I’m closing out 2024 on the blog by closing out my Top 50 SNL Cast Members of All Time series while the legendary program’s 50th season is currently underway. It’s been a hoot coming up with this list as we celebrate a half century of often brilliant comedy.
Before he was Buddy the Elf or Ron Burgundy or Ricky Bobby or a stepbrother, Will Ferrell’s seven years in what is now the middle of SNL’s run takes top honors. The Groundlings alum came to the show during a transitional period with a mostly all-new cast. He made his mark immediately with a seemingly endless parade of bizarre and uproarious sketches. This included him yelling (there is no better comedic yeller) at his kids to “get off the shed” and an uncomfortable family dinner where he sadly but boldly proclaims his ownership of a Dodge Stratus. There’s his Evil Boss terrorizing Pierce Brosnan and Chris Parnell, his doctor who flat out lost a baby, and a commercial where he humiliates his dog. Part of Ferrell’s appeal was his everyman look combined with his off-kilter instincts. It made for an irresistible combination.
Then there’s his takes on President George W. Bush, Harry Caray, Inside the Actors Studio host James Lipton, crooner Robert Goulet, Attorney General Janet Reno, and Alex Trebek, constantly suffering to the insults of Darrell Hammond’s Sean Connery. The Cheerleaders with Cheri Oteri. The Roxbury guys with Chris Kattan. His boutique employee with a tiny phone that caused Jimmy Fallon and Horatio Sanz to lose it. There’s the post 9/11 sketch with his overly patriotic employee that provided much needed humor at that time. And More Cowbell anyone?
And that’s just scratching the surface. Ferrell’s contributions are truly remarkable and I didn’t have to think too hard for this placement.
There’s a through line that’s marked a number of Melissa McCarthy vehicles since her Oscar-nominated turn in 2011’s Bridesmaids. Take the greatly talented comedic actress, give her a mostly unpleasant character, establish a backstory that makes her somewhat sympathetic, and hope audiences eat it up. These rules have generally applied to IdentityThief, TheHeat, and Tammy. None of them have been terribly impressive due to weak material. This applies to TheBoss as well.
Reuniting with her Tammy director Ben Falcone (who’s also her husband), McCarthy is self-made mogul Michelle Darnell. She’s a ruthless investor who sells out arenas with her take no prisoners business advice. Kristen Bell is Claire, her overloaded executive assistant who isn’t even allowed that lofty sounding title. When Michelle’s actions land her a short stint in Club Fed for insider trading, she’s back to square one and dependent on her old subordinate for lodging. That means crashing on the sofa in a crowded apartment with Claire’s young daughter (Ella Anderson). A trip with that child to a Girl Scout type meeting gives Michelle her first post felony money making idea: take Claire’s delicious brownie making skills, market them with a team of cute kids selling them, and work her way back up the corporate ladder.
Along the way, Michelle clashes with some of her new minions parents (most humorously with Annie Mumolo’s tightly wound Mom). These clashes even lead to an Anchorman style no holds barred brawl (Will Ferrell and Adam McKay are producers). The title character also deals with some of her own movie backstory demons. When she was young, Michelle bounced from one unhappy foster home to the next and has no sense or need in her view for family. Claire and daughter threaten to upset that apple cart.
There’s also the matter of her business rival Renault, former lover and wannabe samurai Renault (Peter Dinklage) trying to shut her burgeoning brownie enterprise down. His character is as bizarre as he sounds, but the “Game of Thrones” star does throw himself into it with gusto. A superfluous subplot involves Claire trying to get her groove back with a kind co-worker (Tyler Lapine).
TheBoss veers between wildly broad characters and physical comedy (which McCarthy and her stunt double are quite good at) and attempts at heart string pulling that falls flat. McCarthy’s abilities were proven nearly six years ago in one Bridesmaids scene where she told Kristin Wiig to get her act together. It was a brilliant scene that I suspect is responsible for that Oscar nod. Unfortunately, by now, McCarthy’s act is getting disappointingly familiar and the material she’s giving herself is forgettable.
So get this… when James Bond made his triumphant return to the silver screen in 2006 with Daniel Craig and Casino Royale, it did not open at #1 at the box office. That’s because it opened against the animated hit Happy Feet and those darn penguins never allowed 007 a top spot.
Yet two years later, the critically massacred Bangkok Dangerous with Nicolas Cage did manage to open atop the charts. This is a picture that’d almost certainly be relegated to a VOD only debut today.
This is one among many surprising examples of films in the last two decades that were fortunate enough to claim that they were the #1 movie in America that you wouldn’t expect. It’s all about timing. And there’s a host of easily forgotten pictures that accomplished the number one feat due to debuting in January or April or September in many cases – often seen as dumping grounds for studios. The reverse holds true. As with Casino Royale and others, the fact that they opened in more competitive weekends prevented them from top dog bragging rights.
Neither Austin Powers (in the original 1997 pic) or Ron Burgundy can claim a first place ribbon. Austin came in second to Kurt Russell’s Breakdown out of the gate. The first Anchorman couldn’t topple the second weekend of Spider-Man 2 in 2004. The 2013 sequel couldn’t get above the second Hobbit flick.
However, David Spade’s Dickie Roberts: Former Child Star somehow hit #1 in 2003 when it came out in the doldrums known as early September. And how about that Classic Sigourney Weaver and Jennifer Love Hewitt comedy romp Heartbreakers? It also reigned supreme for a week in April 2001. The 2011 Farrelly Brothers dud Hall Pass with Owen Wilson accomplished the same, but it took his Wedding Crashers three weeks to get to first due to interference from Charlie and the Chocolate Factory.
Even Frozen couldn’t open first and it may be the most beloved kids flick in some time. You know what did? 2003’s Kangaroo Jack and I didn’t see too many kids wearing his Halloween costume…
In 1996, Jean Claudde Van Damme had two #1 premieres with The Quest and Maximum Risk. So did Steven Seagal in 1997 with Fire Down Below and Chris Brown and Hayden Christensen in 2010 with Takers. Much better known action pictures such as Wanted, World War Z, The Day After Tomorrow, and The Bourne Identity cannot claim the same.
How about horror classics Urban Legends: Final Cut, Darkness Falls, The Covenant, The Roommate and The Possession? Number ones they all were. Real genre classics Scream and Saw? Nope.
Sandra Bullock won an Oscar for The Blind Side, but it never got there. Christoph Waltz did for Django Unchained. Same story. These films did open #1 and have a combined zero Oscar nominations among them: Eye of the Beholder and The Musketeer from 2001. SwimFan in 2002. The Forgotten (how appropriate) in 2004. Glory Road in 2006. Lakeview Terrace in 2010.
So, as you can see, longevity counts in box office world and being #1 doesn’t always equate to adoration. Just ask James Bond. And then ask Dickie Roberts.
As we’re moving deep into the 2014 Summer Movie Season – on this here blog I’ve been reflecting on what has come in the summers before us. Days ago, I wrote a post reflecting on the hits, notable pictures, and flops from 20 years ago in 1994. Today – we focus on the season from a decade ago with 2004’s summer entries.
We’ll start with the Top Ten, but what is notable is some of the comedies that weren’t on that list that spawned endless catchphrases and became massive cult classics:
Onto the Top Ten:
10. Dodgeball: A True Underdog Story
Domestic Gross: $114 million
Vince Vaughn and Ben Stiller teamed up for this well-received sports comedy which received 70% positive support on Rotten Tomatoes. While this was a solid hit, Vaughn’s biggest comedy would come one summer later with a certain pic costarring Owen Wilson.
9. Fahrenheit 9/11
Domestic Gross: $119 million
It’s not often you see a documentary in the top ten summer hits, but in the summer of 2004 the country was focused on an upcoming Presidential election between Bush and Kerry. Michael Moore’s examination of the Iraq War struck a chord with viewers and became the highest grossing documentary of all time.
8. Van Helsing
Domestic Gross: $120 million
Don’t let its #8 ranking fool you because Van Helsing starring Hugh Jackman was considered a major flop upon release. With a reported $160 million budget, it couldn’t recoup that stateside and a potential franchise for Jackman stalled immediately. Good thing he’s got another character he can go back to time and time again.
7. Troy
Domestic Gross: $133 million
Wolfgang Peterson’s Trojan War saga starring Brad Pitt, Orlando Bloom, and Eric Bana under performed a bit domestically (with its reported $175 million budget) but made it up overseas.
6. I, Robot
Domestic Gross: $144 million
While not reaching the heights of his previous summer hits Independence Day or Men in Black – Will Smith’s I, Robot did respectable business. Based on a short story by Isaac Asimov, it received mixed reviews from critics and a planned sequel never materialized.
5. The Bourne Supremacy
Domestic Gross: $176 million
Goodwill left over from the 2002 original The Bourne Identity propelled this Matt Damon sequel to gross over $50 million more than its predecessor. A third Bourne feature would follow three years later before Damon left the franchise and Jeremy Renner took over in 2012.
4. The Day After Tomorrow
Domestic Gross: $186 million
Roland Emmerich returned to doing what he does best (showing the world getting destroyed) and audiences rewarded him for it. Starring Dennis Quaid and Jake Gyllenhall, Tomorrow is the highest non-sequel on the list and it took in over half a billion worldwide.
3. Harry Potter and the Prisoner of Azkaban
Domestic Gross: $249 million
Alfonso Cuaron took over directing duties from Chris Columbus in this third franchise entry. While many (including myself) consider this the best of the series, it surprisingly has the lowest domestic gross of all eight Potter flicks.
2. Spider-Man 2
Domestic Gross: $373 million
Generally considered one of the best superhero movies of all time and the best of this particular franchise, Spider-Man 2 was a massive hit even though it couldn’t quite match the $403 million performance of the 2002 original.
1. Shrek 2
Domestic Gross: $441 million
DreamWorks Animation easily ruled the summer as the sequel featuring the vocal work of Mike Myers, Eddie Murphy, and Cameron Diaz took the top spot. Of the four Shrek entries, it is the biggest grosser and outshined its predecessor by nearly $180 million dollars.
Beyond the top ten, there are four particularly notable pictures which achieved major cult status:
14. Anchorman: The Legend of Ron Burgundy
It made a decent $85 million upon release, but as we all know, the Will Ferrell comedy has gone onto to becoming one of the most quoted flicks in memory. A 2013 sequel followed.
15. The Notebook
Based on the Nicholas Sparks novel, The Notebook caused audiences to fall in love with Ryan Gosling and Rachel McAdams and brought in $81 million.
27. Napoleon Dynamite
With a tiny $400,000 budget – the quirky comedy Napoleon Dynamite with Jon Heder came out of nowhere and posted a $44 million domestic gross. Like Anchorman, it became an endlessly quoted picture.
38. Harold and Kumar Go to White Castle
It made a meager $18 million upon release, but this stoner comedy became an instant cult classic and spawned two sequels.
And now we move to the flops of the summer:
21. The Stepford Wives
Frank Oz’s remake of the 1975 film cost $90 million to make and earned just $59 million. Critics weren’t impressed and audiences ignored the sci-fi comedy starring Nicole Kidman, Matthew Broderick, and Christopher Walken.
25. King Arthur
Training Day director Antoine Fuqua teamed up with Clive Owen and Keira Knightley for this retelling of the medieval legend. With a $120 million budget, Arthur tanked stateside with only $51 million.
29. Catwoman
Warner Bros. surely regrets spending $100 million on this critically lambasted Catwoman feature which starred Halle Berry and Sharon Stone. It earned only $40 million. The silver lining for the studio: one summer later, a certain Chris Nolan would reinvigorate their superhero fortunes with Batman Begins.
And that’s what was going on ten years at the multiplexes, my friends!
There was a whole bunch of new movies that opened Christmas Day, but numbers 1-4 were occupied by holdovers. The Wolf of Wall Street was the top newcomer while The Secret Life of Walter Mitty had a just OK opening and 47 Ronin, Grudge Match, and Justin Bieber’s Believe disappointed.
For the third weekend in a row, it was The Hobbit: The Desolation of Smaug at the top spot with $29.8 million – above my $25.7M estimate. The middle chapter in Peter Jackson’s Tolkien trilogy has earned $190 million in its three weeks of release so far.
Disney’s Frozen was close behind with $28.8 million, surpassing my $22.1M projection. The animated feature has grossed an impressive $248 million so far and should go north of $300 million when all is said and done.
Ron Burgundy and company were third with Anchorman: The Legend Continues earning $20.1 million in weekend #2, right in line with my $19.6M estimate. Anchorman has made $83.6 million so far, nearly matching the entire domestic gross of the original.
David O. Russell’s awards contender American Hustle was fourth with $19.5 million – beyond my $14.9M projection. Hustle has grossed $60 million in two weeks and is very likely to cross the century mark at some point.
It was Martin Scorsese’s The Wolf of Wall Street taking honors as top newbie. The three hour sex and drugs fest with Leo DiCaprio made $18.5 million over the Friday-to-Sunday portion of the weekend and $34.3 million since its Wednesday debut. While this is below my respective estimates of $25.4M and $44.2M, this is still a solid opening. Where Wolf could soon falter is with its C Cinemascore average. Audiences are clearly not liking what they’re seeing and there could be rather substantial drop-offs in future weekends.
Saving Mr. Banks with Emma Thompson and Tom Hanks had a big jump in its second weekend with $14 million for sixth, above my $10.6M estimate. It’s earned $37.8M in two weeks.
Ben Stiller’s comedic drama The Secret Life of Walter Mitty was seventh with $13 million over Friday-to-Sunday and $25.5 million since the Wednesday start, outpacing my projections of $11.7M and $19.3M. This opening could best be described as middle of the pack and it’ll be interesting to see how it holds up over the next couple of weekends.
The Hunger Games: Catching Fire was eighth with $10.2 million, above my $7.7M projection. Fire has made $391 million since its November opening, currently sits at #18 for all-time domestic grossers, and still looks to top Iron Man 3 as 2013’s biggest hit.
The martial arts flick with Keanu Reeves 47 Ronin opened at ninth with $9.8 million over Friday-to-Sunday and $20.5 million since Wednesday. It earned under my predicted three-day estimated (I said $11.4M) but over my five-day estimate ($17.8M). Look for it to fade fast.
Tyler Perry’s A Madea Christmas rounded out the Top Ten with $7.4 million (I didn’t predict it would be in the top ten).
This left the Sylvester Stallone/Robert De Niro comedy Grudge Match at #11 with a very poor opening well below my expectations. Match grossed $7.3 million from Friday-to-Sunday and $13.4 million since Wednesday. I thought it would do much better and predicted $13.9M for the three-day and $24.5M for the five-day. Oops. This is Stallone’s third bomb of the year after Bullet to the Head and Escape Plan.
Finally, Beliebers totally failed to turn out for his documentary Believe. It sputtered at #14 with $2 million from Friday-to-Sunday and $4.2 million since the Wednesday start. I predicted it would do $5.8M for the three-day and $10.3 million for the five. Oops again.
Whew. And there’s your Christmas weekend box office results! Be sure to check the blog later today for my prediction next weekend’s only newcomer, Paranormal Activity: The Marked Ones.
It’s the most wonderful time of the year and, at multiplexes, by far the most crowded time of the year! On Christmas Day, five pictures enter an already crowded marketplace. They are: Martin Scorsese’s The Wolf of Wall Street, the boxing comedy Grudge Match with Sylvester Stallone and Robert De Niro, Ben Stiller’s fantasy drama The Secret Life of Walter Mitty, martial arts flick 47 Ronin with Keanu Reeves, and the Justin Bieber documentary Believe. You can read my individual posts on all five at the following links:
By my estimates there will be nine – yes, nine – movies that gross double digits over the weekend. And there may well be a fierce battle for #1. In this same holiday weekend last year, The Hobbit: An Unexpected Journey fell only 13% in its third weekend and I expect current #1 The Hobbit: The Desolation of Smaug to fall no further than 20%. This should put it in a neck and neck race with my prediction for Wolf of Wall Street.
Disney’s Frozen stands an excellent chance of gaining audience from last weekend and it too has an outside shot at the top spot. Another title I expect to post gains: Disney’s Saving Mr. Banks which had a rather middling opening this past weekend at $9.3 million but should benefit from positive word of mouth.
Anchorman 2: The Legend Continues had a solid opening ($40 million over five days), but it was at the lesser end of expectations. Still, the holiday time frame should prevent it from suffering a large decline. The same can be said for American Hustle, which started strong out of the gate last weekend with $19.1 million.
One thing is for sure: the film calendar doesn’t get more crowded than this. After that, many things are highly uncertain but here’s my best guesses for the Christmas 2013 Top Ten:
1. The Hobbit: The Desolation of Smaug
Predicted Gross: $25.7 million (representing a drop of 18%)
2. The Wolf of Wall Street
Predicted Gross: $25.4 million ($44.2 million predicted for five-day opening)
3. Frozen
Predicted Gross: $22.1 million (representing an increase of 13%)
4. Anchorman: The Legend Continues
Predicted Gross: $19.6 million (representing a drop of 26%)
5. American Hustle
Predicted Gross: $14.9 million (representing a drop of 22%)
6. Grudge Match
Predicted Gross: $13.9 million ($24.5 million predicted for five-day opening)
7. The Secret Life of Walter Mitty
Predicted Gross: $11.7 million ($19.3 million predicted for five-day opening)
8. 47 Ronin
Predicted Gross: $11.4 million ($17.8 million predicted for five-day opening)
9. Saving Mr. Banks
Predicted Gross: $10.6 million (representing an increase of 15%)
10. The Hunger Games: Catching Fire
Predicted Gross: $7.7 million (representing a drop of 12%)
These predictions would leave Justin Bieber’s Believe out of the top ten and likely in the #12 slot behind the second weekend of Walking with Dinosaurs.
And there you have it! My predictions for Christmas 2013. Of course, I’ll have updates on the blog’s Facebook page throughout the week with final results Sunday. And have yourself a Merry little Christmas, my friends!
In a result that surprised yours truly, Ron Burgundy and company couldn’t dislodge Gandalf and company from the top spot at the box office in this crowded pre-holiday weekend.
The Hobbit: The Desolation of Smaug remained #1 for the second week in a row with an estimated $31.4 million – exactly on target with my $31.5M projection. Peter Jackson’s middle chapter in the franchise has earned $127.5M in its ten days of release.
This left Anchorman 2: The Legend Continues in the two spot and well below my projected opening. The sequel to the 2004 original made $26.7 million over the Friday to Sunday frame and $40 million since its Wednesday debut. I had it earning $41.9M and $61.2M, respectively, over those time periods. While the opening is decent, this is clearly below my overzealous expectations. Furthermore, audiences seem a bit disappointed with what they’re seeing as they awarded it a B Cinemascore grade, which is rather low.
There was a virtual tie for the #3 spot as Disney’s Frozen took in $19.1 million. I incorrectly had it left out of the top five. Oops. The animated pic has earned $191.5M since its November premiere. David O. Russell’s American Hustle also made $19.1 million, just under my $20.5M projection. This is a solid debut for the critically lauded comedy/drama and its per-screen average was almost identical to that of the Anchorman sequel.
Coming in fifth but well below my estimate was Saving Mr. Banks with Emma Thompson and Tom Hanks. It started out of the gate rather slowly with $9.3 million, way under my $17.1M projection. Banks will count on very low drop-offs over the next few weekends and the chances of that are good with its A Cinemascore grade.
Finally, the animated 3D tale Walking with Dinosaurs was a huge disappointment with an 8th place opening at $7.3 million. I predicted it would earn $18.9M. Oops again. Family audiences are still choosing Frozen over this new offering.
Today on the blog – you’ll see the movie marketplace getting even more crowded as I’ll post predictions for all five features opening Christmas Day: The Wolf of Wall Street, Grudge Match, The Secret Life of Walter Mitty, 47 Ronin, and the Justin Bieber doc Believe. Stay tuned!
As the Christmas season approaches, four high profile pictures enter the marketplace with another five scheduled on Christmas Day. This weekend it’s Anchorman 2: The Legend Continues, American Hustle, Saving Mr. Banks, and Walking with Dinosaurs.
You can read my individual prediction posts on each here:
If Anchorman 2 were to come in quite a bit below my projection, it could potentially face a battle with this weekend’s champ The Hobbit: The Desolation of Smaug for the #1 spot. However, I do believe Ron Burgundy and company will prevail. Last year in this same weekend, The Hobbit: An Unexpected Journey fell 56% from weekend #1 to #2 and I expect the roughly the same result for Smaug. As for the other three new entries, you’ll notice there’s only a $3.5 million difference between what I believe they’ll debut at. Therefore, these films could easily fluctuate between spots 3-5. Also if any of these newbies were to come in below my projections, it could allow Disney’s Frozen to remain in the top five. Got all that? We shall see how it shakes out, but here’s my predictions for this weekend’s top five:
1. Anchorman 2: The Legend Continues
Predicted Gross: $41.9 million ($61.2 million Wednesday to Sunday)
2. The Hobbit: The Desolation of Smaug
Predicted Gross: $31.5 million (representing a drop of 57%)
3. American Hustle
Predicted Gross: $20.5 million
4. Walking with Dinosaurs
Predicted Gross: $18.9 million
5. Saving Mr. Banks
Predicted Gross: $17.1 million
As always, I’ll have an update on the blog’s Facebook page Saturday with final results on the blog Sunday.
If Anchorman: The Legend Continues fails to have a solid opening, it certainly won’t be due to lack of exposure. Will Ferrell has been everywhere as title character Ron Burgundy over the past several weeks from Dodge Durango commercials to local North Dakota newscasts to the MTV Video Music Awards and more.
As you will recall, Anchorman: The Legend of Ron Burgundy came out in the summer of 2004 and grossed a very respectable $85 million. Since then, the film has taken on a life of its own becoming arguably the most quoted comedy of the past decade or two. It’s already earned a (deserved) reputation as a comedy classic.
For years, rumors of a sequel came and went. And now we’re here – with Ferrell, Steve Carell, Paul Rudd, David Koechner, and Christina Applegate back in the mix. There are also expected to be cameos galore – from Kanye West to Jim Carrey to Harrison Ford.
Simply put – Anchorman 2 is expected to be kind of a big deal. How big of a deal is the question. Anchorman 2 opens on Wednesday so I’ll be making a three and five day projection. It stands to reason that many fans of the original of which there’s many should be anxious to rush out and see the sequel.
What’s the opening weekend range we’re talking about? It’s tough to say. The absolute high mark I could foresee is a five-day gross in the neighborhood of $80 million. That would be an absolutely astonishing debut. I also can’t imagine the five-day haul being lower than $40 million, which would be considered pretty disappointing. As you can see, that’s a rather large range between potential grosses.
You also need to factor in the pre-Christmas weekend that Anchorman 2 is being released in. For many pictures released at this time, the opening weekend can be relatively lower than you might expect with subsequently smaller than normal drop-offs over the Christmas and New Year’s weekend. However, unlike American Hustle and Saving Mr. Banks which open Friday, I expect a large portion of Ron Burgundy’s business to be front loaded.
With all that explanation – here’s the deal: this is not an easy prediction to make. It’s difficult to judge just how eagerly anticipated moviegoers really are for it. Media saturation has been high, the trailers have been effective, and the original is beloved.
Ultimately I am predicting Anchorman 2 falls in between the highs and lows I presented as possibilities.
Anchorman 2: The Legend Continues opening weekend prediction: $41.9 million (Friday-to-Sunday), $61.2 million (Wednesday-to-Sunday)
In 1976, Martin Scorsese’s Taxi Driver was seen as a strong possibility to win Best Picture at the Oscars until a boxing movie unexpectedly captured audiences attention and took the prize. That would, of course, be Rocky. Fast forward to 2004 where Scorsese’s Howard Hughes biopic The Aviator seemed to be the odds-on favorite for Best Pic until, yet again, a pugilistic tale surprised moviegoers late in the awards season.
Clint Eastwood’s Million Dollar Baby wasn’t even talked about much as an awards contender during 2004’s calendar year. It was released very late in the year, but it turned out to be great timing.
Baby would win the top award over The Aviator, as well as Marc Forster’s Finding Neverland, Taylor Hackford’s Ray, and Alexander Payne’s Sideways.
As for other contenders not recognized, the Academy would ignore Quentin Tarantino’s fantastic Kill Bill and its Volume II after snubbing the first installment the year prior. It’s also worth noting that the greatest Harry Potter flick in the franchise (in my view) Prisoner of Azkaban could have been honored too. And there’s Michel Gondry’s highly original critical favorite Eternal Sunshine of the Spotless Mind. And a favorite of audiences – Mel Gibson’s mega-blockbuster Passion of the Christ. Any of one of these pics should have at least replaced Finding Neverland, which was decent but doesn’t belong in the category.
The Baby boom would extend to Eastwood, who won Best Director exactly a dozen years after winning the same award for Unforgiven. This prevented Scorsese from winning his first Oscar. Other nominees included Hackford, Payne, and Mike Leigh for Vera Drake.
Once again – Gondry, Tarantino, and Gibson are names worth mentioning that didn’t get in the mix.
Jamie Foxx would take Best Actor for his dead-on portrayal of the legendary singer Ray Charles in Ray, winning out over Leonardo DiCaprio in The Aviator, Don Cheadle in Hotel Rwanda, Eastwood in Million Dollar Baby, and Johnny Depp in Finding Neverland.
One major snub was Paul Giamatti for his fine work in Sideways. The Academy yet again snubbed Jim Carrey in Eternal Sunshine.
Hilary Swank won her second Best Actress award in five years for Baby (in 1999, she was victorious in Boys Don’t Cry). Other nominees: Annette Bening in Being Julia, Catalina Sandino Moreno in Maria Full of Grace, Imelda Staunton in Vera Drake, and Kate Winslet for Eternal Sunshine.
Once again, it was Uma Thurman left out for her work in the Kill Bill franchise.
Morgan Freeman would win his first Oscar in the Supporting Actor race for Million Dollar Baby over Alan Alda in The Aviator, Thomas Haden Church for Sideways, Jamie Foxx in Collateral, and Clive Owen in Closer.
Not to keep bringing up Kill Bill, but the late David Carradine should have been nominated.
The Aviator would finally receive some Academy recognition with Cate Blanchett winning Supporting Actress with her portrayal as Katherine Hepburn. Other nominees: Laura Linney in Kinsey, Virginia Madsen for Sideways, Sophie Okonedo in Hotel Rwanda, and Natalie Portman for Closer.
After all my mentions for Kill Bill and Eternal Sunshine receiving snubs, there’s one other 2004 pic that demonstrates the Academy’s constant ability to ignore comedies. So I give you the following snubs –
Best Actor – Will Ferrell, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – Steve Carell, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – Paul Rudd, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – David Koechner, Anchorman: The Legend of Ron Burgundy
Best Scene Involving a Cannonball – Anchorman: The Legend of Ron Burgundy
Best Scene With a Dog Being Punted – Anchorman: The Legend of Ron Burgundy
Best Rendition of “Afternoon Delight” In a Movie: Anchorman: The Legend of Ron Burgundy
I’ll be back with Oscar History: 2005 soon, my friends!
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