Best Picture: A Look Back

A few weeks ago, I posted look backs at major categories at the Oscars from 1990 to the present. I’ve covered all four acting races and if you missed it, you can peruse them here:

https://toddmthatcher.com/2018/11/04/best-actor-a-look-back/

https://toddmthatcher.com/2018/10/31/best-actress-a-look-back/

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

In each post, I review what I’d classify as the three least surprising winners, as well as the three biggest upsets. And I select what I believe are the strongest and weakest overall fields.

Today on the blog, we arrive at the Big Daddy – Best Picture. It’s important to remember that hindsight doesn’t come into play here. For instance, Forrest Gump won the top prize in 1994. Since then, many believe fellow nominees Pulp Fiction or The Shawshank Redemption should have won. Yet the Gump victory was not an upset at the time. Same goes for 1990 when Dances with Wolves bested GoodFellas.

Let’s begin with a reminder of each winner since 1990:

1990 – Dances with Wolves

1991 – The Silence of the Lambs

1992 – Unforgiven

1993 – Schindler’s List

1994 – Forrest Gump

1995 – Braveheart

1996 – The English Patient

1997 – Titanic

1998 – Shakespeare in Love

1999 – American Beauty

2000 – Gladiator

2001 – A Beautiful Mind

2002 – Chicago

2003 – Lord of the Rings: Return of the King

2004 – Million Dollar Baby

2005 – Crash

2006 – The Departed

2007 – No Country for Old Men

2008 – Slumdog Millionaire

2009 – The Hurt Locker

2010 – The King’s Speech

2011 – The Artist

2012 – Argo

2013 – 12 Years a Slave

2014 – Birdman

2015 – Spotlight

2016 – Moonlight

2017 – The Shape of Water

We start with my three least surprising winners:

3. Lord of the Rings: Return of the King (2003)

Peter Jackson’s final entry in the acclaimed trilogy seemed due for a win after the first two installments were nominated, but lost to A Beautiful Mind and Chicago. This was as much a recognition for the entire franchise and by 2003, it was obvious the Academy would move in that direction.

2. Titanic (1997)

James Cameron’s epic was plagued with rumors of a troubled shoot and the possibility seemed real that it could be a costly flop. The opposite occurred as Titanic became the highest grossing motion picture of all time upon its release. It seemed clear that Oscar love would follow.

1. Schindler’s List (1993)

Capping an amazing year which saw Steven Spielberg direct Jurassic Park over the summer, his Holocaust feature Schindler’s List became the undeniable front-runner at its end of year release. Winning all significant precursors, this was a shoo-in selection.

Now to the upsets. In my view, there were four very real ones and I had to leave one out. That would be 1995 when Braveheart emerged victorious over the favored Apollo 13 and Sense and Sensibility. Yet there’s 3 others that I feel top it.

3. Moonlight (2016)

La La Land appeared ready to pick up the gold after its filmmaker Damien Chazelle and lead actress Emma Stone had already won. And it looked like the script was being followed when Warren Beatty and Faye Dunaway actually announced the musical as Best Picture. Perhaps Oscar’s largest controversy followed as the wrong envelope was given and the Barry Jenkins effort Moonlight had actually won. Correct envelopes or not, the Moonlight victory was still unexpected given the La La momentum.

2. Shakespeare in Love (1998)

All eyes were on Spielberg’s World War II epic Saving Private Ryan to win as Spielberg had already picked up his second statue for directing. Shakespeare rewrote that script and few saw it coming.

1. Crash (2005)

Here is perhaps the most surprising BP winner in history. Ang Lee’s Brokeback Mountain was the strong favorite when the Paul Haggis race relations drama took it. Even presenter Jack Nicholson looked shocked when he read the envelope.

And now the fields. That’s a bit tough because just under a decade ago, the Academy switched from five finite nominees to anywhere between five and ten (nine being the most common). For weakest, I’m going with 2011 when there were 9. While there’s some quality picks like The Artist, The Descendants, Hugo, Midnight in Paris, Moneyball, and The Tree of Life – I feel even some of them might have missed the cut in stronger years. And I think that certainly applies to Extremely Loud & Incredibly Close, The Help, and War Horse.

For strongest, I will go with the aforementioned 1994. Pulp Fiction and Shawshank are indeed two of the most impressive cinematic contributions in recent times. Winner Gump and other nominees Quiz Show and Four Weddings and a Funeral filled out the slate.

And that does it, folks! Hope you enjoyed my look back at Best Picture in modern times.

Best Year’s Ever

As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).

And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!

25. Channing Tatum (2012)

It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance The Vow, hit comedy 21 Jump Street, and his signature and semi-autobiographical title role in the summer sleeper Magic Mike (also from Mr. Soderbergh).

24. John Travolta (1996)

Two years following his major comeback in Pulp Fiction and a year following his Golden Globe nominated lead in Get Shorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller Broken Arrow and fantasy dramas Phenomenon and Michael.

23. Clint Eastwood (1971)

The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller Play Misty for Me. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and Million Dollar Baby. In December, Eastwood starred as Dirty Harry which spawned his lucky cop franchise.

22. Sigourney Weaver (1988)

Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for Gorillas in the Mist and Supporting Actress for Working Girl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.

21. Joe Pesci (1990)

Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic Home Alone.

20. Kevin Spacey (1995)

Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in The Usual Suspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in  Outbreak and headlined the critically approved indie comedy Swimming with Sharks.

19. Nicolas Cage (1997)

Leaving Las Vegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: Con Air and Face/Off.

18. Will Ferrell (2003)

Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s Old School as Frank the Tank and in the winter as Buddy in Elf.

17. Morgan Freeman (1989)

The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner Driving Miss Daisy, a dedicated and stern principal in Lean on Me, and a Civil War officer in Glory.

16. Steven Soderbergh (2000)

The prolific filmmaker made two Best Picture nominees with Erin Brockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.

15. Halle Berry (2001)

Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’s Ball. This was all sandwiched between XMen hits.

14. Hugh Jackman (2017)

Berry’s XMen cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical The Greatest Showman was an unexpected smash.

13. Leonardo DiCaprio (2002)

Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s Gangs of New York and Steven Spielberg’s Catch Me If You Can left little doubt. He’s been one of Hollywood’s most dependable stars since.

12. Francis Ford Coppola (1974)

In 1972, Coppola made perhaps the greatest American film of all time with The Godfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller The Conversation.

11. Michael Douglas (1987)

His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s Wall Street won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller Fatal Attraction, which was the year’s second largest grosser.

10. Julia Roberts (1999)

She started the decade with a smash star making turn in Pretty Woman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: Notting Hill with Hugh Grant and Runaway Bride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for Erin Brockovich.

9. Tom Cruise (1996)

1986 wasn’t too shabby either with Top Gun and The Color of Money. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s Jerry Maguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.

8. Sandra Bullock (2013)

Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy The Heat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.

7. Sylvester Stallone (1985)

Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind Back to the Future. They were for his two signature characters with Rambo: First Blood Part II and Rocky IV.

6. Robert Downey Jr. (2008)

A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in Iron Man, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s Tropic Thunder, which earned Downey a rare Oscar nod for a comedic performance.

5. Tom Hanks (1993)

There’s more than one year to consider for Hanks… 1995 (Apollo 13, Toy Story) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic Sleepless in Seattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for Forrest Gump.

4. Mel Brooks (1974)

The director managed to make two of the most beloved comedies of all time in one year… Blazing Saddles and Young Frankenstein. The two features combined contain some of the funniest scenes ever filmed.

3. Jennifer Lawrence (2012)

Already an Oscar nominee two years prior for Winter’s Bone, Lawrence’s road to superstardom was paved in 2012. In March came The Hunger Games, the year’s third top earner that spawned three sequels. In December came Silver Linings Playbook, where she won Best Actress.

2. Jim Carrey (1994)

In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber all hit screens.

1. Steven Spielberg (1993)

In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale Jurassic Park in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’s List won seven Academy Awards (including Picture and for Spielberg’s direction).

I hope your New Year is your best yet, readers! Have a happy one…

The Best Picture Coulda Been Contenders: 1990-2008

In 2009, the Academy underwent a change in the number of Best Picture nominees honored each year. The rule change allowed a fluctuation of five to ten nominees per year, as opposed to a finite five (all other categories stayed at that number).

As has been discussed on this blog, many felt the change was triggered by 2008’s The Dark Knight, the critically acclaimed comic book pic that was also highest earner of the year. It failed to a garner a Best Picture nod and the thinking was that it was time for more popular options to make it into the mix.

Since the change, the magic number has been nine nominated pictures in most years. This got me thinking: what if that rule had been in effect during prior years? What movies that failed to get a nomination would have certainly made it?

That brings us here. I have gone back to 1990 through 2008 and I’m listing two films from each year that I am confident would have made the shortlist. In selecting each title, here were some of the key indicators. If a Director was nominated for his work and the film failed to get nominated, that probably means it would have been included. Additionally, the screenplay races are a decent predictor of some titles that might have made the magic nine (or eight or ten). For reference sake, I am including the five movies that did get nominated.

So here goes! Two features from 1990-2008 that coulda and likely woulda been contenders…

1990

The Actual Nominees: Dances with Wolves (Winner), Awakenings, Ghost, The Godfather Part III, GoodFellas

The Two Coulda Been Contenders: The Grifters, Reversal of Fortune

1991

The Actual Nominees: The Silence of the Lambs (W), Beauty and the Beast, Bugsy, JFK, The Prince of Tides

The Two Coulda Been Contenders: Boyz N The Hood, Thelma & Louise

1992

The Actual Nominees: Unforgiven (W), The Crying Game, A Few Good Men, Howards End, Scent of a Woman

The Two Coulda Been Contenders: Malcolm X, The Player

1993

The Actual Nominees: Schindler’s List (W), The Fugitive, In the Name of the Father, The Piano, The Remains of the Day

The Two Coulda Been Contenders: Philadelphia, Short Cuts

1994

The Actual Nominees: Forrest Gump (W), Four Weddings and a Funeral, Pulp Fiction, Quiz Show, The Shawshank Redemption

The Two Coulda Been Contenders: Bullets Over Broadway, Three Colors: Red

1995

The Actual Nominees: Braveheart (W), Apollo 13, Babe, Il Postino, Sense and Sensibility

The Two Coulda Been Contenders: Dead Man Walking, Leaving Las Vegas

1996

The Actual Nominees: The English Patient (W), Fargo, Jerry Maguire, Secrets & Lies, Shine

The Two Coulda Been Contenders: The People Vs. Larry Flynt, Sling Blade

1997

The Actual Nominees: Titanic (W), As Good as It Gets, The Full Monty, Good Will Huinting, L.A. Confidential

The Two Coulda Been Contenders: Boogie Nights, The Sweet Hereafter

1998

The Actual Nominees: Shakespeare in Love (W), Elizabeth, Life is Beautiful, Saving Private Ryan, The Thin Red Line

The Two Coulda Been Contenders: Gods and Monsters, The Truman Show

1999

The Actual Nominees: American Beauty (W), The Cider House Rules, The Green Mile, The Insider, The Sixth Sense

The Two Coulda Been Contenders: Being John Malkovich, Topsy-Turvy

2000

The Actual Nominees: Gladiator (W), Chocolat, Crouching Tiger, Hidden Dragon, Erin Brockovich, Traffic

The Two Coulda Been Contenders: Almost Famous, Billy Elliot

2001

The Actual Nominees: A Beautiful Mind (W), Gosford Park, In the Bedroom, Lord of the Rings: The Fellowship of the Ring, Moulin Rouge!

The Two Coulda Been Contenders: Black Hawk Down, Mulholland Drive

2002

The Actual Nominees: Chicago (W), Gangs of New York, The Hours, Lord of the Rings: The Two Towers, The Pianist

The Two Coulda Been Contenders: Far from Heaven, Talk to Her

2003

The Actual Nominees: Lord of the Rings: The Return of the King (W), Lost in Translation, Master and Commander: The Far Side of the World, Mystic River, Seabiscuit 

The Two Coulda Been Contenders: City of God, In America

2004

The Actual Nominees: Million Dollar Baby (W), The Aviator, Finding Neverland, Ray, Sideways

The Two Coulda Been Contenders: Hotel Rwanda, Vera Drake

2005

The Actual Nominees: Crash (W), Brokeback Mountain, Capote, Good Night and Good Luck, Munich

The Two Coulda Been Contenders: Syriana, Walk the Line

2006

The Actual Nominees: The Departed (W), Babel, Letters from Iwo Jima, Little Miss Sunshine, The Queen

The Two Coulda Been Contenders: Pan’s Labyrinth, United 93

2007

The Actual Nominees: No Country for Old Men (W), Atonement, Juno, Michael Clayton, There Will Be Blood

The Two Coulda Been Contenders: Away from Her, The Diving Bell and the Butterfly

2008

The Actual Nominees: Slumdog Millionaire (W), The Curious Case of Benjamin Button, Frost/Nixon, Milk, The Reader

The Two Coulda Been Contenders: The Dark Knight, Doubt

And there you have it! There will be a part II to this post. What if the rule change had never occurred? From 2009 until the present, what would have been the five nominated Pictures if only that number was allowed. Stay tuned…

 

RIP Bill Paxton

Sadly, this morning I write a post I didn’t expect to with the news that Bill Paxton has passed away at age 61. For even casual movie fans, Paxton was a very familiar face that starred and co-starred in blockbusters such as Aliens, True Lies, Twister, and Titanic.

Upon hearing the news of his death, I began to realize just how present he’s been in my movie watching existence over the last three decades plus. I first knew of him as Chet, the bullying older brother in Weird Science. If that is a guilty pleasure pic, his performance is one of the best pleasures in it. It’s a terrific comedic performance.

Just one year later, his role in Aliens stuck out in that fantastic sequel with one-liners like “Game Over, Man!” That same year, he starred in Kathryn Bigelow’s vampire cult classic Near Dark.

All told, Mr. Paxton has about a dozen DVDs and Blu-Rays sitting on my shelf. Like I said, he was truly a part of many of our collective filmgoing experiences from the 1980s on. He was alongside Tom Cruise just three years ago in the solid Edge of Tomorrow and was a rival tabloid cameraman to Jake Gyllenhaal in my favorite picture of 2014, Nightcrawler.

His TV credits include headlining HBO’s “Big Love” and just a few weeks ago, his CBS crime drama “Training Day” (based on the 2001 Denzel Washington film) premiered. His final movie will be The Circle with Tom Hanks and Emma Watson. It opens in April.

Other notable onscreen efforts range from Predator 2 to Tombstone to A Simple Plan and U571. Today I wish to highlight a trio of lesser known titles worth seeking out:

Two are from 1992. Trespass finds him and William Sadler as firefighters who find a treasure map that pits them against drug dealers Ice Cube and Ice-T. It’s great gritty fun. One False Move is an intense crime thriller from director Carl Franklin and written by Billy Bob Thornton. Gene Siskel named it as his favorite movie of that year and it is impressive.

Paxton turned to directing himself in 2001 with Frailty, an underrated and effective thriller where the actor plays a religiously fanatical father. I just watched it again recently and it made me wish Paxton had directed more.

What Bill Paxton did leave us with is his own treasure trove of performances to enjoy. He will be missed.

Summer 1995: The Top Ten Hits and More

We are now smack dab in the middle of the 2015 summer movie season and we’ve seen our share of massive hits (hello Jurassic World) and big flops (goodbye Tomorrowland). As has become tradition on this blog, I will now take a look back at the same season from 20 years ago – giving you the top ten hits of that summer plus other notable pictures and the flops that also populated the calendar. I’ll be following up shortly with a post about the summer of 2005, one decade ago.

One thing that stands out for the summer of 1995 is that an astonishing four of the five eventual Best Picture nominees for that year came out in the summer. This is unheard of due to the fact that, typically, Oscar bait is released in the fall months. All four of those movies will be discussed in this post.

And now – let us revisit the titles that got us in the theaters during the hot months in 1995 (and some that didn’t).

10. Braveheart

Domestic Gross: $75 million

The 10th highest grosser of the season also happens to be the one that would go onto win Best Picture at the Oscars and earn director/star Mel Gibson a gold statue for his work behind the camera. The medieval war epic would win a total of five Oscars and mark a high point in Gibson’s filmography.

9. Congo

Domestic Gross: $81 million

Two summers earlier, an adventure film based on a Michael Crichton novel came out. It was called Jurassic Park and the rest is history. Expectations for the Crichton based Congo were high and it came from Spielberg protege Frank Marshall. Its $81 million gross was on the low end of expectations and critics were not kind (22% on Rotten Tomatoes).

8. Dangerous Minds

Domestic Gross: $84 million

One of the sleeper hits of the season was this urban classroom drama starring Michelle Pfeiffer. Now I could certainly attach a clip of the film or its trailer, but let’s be honest. The reason we remember this movie is three words: “Gangsta’s Paradise, Coolio!” Enjoy…

7. Waterworld

Domestic Gross: $88 million

The Kevin Costner adventure is widely considered to be the Heaven’s Gate of its decade. The production was a disaster with cost overruns (a budget of $172 million, which was crazy at the time) and highly mixed critical reaction. Also, like Gate, its reputation has improved over time. Yet in the summer of 1995, it was considered the season’s big belly flop.

6. Crimson Tide

Domestic Gross: $91 million

This Tony Scott directed submarine action thriller struck a chord with audiences and critics. Denzel Washington and Gene Hackman costarred with an impressive supporting cast that included Viggo Mortensen, James Gandolfini, and Steve Zahn.

5. Die Hard with a Vengeance

Domestic Gross: $100 million

Bruce Willis’s third go round as John McClane costarred Samuel L. Jackson and Jeremy Irons. It couldn’t quite match the $117M take of the 1990’s Die Hard 2, but the franchise would spawn two more entries years later.

4. Casper

Domestic Gross: $100 million

Despite mixed critical reaction, this live action version of America’s favorite friendly ghost starring Christina Ricci, Bill Pullman and lots of special effects was quite the family hit.

3. Pocahontas

Domestic Gross: $141 million

While not coming close box office wise to what Disney accomplished the previous summer with The Lion King, families still turned this retelling of the Pocahontas tale into a nice hit for the studio.

2. Apollo 13

Domestic Gross: $172 million

Ron Howard’s true life space epic starring Tom Hanks earned a Best Picture nomination and the admiration of audiences and critics alike, giving its star his fourth summer blockbuster in a row after A League of their Own, Sleepless in Seattle, and Forrest Gump.

1. Batman Forever

Domestic Gross: $184 million

The third flick in the Caped Crusader franchise marked the end of the Tim Burton/Michael Keaton era and the beginning of the Joel Schumacher version of the series. While Forever (which cast Val Kilmer as the title character and Jim Carrey and Tommy Lee Jones as villains The Riddler and Two Face) held bragging rights for the season’s largest grosser, it would all crumble two summers later when the disastrous Batman and Robin sunk the franchise until Chris Nolan rescued it.

And now – some other notable pictures from the summer of 1995 that didn’t make the top ten:

13. Nine Months

Domestic Gross: $69 million

This Hugh Grant comedy didn’t make much of an impression in the critical community, but audiences turned out partly because of the media swarm surrounding its star’s tabloid status involving picking up a prostitute.

14. Babe

Domestic Gross: $63 million

George Miller’s talking pig tale not only became one of the season’s sleeper hits, it also managed an unexpected Oscar nod for Best Picture.

16. Clueless

Domestic Gross: $56 million

Alicia Silverstone became a household name in this Valley Girl comedy which spawned endless catchphrases.

31. The Usual Suspects

Domestic Gross: $23 million

This indie thriller with its shocking ending started the career of director Bryan Singer and earned Kevin Spacey an Oscar for Supporting Actor.

32. Il Postino

Domestic Gross: $21 million

This Italian import was an art house favorite and is the fourth summer release in 1995 to nab a Best Picture nomination. If you’re wondering, the fifth was Ang Lee’s adaptation of Sense and Sensibility, which came out in the fall.

And now, the flops of summer 1995:

Steven Seagal’s Under Siege 2: Dark Territory managed only $50 million at the domestic box office, not coming close to the $83M earned by its predecessor.

It may have been a hit kids show, but the film version of Mighty Morphin Power Rangers sputtered with only $38 million.

While Braveheart had audiences in period piece action movie approval mode, the Richard Gere/Sean Connery King Arthur retelling First Knight flopped with just $37 million.

Comic book fans soundly rejected Sylvester Stallone’s wrong headed Judge Dredd to the tune of a paltry $34 million take.

Two films attempting to capitalize on the virtual reality craze at the time did virtually no box office business. Denzel Washington and Russell Crowe’s Virtuosity and Keanu Reeves’ Johnny Mnemonic made $24M and $19M, respectively.

Finally, while crowds loved that Babe pig, another family tale about the same animal – Gordy – came in 52nd for the summer earning just $3.9M. That’s not exactly bringing home the bacon! (I’m sorry)

And that’ll do it for my recap of the summer of 1995, folks! I’ll have 2005 up later this week…