Dolores Fonzi directs, cowrites, and stars in the true life Argentinian legal drama Belén which premiered in its native country earlier this fall. An Amazon Prime bow is planned stateside in the near future. The supporting cast includes Camila Pláate, Laura Paredes, Julieta Cardinali, and César Troncoso.
Selected as Argentina’s hopeful for Best International Feature Film, it is among the six contenders for Foreign Language Film at the Critics Choice Awards (a bit of a surprise nominee). It will attempt to become the nation’s fifth Oscar nominee of the 21st century behind 2001’s Son of the Bride, 2009’s The Secret in Their Eyes (which won), Wild Tales from 2014, and 2022’s Argentina, 1985.
The 94% Rotten Tomatoes rating is encouraging, but the 70 Metacritic is more telling. Belén would need to leap some serious competitors that could lock down nods beyond IFF including Sentimental Value, It Was Just an Accident, The Secret Agent, No Other Choice, and Sirât. That could be a tall order, but this category has had unexpected inclusions before. My Oscar Prediction posts will continue…
The 2025 Toronto Film Festival is officially underway and it opened with a documentary about Canadian comedic royalty. John Candy: I Like Me (borrowing a great line from his arguable career highlight Planes, Trains and Automobiles) recounts the actor’s personal and professional life life prior to his death at age 43 in 1994. Colin Hanks directs with Ryan Reynolds serving as a producer. It is slated for an Amazon Prime streaming debut on October 10th.
Early word-of-mouth from up north indicates this an affectionate and worthwhile (if conventional) experience that will satisfy fans of the legendary SCTV and silver screen performer. Nevertheless I’ve written scores of prediction posts on celebrity centered docs and it is rare for any of them to contend in Documentary Feature at the Academy Awards. Don’t look for this to buck the trend. My Oscar Prediction posts will continue…
Deep Cover is available to stream on Amazon Prime Video today with Tom Kingsley directing and Jurassic World maker Colin Trevorrow among four credited with the script. The co-screenwriter’s dino lead Bryce Dallas Howard stars alongside Orlando Bloom, Nick Mohammed, Paddy Considine, Ian McShane, and Sean Bean.
This is not a remake of the 1992 Laurence Fishburne/Jeff Goldblum crime thriller that featured a banger of a title song from Dr. Dre and Snoop Dogg. Instead this British high concept action comedy is receiving decent marks with 95% on Rotten Tomatoes and a more down-to-earth 68 Metacritic. It won’t get near the Academy’s radar. I do wonder if it could get a push for BAFTA’s Best British Film. That might be a long shot, but not an impossibility. My Oscar Prediction posts will continue…
They say a picture is worth a thousand words and it is apparently worth millions upon millions of votes in G20. A shot of now President Danielle Sutton (Viola Davis) rescuing a child during the Iraq War two decades earlier is what prompted her rise to the highest office in the land. This picture is not really about that. Instead it’s a run-of-the-mill streamer that fails to capitalize on its casting or location.
We first meet President Sutton in the throws of a domestic crisis. Her teenage daughter Serena (Marsai Martin) has slipped past the security perimeter of the White House to go clubbing and the media picked up on it. The mother-daughter drama shifts to South Africa as they travel there for the title summit. The First Gentleman (Anthony Anderson) and Serena’s little brother (Christopher Farrar) accompany.
Other members of the Presidential entourage included lead Secret Service agent Manny (Ramón Rodriguez) and the Treasury Secretary (Elizabeth Marvel) while the VP (Clark Gregg) is back stateside. If you don’t figure out who might not have POTUS’s best interests in mind early on, you might fail 101 in this cinematic universe.
Mercenary Edward Rutledge (Antony Starr of The Boys and Twitter meme fame) and his band of goons certainly aren’t on her side. They hijack the proceedings with a plan to crash the world economy while enriching themselves through cryptocurrency. Digital cash is a weirdly overarching theme in the screenplay that lists four writers. President Sutton is G20’ing to promote a plan helping African farmers via access to the technology. I half expected “Brought to you by bitcoin” to crawl across the bottom of the screen.
Unlucky for Rutledge, the Commander-in-Chief’s military background allows to her go all John McClane throughout the Cape Town hotel. Manny, the British Prime Minister (Douglas Hodge), South Korean First Lady (MeeWha Alana Lee, providing a couple moments of sorely needed humor), and IMF chair (Sabrina Impacciatore) become her new kitchen cabinet as they fight off the villains in kitchens and ballrooms. The First Family is separated from the matriarch with the crypto bandits on their trail.
You can’t blame Viola Davis for wanting her own 90s style shoot-em-up and she does bring a dignified presence to this junk food. Mr. Starr is also an appropriately unhinged antagonist. The problem is the execution. The fight sequences aren’t memorable and this doesn’t even bother to make use of its gorgeous South African setting (perhaps budget constraints were the culprit). This could’ve been set in a Wichita Ramada Inn when you really think about it.
The tired screenplay keeps returning to what made Sutton the leader of the free world with the photo. The picture’s backstory made me curious if a worthwhile movie could’ve been made about that. It might’ve been more worthwhile than the images we’re left with in G20.
Mimi Cave’s Holland premiered at South by Southwest earlier this month as it readies an Amazon Prime drop on March 27th. The tireless Nicole Kidman headlines the Midwestern set thriller (the title refers to the city in Michigan) with Gael Garcia Bernal, Matthew Macfadyen, Jude Hill, and Rachel Sennott in support.
Kidman’s previous project Babygirl did generate awards buzz, but she ended up missing out on a sixth Oscar nod. Holland is drawing plenty of negative notices with 36% on Rotten Tomatoes and a 45 Metacritic. Said to be the opposite of a crowd pleaser, don’t expect this to be on the Academy’s radar. My Oscar Prediction posts will continue…
**Blogger’s Update (11/20): I have posted a $4 million forecast for Bonhoeffer today which puts it in fourth place. That change is reflected below and we now have a top 7 projections.
Hollywood hopes for a massive box office weekend ahead as Wicked and Gladiator II look to inject $200 million or more in domestic receipts. You can peruse my detailed prediction posts on the newcomers here:
In July 2023, the phenomenon known as Barbenheimer occurred when Barbie soared with a $162 million starting haul while Oppenheimer took in $82 million. I don’t think the grosses will be as gargantuan with Wicked and Gladiator II, but multiplexes should be in for a much needed boost.
Wicked adapts the well-known stage musical with Cynthia Erivo and Ariana Grande as early versions of the Wicked Witch of the West and Glinda the Good Witch from The Wizard of Oz, respectively. This is part 1 of Jon M. Chu’s fantasy musical with part II arriving in a year. I’m projecting nearly $135 million out of the gate as a wide audience seems destined to greet it.
Gladiator II is the long-in-development follow-up to Ridley Scott’s Best Picture winner with Paul Mescal headlining and Denzel Washington in an Oscar baity supporting turn. My high 60s forecast puts it in the runner-up position. I would note that either of these titles could over perform and keep on this post to see if there are any upgrades by Thursday.
With families flocking to Wicked and action fans packed for Gladiator, current champ Red One will slide to third. The holiday themed action comedy may experience a decline north of 50% considering the fresh competition.
The rest of the high five will consist of holdovers Venom: The Last Dance and The Best Christmas Pageant Ever and Heretic in a close race for fifth. Here’s how I envision the top 6 shaking out:
1. Wicked
Predicted Gross: $134.6 million
2. Gladiator II
Predicted Gross: $69.8 million
3. Red One
Predicted Gross: $14.9 million
4. Bonhoeffer
Predicted Gross: $4 million
5. Venom: The Last Dance
Predicted Gross: $3.6 million
6. The Best Christmas Pageant Ever
Predicted Gross: $2.7 million
7. Heretic
Predicted Gross: $2.5 million
Box Office Results (November 15-17)
On one hand, Red Notice with Dwayne Johnson and Chris Evans was originally set for Amazon only distribution so any number is better than nothing. On the other, its debut is fairly ho-hum considering the reported $250 million price tag. It made $32.1 million which did manage to exceed my $27.6 million take. As mentioned, I do expect a hefty dip though it could rebound over the Turkey Day frame.
Venom: The Last Dance was second after three weeks in 1st with $7.3 million, falling behind my $10.2 million prediction. The comic book based threequel sits at $127 million after four outings.
The Best Christmas Pageant Ever was third with $5.2 million. In a trend from this past weekend, it didn’t match my number as I pegged it at $7.6 million. The two-week tally is $19 million.
Heretic was fourth with $5.1 million (I said $6.3 million) as Hugh Grant horror thriller’s total is $20 million after its second go-round.
The Wild Robot rounded out the top five with $4.2 million compared to my $5.5 million call. The animated tale has earned $137 million in eight weeks.
Based on Colson Whitehead’s 2019 bestseller, the 1960s set racial drama Nickel Boys has been unveiled at Telluride before its October 25th limited theatrical bow. From RaMell Ross (best known for the Oscar nominated 2018 documentary Hale County This Morning, Evening), Boys will stream on Amazon Prime after the awards qualifying run. Ethan Herisse, Brandon Wilson, Aunjanue Ellis-Taylor, Fred Hechinger, Hamish Linklater, and Daveed Diggs star.
Some early reaction from Colorado indicates this is one of the year’s best. That’s not across the board. The pic is apparently told from first person perspective and the style is being lauded and criticized depending on the write-up. Surprisingly, initial reviews are not spending much time on the cast. I’ve had Ellis-Taylor (a 2021 Supporting Actress nominee for King Richard) listed at #1 in my Supporting Actress nominees for a few weeks. She could still get in depending on the competition, but she may drop out of my projected quintet altogether (update later today on this blog!). Newcomer Herisse faces long odds in Actor due to growing competition and no other performers seem primed to receive chatter.
Boys could still have enough vocal admirers that Best Picture is doable along with Adapted Screenplay and even the cinematography despite some gripes. My Oscar Prediction posts will continue…
Internet personality Rudy Mancuso stars, directs, and cowrites the musical coming-of-age rom com Música. It had its world premiere at South by Southwest last month and is now available on Amazon Prime. Camila Mendes, J.B. Smoove, and Francesca Reale are among the supporting cast.
A number of critics are not curbing their enthusiasm for Mancuso’s filmmaking debut. The RT score is a robust 96%. Despite the kudos, don’t expect the Academy to notice this project. The Golden Globes could be a different story if Amazon plays their cards right. With a committed campaign, this could vie for Musical/Comedy (Motion Picture) as could Mancuso in that lead actor derby. My Oscar Prediction posts will continue…
Rom com The Idea of You closed out this year’s South by Southwest festival prior to its Amazon Prime streaming debut on May 2nd. Based on the novel by Robinne Lee, the adaptation casts Anne Hathaway (Supporting Actress winner for 2012’s Les Miserables) as a divorcee who finds herself in a relationship with a superstar boy band singer played by Nicholas Galiztine. Ella Rubin, Reid Scott, and Annie Mumolo costar. Michael Showalter, who made The Big Sick and directed Jessica Chastain to a Best Actress victory in The Eyes of Tammy Faye, is behind the camera.
The small sampling of early reviews indicate a crowdpleaser that shouldn’t get in the heads of the Academy. That said, the Golden Globes might be a different story. In the Musical/Comedy field, Hathaway could make a play for Actress attention. So could the picture depending on the level of competition that follows in the next nine and a half months (though Hathaway is a likelier possibility). My Oscar Prediction posts will continue…
The Burial saw its awards prospects rise a bit after premiering at the Toronto Film Festival. The courtroom drama from Maggie Betts boasts previous Oscar winners Jamie Foxx and Tommy Lee Jones headlining. Costars include Jurnee Smollett, Mamoudou Athie, and Bill Camp. It hits theaters in limited fashion on October 6th before its Amazon Prime streaming bow the following week.
The word crowdpleaser has been used more than once with its 100% Rotten Tomatoes rating (from 10 reviews thus far). Foxx’s performance is getting the most attention and that could give Amazon Prime a tough choice. It sounds like his work could be campaigned for in lead or supporting. If the decision is Best Actor, Foxx faces what looks like an impossibly crowded field. Supporting Actor isn’t a whole lot better, but there could be wiggle room. My Oscar Prediction posts will continue…
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