Oscar Predictions: Despicable Me 4

The Despicable Me/Minions has been a financial force over the past decade and a half, but not so much with awards voters. Despicable Me 4 is out this Wednesday from director Chris Renaud. Vocal work is provided by Steve Carell, Kristen Wiig, Pierre Coffin, Joey King, Miranda Cosgrove, Stephen Colbert, Steve Coogan, Sofia Vergara, Chloe Fineman, and Will Ferrell.

The three direct predecessors and the two spinoff Minions titles have eaxg grossed $250 million or higher domestically since 2010. Only Despicable Me 2 generated any Oscar nods. Those were in Animated Feature and Original Song (the Pharrell smash “Happy”) and Frozen beat it out in both races (the latter with its signature tune “Let It Go”).

Part 4 of the franchise has a 63% RT rating. That’s lower than part 1 (80%) and 2 (75%) and Minions: The Rise of Gru (70%) while slightly above part 3 (58%) and Minions (56%). In short, this does appear primed to enter the series back in the Oscar mix. Lucky for it, the dollars should continue to flow. My Oscar Prediction posts will continue…

Despicable Me 4 Box Office Prediction

Universal and Illumination Entertainment have posted great results through five pictures in the Despicable Me franchise and they look to extend their luck with part 4 on July 3rd. The animated comedy is directed by Chris Renaud with Steve Carell, Kristin Wiig, Pierre Coffin, Joey King, Miranda Cosgrove, Stephen Colbert, Steve Coogan, Sofia Vergara, Chloe Fineman, and Will Ferrell providing voiceover work.

This has been a highly durable series in its nearly decade and a half of existence. Despicable Me debuted with $56 million in July of 2010 with an eventual $251 million domestic gross. Part 2 arrived on Wednesday, July 3, 2013 and therefore had the same release pattern as this entry. It took in $84 million for the traditional Friday to Sunday three-day with $143 million when factoring in Wednesday and Thursday (the 4th). The final tally was $368 million. Despicable Me 3 came in with $72 million in July 2017 and $264 million overall.

I didn’t forget the Minions. The spin-off tale tallied $115 million out of the gate in July 2015 with $336 million domestically. Two summers ago, sequel Minions: The Rise of Gru banked $107 million en route to $370 million total.

Animation brought summer 2024 out of the doldrums via Inside Out 2 which vastly exceeded expectations. It’ll still be making money over the holiday frame, but Despicable should fall in range with some of its predecessors. I don’t foresee a premiere as high as part 2 (though no one thought Inside Out 2 would amass over $150 million in weekend 1).

A mid to high 70s Friday to Sunday should mean a five-day in the $125 million plus space for another Despicable victory.

Despicable Me 4 opening weekend prediction: $79.4 million (Friday to Sunday); $126.3 million (Wednesday to Sunday)

For my MaXXXine prediction, click here:

Oscar Predictions: Memoir of a Snail

Just over 20 years ago at the 76th Academy Awards, Australian filmmaker Adam Elliot took home the Animated Short Feature prize for Harvey Krumpet. Now he’ll attempt to break into the Animated Feature race with Memoir of a Snail. Voiceover work comes from Sarah Snook of Succession fame, Kodi Smith-McPhee, Eric Bana, Magda Szubanski, Dominique Pinion, and Jacki Weaver.

The grownup drama is slated for a premiere down under this fall. Stateside distribution is still to be worked out release date wise, but let’s assume it’ll contend for this spring’s 97th Oscars. While some critics say this is an acquired taste, the RT score is 100%.

This may come down to IFC Films (the domestic distributor) and whether their campaign is active. If so, I wouldn’t rule Snail‘s ability to make a run for the quintet of features nominated. My Oscar Prediction posts will continue…

Oscar Predictions: The Imaginary

2024 has been quite a year for imaginary friends onscreen with horror pic Imaginary and John Krasinski’s family feature IF already out. We can soon add The Imaginary to the stateside mix when it releases on Netflix starting July 5th. Japan’s animated fantasy comes from Yoshiaki Nishimura. He is no stranger to Academy attention. 2014’s The Tale of the Princess Kaguya was nominated for Best Animated Feature. Same goes for When Marnie Was There which was up the following year. They lost to Big Hero 6 and Inside Out, respectively.

It was out in its home country last December, but the summer streaming bow would put this in contention for the upcoming Oscars. Reviews are fresh enough at 95% on Rotten Tomatoes. With a push from Netflix, it could make a play for the quintet of hopefuls. A win seems out of reach (there’s that Inside Out sequel for one). Yet a nomination seems realistic. My Oscar Prediction posts will continue…

Oscar Predictions: Savages

No, this is not a family friendly version of Oliver Stone’s 2012 drugs drama with John Travolta and Salma Hayek. Instead Swiss animator looks to make it two Best Animated Feature Oscar noms in a row with Savages (or Sauvages in French). The environmentally conscious stop-motion tale premiered at Cannes with stateside distribution still being worked out. The voice cast includes Babette De Coster, Martin Verset, Laetitia Dosch, and Benoit Poelvoorde.

The filmmaker’s previous full-length work was 2016’s My Life as a Zucchini, which made the contending quintet at the 89th Academy Awards (ultimately falling short to Zootopia). Reviews for Savages stand at 100% on RT based on a handful of write-ups. I would expect to see it in the mix for the 97th ceremony a few months down the road so be conscious of it. My Oscar Prediction posts will continue…

Oscar Predictions: Inside Out 2

Of the 23 Best Animated Feature Oscar winners (the category didn’t start until 2001), Disney/Pixar has taken 11 of them. The Mouse Factory itself has picked up an additional four through their traditionally animated tales. One of the Pixar winners is 2015’s Inside Out and the sequel is out this weekend. Kelsey Mann makes his directorial debut with a voice cast including Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale, Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, Kensington Tallman, Diane Lane, and Kyle MacLachlan.

Due to Disney and Pixar’s aforementioned track record, it’s no surprise that Inside Out 2 was the frontrunner for gold sight unseen. With the review embargo lifted, is that still true? Probably, but it’s not a slam dunk.

Reviews are unsurprisingly positive with a 91% RT score. Some of the reaction has critics in their feels as they say it’s on par with the original that managed a 98% Fresh rating. Other write-ups, while mainly of the thumbs up variety, say it doesn’t match its predecessor.

Disney has lost the Academy’s animated prize for two years running. In 2022, Guillermo del Toro’s Pinocchio defeated Turning Red. Last year, The Boy and the Heron flew by Elemental. If the Oscars were held today, Inside Out 2 would likely emerge victorious. However, the year is only half over and other contenders are hoping to challenge it in the months to come. My Oscar Prediction posts will continue…

Inside Out 2 Box Office Prediction

Disney/Pixar hope for a reversal of recent fortunes when Inside Out 2 arrives in theaters June 14th. A sequel to the 2015 megahit Animated Feature Oscar winner, Kelsey Mann takes over directorial duties from Pete Docter. Returning voices include Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan. Replacing Bill Hader from the original is Tony Hale while Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman as the now teenage Riley join the cast.

Nine summers ago, the original made $90 million in its premiere frame with an eventual domestic tally of $356 million. That stands as the fifth largest opening of all time for Pixar and the sixth heftiest overall final take.

As mentioned, the studio has dealt with its own emotional rollercoasters as of late. 2022’s Lightyear was a high profile flop with a lowly (for Pixar) $118 million total. Last summer, Elemental fared better with $154 million while that’s still a ways from their typical numbers.

This sequel should brighten their emotions. Part 1 is well-regarded and family audiences should be primed for a second helping. Estimates have this making around what the predecessor accomplished out of the gate. It might manage slightly more. Each Toy Story, for instance, improved with the first weekend figures. Incredibles 2 and Finding Dory dwarfed the starts of their precursors.

I’ll go glass half full and say this just manages to outdo the original while not reaching nine digits in its first three days.

Inside Out 2 opening weekend prediction: $92.4 million

Oscar Predictions: Flow

As I continue to catch up on Cannes titles that screened days ago, Latvian animator Gints Zilbalodis is receiving acclaim for his full-length feature debut Flow. The tale of a feline who escapes a flood and must adapt to a new environment, this is the filmmaker’s follow-up to his praised short film Away.

Reviews are strong for Flow with a 100% RT rating. It might be all about the distribution deal for this one. If a streamer or studio with campaigning talents pick it up, this could be catnip for Academy voters in the Animated Feature competition. My Oscar Prediction posts will continue…

Haikyu!! The Dumpster Battle Box Office Prediction

**Blogger’s Update (05/30): Since it is only playing on just over 1000 screens, I am lowering my prediction from $6.5M to $3.9M

Sony Pictures and Crunchyroll hope fans of Japan’s manga TV series dive into Haikyu!! The Dumpster Battle when it debuts this weekend. The animated sports tale stems from a show that ran from 2012 to 2020. Susumu Mitsunaka directs a voice cast that includes Ayumu Murase, Kaito Ishikawa, Yuki Kaji, and Yuichi Nakamura.

The distributor gets the most bang for its buck overseas as Battle is already the second highest grosser in Japan for 2024. Obviously stateside grosses will be considerably smaller. Crunchyroll’s titles have seen diminishing domestic unveilings as of late. It is also worth noting that they usually generate about 70% of their business in the first weekend.

In February of this year, Demon Slayer: Kimetsu no Yaiba – To the Hashira Training did bring in $11.5 million and that was just over 2023 predecessor To the Swordsmith Village at $10.1 million. Outside of that franchise, One Piece Film: Red premiered with $9.3 million in November ’23 while Spy x Family Code: White stalled with $4.8 million just last month.

I’ll give Haikyu!! a mid to higher single digits opening.

Haikyu!! The Dumpster Battle opening weekend prediction: $3.9 million

Oscar Predictions: The Garfield Movie

Our nation’s most famous lasagna adoring orange cat hits theaters this Memorial Day weekend with The Garfield Movie. A year after (somewhat controversially) providing the voice of Mario in The Super Mario Bros. Movie, Chris Pratt does the same for this title character. Other notable thespians lending their talents are Samuel L. Jackson, Hannah Waddingham, Ving Rhames, Nicholas Hoult, Cecily Strong, Harvey Giuillén, Brett Goldstein, Bowen Yang, Janelle James, and Snoop Dogg. Mark Dindal directs.

Even the fresher reviews for Garfield mostly call it nothing more than a pleasant diversion. The Rotten Tomatoes meter sits at a meager 55%. Mario didn’t manage any attention in the Animated Feature race and Pratt’s latest contribution to animation won’t either. My Oscar Prediction posts will continue…