frontrunner status or Giamatti could make it a jump ball. I’m projecting the latter.
Predicted Winner: Paul Giamatti, The Holdovers
Runner-Up: Cillian Murphy, Oppenheimer
Outstanding Performance by a Female Actor in a Supporting Role
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Penélope Cruz (Ferrari), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
Randolph has been the victor everywhere important and I don’t see SAG interrupting her sweep.
Predicted Winner: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
Outstanding Performance by a Male Actor in a Supporting Role
Nominees: Sterling K. Brown (American Fiction), Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie)
Read what I said about Female Actor in a Supporting Role. Robert Downey Jr. is Da’Vine Joy Randolph.
Predicted Winner: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Nominees: Barbie, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning
The sequel heavy lineup marks the first nomination for a John Wick pic. Some prognosticators are going with it, but I’m forecasting the Mission series (in its third try) pulls through.
Predicted Winner: Mission: Impossible – Dead Reckoning
A weekend of precursors culminates on Sunday with the 35th PGA Awards. The 10 nominees in the top race at PGA happen to match the 10 that Oscar put up in Best Picture. There’s two other categories to consider with animated fare and docs. I will walk through all three with a winner prediction and a runner-up possibility.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
Let’s not make this complicated, shall we? Oppenheimer should have no trouble taking this as it’s taken all key precursors. 7 of the last 10 PGA victors have ended up as the Academy’s BP (the last diversion was 2019 when 1917 took PGA and Parasite was BP).
Predicted Winner: Oppenheimer
Runner-Up: Barbie
Outstanding Producer of Animated Theatrical Motion Pictures
Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem
The Boy and the Heron has made this category one to watch with Globe and BAFTA trophies. That being said, I think Spidey has the edge with PGA.
Predicted Winner: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
Outstanding Producer of Documentary Theatrical Motion Pictures
Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, The Disappearance of Shere Hite, The Mother of All Lies, Smoke Sauna Sisterhood, Squaring the Circle (The Story of Hipgnosis)
Mariupol has cleaned up on its way to a likely Oscar victory and it should emerge here.
Predicted Winner: 20 Days in Mariupol
Runner-Up: American Symphony
I’ll have a recap up on the blog after the show on Sunday!
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our third filmmaker in Best Director and that’s Christopher Nolan for Oppenheimer. Let’s get to it!
Previous Oscar Directing Nominations:
Dunkirk (2017)
The Case for Christopher Nolan:
Where to begin? Oppenheimer is easily the frontrunner for BP and leads all nominees with 13 overall. Nolan, one of the most visible and well-known filmmakers of the 21st century, has won all significant precursors. That includes the DGA (which has a sterling track record of matching with Oscar), the Golden Globes, Critics Choice, and BAFTA.
The Case Against Christopher Nolan:
There’s not much of one honestly. However, the Academy does have a history of snubbing Nolan. He missed the cut for Memento, The Dark Knight and Inception even though he picked up DGA nods for all three.
The Verdict:
If Nolan were to lose, it would be a jaw dropper. This is one of the easiest races to forecast. For someone whose pictures consistently deal with the concept of time… it’s his time with the Academy.
My Case Of posts will continue with Carey Mulligan in Maestro…
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