Tag: Andy Kaufman

Saturday Night Box Office Prediction

Arriving in wide release exactly 49 years to the day from the event it showcases, Saturday Night expands nationwide on October 11th. From Jason Reitman, the dramedy recounts the 90 minutes leading up to the premiere of Saturday Night Live. Gabriel LaBelle stars as Lorne Michaels with a large supporting cast including Rachel Sennott, Cory Michael Smith (getting a lot of solid buzz as Chevy Chase), Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (pulling double duty as Andy Kaufman and Jim Henson), Cooper Hoffman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste (who also provides the score).

The behind the scenes showbiz tale first premiered at Telluride to mostly favorable reaction. The RT score is 80% with 63 on Metacritic. This could contend for one of the ten slots in Best Picture at the Academy Awards, but it’s not a slam dunk nominee.

Opening just as SNL kicks off its 50th season certainly helps exposure. It debuted in five venues on September 27th in New York and L.A. to a robust $53k per screen average (second best this year after Kinds of Kindness). Saturday Night expands slightly on October 4th before the 2000 screen rollout on the 49th anniversary.

This was rightly anticipated to start out well on the coasts. I’m unconvinced general audiences will make this a sizable hit even with the (not exactly loud) awards chatter and decades long familiarity with the source material. I’m not sure this gets to $10 million and I’m putting it under.

Saturday Night opening weekend prediction: $7.8 million

For my Terrifier 3 prediction, click here:

Terrifier 3 Box Office Prediction

For my My Hero Academia: You’re Next prediction, click here:

My Hero Academia: You’re Next Box Office Prediction

For my Piece by Piece prediction, click here:

Piece by Piece Box Office Prediction

For my The Apprentice prediction, click here:

The Apprentice Box Office Prediction

Oscar Predictions: Saturday Night

Jason Reitman had a one-two punch of consecutive Best Picture nominees with Juno and Up in the Air in 2007 and 2009. Some follow-ups generated solid reviews (Young Adult, Tully) while others (Labor Day, The Front Runner) drew more mixed reactions. None have received significant awards buzz in the past decade and a half. Will that change with Saturday Night?

The Sony Pictures dramedy is slated for release on October 11th which is the 49th anniversary of the iconic sketch show it celebrates. This recounts the chaotic moments leading up to the premiere of Saturday Night Live. Gabriel LaBelle (who essentially played young Steven Spielberg in 2022’s The Fabelmans) is 30-year-old Lorne Michaels. The extensive supporting cast (some playing 1975 legends with others as future legends) includes Cooper Hoffman, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (as Andy Kaufman and Jim Henson), Andrew Barth Feldman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste.

Having just played Telluride and hitting Toronto shortly, early word-of-mouth is primarily on the fresh side. There are some high profile reviews of the thumbs down variety. I would say Saturday Night stands a shot at a Best Picture nomination, but it is a coin flip at the moment as we await how competitors pan out. Down ballot categories like Costume Design and (especially) Film Editing could occur especially if it sneaks into BP.

As for the cast, LaBelle is getting quality ink. Yet some of the strongest notices are going to Sennott as writer Rosie Schuster and Smith as Chevy Chase. I’m skeptical any of the performers break into their respective categories though the SAG Awards could certainly nominate the cast in their Ensemble race. Speaking of other shows, the Golden Globes could put it up for Musical/Comedy assuming Sony campaigns for it there and LaBelle could make the Actor (Musical/Comedy) quintet.

At the Academy Awards, there is almost always a picture or two that is up solely for its screenplay. This is a distinct possibility with Saturday Night and its original screenplay from Reitman and Gil Kenan. My Oscar Prediction posts will continue…

Oscar Watch: Annette

Vive la France!

The film community (and Oscar prognosticators like yours truly) are experiencing another return to normalcy today as the Cannes Film Festival kicked off today. The French fest is starting two months later than we are accustomed to, but it’s in-person and showcasing at least a handful of potential awards contenders.

The 2020 Cannes experience, before its cancellation, was supposed to feature Leos Carax’s Annette. The acclaimed auteur makes his English language debut in this musical headlined by Adam Driver and Marion Cotillard. Early reviews are up and they indicate this will be a polarizing picture. The Rotten Tomatoes meter is at 85% for the moment.

Driver stars as a comedian (nearly all critics compare his character to Andy Kaufman) in a bad romance with Cotillard’s opera singer. This sounds like a meaty and memorable role for Driver. I’ll let you read about what he’s doing during a particular number called “We Love Each Other So Much”. Buzz indicates Cotillard (a Best Actress winner in 2007 for La Vie en Rose and nominee in 2014 for Two Days, One Night) may not have enough of a role to compete for a third recognition. If so, it would probably come in Supporting Actress. Some reviews have praised Simon Helberg’s supporting role. The Big Bang Theory costar likely came close to a nod for 2016’s Florence Foster Jenkins. This would have to generate a lot of love for him to be a factor.

That leaves Driver and his biggest 2021 competition could be himself. He will appear this autumn in not one, but two eagerly awaited Ridley Scott directed hopefuls. This includes a possibility at Supporting Actor in The Last Duel and especially in the lead derby for House of Gucci. If the latter doesn’t become a serious contender, I wouldn’t be shocked to see him gather his third try at gold in the past four years. Driver nabbed a supporting mention for 2018’s BlacKkKlansman and the following year in the lead with Marriage Story. 

There could be numerous potential slots for its original songs which were composed by rock band Sparks (they’re subject to an appreciated documentary out now made by Edgar Wright). Initial attention includes numerous shoutouts to opening tune “So May We Start”.

Some of the raves indicate that the Cannes crowd may eat this up more than the Academy. Expect the chatter to include some pining for its inclusion in the ten Best Pic finalists and others saying it has no place there. Amazon Studios, which will put this in theaters August 6 and on their streaming service two weeks later, will need to mount quite a campaign for it to make the cut.

Bottom line: hey, festivals are back and I’m loving it! Not everyone is loving Annette, but there’s enough admirers early on to keep it on the radar. My Oscar Watch posts will continue…