Tag: Avengers: Endgame

April 11-13 Box Office Predictions

After a record breaking start, A Minecraft Movie should easily repeat in first position at the box office. Yet there’s a handful of newcomers jockeying for slots 2-6. We have the faith-based animated tale The King of Kings, Rami Malek’s spy thriller The Amateur, Blumhouse thriller Drop, Alex Garland’s Iraqi Freedom drama Warfare, and episodes 6-8 of the Christian show The Chosen: Last Supper – Part 3. You can peruse my detailed prediction posts on the quintet here:

The King of Kings Box Office Prediction
The Amateur Box Office Prediction
Drop Box Office Prediction
Warfare Box Office Prediction
The Chosen: Last Supper – Part 3 Box Office Prediction

Based on the best selling video game of all time, A Minecraft Movie achieved the best opening for a picture based on a video game (more on that below). I’m estimating a sophomore drop between 50-55% and that should put it somewhere in the mid 70s-low 80s.

A report surfaced today that The King of Kings has already taken in approximately $8 million in pre-sales. That’s surprising, but Angel Studios has certainly exceeded projections before via Sound of Freedom. A low 20s performance would easily put it in the runner-up spot.

After that it gets tricky. The Amateur, Warfare, and Drop could all open similarly in the $7-11 million range. I’ve got them placing in the order of the previous sentence with The Chosen in sixth.

Here’s how I have it shaking out:

1. A Minecraft Movie

Predicted Gross: $77.9 million

2. The King of Kings

Predicted Gross: $21.4 million

3. The Amateur

Predicted Gross: $11.9 million

4. Warfare

Predicted Gross: $8.5 million

5. Drop

Predicted Gross: $7.6 million

6. The Chosen: Last Supper – Part 3

Predicted Gross: $5.5 million

Box Office Results (April 4-6)

The box office got a much needed jolt as A Minecraft Movie kicked off well above forecasts. With $162.7 million, it is 2025’s largest start thus far and, as mentioned, the highest video game adapted feature in history. The previous record was held by 2023’s The Super Mario Bros. Movie with $146 million. I was way off with a prediction of only $92.5 million. With a less than expected B+ Cinemascore, it should fall further than the 37% that Mario dropped in its second weekend. Yet any way you cut it, this is a fantastic result for Warner Bros.

A Working Man with Jason Statham slid to second with $7.3 million, slightly under my $8 million call. The action thriller has made $27 million after ten days.

The Chosen: Last Supper – Part 2 placed third with $6.9 million, not quite matching my $7.8 million estimate. Episodes 3-5 of the popular program made a little more than half of the nearly $12 million achieved by Part 1. Per above, diminishing returns should continue with Part 3.

Disney dud Snow White was fourth with $5.9 million (I said $6.7 million). The troubling three-week tally is $77 million.

Horror flick The Woman in the Yard was fifth and I incorrectly had it outside the high five. With $4.5 million, the two-week total is $16 million.

I had Part 1 of the The Chosen in fifth with $5.2 million, but it plummeted 84% to seventh with $1.8 million for $17 million overall.

And that does it for now, folks! Until next time…

Oscar Predictions: The Electric State

What does an astronomical $320 million budget get you in Hollywood these days? Apparently a mid-March Netflix release and a heap of critical derision. Meet The Electric State, a comedic sci-fi adventure hitting the streamer March 14th from Anthony and Joe Russo of Avengers: Infinity War and Endgame fame. The human cast for the ultra expensive flick includes Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Stanley Tucci, Woody Norman, Giancarlo Esposito, and Jason Alexander. An equally impressive voice cast includes Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Alan Tudyk, Hank Azaria, Colman Domingo, and Rob Gronkowski.

It is worth noting that the Russo’s follow-ups to the Avengers juggernauts are the unimpressively reviewed Cherry and The Gray Man. Yet this appears to be receiving the worst of it with 23% on Rotten Tomatoes and 30 on Metacritic. The term “wasted potential” pops up more than once. Only the visual effects would be a possibility for awards attention and the Electric buzz might sink that. This has much more viability at the Razzies than with the Academy. My Oscar Prediction posts will continue…

August 2-4 Box Office Predictions

M. Night Shyamalan’s thriller Trap looks to set a solid second place showing after the MCU behemoth that is Deadpool & Wolverine. We also have Harold and the Purple Crayon looking to draw in a family audience as August arrives at multiplexes. You can peruse my detailed prediction posts on the newcomers right here:

Trap Box Office Prediction
Harold and the Purple Crayon Box Office Prediction

Trap could have breakout potential with its concept of a serial killer being cornered at a concert with his unknowing daughter. The brand name recognition of its director could assist. Mid 20s seems doable, but I have it in the high teens. That should be enough to give it runner-up status over the third frame of Twisters which should also be in that same forecasted range.

Harold and the Purple Crayon is a tricky one. Based on a nearly 70-year-old kids book, parents and kids may turn up since most have already viewed Despicable Me 4 and Inside Out 2. I suspect the so-so trailers and quiet word-of-mouth could mean just higher single digits. That might mean fifth place just under Despicable.

Now we move to Deadpool & Wolverine. The eagerly awaited Marvel mashup smashed my projection (more on that below). This should be fairly front loaded as anticipation was sky high. Similar MCU fare that reached close to the D & W level (like Black Panther: Wakanda Forever and Doctor Strange in the Multiverse of Madness) experienced sophomore drops in the low to high 60s. This may see high 50s or low 60s which would put it in the low to mid 80s.

And with that, my take on this weekend’s high five:

1. Deadpool & Wolverine

Predicted Gross: $84.6 million

2. Trap

Predicted Gross: $19.2 millionm

3. Twisters

Predicted Gross: $18.1 million

4. Despicable Me 4

Predicted Gross: $9.4 million

5. Harold and the Purple Crayon

Predicted Gross: $7.6 million

Box Office Results (July 26-28)

Filmgoers devoured Deadpool & Wolverine, providing record setting numbers as the 34th MCU tale spawned the largest R-rated debut ever at $211.4 million (dwarfing my $176.1 million prediction). That’s also the 6th biggest domestic haul in history (between Star Wars: The Last Jedi and Jurassic World) and 4th highest MCU beginning behind Avengers: Endgame, Spider-Man: No Way Home, and Avengers: Infinity War. The all-time July record was additionally achieved. Furthermore it marks a personal best for Peggy, the dog who plays Mary Puppins or Dogpool. After a rough couple of years for the MCU, this gets the franchise back in phenomenal order.

The massive over performance of Wade and Logan meant Twisters spiraled more than most thought it would. It fell an understandable 57% to second at $34.9 million compared to my $42 million estimate. The two-week tally is still a potent $154 million.

Despicable Me 4 was third with $14.5 million, in line with my $15.2 million call. The animated smash has amassed $291 million in four weeks.

Speaking of animated smashes, Inside Out 2 became the #1 domestic animated title of all time with $613 million and replacing previous champion Incredibles 2. The fourth placing showing this weekend gave it another $8.6 million (I said $8.4 million). Pixar’s sequel also stands as the gold medalist for worldwide numbers in its genre.

Longlegs rounded out the top five with $6.7 million, in range with my $6.4 million projection. The horror hit has scared up $58 million in three weeks.

Finally, the geriatric comedy The Fabulous Four with Bette Midler and Susan Sarandon belly flopped in eighth with a mere $1 million. I thought it might manage $1.5 million.

And that does it for now, folks! Until next time…

Ranking the MCU

We are 37 films deep into the Marvel Cinematic Universe with The Fantastic Four: First Steps as the latest entry. This is my space to give you my personal listing of the MCU sagas that began in 2008 with Iron Man.

This list will be updated as new comic book based adventures come our way.

37. The Marvels (2023)

36. Ant-Man and the Wasp: Quantumania (2023)

35. Thor: Love and Thunder (2022)

34. Captain America: Brave New World (2025)

33. Eternals (2022)

32. Black Panther: Wakanda Forever (2022)

31. Iron Man 2 (2010)

30. Doctor Strange in the Multiverse of Madness (2022)

29. Thor: The Dark World (2013)

28. Ant-Man (2015)

27. Thor (2011)

26. Captain Marvel (2019)

25. The Incredible Hulk (2008)

24. Ant-Man and the Wasp (2018)

23. Black Widow (2021)

22. Captain America: First Avenger (2011)

21. Avengers: Age of Ultron (2015)

20. Spider-Man: Far from Home (2019)

19. Shang-Chi and the Legend of the Ten Rings (2021)

18. Thunderbolts* (2025)

17. Guardians of the Galaxy Vol. 3 (2023)

16. Deadpool and Wolverine (2024)

15. Guardians of the Galaxy Vol. 2 (2017)

14. Spider-Man: Homecoming (2017)

13. Iron Man 3 (2013)

12. Doctor Strange (2016)

11. The Fantastic Four: First Steps (2025)

10. Spider-Man: No Way Home (2021)

9. Black Panther (2018)

8. Thor: Ragnarok (2017)

7. Captain America: The Winter Soldier (2014)

6. Avengers: Endgame (2019)

5. Iron Man (2008)

4. Avengers: Infinity War (2018)

3. Captain America: Civil War (2016)

2. Guardians of the Galaxy (2014)

1. The Avengers (2012)

July 28-30 Box Office Predictions

Blogger’s Update (07/26): A rather low reported 1900 screen count for Talk to Me has lowered my estimate from $4.8 million to $3.6 million. That likely leaves it outside of the top six.

After a historic box office weekend, July closes out with a pair of new releases in Disney’s Haunted Mansion and A24’s critically acclaimed Talk to Me. Neither are likely to dislodge the potent 1-2 punch of Barbenheimer. My detailed prediction posts on the newbies are here:

Haunted Mansion Box Office Prediction
Talk to Me Box Office Prediction

I don’t really see audiences clamoring for a fresh spin on Haunted Mansion (nearly 20 years after the one with Eddie Murphy) and buzz seems light. Family crowds should get it to a ho-hum mid 20s gross and that would place it in third.

Even if it made $30-35 million, that wouldn’t mean top two. Those spots are reserved for Barbie and Oppenheimer after their amazing starts (more on that below). The question is how far each dips in weekend #2.

For Barbie, the event status that it took on makes it somewhat naturally front loaded. A worst case decline might be around 55-60%. Considering the A Cinemascore grade and chance for repeat business, I’ll say 45-50% is more feasible and that means low to possibly mid 80s.

Oppenheimer also nabbed an A Cinemascore grade and perhaps some adult viewers are content for the IMAX screenings to be a bit less packed. I’ll say it doesn’t quite fall 50% with a take of over $40 million.

Sound of Freedom should continue its meager percentage decreases while Mission: Impossible – Dead Reckoning Part One hopes to right the ship after a turbulent two weeks. They should place fourth and fifth, respectively.

While Talk to Me is generating impressive reviews, this could be the type of A24 elevated horror experience that doesn’t bring genre fans out in droves. A lot of them just got their fright fix with Insidious: The Red Door as well.

And with that, here’s how I see the top 6 playing out:

1. Barbie

Predicted Gross: $82.6 million

2. Oppenheimer

Predicted Gross: $43.8 million

3. Haunted Mansion

Predicted Gross: $25.4 million

4. Sound of Freedom

Predicted Gross: $14.7 million

5. Mission: Impossible – Dead Reckoning Part One

Predicted Gross: $10.6 million

Box Office Results (July 21-23)

Racking up the fourth highest financial frame in history, Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer gave us the best weekend in over four years.

Barbie captured the zeitgeist and an especially sizable female audience to the tune of $162 million, right on pace with my $160.8 million prediction. That’s the best three-day opening of 2023 and my hunch is that it will remain so. It’s also the #1 premiere for a female directed feature and 20th overall.

Oppenheimer gave Mr. Nolan his personal best third start (after The Dark Knight Rises and The Dark Knight). Blasting beyond my $65.3 million estimate, the three-hour Oscar contender amassed $82.4 million for an astonishing runner-up showing. Those packed IMAX screenings didn’t hurt.

Sound of Freedom was third as it continued its low declines with $19.8 million, just below my $21 million projection. The brilliantly marketed action thriller sits at $124 million.

And this is where the good news stops. Mission: Impossible: Dead Reckoning, after a less than expected opening, had a free fall from 1st to 4th. The Barbenheimer phenomenon helped it plummet 65% to $19.3 million compared to my $25.5 million call. The ten-day tally is $118 million.

Indiana Jones and the Dial Destiny and Insidious: The Red Door were fifth and sixth, respectively. Each made $6.6 million. Indy‘s four-week earnings are at $158 million while Insidious‘s three-week bounty is $71 million.

I incorrectly had Elemental in fifth, but it was seventh with $5.7 million (I said $6.7 million) for $137 million overall.

And that does it for now, folks! Until next time…

Guardians of the Galaxy Vol. 3 Review

Guardians of the Galaxy Vol. 3 marches to the beat of the writer-director James Gunn’s carefully curated playlist of the mawkish blended with the macabre. The actual needle drops are plentiful from Radiohead to Florence and the Machine and Earth, Wind & Fire and Spacehog (there’s actually CG swine in space in case you were wondering). Storyline A inflicts enough grotesque violence on cute furry creatures that I anticipated Sarah McLachlan piping up with a syrupy ballad, but it isn’t to be.

Team captain Star-Lord (Chris Pratt) is far from over the death of Gamora (Zoe Saldaña) in Avengers: Infinity War as we begin. Since it’s the MCU, she didn’t perish in the traditional way. The character was back as a different version of herself and with amnesia of her primary franchise’s activities in Avengers: Endgame. Now the leader of the thieving Ravagers, Gamora reunites with the old gang when Rocket (voiced by Bradley Cooper) is attacked and left critically wounded. As a reminder, the team also consists of Gamora’s half sister Nebula (Karen Gillan), charmingly dense warrior Drax (Dave Bautista), empath Mantis (Pom Klementieff), and Bob Ross favorite Groot with Vin Diesel grumbling his limited dialogue.

The highly intelligent raccoon Rocket is given the full flashback origin treatment in the third volume. His demented creator is Orgocorp CEO High Evolutionary (a scenery devouring Chukwudi Iwuji) who specializes in developing hybrid creatures and discarding them if they don’t meet his standards. Spoiler: the vast majority do not. Rocket is one of his most prized subjects from his dozens of batches at Orgocorp. It is only at the corporate headquarters that his life can be saved so the Guardians set course.

Along the way there’s stops at other galaxies including the bizarro Counter-Earth with its populace of human/animal hybrids. That extended sequence is an example of Gunn at his best with the grimly comedic gumbo. It works well on that planet and in plenty of other moments. Rocket’s backstory does manage to pull the heartstrings fairly successfully.

All other subplots are given the short shrift. Drax and Mantis have a few humorous bits though they’re truly secondary characters this time (as is Groot). Even the presence of Gamora, while giving the gifted Saldaña basically a fresh character to play, takes a backseat to Rocket’s launch in the plot. I’ll note that it’s taken this long to mention Adam Warlock (Will Poulter). He was teased at the end of volume 2 as a nemesis to the title heroes. Adam is responsible for Rocket’s wounds and then the script doesn’t really know what the heck to do with him. He could’ve been written out the script entirely and it would’ve made zero difference. Pratt’s work as Peter Quill/Star-Lord is still a treat. It’s an MCU casting decision that ranks almost as high as Robert Downey Jr. as Tony Stark/Iron Man. He manages not to be overshadowed by his omnivorous costar.

Of the various sub-franchises in the Marvel Cinematic Universe containing three entries or more, Guardians is surprisingly the first where quality flows in order of release. That’s not to say the quality is missing. It’s that the mix has more lowlights than the previous two and definitely runs longer than necessary. Gunn still manages to make the sentimental and sometimes sadistic concoction worthwhile and it’s a cut above most MCU material post Endgame.

*** (out of four)

Missing Box Office Prediction

Missing is a sequel in concept to Searching, which turned an enormous profit in 2018. The thriller (out January 20th) takes place solely on a computer screen with different directors and and a fresh cast. Nick Johnson and Will Merrick make their debuts behind the camera after editing Searching. Aneesh Chaganty, helmer of the first, produces. Storm Reid headlines alongside Joaquim de Almeida, Ken Leung, Amy Landecker, Daniel Henney, and Nia Long.

Over four years ago, Searching made $26 million domestically and $75 million worldwide. The important point? It was reportedly made for under $900,000. That was probably the hummus budget for Avengers: Endgame that same year. I haven’t seen a price tag for this follow-up, but I imagine it’s low.

This may not quite make the nearly $8 million that Searching took in over the four-day Labor Day frame. Its overall stateside gross could fall short of its predecessor. If it triples those earnings across the globe, it should still be a success story for Sony.

Missing opening weekend prediction: $6.8 million

Avatar: The Way of Water Box Office Prediction

Hollywood looks to be awoken from its box office slumber when Avatar: The Way of Water surfaces on December 16th. After plenty of delays in the release date, James Cameron’s sequel to his 2009 record breaking phenomenon comes with a reported budget in the neighborhood of $400 million. Clocking in at 3 hours and 12 minutes, the 3D sci-fi epic is the only newcomer on the pre-Christmas weekend and it should dominate the marketplace. Sam Worthington, Zoe Saldana, Stephen Lang, Joel David Moore, CCH Pounder, Giovanni Ribisi, Dileep Rao, and Matt Gerald reprise their roles from part 1. Joining the Pandora universe for the first time are Kate Winslet, Cliff Curtis, Edie Falco, Jermaine Clement, and Brandon Cowell. Sigourney Weaver appears in a different part from 13 years ago.

It’s dangerous to underestimate Cameron. This is only his third feature in a quarter century. 1997’s Titanic withstood shaky buzz during its filming and became the highest grossing film of all time. That record stood for 12 years until it was broken by (you guessed it) Avatar, which also had troubling word-of-mouth until it didn’t. With $785 million domestically (which includes a September re-release which did impressive business), Avatar still ranks fourth all-time stateside behind Star Wars: The Force Awakens, Avengers: Endgame, and Spider-Man: No Way Home. The international tally is $2.1 billion and that ranks as #1.

There are legitimate questions as to the sequel’s potency. 13 years is a long time between entries. Are younger viewers excited for a trip back to the planet with all the blue people? Disney and 20th Century Studios need this to make a splash as a third Avatar arrives in two years with fourth and fifth (and possibly more) editions planned.

One number is easy to know. The Way of Water will have no problem dwarfing the $77 million that Avatar made for its debut before it became the must-see picture for months. It was #1 for 7 weeks. The sequel is expected to take in double that figure with $160 million generally being considered the floor. The ceiling could be $200 million (and perhaps higher) though its length could hinder that possibility. There’s also some older moviegoers who may not feel the need to rush out opening weekend to view it.

I believe $175-185 million is likely for the Sully family as they land in theaters once again. My projection gives it the 14th biggest domestic premiere of all time between Iron Man 3 and Harry Potter and the Deathly Hallows Part 2. That’s also the 3rd largest opening haul of 2022 behind Doctor Strange in the Multiverse of Madness and Black Panther: Wakanda Forever.

Avatar: The Way of Water opening weekend prediction: $173.1 million

Thor: Love and Thunder Review

The 29th time is not the charm for the MCU with Thor: Love and Thunder, a franchise entry meant to be bursting with joy. It somehow feels middling the majority of the time and it’s a significant downgrade from Taika Waititi’s predecessor Thor: Ragnarok from 2017.

Our Asgardian God of a title character (Chris Hemsworth) has been through a lot in the last half of a cinematic decade. He’s lost his family (including Loki more than once) in earlier Thor and Avengers tales. That even caused him to turn to the bottle and humorously pack on the pounds during Avengers: Endgame. 

He found a new lease on life with the Guardians of the Galaxy during those previous Avengers epics. That’s where we find him at the outset, but it doesn’t last long. The Guardians are off on a new adventure while old acquaintances pop up for Thor. Jane Foster (Natalie Portman), who hasn’t been seen since 2013’s The Dark World, reappears in a cancer stricken state. She discovers that her ex’s hammer Mjolnir gives her super strengths. Her old beau needs all the help he can get with a new nemesis. Gorr the God Butcher (Christian Bale) is on a mission to off all the Gods (hence the name) after his own leader causes his young daughter to perish. That killing spree will eventually include Thor and the newish King of Asgard Valkyrie (Tessa Thompson).

In what has become a common theme in Marvel’s stories, the main villain sorta has a point with his murderous schemes. We see that most of the Gods, including Russell Crowe’s Zeus, have turned into lazy do-nothings. However, when Gorr snatches a bunch of Asgardian kids, the fight is on.

Ragnarok was able to find a measured balance between dramatic elements and Waititi’s comedic sensibilities. Thunder feels downright goofy most of the time with its screaming goats and Guns n Roses greatest hits soundtrack playing over the battles. Just a little patience from the director might’ve made it more tolerable. More often than not, it falls into self parody territory. Maybe it’s on purpose. That doesn’t make it worthwhile.

What’s clear is that Waititi was given plenty of freedom to paint his canvass with this fourth official pic in the Thor series. I wish that translated to a more fruitful experience. Thor and Jane’s romance in the first two movies was never exactly a highlight so their reunion left me ambivalent. To be honest, Portman almost seems a bit bored during her transformation to the Mighty Thor. Bale doesn’t seem disinterested but his bad guy is of the one note and forgettable variety.

Thor: Love and Thunder does have a few jokes that land (I chuckled at a character mispronouncing Jane’s full name). Yet I couldn’t escape this thought when the credits rolled the first and second and final time… I’d rank this 29th MCU saga 29th.

** (out of four)

Oscar Predictions: The Gray Man

With an eye popping budget of $200 million (a reported record for Netflix), spy thriller The Gray Man begins streaming tomorrow. Anthony and Joe Russo (no strangers to gargantuan price tags thanks to Avengers: Infinity War and Endgame) direct Ryan Gosling and Chris Evans. Costars include Ana de Armas, Jessica Henwick, Rege-Jean Page, Wagner Moura, Julia Butters, Dhanush, Alfre Woodard, and Billy Bob Thornton.

The high priced endeavor is garnering mixed reviews with the positive ones not exactly over the moon. Its Rotten Tomatoes score is 49%. Unlike the Russo’s MCU extravaganzas, the visual effects here shouldn’t attract the attention of Academy voters. Same goes for Sound or anything else. My Oscar Prediction posts will continue…