96th Academy Awards FINAL Winner Predictions

After scores of Oscar Prediction posts, 35 Case Of write-ups making the argument for and against winners in BP, Director, and the four acting derbies, and numerous articles covering the key precursors – we have arrived at my final winner predictions for the 96th Academy Awards. The ceremony airs Sunday night with Jimmy Kimmel back hosting (remember: it starts an hour earlier than normal at 7PM EST).

Truth be told, some of the major races come with little to zero suspense and you’ll read about that below. On the other hand, there are a handful of competitions that are quite unpredictable with the most visible being Best Actress.

As I do each year, I’ll give you the nominees, brief analysis, and a winner and runner-up pick for all the feature-length categories. Let’s get to it!

BEST PICTURE

Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest

Let’s keep this simple. Oppenheimer is the easiest BP selection to predict in quite some time and there’s been some obvious ones recently (including Everything Everywhere All at Once last year). It has taken all the precursors it needs to including the Globes, BAFTA, SAG and Critics Choice. Frankly, the more difficult call is runner-up (and it doesn’t really matter). I’ll go with Poor Things since it had the second most noms and showed up in all the major races where it was expected to contend.

Prediction: Oppenheimer

Runner-Up: Poor Things

BEST DIRECTOR

Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)

You could literally copy and paste everything about Picture for Director with the man who made Oppenheimer and throw in the fact that he took DGA as well. Another no brainer.

Prediction: Christopher Nolan, Oppenheimer

Runner-Up: Jonathan Glazer, The Zone of Interest (I guess)

BEST ACTRESS

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)

And now it gets complicated. Of the four acting races, this is by far the hardest one. Why? It appears to be a coin flip between Stone and Gladstone. They split the Golden Globes as anticipated. Stone received BAFTA and Critics Choice and appeared to be out front. And then Gladstone swooped in for SAG. That recency factor could serve as a boost. Additionally, Gladstone’s victory would be historic. For Stone, it would be her second statue in seven years after her La La Land prize. Stone could absolutely make the podium trip and it wouldn’t be unexpected at all. Yet for the reasons above…

Prediction: Lily Gladstone, Killers of the Flower Moon

Runner-Up: Emma Stone, Poor Things

BEST ACTOR

Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)

Best Actor also looked like a pick ’em for a bit between Murphy and Giamatti. They split the Globes and then Giamatti was your Critics Choice choice. Murphy, however, regained momentum with BAFTA and SAG. A Giamatti win could occur, but it seems unlikelier now.

Prediction: Cillian Murphy, Oppenheimer

Runner-Up: Paul Giamatti, The Holdovers

BEST SUPPORTING ACTRESS

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)

There was some thought that this race could become interesting at some point with an Emily Blunt upset at SAG or maybe even Brooks scoring a shocking victory. It never happened and Randolph has emerged everywhere. This is one of the easiest categories to call.

Prediction: Da’Vine Joy Randolph, The Holdovers

Runner-Up: Emily Blunt, Oppenheimer

BEST SUPPORTING ACTOR

Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)

This quintet of performers all come from BP nominees, but the winner will be from the BP recipient. Downey Jr. has swept this season thus far and that’ll continue.

Prediction: Robert Downey Jr., Oppenheimer

Runner-Up: Ryan Gosling, Barbie

BEST ORIGINAL SCREENPLAY

Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives

You’ll notice a common theme with both Screenplay derbies. It looked like each would difficult to figure out, but precursors have had consistency. In Original, that’s been Anatomy of a Fall and this should mark its sole Oscar since France inexplicably didn’t make it their International Feature Film submission.

Prediction: Anatomy of a Fall

Runner-Up: The Holdovers

BEST ADAPTED SCREENPLAY

Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest

There is a little more intrigue here with Barbie in the mix and a potential Oppenheimer juggernaut being rewarded even here. That said, Fiction kept racking up precursors and I can’t bet against it for its solo prize.

Prediction: American Fiction

Runner-Up: Oppenheimer

BEST INTERNATIONAL FEATURE FILM

Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest

As mentioned, with Anatomy left out, this becomes easy. Zone is the only BP nominee listed in this group.

Prediction: The Zone of Interest

Runner-Up: Society of the Snow

BEST ANIMATED FEATURE

Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse

We’ve got real drama here as Heron took the Globe and BAFTA while Spidey is the Annie and Critics Choice selection. I’m leaning toward the latter, but Heron could fly away with the minor upset.

Prediction: Spider-Man: Across the Spider-Verse

Runner-Up: The Boy and the Heron

BEST DOCUMENTARY FEATURE

Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol

Doc Feature can be a head scratcher from time to time and I’m tempted to go with Daughters or even something else to shake it up. Mariupol, though, has collected the bulk of notable precursors. It’s the safe pick.

Prediction: 20 Days in Mariupol

Runner-Up: Four Daughters

BEST CINEMATOGRAPHY

Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things

Sometimes brevity is appreciated. There are some of these tech races where Oppenheimer is way out front. This would be one.

Prediction: Oppenheimer

Runner-Up: Poor Things

BEST COSTUME DESIGN

Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things

Here’s one where Oppenheimer isn’t really expected to win. Instead, like Production Design, this should be between Barbie and Poor Things and it’s 50/50 in my view. I have a strange feeling that Barbie will win more than 1 Oscar (there’s one coming below where it’s basically a slam dunk). This could mark that second trophy.

Prediction: Barbie

Runner-Up: Poor Things

BEST FILM EDITING

Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things

A very easy call for Oppenheimer.

Prediction: Oppenheimer

Runner-Up: Anatomy of a Fall

BEST MAKEUP AND HAIRSTYLING

Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow

Poor Things is a genuine threat, but I’ll say this is Maestro‘s only victory.

Prediction: Maestro

Runner-Up: Poor Things

BEST ORIGINAL SCORE

Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things

It is Oppenheimer‘s destiny to take this one.

Prediction: Oppenheimer

Runner-Up: Killers of the Flower Moon

BEST ORIGINAL SONG

Nominees: “The Fire Inside” from Flamin’ Hot; “I’m Just Ken” from Barbie; “It Never Went Away” from American Symphony; “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon; “What Was I Made For?” from Barbie

Here’s where Barbie is the safe pick with either tune. “Ken” nabbed a Critics Choice prize, but Billie Eilish’s ballad scored at the Globes and Grammys.

Prediction: “What Was I Made For?” from Barbie

Runner-Up: “I’m Just Ken” from Barbie

BEST PRODUCTION DESIGN

Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things

Per Costume Design, a showdown between Barbie and Bella of Poor Things. Unlike Costume Design, my coin is flipped to Poor Things for what I’m projecting is its only Academy Award.

Prediction: Poor Things

Runner-Up: Barbie

BEST SOUND

Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest

This looked like a no thinking pick for Oppenheimer until Zone managed the BAFTA. I could see that repeating, but I’m not confident enough to bet against Oppenheimer.

Prediction: Oppenheimer

Runner-Up: The Zone of Interst

BEST VISUAL EFFECTS

Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon

Along with Actress, this is where I’ve struggled the most. VE is kinda wild this year with Oppenheimer not listed (it won Critics Choice), Dune: Part Two having been pushed to 2024, and Poor Things (which won BAFTA) not in the quintet. So… your guess is as good as mine. I’m really tempted to go with Godzilla. Guardians and Napoleon are possible (I really don’t see Mission as the pick). Yet I’ll say The Creator edges them out as it just took some Visual Effects Society awards. Confidence level? Nada.

Prediction: The Creator

Runner-Up: Godzilla Minus One

That means I’m speculating that every BP nominee except Past Lives will win an Oscar… and that Barbie is the only other picture with more than one trophy other than Oppenheimer.

Here’s the projected breakdown for victories:

8 Wins

Oppenheimer

2 Wins

Barbie

1 Win

American Fiction, Anatomy of a Fall, The Creator, The Holdovers, Killers of the Flower Moon, Maestro, Poor Things, Spider-Man: Across the Spider-Verse, 20 Days in Mariupol, The Zone of Interest

And there you have it! I’ll have a recap up Sunday evening with how I did and general takeaways…

35th PGA Awards Reaction

There was an upset tonight at the 35th PGA Awards and there’s only 3 categories covering feature films…

Did the unthinkable happen and something other than Oppenheimer collected their top prize?!?! Of course not. As rightly called, Christopher Nolan’s future Oscar juggernaut is the victor as it continues to pick up every precursor imaginable.

The surprise happened in their documentary derby where American Symphony emerged over the favored 20 Days in Mariupol.

That made me go 2 for 3 in my picks. This is not, however, a boon to Symphony‘s Academy play since it isn’t nominated. One could argue that the makers of Four Daughters could get an unexpected assist. That is seen as Mariupol‘s main competition at the Oscars and tonight at least opens the door for something other Mariupol winning.

There was a little intrigue in their animated feature race as The Boy and the Heron acquired trophies at BAFTA and the Globes. Yet Critics Choice and Annie Award recipient Spider-Man: Across the Spider-Verse seemed more safe for PGA and the branch followed suit. Heron could upset Spidey in two weeks, but I’d still consider it an upset.

As a side note, I wrote this post before I even saw that Oppenheimer triumphed. That’s how much I’m now taking its success for granted. Unless a seismic shock occurs, I will hit publish as soon as I know for sure it won and this will be the last sentence of the post…

Oscar Watch: Where Is Anne Frank

In 2008, Israeli filmmaker Ari Folman received heaps of acclaim for his animated war docudrama Waltz with Bashir. It took home the Best Foreign Language prize from the Golden Globes in addition to winning the Annie Award. Bashir was in the Academy’s five nominees in their international feature competition. His 2013 follow-up The Congress did not match the bonafides of its predecessor as far as awards chatter.

At the Cannes Film Festival, Folman’s latest drawn feature Where Is Anne Frank has screened. As you can tell from the name, this is another title dealing with serious subject matter. Frank is told from the perspective of Kitty, the imaginary girl whom the title character addressed her letters.

While some early reviews are positive, the current 71% Rotten Tomatoes rating puts in the same realm as The Congress. That causes me to doubt whether this makes the cut in what is shaping up to be a competitive Animated Feature Oscar race in 2021. Disney already has a trifecta of hopefuls with the already released Raya and the Last Dragon and Luca and the forthcoming Encanto. Netflix has a strong contender with The Mitchells vs. the Machines and could have another in Wendell and Wild. And there’s already a checked box with animated fare showcasing more dramatic themes in Flee (which screened at Sundance earlier this year).

Bottom line: I wouldn’t completely count this out and we’ll see if it picks up any steam. Yet this could certainly be on the outside looking in come nomination morning.