Not many eyeballs have been trained on Lionsgate releases over the last couple of years and the studio hopes that changes with Now You See Me: Now You Don’t. The third feature in the magic infused heist franchise arrives nearly a decade after the second installment. Ruben Fleischer takes over the directorial reins from Louis Leterrier (the 2013 original) and Jon M. Chu (the 2016 sequel). Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fischer, and Morgan Freeman reprise their roles and newcomers include Justice Smith, Dominic Sessa, Ariana Greenblatt, and Rosamund Pike as the main villain.
In the summer of 2013, part 1 was an unexpected hit with a $29 million debut and $117 million domestic haul. Three years later, the follow-up experienced diminishing returns with a $22 million start and $65 million overall gross. Unless there’s a nostalgia factor the series that I’m simply not seeing, this should experience the worst opening of the trio and that long layover doesn’t help. I’m thinking mid to high teens.
Now You See Me: Now You Don’t opening weekend prediction: $17.1 million
Before you laugh at me for putting “Oscar Predictions” in front of Borderlands (out tomorrow), the sci-fi action spectacle based on a popular video game series has plenty of special effects. Therefore Eli Roth’s rendering of the source material could theoretically play in Visual Effects.
It won’t. The cast includes two-time Academy Award recipient Cate Blanchett, Kevin Hart, Jack Black, Édgar Ramirez, Ariana Greenblatt, Florian Munteanu, and recent Supporting Actress winner Jamie Lee Curtis. However, this is shaping up to be one of the biggest box office bombs of 2024. With a budget reportedly in the $120 million vicinity, I don’t even have it reaching $10 million during opening weekend.
Then there’s the reviews. Oof. The embargo was lifted hours before its release and now we know why. The Rotten Tomatoes score is 3% with a grand total of one positive(ish) write-up (here’s looking at you Grace Randolph)!
You can safely assume Borderlands won’t resonate with the Academy’s voters. On the other hand, it is the likely frontrunner for the Razzie Awards early next year. My Oscar Prediction posts will continue…
Blogger’s Update (08/08): On the eve of its premiere, I’m downsizing my estimate from $11.3 million to $8.1 million
For quite some, “based on a video game” was a kiss of death for cinematic adaptations. Some of the massive failures include 1993’s live-action Super Mario Bros., Double Dragon, Wing Commander, and Max Payne. That trend has reversed in recent years with hits like Uncharted, last year’s animated The Super Mario Bros. Movie, and Five Nights at Freddy’s. So where Eli Roth’s Borderlands land? I suspect it might fail to break out.
The sci-fi action comedy is spawned from one of the most successful game franchises that began 15 years ago. An impressive cast includes Cate Blanchett, Kevin Hart, Jack Black (doing voiceover work), Edgar Ramirez, Ariana Greenblatt, Florian Munteanu, Gina Gershon, Haley Bennett, Bobby Lee, and Jamie Lee Curtis.
Some die-hard aficionados of the role-playing first-person shooter series will obviously turn up. Crossover appeal, despite the recognizable cast, could be a tall order. A debut of over $20 million should be considered a win, but I think it might stall out in the low double digits.
Borderlands opening weekend prediction: $8.1 million
On Sunday evening, the 29th Critics Choice Awards air on the CW with Chelsea Handler handling hosting duties. In the busiest Oscar precursor week of the year, it’ll cap off with this ceremony. Critics Choice has a mixed history matching with the Academy. Five of the last ten CC Picture victors won BP at the Oscars. For Actress – it’s 6 out of 10. Actor is 7 out of 10. Supporting Actress is 8 out of 10 and Supporting Actor is the most at 9 for 10.
Let’s go through each competition and I’ll give a winner and runner-up prediction. You can expect a recap of the show Sunday evening!
Picture
Nominees: American Fiction, Barbie, The Color Purple, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, Saltburn
PREDICTED WINNER: Oppenheimer
Runner-Up: Barbie
Director
Nominees: Bradley Cooper (Maestro), Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Martin Scorsese (Killers of the Flower Moon)
PREDICTED WINNER: Christopher Nolan, Oppenheimer
Runner-Up: Greta Gerwig, Barbie
Actress
Nominees: Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Greta Lee (Past Lives), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)
PREDICTED WINNER: Lily Gladstone, Killers of the Flower Moon
Runner-Up: Emma Stone, Poor Things
Actor
Nominees: Bradley Cooper (Maestro), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
PREDICTED WINNER: Paul Giamatti, The Holdovers
Runner-Up: Cillian Murphy, Oppenheimer
Supporting Actress
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Holdovers), America Ferrera (Barbie), Jodie Foster (Nyad), Julianne Moore (May December), Da’Vine Joy Randolph (The Holdovers)
PREDICTED WINNER: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Danielle Brooks, The Color Purple
Supporting Actor
Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Charles Melton (May December), Mark Ruffalo (Poor Things)
PREDICTED WINNER: Robert Downey, Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
Original Screenplay
Nominees: Air, Barbie, The Holdovers, Maestro, May December, Past Lives
PREDICTED WINNER: Barbie
Runner-Up: The Holdovers
Adapted Screenplay
Nominees: All of Us Strangers, American Fiction, Are You There God? It’s Me, Margaret, Killers of the Flower Moon, Oppenheimer, Poor Things
PREDICTED WINNER: Poor Things
Runner-Up: Killers of the Flower Moon
Acting Ensemble
Nominees: Air, Barbie, The Color Purple, The Holdovers, Killers of the Flower Moon, Oppenheimer
PREDICTED WINNER: Barbie
Runner-Up: Oppenheimer
Young Actor/Actress
Nominees: Abby Ryder Fortson (Are You There God? It’s Me, Margaret), Ariana Greenblatt (Barbie), Calah Lane (Wonka), Milo Machado Graner (Anatomy of a Fall), Dominic Sessa (The Holdovers), Madeleine Yuna Voyles (The Creator)
PREDICTED WINNER: Dominic Sessa, The Holdovers
Runner-Up: Milo Machado Graner, Anatomy of a Fall
Foreign Language Film
Nominees: Anatomy of a Fall, Godzilla Minus One, Perfect Days, Society of the Snow, The Taste of Things, The Zone of Interest
PREDICTED WINNER: Anatomy of a Fall
Runner-Up: The Zone of Interest
Comedy
Nominees: American Fiction, Barbie, Bottoms, The Holdovers, No Hard Feelings, Poor Things
PREDICTED WINNER: Barbie
Runner-Up: American Fiction
Animated Feature
Nominees: The Boy and the Heron, Elemental, Nimona, Spider-Man: Across the Spider-Verse, Teenage Mutant Ninja Turtles: Mutant Mayhem, Wish
PREDICTED WINNER: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
Cinematography
Nominees: Barbie, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things, Saltburn
PREDICTED WINNER: Oppenheimer
Runner-Up: Killers of the Flower Moon
Costume Design
Nominees: Barbie, The Color Purple, Killers of the Flower Moon, Napoleon, Poor Things, Wonka
PREDICTED WINNER: Barbie
Runner-Up: Poor Things
Editing
Nominees: Air, Barbie, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things
PREDICTED WINNER: Oppenheimer
Runner-Up: Killers of the Flower Moon
Hair and Makeup
Nominees: Barbie, The Color Purple, Maestro, Oppenheimer, Poor Things, Priscilla
PREDICTED WINNER: Maestro
Runner-Up: Poor Things
Production Design
Nominees: Asteroid City, Barbie, Killers of the Flower Moon, Oppenheimer, Poor Things, Saltburn
PREDICTED WINNER: Barbie
Runner-Up: Poor Things
Score
Nominees: Barbie, Killers of the Flower Moon, Oppenheimer, Poor Things, Society of the Snow, Spider-Man: Across the Spider-Verse
PREDICTED WINNER: Oppenheimer
Runner-Up: Killers of the Flower Moon
Song
Nominees: “Dance the Night” from Barbie, “I’m Just Ken” from Barbie, “Peaches” from The Super Mario Bros. Movie, “Road to Freedom” from Rustin, “This Wish” from Wish, “What Was I Made For?” from Barbie
PREDICTED WINNER: “What Was I Made For?” from Barbie
Runner-Up: “I’m Just Ken” from Barbie
Visual Effects
Nominees: The Creator, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning Part One, Oppenheimer, Poor Things, Spider-Man: Across the Spider-Verse
PREDICTED WINNER: Spider-Man: Across the Spider-Verse
Runner-Up: Oppenheimer
That works out to the following wins for these movies:
6 Wins
Barbie, Oppenheimer
3 Wins
The Holdovers
2 Wins
Spider-Man: Across the Spider-Verse
1 Win
Anatomy of a Fall, Killers of the Flower Moon, Maestro, Poor Things
The Critics’ Choice Awards are one of the more reliable precursors when it comes to movies and actors who might receive Oscar nominations. Hopefuls will hear their names called tomorrow for the 29th annual ceremony.
This show can sometimes be unpredictable with how many nominees there will be in each race. Last year there were 11 in Picture, 10 in Director, and 6 for others. I’ll project 10 in Pic and Director and go with six in the remainder of the derbies (and an alternate), but don’t be surprised if they alter the formula.
Let’s get to it!
Picture
American Fiction
Barbie
The Holdovers
Killers of the Flower Moon
Maestro
May December
Oppenheimer
Past Lives
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: The Color Purple
Director
Bradley Cooper, Maestro
Greta Gerwig, Barbie
Jonathan Glazer, The Zone of Interest
Todd Haynes, May December
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Alexander Payne, The Holdovers
Martin Scorsese, Killers of the Flower Moon
Celine Song, Past Lives
Justine Triet, Anatomy of a Fall
Alternate: Cord Jefferson, American Fiction
Actress
Lily Gladstone, Killers of the Flower Moon
Sandra Hüller, Anatomy of a Fall
Greta Lee, Past Lives
Carey Mulligan, Maestro
Margot Robbie, Barbie
Emma Stone, Poor Things
Alternate: Natalie Portman, May December
Actor
Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Paul Giamatti, The Holdovers
Cillian Murphy, Oppenheimer
Andrew Scott, All of Us Strangers
Jeffrey Wright, American Fiction
Alternate: Colman Domingo, Rustin
Supporting Actress
Emily Blunt, Oppenheimer
Danielle Brooks, The Color Purple
Penelope Cruz, Ferrari
Rachel McAdams, Are You There God? It’s Me, Margaret
Julianne Moore, May December
Da’Vine Joy Randolph, The Holdovers
Alternate: Jodie Foster, Nyad
Best Supporting Actor
Willem Dafoe, Poor Things
Robert De Niro, Killers of the Flower Moon
Robert Downey Jr., Oppenheimer
Ryan Gosling, Barbie
Charles Melton, May December
Mark Ruffalo, Poor Things
Alternate: John Magaro, Past Lives
Original Screenplay
Anatomy of a Fall
Barbie
The Holdovers
May December
Past Lives
Saltburn
Alternate: Maestro
Adapted Screenplay
All of Us Strangers
American Fiction
Killers of the Flower Moon
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: The Zone of Interest
Foreign Language Film
Anatomy of a Fall
Monster
Perfect Days
Society of the Snow
The Taste of Things
The Zone of Interest
Alternate: Fallen Leaves
Animated Feature
The Boy and the Heron
Elemental
Nimona
Robot Dreams
Spider-Man: Across the Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem
Alternate: Wish
Cinematography
The Killer
Killers of the Flower Moon
Maestro
Oppenheimer
Poor Things
Saltburn
Alternate: The Zone of Interest
Costume Design
Barbie
Chevalier
The Color Purple
Killers of the Flower Moon
Poor Things
Priscilla
Alternate: Oppenheimer
Editing
Anatomy of a Fall
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
Poor Things
Alternate: The Holdovers
Makeup
Barbie
Guardians of the Galaxy Vol. 3
Maestro
Nyad
Poor Things
Society of the Snow
Alternate: Oppenheimer
Production Design
Asteroid City
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Poor Things
Alternate: Maestro
Score
Elemental
Killers of the Flower Moon
Oppenheimer
Past Lives
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: The Boy and the Heron
Song
“Dance the Night” from Barbie
“I’m Just Ken” from Barbie
“Quiet Eyes” from Past Lives
“Road to Freedom” from Rustin
“This Wish” from Wish
“What Was I Made For?” from Barbie
Alternate: “Peaches” from The Super Mario Bros. Movie
Visual Effects
The Creator
Dungeons & Dragons: Honor Among Thieves
Godzilla Minus One
Guardians of the Galaxy Vol. 3
Oppenheimer
Poor Things
Alternate: Napoleon
Ensemble
Air
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things
Saltburn
Alternate: The Color Purple
Comedy
American Fiction
Asteroid City
Barbie
Joy Ride
The Holdovers
No Hard Feelings
Alternate: Bottoms
Young Actor/Actress
Joe Bird, Talk to Me
Andrew Barth Feldman, No Hard Feelings
Abby Ryder Fortson, Are You There God? It’s Me, Margaret
Ariana Greenblatt, Barbie
Milo Machado-Graner, Anatomy of a Fall
Violet McGraw, M3GAN
Alternate: Iman Vellani, The Marvels
And that equates to these movies generating these numbers of nominations:
14 Nominations
Barbie, Poor Things
12 Nominations
Killers of the Flower Moon, Oppenheimer
7 Nominations
Maestro, Past Lives
6 Nominations
Anatomy of a Fall, The Holdovers
5 Nominations
May December
4 Nominations
American Fiction, Spider-Man: Across the Spider-Verse
3 Nominations
The Color Purple, Saltburn
2 Nominations
All of Us Strangers, Are You There God? It’s Me, Margaret, Asteroid City, Elemental, Guardians of the Galaxy Vol. 3, No Hard Feelings, Society of the Snow, The Zone of Interest
1 Nomination
Air, The Boy and the Heron, Chevalier, The Creator, Dungeons & Dragons: Honor Among Thieves, Ferrari, Godzilla Minus One, Joy Ride, The Killer, M3GAN, Monster, Nimona, Nyad, Perfect Days, Priscilla, Robot Dreams, Rustin, Talk to Me, The Taste of Things, Teenage Mutant Ninja Turtles: Mutant Mayhem, Wish
Greta Gerwig’s Barbie is never dull and it is a triumph of Dream House production design with exquisite casting. Cowriting with her partner Noah Baumbach, the screenplay is home to some great gags and eventually some emotionally inspired sections. It stumbles occasionally in sketchy territory that seems more in place as a mid-level SNL sketch (with some of the show’s vets performing the material). With Margot Robbie as the classic or “stereotypical” Barbie and Ryan Gosling as a version of Ken who believes his profession is “Beach” (where he spends his days), their chemistry clicks as they explore lands ruled by matriarchy and patriarchy.
The comedy around them can sputter in one scene and pop in the next. This is a satire of corporatism and critique of gender identities that wouldn’t exist without that Mattel cooperation. It has its own well-worn cliches present about the Venus and Mars divisions. Venus is Barbieland here while Mars is the world we know. Gerwig and Baumbach are dealing with a tricky balance and the fact that this mostly succeeds is an impressive achievement.
We meet Robbie’s Barbie in Barbieland where every night is Girls Night (!) alongside President Barbie (Issa Rae), Writer Barbie (Alexandra Shipp), and plenty of others professionals. These women rule the joint while Ken and his fellow Kens (they include Simu Liu and Kingsley Ben-Adir) beach during the day and pine for their respective Barbies at night. In one funny revelation, it is said that the women literally have no clue where the Kens stay at night (they do not own dream dwellings).
Our lead Barbie’s blissful existence ends when she starts thinking of death. Soon her perfectly perched feet fall flat and cellulite emerges. These real world problems are due to Earthly interference. She doesn’t want to become like Weird Barbie (Kate McKinnon), whose physical traits resemble a demented child being creative with her doll parts. Barbie must travel to the Real World which she assumes puts females in the same leadership positions as Barbieland. Gosling’s Ken sneaks along for the ride.
Their journey introduces them to single mom Gloria (America Ferrera) and teen daughter (Ariana Greenblatt). Mom works for Mattel, which is entirely run by males including Will Ferrell’s CEO. She has her own ideas for Barbie iterations and that may be causing Robbie’s imperfections. While she deals with the patriarchy ruling the land, Ken revels in it and soon brings that superior attitude back to Barbieland. A buoyant battle for the sexes follows.
Barbie improves as it goes along. It manages to mostly earn the moving moments that populate the final act. I suspect some of the broader material could’ve been cut down. For example, Ferrell and his band of execs don’t really add much. Yet I dug McKinnon as the oddly configured Weird Barbie. This is an experience where we have Gosling stealing scenes with hilarity and Ferrera doing the same with heartier stuff. Robbie is in the middle of it and she is smartly cast (narrator Helen Mirren has a moment of snarky meta fun commenting on her incredible beauty). There’s plenty to ponder in the politics of Barbie, but maybe not thinking about it too hard is the way to go. The same logic can be applied to Ken’s out of place friend Allan (Michael Cera). He doesn’t really belong, but I enjoyed him. Same goes for the movie where our central character is figuring out where she belongs.
One of 2023’s most anticipated titles is out Friday with Greta Gerwig’s Barbie and the review embargo has lifted for the Mattel property. The box office expectations have steadily risen in recent weeks and I’ve got it nearly reaching $130 million out of the gate. Margot Robbie is, of course, the title character with Ryan Gosling as Ken. The sprawling supporting players include America Ferrera, Rhea Perlman, Will Ferrell, Kate McKinnon, Issa Rae, Alexandra Shipp, Emma Mackey, Dua Lipa, Kingsley Ben-Adir, Simu Liu, Michael Cera, Ariana Greenblatt, and Helen Mirren.
It could be said that the embargo has been eagerly awaited as well. With 70 write-ups in at publication press, the Rotten Tomatoes meter stands at a robust 90%. Even when the trailers debuted, we could see awards potential in a few technical races. This includes Production Design, Makeup and Hairstyling, and Costume Design. Expect it to be in contention for all three.
The bigger question is whether it plays beyond the down the line races. Gerwig cowrote wrote the screenplay with her partner Noah Baumbach. Many reviews hone in on the clever take for the iconic IP and Adapted Screenplay seems like the most likely major category nod. If Barbie is a moneymaking behemoth (and especially if it holds decently after an expected humongous start), Best Picture and Director mentions are feasible. I’ll note that Gerwig’s two previous pics – 2017’s Lady Bird and 2019’s Little Women – both landed BP slots.
As for the performances, both Robbie in Actress and Gosling in Supporting Actor are doable. This would be the former’s third nod after 2017’s I, Tonya and 2019’s Bombshell (for supporting) and the latter’s third behind 2006’s Half Nelson and 2016’s La La Land. Based on early buzz, I see Gosling as more probable than Robbie. However, we need to see how much competition emerges in the fall. There should be plenty considering that’s when the bulk of Oscar hopefuls debut. America Ferrera is also drawing some raves for her work so we shall see if WB makes a push for her in Supporting Actress.
Lastly, Billie Eilish has the tune “What Was I Made For?” and it may be the soundtrack’s entry in Original Song. As you may recall, she won the gold statue in that race in 2021 for her title track “No Time to Die”. It will be interesting to see if Warner Bros also mounts a campaign for “I’m Just Ken”, sung by Gosling.
Bottom line: the right combo of critical praise and box office bucks could propel Barbie to plenty of nominations. Another path could involve some tech stuff and the script. My Oscar Prediction posts will continue…
Blogger’s Update (07/19): I’ve increased my prediction from $127.8M to $160.8M
After a lengthy development process, the eagerly anticipated live-action Barbie seeks to pack movie houses on July 21st. Greta Gerwig, coming off two Best Picture nominees in a row with Lady Bird and Little Women, directs with Margot Robbie as the iconic Mattel creation and Ryan Gosling as Ken. The large supporting cast (some playing variations of the leading dolls) includes America Ferrera, Kate McKinnon, Issa Rae, Rhea Perlman, Alexandra Shipp, Emma Mackey, Dua Lipa, Kingsley Ben-Adir, Simu Liu, Michael Cera, Ariana Greenblatt, and Will Ferrell. Once a vehicle for Amy Schumer and then Anne Hathaway, the reported $100 million production tapped Robbie four summers ago for the high profile project.
It goes without saying that the toy line dating back to 1959 has seen generations of consumers. Warner Bros is banking that crowds of all ages for the PG-13 rated pic will turn up. While it should certainly skew female, all demographics are expected to be represented.
Barbie has also been the benefactor of extra publicity due to Christopher Nolan’s Oppenheimer debuting on the same day. Dubbed “Barbenheimer” all over social media, the premiere of two awards and blockbuster hopefuls only adds to the hoopla.
The breakout potential seems quite real and buzz has been growing steadily since the trailer and other forms of exposure. Initial estimates were in the $55-$70 million vicinity, rose to $80-$100 million, and are now looking to top $100 million. I’m inclined to say it manages nine digits with room to spare.
The title card for 65 doesn’t emerge onscreen until 16 minutes into the runtime. That’s actually about one-sixth of the way through and (I think) it’s meant to serve as a surprise reveal. The trailer already spoiled it because (umm… spoiler alert?) that number refers to 65 million years ago on Earth when so-so looking CG dinosaurs roamed freely. I suspect a lot more roamed freely, but this movie’s budget might not have supported Jurassic Park or World level sizes.
Mills (Adam Driver) is a pilot on the planet Somaris whose sick daughter (Chloe Coleman) causes him to take on a two-year expedition to pay for her treatment. When an asteroid field causes his ship to crash, he lands on a planet filled the aforementioned creatures. It turns out (as we find either via TV spots, trailers, or after 16 minutes) that this extinction level event is about to make the dinos disappear. Alien Mills has collided into our planet at an inopportune time. He discovers one survivor from the accident – a preteen who speaks a foreign language named Koa (Ariana Greenblatt). The duo must find the other half of the wreckage lying atop a mountain that contains an escape hatch.
It’s a long haul to that locale as their words are lost in translation and future relics hunt them down. They do manage to bond and, yes, there are correlations to his ill offspring. The script from directors Scott Beck and Bryan Woods (who’ve done much better when they penned A Quiet Place) injects some humor into their interplay for about two or three minutes. A tone of somberness rules this for the remaining hour and a half.
As they make their uphill climb to safety, I was disappointed in how flat 65 feels. The effects are mostly bland. Of course, technicians haven’t really improved dino design since Jurassic Park 30 years ago and this is no exception. There is some occasional striking production design. Driver is a fine actor with a nothing part and there’s little character development with Koa either. At its best, this is serviceable. For the most part, what is happening on Earth is unremarkable.
Adam Driver often turns up in prestige pics with awards buzz, but 65 is a rare exception. The prehistoric action thriller comes from directors Scott Beck and Bryan Woods, who wrote A Quiet Place. That acclaimed feature nabbed a Sound Editing nom back in 2018. The 65 buzz is rather silent and it could be a big budget flop for Sony.
With a 25% Rotten Tomatoes rating, most critics are far from impressed. Yet with its lead battling dinosaurs, tech races like Sound and Visual Effects could be in the mix. Not so fast. Even the creatures are being called subpar versions of what the Jurassic Park/World franchise have given us. And if all the Jurassic follow-ups couldn’t achieve VE nominations, there’s no real chance for 65 to make noise anywhere. My Oscar Prediction posts will continue…
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