The Telluride Film Festival over the weekend has showcased yet another Best Actress hopeful. This time it’s Lady Bird with Saoirse Ronan and the buzz is loud enough that she looks like a real contender for her third nomination.
The coming-of-age drama marks the directorial debut of actress Greta Gerwig. Reviews from Telluride suggest it’s a winner. If Ronan can emerge from an increasingly crowded field in Best Actress, it would come a decade after her first nod for Supporting Actress in Atonement and two years following her lead nomination in Brooklyn. Critics were also quick to praise the supporting work of veteran performer Laurie Metcalf, who could find herself in the Supporting Actress derby. Gerwig also wrote the screenplay and may have a better shot at Original Screenplay recognition over her direction.
If Lady Bird‘s distributor A24 mounts a major campaign, it could even be a long shot player for a Picture nom. One thing seems certain, though. Ronan is once again in the mix for three nominations at just the age of 23.
Tonight on the blog – we review the Oscars from 2007, continuing with my series of Oscar History posts. 2007 was a year in which the brilliant Coen Brothers finally received some Academy love. Their critically lauded No Country for Old Men won Best Picture and earned the twosome the Best Director prize. It’s hard to argue with the Academy’s choice of this terrific pic for the top prize.
In my view, There Will Be Blood would’ve been another deserving recipient and it was nominated for Best Picture, along with Joe Wright’s Atonement, Tony Gilroy’s Michael Clayton, and Jason Reitman’s Juno. I likely would’ve left Atonement and Juno off the list and considered David Fincher’s meticulously crafted Zodiac and/or Ridley Scott’s American Gangster.
A running theme of my Oscar posts has been the Academy’s consistent lack of comedy inclusion and, for me, the genre’s 2007 highlight was Superbad, one of the finest raunch-fests in quite some time.
I was also a huge fan of Quentin Tarantino and Robert Rodriguez’s ode to B movies, Grindhouse.
There Will Be Blood director Paul Thomas Anderson was included in the Best Director race along with Gilroy and Reitman. Atonement director Joe Wright was the lone director left out whose film was nominated and Julian Schnabel for The Diving Bell and the Butterfly was a bit of a surprise nominee. As mentioned, they all lost to the Coens. I would have certainly included Fincher’s work in Zodiac.
The Best Actor race was over as soon as Daniel Day-Lewis’s work in There Will Be Blood was seen and it would mark his second win after being honored for My Left Foot eighteen years earlier. Other nominees (who truly can say it was just an honor to be nominated after Day-Lewis’s tour de force): George Clooney in Michael Clayton, Johnny Depp in Sweeney Todd, Tommy Lee Jones in In the Valley of Elah, and Viggo Mortensen for Eastern Promises.
Nobody plays a calculating bad guy better than Denzel Washington and I probably would have found room for him with his turn in American Gangster.
In the Best Actress race, Marion Cotillard would win for La Vie En Rose – beating out Cate Blanchett (Elizabeth: The Golden Age), Julie Christie (Away from Her), Laura Linney (The Savages), and Ellen Page (Juno).
Leaving out Keira Knightley’s work in Atonement was a surprise. For my dark horse contender, Christina Ricci’s fearless work in Black Snake Moan might’ve made my cut.
Like the Best Actor category, the Supporting Actor race was over when audiences and critics saw Javier Bardem’s amazing performance in No Country for Old Men. Other nominees: Casey Affleck in The Assassination of Jesse James by the Coward Robert Ford, Philip Seymour Hoffman in Charlie Wilson’s War, Hal Holbrook in Into the Wild, and Tom Wilkinson in Michael Clayton.
Paul Dano’s performance in There Will Be Blood certainly should’ve been acknowledged here. Two others to consider: Robert Downey Jr.’s work as a boozy reporter in Zodiac and Kurt Russell’s hilarious and sadistic role in Grindhouse.
The Supporting Actress race belonged to Tilda Swinton as a ruthless attorney in Michael Clayton. She would win over double nominee Cate Blanchett in I’m Not There, Ruby Dee for American Gangster, Saoirse Ronan in Atonement, and Amy Ryan for Gone Baby Gone.
I would’ve included Kelly MacDonald as Josh Brolin’s wife in No Country for Old Men.
And there’s my take on the ’07 Oscars, my friends! I’ll have 2008 posted soon.
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