Tag: Amy Schumer

Oscar Predictions: IF

After massive box office success with the two A Quiet Place horror pics, John Krasinski is in family mode when IF debuts Friday. Combining live-action with animation, Ryan Reynolds headlines the human cast with a ginormous list of familiar faces voicing imaginary friends from Steve Carell to Emily Blunt to George Clooney to Matt Damon and Bradley Cooper and many more.

The review embargo is up and reaction is mixed. With a 59% RT score, any awards prospects are shaky. The one exception could be Visual Effects, but I don’t even think it’s guaranteed to make the shortlist (let alone the final five). In other words, putting this anywhere in your Academy forecast represents a big… well, you know. My Oscar Prediction posts will continue…

IF Box Office Prediction

Paramount is banking on John Krasinski’s latest directorial project to make lots of noise at multiplexes when IF debuts on May 17th. Mixing live-action with animation, the comedy’s real-life cast consists of Ryan Reynolds, Cailey Fleming, Fiona Shaw, Alan Kim, Liza Colón-Zayas, Bobby Moynihan, and Krasinski himself. The sprawling list of performers providing voiceover work includes the filmmaker’s Office costar Steve Carell, Phoebe Waller-Bridge, Krasinski’s spouse Emily Blunt, the late Louis Gossett Jr., Matt Damon, Maya Rudolph, Jon Stewart, Sam Rockwell, Sebastian Maniscalco, Christopher Meloni, Richard Jenkins, Awkwafina, Blake Lively, George Clooney, Matthew Rhys, Bradley Cooper, Amy Schumer, Keegan-Michael Key, and Vince Vaughn.

Handling screenplay duties as well, this is a far cry from the director’s A Quiet Place pics. The summer’s first feature geared toward families, this should capitalize on the absence of genre material in the marketplace (it’s been two months since Kung Fu Panda 4). The title, by the way, stands for Imaginary Friend.

The chance for this to rise above expectations seems real. I think it could make $50 million for starters. It could also start out slowly and hope for decent legs in subsequent weekends. A worst case scenario could be $25-30 million. I’m giving it $35-40 million out of the gate.

IF opening weekend prediction: $38.3 million

For my The Strangers: Chapter 1 prediction, click here:

The Strangers: Chapter 1 Box Office Prediction

For my Back to Black prediction, click here:

Back to Black Box Office Prediction

Unfrosted Review

To generously take a bowl is half super approach, Jerry Seinfeld’s Unfrosted features stand-up Kyle Dunnigan doing a pretty killer Walter Cronkite impression. His anchor recounts the news with trademark authority followed by darkly amusing off the air grumblings about his love life and alcoholism. Later on, Dunnigan follows up with an impressive Johnny Carson takeoff. There’s lots of comedians and comedic performers in the legendary Mr. Seinfeld’s directorial debut for Netflix. Most of them don’t get the chance to nail their brief screen time like Mr. Dunnigan. A lot of Unfrosted, a mostly fictional account of how Pop-Tarts came to be, consists of stale humor with too many subplots competing against one another.

Even 96 minutes feels long since there’s barely enough witty material for the 22 minutes Jerry used to work in. He plays Bob Cabana, a high level exec at Kellogg’s in 1963. This is one of those screenplays (by Seinfeld and his frequent collaborators Spike Feresten, Andy Robin, and Barry Marder) that constantly reminds us it’s set during that decade in increasingly lame ways. Along with his boss Edsel Kellogg III (Jim Gaffigan) and Melissa McCarthy’s NASA scientist turned cereal conglomerate employee, they are in a race to produce the best toasted pastry treat. In Battle Creek, Michigan, the combat lines are drawn with their rival Post led by socialite Marjorie Post (Amy Schumer). Such lines are not so subtly tied to another race – the space one – of that era.

Rhythms of Unfrosted becomes familiar in short order – a joke or two that work about a given subplot (like the correlation with the nation’s trip to the moon) that get overused swiftly. There’s bursts of inspiration like Dunnigan’s grousing. Bill Burr’s take on JFK is also a delight. Most of the time I wasn’t blown away by what else the overfilled screenplay had to say.

Since this is Seinfeld we’re talking about, there’s lots of funny people popping in for a day or two on the set. Hugh Grant is the very real Thurl Ravenscroft, a true Shakespearean thespian who voiced Tony the Tiger. The Kellogg gang recruits a hodgepodge of kitschy historical figures including fitness guru Jack LaLanne (James Marsden), Sea Monkeys maker and maybe Nazi Harold von Braunhut (Thomas Lennon), and Chef Boy Ardee (Bobby Moynihan) to develop the product. I could go on and on. Mixing all these talents together is bound to produce some amusing highlights and it does on occasion, but not nearly enough. Sometimes the satire totally misses like when it attempts to connect a mascot uprising to January 6th.

A lot of Unfrosted probably sounded better while Seinfeld and crew were discussing it over Zoom. Most of it might produce more guffaws if its Cronkite impersonator were handling the delivery.

** (out of four)

Oscar Predictions: Unfrosted

You might be familiar with his TV work, but Jerry Seinfeld’s cinematic output is limited to the 2002 doc Comedian and 2007’s animated Bee Movie. He makes his directorial debut and stars in Unfrosted, which loosely tells the story of how Pop-Tarts came into our world. The cast is an impressive mix of comedic talents including Melissa McCarthy, Jim Gaffigan, Hugh Grant, Amy Schumer, and many more that are tagged in this write-up.

Premiering on Netflix this weekend, reviews are finally popping up. The late embargo is explained by the troubling 18% Rotten Tomatoes score. Indicating a rare misfire for the small screen legend, this big screen product origin tale (a popular of genre lately) was never seen as an Oscar player. Yet considering the talent onboard, Golden Globe possibilities in the Musical/Comedy derbies seemed possible. Those appear to be toast. My Oscar Prediction posts will continue…

Oscar Predictions: Trolls Band Together

Trolls Band Together from DreamWorks is the third animated feature in the musical franchise out November 17th with Anna Kendrick, Justin Timberlake, and many others on crooning duty.

Thus far the critical response is below its two predecessors. 2016’s Trolls sat at 75% on Rotten Tomatoes while 2020 follow-up Trolls World Tour was a hair under at 71%. At press time, Band Together has managed just 56% on the meter.

The two earlier Trolls entries failed to nab Animated Feature nods at the Oscars and this won’t either. In fact, I’d say it’s easily behind three other sequels in Spider-Man: Across the Spider-Verse, Teenage Mutant Ninja Turtles: Mutant Mayhem, and Chicken Run: Dawn of the Nugget.

Seven years ago, this series earned its only Academy mention for Timberlake’s smash hit “Can’t Stop the Feeling” (it lost to “City of Stars” from La La Land). This second sequel does boast an NSYNC reunion after two decades with the track “Better Place”. Yet it is not dominating the charts like band member JT’s aforementioned ditty managed. Like World Tour, Band doesn’t seem primed for an encore come awards time. My Oscar Prediction posts will continue…

Trolls Band Together Box Office Prediction

The computer animated creatures that first hit the screen seven years ago are back again in Trolls Band Together on November 17th. The DreamWorks musical comedy comes from Walt Dohrn, who co-directed the 2016 original and solely helmed the 2020 sequel. Anna Kendrick, Justin Timberlake, Zooey Deschanel, Christopher Mintz-Plasse, Icona Pop, Anderson Paak, Ron Funches, Kenan Thompson, and Kunal Nayyar reprise their vocal roles. They are joined by Eric André, Kid Cudi, Daveed Diggs, Camila Cabello, Amy Schumer, and RuPaul.

Featuring tracks from Kendrick and Cabello and the first NSYNC track in over two decades, Together hopes to bring in a large crowd. The first Trolls opened to a better than expected $46 million with an eventual $153 million domestic haul. Yet any clues for sequel demand were made complicated by follow-up Trolls World Tour. It went the VOD route due to coming out in April 2020 as movie theaters were shuttered by the COVID pandemic. There are estimates that it took in around $150 million in rentals.

Where does that leave our third song and dance fest? I certainly think this won’t match the mid 40s debut from 2016. This seems likely to start slower though it could have a healthy hold in its second frame over the long Thanksgiving weekend.

I’ll say mid to high 20s to possibly low 30s is where this Band begins as it hopes for pleasing encores over the holidays.

Trolls Band Together opening weekend prediction: $26.7 million

For my The Hunger Games: The Ballad of Songbirds & Snakes prediction, click here:

The Hunger Games: The Ballad of Songbirds & Snakes Box Office Prediction

For my Thanksgiving prediction, click here:

Thanksgiving Box Office Prediction

For my Next Goal Wins prediction, click here:

Next Goal Wins Box Office Prediction

Barbie Box Office Prediction

Blogger’s Update (07/19): I’ve increased my prediction from $127.8M to $160.8M

After a lengthy development process, the eagerly anticipated live-action Barbie seeks to pack movie houses on July 21st. Greta Gerwig, coming off two Best Picture nominees in a row with Lady Bird and Little Women, directs with Margot Robbie as the iconic Mattel creation and Ryan Gosling as Ken. The large supporting cast (some playing variations of the leading dolls) includes America Ferrera, Kate McKinnon, Issa Rae, Rhea Perlman, Alexandra Shipp, Emma Mackey, Dua Lipa, Kingsley Ben-Adir, Simu Liu, Michael Cera, Ariana Greenblatt, and Will Ferrell. Once a vehicle for Amy Schumer and then Anne Hathaway, the reported $100 million production tapped Robbie four summers ago for the high profile project.

It goes without saying that the toy line dating back to 1959 has seen generations of consumers. Warner Bros is banking that crowds of all ages for the PG-13 rated pic will turn up. While it should certainly skew female, all demographics are expected to be represented.

Barbie has also been the benefactor of extra publicity due to Christopher Nolan’s Oppenheimer debuting on the same day. Dubbed “Barbenheimer” all over social media, the premiere of two awards and blockbuster hopefuls only adds to the hoopla.

The breakout potential seems quite real and buzz has been growing steadily since the trailer and other forms of exposure. Initial estimates were in the $55-$70 million vicinity, rose to $80-$100 million, and are now looking to top $100 million. I’m inclined to say it manages nine digits with room to spare.

Barbie opening weekend prediction: $160.8 million

For my Oppenheimer prediction, click here:

Oppenheimer Box Office Prediction

2021 Oscars: FINAL Winner Predictions

And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.

These are my final picks for the races covering feature films. Will the Best Picture be CODA?

Or The Power of the Dog?

We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.

Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?

For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.

Let’s get to it! On Sunday evening, you will see a recap with how I performed…

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

Commentary:

Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…

However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.

We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.

I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

Commentary:

This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.

PREDICTED WINNER:

Jane Campion, The Power of the Dog

Runner-Up:

Steven Spielberg, West Side Story

Best Actress

Nominees:

Jessicas Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Commentary:

Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.

PREDICTED WINNER:

Jessica Chastain, The Eyes of Tammy Faye

Riunner-Up:

Kristen Stewart, Spencer

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, tick, tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Commentary:

During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.

PREDICTED WINNER:

Will Smith, King Richard

Runner-Up:

Benedict Cumberbatch, The Power of the Dog

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Commentary:

Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.

PREDICTED WINNER:

Ariana DeBose, West Side Story

Runner-Up:

Kirsten Dunst, The Power of the Dog

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

Commentary: 

Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.

PREDICTED WINNER:

Troy Kotsur, CODA

Runner-Up:

Kodi Smit-McPhee, The Power of the Dog 

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

Commentary:

Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).

PREDICTED WINNER:

Belfast

Runner-Up:

Licorice Pizza

Best Adapted Screenplay

Nominees

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog 

Commentary:

CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

Commentary:

I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.

PREDICTED WINNER:

Encanto

Runner-Up:

The Mitchells vs. the Machines

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

Commentary:

This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.

PREDICTED WINNER:

Drive My Car

Runner-Up:

The Worst Person in the World

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

Commentary:

With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.

PREDICTED WINNER:

Summer of Soul

Runner-Up:

Flee

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary: 

This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

Commentary:

Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.

PREDICTED WINNER:

Cruella

Runner-Up:

Dune

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

tick, tick… Boom!

Commentary:

Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.

PREDICTED WINNER:

Dune

Runner-Up:

King Richard

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

Commentary:

Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.

PREDICTED WINNER:

The Eyes of Tammy Faye

Runner-Up:

House of Gucci

Best Original Score

Nominees:

Don’t Look Up

Dune

Encanto

Parallel Mothers

The Power of the Dog

Commentary:

Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

Commentary:

Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.

PREDICTED WINNER:

“Dos Oruguitas” from Encanto

Runner-Up:

“No Time to Die” from No Time to Die

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary:

For the last three categories, I could just say Dune and be done with it. In fact, I think I will…

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

There isn’t one… that’s how I’m confident I am that Dune takes it.

And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:

6 Wins

Dune

3 Wins

The Power of the Dog

2 Wins

Encanto, The Eyes of Tammy Faye

1 Win

Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story

Make sure to check out the blog post ceremony!

The Humans Review

You may not leave The Humans loving the time you spent with them, but there could certainly be glimpses of intimate recognition with the Blake’s. The sextet is gathered in the shabby and sparsely decorated Chinatown duplex of Brigid (Beanie Feldstein) and her boyfriend Richard (Steven Yeun). Visiting from Scranton for Thanksgiving are parents Erik (Richard Jenkins) and Deirdre (Jayne Houdyshell) along with the dementia addled matriarch Momo (June Squibb). The other daughter is Aimee (Amy Schumer), suffering from her own disease and a breakup that she’s not over.

Adapting his own Tony award winning play, Stephen Karam’s afternoon with this brood starts awkwardly like many Turkey Day gatherings. Erik complains about finances and sneaks off to corners of the apartment to check the score of the Detroit Lions game. That’s one sign something could be off as no one outside of the Motor City truly cares about that. Deirdre drops hints that Brigid and Richard should tie the knot while Dad insists their new abode needs a serious caulk. Aimee’s intestinal challenges keeps her frequently confined to the creaky second floor bathroom while surfing her ex-girlfriend’s social media. And, of course, too many alcoholic beverages are imbibed.

There’s a lot of chatter in The Humans about the significant life stuff occurring inside and outside the dingy walls. It’s also done with a pitch black humor that seems appropriate given a family’s familiarity with one another. There are sly digs about Deirdre’s weight and questionable email abilities, Brigid’s career mishaps, and Momo’s near catatonic state. Richard is the relative bystander trying to keep the meal timed. He seems more comfortable admitting past depression while the Blake’s stoic Midwestern background prevents that sort of forthrightness.

The seventh character is the apartment. The sounds and looks of New York City living are on full display. The walls that threaten to close in on themselves. A city with famous landscapes, but the couple residing in it are given a drab interior courtyard view. Kudos are due to the sound technicians and production designers.

As more secrets are divulged as the day wears on, they aren’t portrayed as the seismic events that a more histrionic pic would treat them. That’s a bit ironic considering the source material. This is an event that will likely happen next year and Erik will still pretend to care what the Lions are doing. No one is truly enjoying themselves in The Humans. Watching the misery is made tolerable by the company of actors playing them. Jenkins and his trading between concerned dad, boozy philosopher, and snarky houseguest is compelling. Schumer is playing against type with supreme unconfident tendencies. Squibb’s fleeting moment of clarity is both a triumphant and sad highlight. The let’s get through this hug that Feldstein and Yeun’s new couple share as the dour festivities kick off may produce a knowing smile.

That all said, I’m not sure The Humans would be nearly as worthwhile if not for Houdyshell. She is the lone holdover from Broadway and she’s magnificent and heartbreaking. The insults thrown Deirdre’s way are subtle much of the day. They are not so subtle when said by her family members when they think she’s out of earshot (something almost impossible in this setting). I wanted to hug her. That’s partly due to the slights she suffers, but I think I wanted to embrace the actress too for her terrific performance.

*** (out of four)

Oscar Predictions: The Humans

Adapting his own Tony Award winning play, Stephen Karam’s The Humans has debuted at the Toronto Film Festival. The initial buzz is encouraging for Oscar consideration. A Thanksgiving drama that critics are already calling a different kind of horror experience, the ensemble includes Beanie Feldstein, Steven Yeun, Jayne Houdyshell, Richard Jenkins, Amy Schumer, and June Squibb.

Coming as no real surprise, it’s Houdyshell (the only holdover from Broadway) and Jenkins who stand the best shots at acting recognition. Jenkins is a two-time nominee (once in lead for 2008’s The Visitor and in supporting for 2017’s The Shape of Water). Houdyshell is a newcomer to the dance. Based on early chatter, I suspect both have excellent shots in their respective supporting fields.

It is possible that the dark material (even the praising write-ups call it cold) could prevent The Humans from reaching Picture. However, I feel better about its chances now that it’s screened. Same goes for Adapted Screenplay. If it really catches the fancy of the Academy, the leftover effect could even be Karam making a bid for his direction.

Bottom line: The Humans has put itself in contention for numerous races. My Oscar Predictions posts for the films of 2021 will continue…