Scarlet is not a hip reimagining of the Clue vixen when she was a young woman (though I’d totally watch that). It’s the latest Japanese action fantasy from filmmaker Mamoru Hosoda. The Toho title has premiered in Venice with a release in its home country in November and awards qualifying run anticipated stateside via Sony.
In 2018, Hosoda’s Mirai was one of the five contenders for Best Animated Feature, ultimately losing to Spider-Man: Into the Spider-Verse. Follow-up Belle, in 2021, failed to do the same despite fine critical reaction and impressive box office numbers.
There aren’t enough reviews on Scarlet yet for RT or Metacritic scores. However, the limited consensus thus far is that Scarlet is a bit of a letdown. That dynamic could shift as more feedback is available, but I’ve already seen enough to cast doubt that this is any threat to win Animated Feature and its nomination is certainly questionable. My Oscar Prediction posts will continue…