98th Academy Awards: The State of the Supporting Actress Race (October Edition)

Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and continues today with Supporting Actress. If you missed my write-up on Supporting Actor, you can find it here:

I published my first preview of the Supporting Actress field on April 6th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:

Ayo Edebiri, After the Hunt

Ariana Grande, Wicked: For Good

Angelina LookingGlass, The Rivals of Amziah King

Gwyneth Paltrow, Marty Supreme

Teyana Taylor, One Battle After Another

Let’s dispense with a couple of those names. Angelina LookingGlass’s heralded work in The Rivals of Amziah King has not been scheduled for 2025. At this point, I’m assuming it will come out in 2026.

After the Hunt has lost its awards luster after a poor commercial and critical reaction. While her costar Julia Roberts may have a long shot chance at making the Actress cut, I don’t see the same for Edebiri.

The other three names are very much viable. Ariana Grande was nominated last year as Glinda the Good Witch and was probably runner-up to Zoe Saldaña (Emilia Pérez). While For Good has yet to screen, it stands to reason that she could make a return to the lineup. I’ve had her ranked first the whole year and we’ll see if that remains when word-of-mouth comes in.

Teyana Taylor’s performance dominates the first third of One Battle After Another (arguably the BP frontrunner). That should be enough for her to be the most likely Supporting Actor nominee in the film and we’ll get to Regina Hall shortly.

Gwyneth Paltrow is not a guaranteed competitor like her costar Timothée Chalamet is in lead actor. However, her work in Marty Supreme is definitely viable in this unformed race. The same could be said for her costar Odessa A’Zion though I’d put Paltrow ahead.

My 10 other possibilities that I listed back in April are:

Emily Blunt, The Smashing Machine

Glenn Close, Wake Up Dead Man: A Knives Out Mystery

Laura Dern, Jay Kelly

Elle Fanning, Sentimental Value

America Ferrera, The Lost Bus

Regina Hall, One Battle After Another

Greta Lee, Late Fame

Nia Long, Michael

Jennifer Lopez, Kiss of the Spider Woman

Emily Watson, Hamnet

Let’s start with Regina Hall. When it was announced that Chase Infiniti would compete in lead Actress for Battle, it opened the door for Hall. I maintain that she’s behind her costar Taylor. I currently have her on the outside looking in, but wouldn’t be surprised if she hears her name called. In the 21st century, we’ve seen double nominees in this category 10 out of 25 times. The last example was 2022 when Jamie Lee Curtis won for Everything Everywhere All at Once while her cast mate Stephanie Hsu was also up. The other times were as follows:

2000: Frances McDormand and Kate Hudson, Almost Famous

2001: Helen Mirren and Maggie Smith, Gosford Park

2002: Catherine Zeta-Jones (winner) and Queen Latifah, Chicago

2006: Adriana Barraza and Rinko Kikuchi, Babel

2008: Amy Adams and Viola Davis, Doubt

2009: Vera Farmiga and Anna Kendrick, Up in the Air

2010: Melissa Leo (winner) and Amy Adams, The Fighter

2011: Octavia Spencer (winner) and Jessica Chastain, The Help

2018: Emma Stone and Rachel Weisz, The Favourite

Another possibility of two nominees from the same pictures lies with Elle Fanning (Sentimental Value) and her costar Inga Ibsdotter Lilleass. The former seems marginally more likely but Lilleass is absolutely a threat to make the quintet.

A third possibility of two actresses from one feature is Wunmi Mosaku and Hailee Steinfeld from Sinners. That’s a more remote possibility and the film would really have to over perform for either to get in.

Back to those 10 other possibilities. Michael was pushed to 2026 so there goes Nia Long. Laura Dern, America Ferrera, Greta Lee and Emily Watson are all long shots at best after their movies screened. For Dern and Watson, they could see some of their costars nominated.

Emily Blunt could factor in if she manages SAG or Critics Choice or a Globe nod. Yet The Smashing Machine was a major box office flop and that doesn’t help. The same logic applies to Jennifer Lopez for Kiss of the Spider Woman.

Glenn Close is arguably considered the best thespian who hasn’t won an Oscar despite eight attempts. That could help her cause in Rian Johnon’s latest murder mystery, but none of the actors from Knives Out and Glass Onion made it despite respective buzz for Ana de Armas and Janelle Monae.

One name not on my radar in April was Amy Madigan in Weapons. The summer sleeper gave the veteran actress an unforgettably creepy role that should inspire many a Halloween costume next week. I’m starting to really think she could find herself in the quintet.

So there you have it, readers! I would say Grande, Taylor, Fanning, Lilleass, Madigan, Paltrow and Hall are the seven likeliest contestants with potential surprises including Close, Lopez, Blunt and Mosaku. I will zone in on Best Actor in the next write-up!

Oscar Predictions: Woman of the Hour

Anna Kendrick, a Supporting Actress nominee for 2009’s Up in the Air, makes her directorial debut with Woman of the Hour. The late 70s set crime thriller tells the true life tale of a struggling actress (played by Kendrick) who appears on The Dating Game and ends up selecting serial killer Rodney Alcala (Daniel Zovatto). Costars include Tony Hale and Nicolette Robinson.

Hour first drew eyeballs nearly a year ago at the Toronto Film Festival. The Rotten Tomatoes score is 90% with critics calling it an assured debut from the Pitch Perfect performer. Reviews are also praising Zovatto’s performance. Netflix quickly snatched up the rights and they’ve taken their time picking their own date. It finally streams beginning October 18th.

Despite high marks, Netflix should have their hands full with other campaigns including Emilia Pérez, The Piano Lesson, and Maria. This is unlikely to be a priority. My Oscar Prediction posts will continue…

Oscar Predictions: Trolls Band Together

Trolls Band Together from DreamWorks is the third animated feature in the musical franchise out November 17th with Anna Kendrick, Justin Timberlake, and many others on crooning duty.

Thus far the critical response is below its two predecessors. 2016’s Trolls sat at 75% on Rotten Tomatoes while 2020 follow-up Trolls World Tour was a hair under at 71%. At press time, Band Together has managed just 56% on the meter.

The two earlier Trolls entries failed to nab Animated Feature nods at the Oscars and this won’t either. In fact, I’d say it’s easily behind three other sequels in Spider-Man: Across the Spider-Verse, Teenage Mutant Ninja Turtles: Mutant Mayhem, and Chicken Run: Dawn of the Nugget.

Seven years ago, this series earned its only Academy mention for Timberlake’s smash hit “Can’t Stop the Feeling” (it lost to “City of Stars” from La La Land). This second sequel does boast an NSYNC reunion after two decades with the track “Better Place”. Yet it is not dominating the charts like band member JT’s aforementioned ditty managed. Like World Tour, Band doesn’t seem primed for an encore come awards time. My Oscar Prediction posts will continue…

Trolls Band Together Box Office Prediction

The computer animated creatures that first hit the screen seven years ago are back again in Trolls Band Together on November 17th. The DreamWorks musical comedy comes from Walt Dohrn, who co-directed the 2016 original and solely helmed the 2020 sequel. Anna Kendrick, Justin Timberlake, Zooey Deschanel, Christopher Mintz-Plasse, Icona Pop, Anderson Paak, Ron Funches, Kenan Thompson, and Kunal Nayyar reprise their vocal roles. They are joined by Eric André, Kid Cudi, Daveed Diggs, Camila Cabello, Amy Schumer, and RuPaul.

Featuring tracks from Kendrick and Cabello and the first NSYNC track in over two decades, Together hopes to bring in a large crowd. The first Trolls opened to a better than expected $46 million with an eventual $153 million domestic haul. Yet any clues for sequel demand were made complicated by follow-up Trolls World Tour. It went the VOD route due to coming out in April 2020 as movie theaters were shuttered by the COVID pandemic. There are estimates that it took in around $150 million in rentals.

Where does that leave our third song and dance fest? I certainly think this won’t match the mid 40s debut from 2016. This seems likely to start slower though it could have a healthy hold in its second frame over the long Thanksgiving weekend.

I’ll say mid to high 20s to possibly low 30s is where this Band begins as it hopes for pleasing encores over the holidays.

Trolls Band Together opening weekend prediction: $26.7 million

For my The Hunger Games: The Ballad of Songbirds & Snakes prediction, click here:

For my Thanksgiving prediction, click here:

For my Next Goal Wins prediction, click here:

Oscar Predictions: Alice, Darling

The psychological drama Alice, Darling takes Anna Kendrick out of Pitch Perfect mode and into darker territory. Marking the directorial debut of Mary Nighy (daughter of Bill), Kendrick plays a domestic abuse victim coming to terms with the danger of her circumstances. The supporting cast includes Kaniehtiio Horn, Charlie Carrick, and Wunmi Mosaku.

Darling premiered at the Toronto Film Festival. Early reviews have given it an 86% Rotten Tomatoes rating. It debuts December 30th for an awards qualifying run before an AMC Theatres exclusive release beginning January 20th.

Kendrick is a previous Oscar nominee in Supporting Actress 13 years ago for Up in the Air. Initial critical reaction has praised her work. However, distributor Lionsgate has not mounted a visible campaign in an Actress field that’s already crowded.

Bottom line: the director’s dad appears headed for an Actor nod for Living. Darling‘s prospects aren’t up in the air. They’re non-existent. My Oscar Predictions posts will continue…

Best Picture 2009: The Final Five

And now for a new category on my blog that will update itself yearly after 13 initial posts covering 2009-21. It’s a simple concept. In 2009 – the Academy shifted their rules from a set amount of five Best Picture nominees to 10. That lasted for 2 years. In 2011, the number could fluctuate anywhere from 5-10. In most years, the magic number was 8 or 9 (it was never less than 8). Last year, the big race reverted back to a definite 10.

So… what if it hadn’t? What if 5 nominees was never altered? Well, Oscar speculators like yours truly would have to write posts predicting what would’ve been the final five. So that’s what this is all about.

Naturally it begins with 2009. Before that, something from 2008 might’ve contributed to the shift when The Dark Knight famously missed BP even though it was a critical darling and box office smash. A shift to 10 allowed popcorn favorites and smaller titles to make the cut. And they did.

When it comes to whittling down from 10 (or later 8 or 9) to five, there’s plenty of factors in play. What else did the movie get nominated for or win? Some races are more important than others like Director and Editing or the Screenplay derbies.

Yet it’s far from an exact science. This is educated guesswork based on Oscar history. I’ll walk through each title and give an ultimate Yes or No on whether it makes the five. The first is automatic and that’s whatever won. In 2009 that honor belonged to…

The Hurt Locker

Does It Make the Final Five?

Yes because it won Best Picture.

The other 9? That’s where it gets interesting. Let’s take them alphabetically, shall we?

Avatar

When Oscar nominations rolled out near the beginning of 2010, James Cameron’s 3D sensation was basking in the glow of becoming the biggest movie ever. That meant he was breaking his own record from 13 years earlier with Titanic. Cameron was nominated for Director – losing to ex-wife Kathryn Bigelow for Locker. The film also didn’t manage a Screenplay nod though Cameron is known more for his technical prowess than writing skills. On the tech side it managed 7 nods and won three (Art Direction, Cinematography, Visual Effects). So…

Does It Make the Final Five?

Yes. Though it lost a number of its nods to Locker, the gargantuan grosses would’ve been enough for it to advance.

The Blind Side

Sandra Bullock’s crowd pleasing football drama made her an Oscar winner. Yet those are the only two nominations it received as it couldn’t make the Adapted Screenplay shortlist. In fact, Avatar and this are the only two BP nominees not to see their scripts mentioned.

Does It Make the Final Five?

No. This is a perfect example of a blockbuster getting in due to the expansion that wouldn’t have with just five.

District 9

Neill Blomkamp’s acclaimed sci-fi tale was a surprise summer hit and he’s yet to replicate its mix of audience and critical appreciation. It was nominated in three other races – Adapted Screenplay, Visual Effects, and Film Editing. No wins.

Does It Make the Final Five?

This one is actually close for me. The screenplay and editing nods certainly make it doable. If it had landed Director, I’d probably say yes. A bit of a coin flip, but I’ll land on No.

An Education

The coming-of-age pic scored Carey Mulligan an Actress nod as well as Adapted Screenplay.

Does It Make the Final Five?

It’s not totally out of the realm of possibility that it could’ve snuck in, but gotta go No. It missed a Golden Globe nod for example and a lot of the focus was on Mulligan’s work.

Inglourious Basterds

Quentin Tarantino’s WWII opus was his return to significant awards attention 15 years following Pulp Fiction. In addition to the Pic nod, he was nominated for his direction and screenplay (losing both to Locker). Other nominations: Sound Editing, Sound Mixing, Cinematography, Film Editing, and a Supporting Actor victory for Christoph Waltz.

Does It Make the Final Five?

Yes. The 8 nominations are enough to indicate as much.

Precious

The breakthrough drama from Lee Daniels scored five other mentions for Directing, Gabourey Sidibe in Actress, Mo’Nique in Supporting Actress (a victory), Adapted Screenplay (another win), and Editing.

Does It Make the Final Five?

Yes. The screenplay win puts it over the top.

A Serious Man

The Coen Brothers dark comedy received just one other nod for their screenplay with acclaimed lead Michael Stuhlbarg missing the Best Actor cut.

Does It Make the Final Five?

Even with the love for its brotherly makers – No.

Up

As far as I’m concerned, the Pixar masterpiece’s first few minutes should win Best Picture every year. The tearjerker was a rare animated Best Picture contender and it contended for four others. It obviously won Animated Feature as well as Original Score in addition to mentions in Original Screenplay and Sound Editing.

Does It Make the Final Five?

I’m saying No, but I’m not sure of that. I’d probably put it sixth.

Up in the Air

Our other Up contender is Jason Reitman’s workplace dramedy which received six nods. The others were Director, Actor (George Clooney), Supporting Actress (both Vera Farmiga and Anna Kendrick), and Adapted Screenplay.

Does It Make the Final Five?

Yes. While it retrieved no statues, I think it would’ve just edged other hopefuls such as Up or District 9.

So that means if 2009 had just five Best Picture nominees, I believe they would’ve been:

The Hurt Locker (winner)

Avatar

Inglourious Basterds

Precious

Up in the Air 

An important note – the movies here match the five Best Director nominees. That’s rare and that will be rare in subsequent postings on years that follow. From 2000-2008 that only occurred twice (2005 and 2008). So don’t get used to it.

I shall return soon with my rumblings and final five for 2010!

Oscar Watch: Trolls World Tour

Well… it feels a little strange to be back doing an Oscar Watch post, but here we are! The coronavirus pandemic has changed our lives during this time and that certainly has impacted the release of films as movie theaters are shut down.

Studios have had to be creative lately and the animated sequel Trolls World Tour became available for digital distribution today in lieu of a theatrical bow. The DreamWorks Animation flick is a follow-up to the hit 2016 musical and features the voice work of Anna Kendrick, Justin Timberlake, James Corden, and Ozzy Osbourne.

Four years back, the original Trolls broke through with audiences and most critics with a 76% Rotten Tomatoes score. Part 2 is a notch below that with a still solid 71%. That said, the predecessor failed to nab a Best Animated Feature nomination and I wouldn’t expect this to grab one either.

Of course, there is the genuine question of shifting release dates with various titles already pushed to 2021. That could potentially increase the chance for a nomination, but I wouldn’t count on it.

In 2016, Trolls did achieve one nomination. That was for Justin Timberlake’s hit song “Can’t Stop the Feeling!”. It lost to “City of Stars” from La La Land. Mr. Timberlake has teamed with SZA for “The Other Side” and that seems to be the track that DreamWorks might campaign for an Original Song nod. However, “Side” has currently peaked at 17 on the Billboard Top 40. Its road to a nomination is certainly less assured than the massive “Feeling!”.

My Oscar Watch posts will continue…

Daily Streaming Guide: March 30th Edition

Today’s Streaming Guide focuses on one of the highest quality police procedural thrillers to emerge in recent years and it’s available for viewing on Netflix:

Director David Ayer has most recently been known for working with Will Smith on Suicide Squad and Netflix’s Bright. Prior to that, he specialized in Los Angeles set crime pics. He co-wrote 2001’s Training Day, in which Denzel Washington won the Best Actor Oscar before directing Christian Bale in Harsh Times and Keanu Reeves in Street Kings. 

From the behind the camera, his best of the bunch in my view is 2012’s End of Watch. Starring Jake Gyllenhaal, Michael Pena, and Anna Kendrick, this is a gritty genre affair made with style and first-rate performances. It performed decently upon initial release. If you haven’t seen it, End is definitely worth the watch.

That does it for today, folks! Until next time…

Daily Streaming Guide: March 15th Edition

Just as our collective world has changed around us in the past few days and will continue for the foreseeable future, so will this little movie blog of mine. Simply put – a lot of us (myself included) are going to be home for awhile. Therefore, the best use of this blog at the moment is shifting away from box office predictions and Oscar speculation.

Beginning right now, I’m going to post a Daily Streaming Guide recommending movies currently streaming on Netflix, Hulu, and Amazon Prime. It’s likely that I’ll throw in Disney+ and HBO in from time to time. Hopefully this will assist my readers in identifying some worthy pictures to view at home. Let’s get to it, shall we?

Netflix

1984’s Purple Rain turned Prince into a global musical superstar. The soundtrack that accompanied it is a nine-track masterpiece in which every song demands repeat listens. Here’s a fair warning – the film itself is of its time. This is a kind way of saying that there’s some dialogue and attitudes that wouldn’t pass muster in 2020. That said, I would recommend it as a time capsule to witness a genius at a juncture of his creative peak. The performances alone with his band The Revolution that include the title tune, “Let’s Go Crazy”, “Darling Nikki”, and more are worth the price of streaming.

Hulu

Keeping with the musical theme, Cameron Crowe’s 1989 teen romance Say Anything… is known mostly for a shot of John Cusack holding up a boom box blaring Peter Gabriel’s “In Your Eyes”. It’s an iconic scene, but the picture itself is among the most intelligent and insightful experiences dealing with young love. Just as 80s icon John Hughes wrote teens as human beings as opposed to walking hormones, Crowe’s screenplay accomplishes the same.

Amazon Prime

For something more recent, Paul Feig’s A Simple Favor from 2018 belongs more in the guilty pleasure space. A charcoal black comedy starring Anna Kendrick and Blake Lively, this twisty thriller knows it’s ridiculous and is simply a whole lot of fun. This might be best enjoyed with a dry martini or two on standby.

I’ll be back at it tomorrow, folks! Until then – be well and stay safe!

A Simple Favor Movie Review

Stephanie (Anna Kendrick) is the type of character who would be in the book club that reads something like A Simple Favor. Yet the cyclone level of twists in the story might only be thought up by someone like Emily (Blake Lively) after drinking too many of her patented mid afternoon dry martinis. Paul Feig’s satiric thriller is, alas, based on a novel by Darcey Bell that probably has been read in those clubs.

This takes the issues of female empowerment found in Gone Girl or The Girl on the Train (also from literary works) and casts a black comedic cloud over it. It occasionally risks collapsing under its sheer volume of plot turns. And somehow it rarely ceases to be a hoot with two dynamic lead performances.

We meet Stephanie on her daily vlog filled with cooking tips and child rearing tips. She’s a single mom whose husband died in a car accident along with her brother. Her instinct is to do it all, including hoarding over school parenting projects. She doesn’t blink when Emily, whose kid attends school with Stephanie’s, starts asking her to be an unpaid nanny. Emily has a hectic job as PR manager for a fashion designer, the already mentioned drinking problem, and has-been writer turned professor husband Sean (Henry Golding from summer smash Crazy Rich Asians). The two end up bonding with Stephanie deeming Emily her “best friend” (there’s a bracelet involved).

Then one day Emily vanishes and Stephanie’s daily posts become a darker (though always humorous) search for a missing person. Her protective nature draws her close to Sean, so much so that the authorities begin to question their motives. What follows is a relentless stream of genre clichés: insurance claims, alternate identities, unknown twins, and love triangles, just to name some. This is kitchen sink level stuff. It’s borderline exhausting, but you get the feeling that Feig and screenwriter Jessica Sharzer know it and are furiously winking. The director is known for his straight up comedies such as Bridesmaids, The Heat, and Spy. While this does venture into paperback adapted material, it does it with tongue in cheek planted wit. This is more in tone with 1998’s under appreciated Wild Things than something like Gone Girl.

Kendrick and Lively are the show here and their chemistry makes it work. Stephanie’s desperation for companionship is sold by Kendrick, who thinks she’s found someone special beyond her unseen blog watchers. She’s done so with Emily, whose back story is filled with too many secrets to keep track of (you will lose count). Lively has a ball revealing them. So do we once we realize keeping up with it all is secondary to its ridiculous and fun nature.

*** (out of four)