Jexi Box Office Prediction

From the directors of the Bad Moms pics, Jexi dials into theaters next weekend and is hoping for a decent reception. The comedy stars Adam DeVine as a loner obsessed with his phone. When he gets an upgrade that includes Rose Byrne voicing the title character/feature, life begins to improve until the artificially intelligent being develops an obsession with him. Costars include Alexandra Shipp, Michael Pena, Justin Hartley, and Wanda Sykes.

I have a hunch Jexi will have a tough time connecting with filmgoers. As far as its effectiveness via trailer and TV spots, I’m getting a bit of a Stuber vibe. That comedy with Kumail Nanjiani stalled over the summer with just an $8.2 million opening weekend. And one could argue Nanjiani has more drawing ability than DeVine.

Considering that, I’ll say this will be lucky to reach that number and won’t do so.

Jexi opening weekend prediction: $3.5 million

For my Gemini Man prediction, click here:

https://toddmthatcher.com/2019/10/01/gemini-man-box-office-prediction/

For my The Addams Family prediction, click here:

https://toddmthatcher.com/2019/10/01/the-addams-family-box-office-prediction/

Shaft Box Office Prediction

The third generation of the Shaft family debuts in theaters next weekend with Jessie Usher playing an FBI agent in the action pic. Arriving nearly 50 years after Richard Roundtree played John Shaft and almost two decades after Samuel L. Jackson played his nephew, both actors are present in the newest iteration. Tim Story (maker of the Ride Along pics) directs with a supporting cast including Alexandra Shipp, Regina Hall, and Method Man.

Reportedly made for a smallish $30 million budget, the studio behind Shaft would love to match the $21 million opening weekend debut of the 2000 Jackson led summer flick. Tracking puts in right in that range. However, we’ve seen reboots disappoint in 2019.

I’ll say this gets to mid to high teens and considering the price tag, that’s not too shabby.

Shaft opening weekend prediction: $16.8 million

For my Men in Black: International prediction, click here:

https://toddmthatcher.com/2019/06/05/men-in-black-international-box-office-prediction/

For my Late Night prediction, click here:

https://toddmthatcher.com/2019/06/09/__trashed/

For my The Dead Don’t Die prediction, click here:

https://toddmthatcher.com/2019/06/09/the-dead-dont-die-box-office-prediction/

Dark Phoenix Box Office Prediction

Closing out the latest chapter of the X-Men Universe that began in 2011, Dark Phoenix rises or falls in theaters next weekend. The fourth official entry in the current franchise iteration is a direct sequel to 2016’s XMen: Apocalypse. This one is focused more on the Jean Grey character played by Sophie Turner, but it brings back Jennifer Lawrence as Mystique, James McAvoy as Charles Xavier, and Michael Fassbender as Magneto. The familiar cast additionally includes Nicholas Hoult, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, and Evan Peters with Jessica Chastain joining the fray for the first time. Simon Kinberg, responsible for penning three previous X pics, makes his directorial debut.

Phoenix comes at a time where the franchise is going through a major transition. With Disney’s recent acquisition of Fox, it is believed the X-Men characters will be cast anew and melded with the vaunted Marvel Cinematic Universe at some juncture. The series is coming off Apocalypse, which didn’t impress critics and had a $155 million overall domestic gross that ranked well under predecessor Days of Future Past. The next X title (spin-off The New Mutants) is out next spring and has been delayed on numerous occasions.

Anticipation seems muted here. Phoenix has the very real possibility of having the lowest premiere ever in the franchise’s history. That distinction for a non spin-off currently belongs to the 2000 original, which started with $54 million (not adjusted for inflation). Just below that is 2013’s The Wolverine at $53 million.

The opportunity for Disney to reinvigorate the series is coming, but I’ll project this latest entry will mark an overall low in earnings.

Dark Phoenix opening weekend prediction: $45.3 million

For my The Secret Life of Pets 2 prediction, click here:

https://toddmthatcher.com/2019/05/29/the-secret-life-of-pets-2-box-office-prediction/

A Dog’s Way Home Box Office Prediction

Sony Pictures is hoping A Dog’s Way Home will be a good boy next weekend when it hits theaters. The film tracks a pup trying to get back to his owner with a cast including Ashley Judd, Edward James Olmos, Alexandra Shipp, Wes Studi, and Bryce Dallas Howard voicing the adorable title character. Charles Martin Smith, who is no stranger to animal tales having made Dolphin Tale and its sequel, directs.

When looking at recent Hollywood canine creations, there’s a wide range of possibilities in comparisons. Two years ago, A Dog’s Purpose took in just over $18 million out of the gate. In the summer of 2017, Megan Leavey disappointed with just under $4 million. This past summer, Dog Days managed just $2.5 million.

My feeling is that this will perform closer to Purpose and not the other features mentioned. However, I’ll say a double digits to low teens range is as far as the opening leash goes.

A Dog’s Way Home opening weekend prediction: $12.8 million

For my The Upside prediction, click here:

https://toddmthatcher.com/2019/01/02/the-upside-box-office-prediction/

For my Replicas prediction, click here:

https://toddmthatcher.com/2019/01/03/replicas-box-office-prediction/

X-Men: Apocalypse Movie Review

XMen: Apocalypse isn’t the only disappointing entry in the franchise, but it’s the only one directed by Bryan Singer that I’d classify as such. He directed the first two X entries in 2000 and 2002 and got the series off to a satisfying start. Singer would return in 2014 with Days of Future Past to mostly pleasing results. Apocalypse may have you feeling blue about where this series is at. The villain is shrug worthy, some of the actors seem to not be giving it their all, and some of the CG effects are questionable at best. It also makes the error of providing dull backstory material for characters we didn’t really need to know backstory for.

When Singer left the franchise for the first time in 2002, Brett Ratner took over with The Last Stand in 2006 and was crucified for his efforts. In fact, when Singer returned in 2014, much of Future Past erased Last Stand. Maybe Apocalypse is a bit of revenge for Ratner, because it’s worse than his X-perience. Quite a bit worse actually. Stand doesn’t quite deserve its bad reputation and Apocalypse does.

The whole proceedings get off to a shaky start with a prologue set in Egypt where the first believed mutant Apocalypse (Oscar Isaac, in heavy and ugly makeup) is entombed by his enemies. Flash to centuries later and it’s 1983. When Apocalypse breaks out of his long slumber, he is hell bent on exacting revenge on the human race and showing off his many mutant abilities. He doesn’t comment on the awful 80s fashion, but it probably doesn’t make him any more fond of the people he seeks to destroy.

Fighting Apocalypse are many familiar X-Men, including Professor X (James McAvoy, still with hair for awhile) and Mystique (Jennifer Lawrence). Meanwhile, Magneto (Michael Fassbender) is laying low in Poland working in factory with lots of metal (oh the temptations!). He has a wife and daughter and a tragic family scene between them is actually rather well handled. While this trio of movie stars playing the most liked X characters get their screen time, Simon Kinberg’s screenplay also spends an unnecessary amount of ink on backstories for Cyclops, Nightcrawler, and Storm (younger versions of them all). These are unsought subplots that feel like filler and not much else. We also get a young Jean Grey (Sophie Turner) storyline that should be more interesting than it is.

All in all, there’s simply nothing very exciting about Apocalypse. Lawrence seems downright bored and her performance reflects that. Oscar Isaac is a tremendously talented performer who’s utterly wasted in a one-note villain role. The 60s vibe worked in X-Men: First Class and the 70s era feel of Future Past was pretty cool. Here, the 80s references add little.

There’s a sequence early on when Jean and friends leave Return of the Jedi disappointed and says everyone knows that the third one in a series is always the worst. Was screenwriter Simon Kinberg trying to warn us? Apocalypse isn’t terrible, but it’s the low point of this series so far.

** (out of four)