2019 Oscar Predictions: October 17th Edition

My weekly Oscar predictions this Thursday brings a whole lot of changes in that I’m  including every category covering feature films! Additionally, there’s now only 15 listed possibilities in Best Picture and ten in all other races.

For this format, my projections show The Irishman garnering the most nominations with Once Upon a Time in Hollywood, 1917, and Marriage Story not far behind. Besides the cosmetic changes, here’s what else has transpired in the past seven days:

  • Bombshell, the true life of Fox News and the downfall of Roger Ailes, had its first industry screenings. The film immediately vaulted itself into contention in Picture, Actress, Supporting Actor, Supporting Actress, and Original Screenplay (as well as Makeup & Hairstyling).
  • My inclusion of Bombshell in Best Picture means The Farewell has been taken out with The Two Popes and Joker as other on the bubble entries.
  • Not only does Charlize Theron’s work in Bombshell enter my Best Actress projections, but she comes in at #2. That drops Cynthia Erivo in Harriet out of the top five for the first time.
  • Margot Robbie’s performance in the picture puts her in and she bumps… Margot Robbie in Once Upon a Time in Hollywood. 
  • In non Bombshell news, South Korean import Parasite had the best per screen average of 2019 in limited release. It’s the best reviewed movie of the year and its numbers game improves in Picture and Director this week.

BEST PICTURE 

Predicted Nominees:

1. The Irishman (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. Parasite (PR: 6)

4. Marriage Story (PR: 3)

5. 1917 (PR: 4)

6. Jojo Rabbit (PR: 5)

7. Ford v Ferrari (PR: 7)

8. The Two Popes (PR: 9)

9. Bombshell (PR: 18)

10. Joker (PR: 10)

Other Possibilities:

11. The Farewell (PR: 8)

12. Little Women (PR: 12)

13. A Beautiful Day in the Neighborhood (PR: 11)

14. Waves (PR: 13)

15. Richard Jewell (PR: 15)

Dropped Out:

Pain and Glory 

Judy

Just Mercy 

A Hidden Life 

Rocketman 

The Report 

Booksmart 

The Good Liar 

Dark Waters 

Ad Astra 

BEST DIRECTOR 

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 1)

2. Bong Joon-Ho, Parasite (PR: 4)

3. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

4. Sam Mendes, 1917 (PR: 3)

5. Noah Baumbach, Marriage Story (PR: 5)

Other Possibilities:

6. Taika Waititi, Jojo Rabbit (PR: 6)

7. James Mangold, Ford v Ferrari (PR: 8)

8. Lulu Wang, The Farewell (PR: 7)

9. Pedro Almodovar, Pain and Glory (PR: 13)

10. Jay Roach, Bombshell (PR: Not Ranked)

Dropped Out:

Fernando Meirelles, The Two Popes 

Greta Gerwig, Little Women 

Marielle Heller, A Beautiful Day in the Neighborhood 

Terrence Malick, A Hidden Life

Todd Phillips, Joker

Clint Eastwood, Richard Jewell

BEST ACTOR 

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Joaquin Phoenix, Joker (PR: 2)

3. Jonathan Pryce, The Two Popes (PR: 3)

4. Robert De Niro, The Irishman (PR: 5)

5. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 4)

Other Possibilities: 

6. Antonio Banderas, Pain and Glory (PR: 6)

7. Taron Egerton, Rocketman (PR: 8)

8. Eddie Murphy, Dolemite Is My Name (PR: 7)

9. Paul Walter Hauser, Richard Jewell (PR: 9)

10. Adam Sandler, Uncut Gems (PR: 11)

Dropped Out:

Michael B. Jordan, Just Mercy 

Ian McKellen, The Good Liar 

Mark Ruffalo, Dark Waters 

Brad Pitt, Ad Astra 

Robert Pattinson, The Lighthouse 

BEST ACTRESS

Predicted Nominees:

1. Renee Zellweger, Judy (PR: 1)

2. Charlize Theron, Bombshell (PR: 7)

3. Scarlett Johansson, Marriage Story (PR: 2)

4. Saoirse Ronan, Little Women (PR: 4)

5. Awkwafina, The Farewell (PR: 5)

Other Possibilities:

6. Alfre Woodard, Clemency (PR: 6)

7. Cynthia Erivo, Harriet (PR: 3)

8. Lupita Nyong’o, Us (PR: 8)

9. Helen Mirren, The Good Liar (PR: 9)

10. Jodie Turner-Smith, Queen and Slim (PR: 11)

Dropped Out:

Isabelle Huppert, Frankie

Beanie Feldstein, Booksmart 

Felicity Jones, The Aeronauts 

Elisabeth Moss, Her Smell

Julianne Moore, Gloria Bell

BEST SUPPORTING ACTOR 

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Al Pacino, The Irishman (PR: 2)

3. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 4)

4. Anthony Hopkins, The Two Popes (PR: 3)

5. Christian Bale, Ford v Ferrari (PR: 5)

Other Possibilities:

6. Willem Dafoe, The Lighthouse (PR: 6)

7. Joe Pesci, The Irishman (PR: 7)

8. Jamie Foxx, Just Mercy (PR: 9)

9. John Lithgow, Bombshell (PR: 13)

10. Taika Waititi, Jojo Rabbit (PR: 8)

Dropped Out:

Sterling K. Brown, Waves

Alan Alda, Marriage Story 

Shia LaBeouf, Honey Boy 

Sam Rockwell, Jojo Rabbit 

Zack Gottsagen, The Peanut Butter Falcon 

BEST SUPPORTING ACTRESS 

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 1)

2. Jennifer Lopez, Hustlers (PR: 2)

3. Margot Robbie, Bombshell (PR: 12)

4. Annette Bening, The Report (PR: 3)

5. Shuzhen Zhou, The Farewell (PR: 5)

Other Possibilities:

6. Maggie Smith, Downton Abbey (PR: 6)

7. Margot Robbie, Once Upon a Time in Hollywood (PR: 4)

8. Florence Pugh, Little Women (PR: 9)

9. Meryl Streep, Little Women (PR: 8)

10. Thomasin McKenzie, Jojo Rabbit (PR: 10)

Dropped Out:

Scarlett Johansson, Jojo Rabbit 

Jennifer Hudson, Cats

Nicole Kidman, Bombshell 

Penelope Cruz, Pain and Glory 

Da’Vine Joy Randolph, Dolemite Is My Name 

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 2)

3. The Two Popes (PR: 3)

4. A Beautiful Day in the Neighborhood (PR: 4)

5. Joker (PR: 5)

Other Possibilities:

6. Little Women (PR: 6)

7. Just Mercy (PR: 8)

8. Judy (PR: 7)

9. Downton Abbey (PR: 9)

10. Richard Jewell (PR: 10)

Dropped Out:

The Good Liar 

Dark Waters 

Hustlers

Toy Story 4

Luce 

BEST ORIGINAL SCREENPLAY 

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. Parasite (PR: 3)

4. The Farewell (PR: 4)

5. Bombshell (PR: 10)

Other Possibilities:

6. Waves (PR: 6)

7. 1917 (PR: 8)

8. Pain and Glory (PR: 5)

9. Booksmart (PR: 9)

10. Ford v Ferrari (PR: 7)

Dropped Out:

The Report

Honey Boy 

Dolemite Is My Name 

Knives Out 

Rocketman

BEST INTERNATIONAL FEATURE FILM

Predicted Nominees:

1. Parasite 

2. Pain and Glory 

3. Atlantics 

4. Les Miserables 

5. Monos

Other Possibilities:

6. Those Who Remained 

7. Beanpole

8. And Then We Danced 

9. Papicha

10. The Traitor 

BEST ANIMATED FEATURE

Predicted Nominees:

1. Toy Story 4

2. Frozen II

3. How to Train Your Dragon: The Hidden World 

4. Missing Link

5. Weathering with You

Other Possibilities:

6. I Lost My Body

7. Abominable 

8. Klaus

9. Funan 

10. Okko’s Inn 

BEST DOCUMENTARY FEATURE

Predicted Nominees:

1. Apollo 11

2. American Factory 

3. Maiden

4. One Child Nation

5. The Cave

Other Possibilities:

6. The Biggest Little Farm

7. The Edge of Democracy 

8. Aquarela

9. Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese 

10. Knock Down the House 

BEST CINEMATOGRAPHY 

Predicted Nominees:

1. 1917

2. The Irishman 

3. Once Upon a Time in Hollywood 

4. Parasite 

5. The Lighthouse 

Other Possibilities:

6. Ad Astra

7. Ford v Ferrari

8. Marriage Story 

9. Joker

10. Jojo Rabbit 

BEST COSTUME DESIGN 

Predicted Nominees:

1. Downton Abbey 

2. Once Upon a Time in Hollywood 

3. Little Women

4. Dolemite Is My Name 

5. Rocketman 

Other Possibilities:

6. Judy

7. The Irishman 

8. Aladdin 

9. 1917

10. Jojo Rabbit 

BEST EDITING

Predicted Nominees:

1. The Irishman

2. Once Upon a Time in Hollywood 

3. 1917

4. Ford v Ferrari

5. Marriage Story 

Other Possibilities:

6. Parasite 

7. Jojo Rabbit 

8. Joker

9. Star Wars: The Rise of Skywalker 

10. Ad Astra 

BEST MAKEUP & HAIRSTYLING

Predicted Nominees:

1. The Irishman 

2. Bombshell

3. Judy

4. Dolemite Is My Name 

5. Little Women 

Other Possibilities:

6. Joker

7. Once Upon a Time in Hollywood 

8. The Aeronauts 

9. Rocketman 

10. Cats

BEST ORIGINAL SCORE 

Predicted Nominees:

1. 1917

2. Star Wars: The Rise of Skywalker 

3. Little Women 

4. Marriage Story 

5. Jojo Rabbit 

Other Possibilities:

6. The Aeronauts 

7. Ford v Ferrari 

8. A Hidden Life 

9. Joker

10. Waves 

BEST ORIGINAL SONG

Predicted Nominees:

1. “Into the Unknown” from Frozen II

2. “I’m Gonna Love Me Again” from Rocketman 

3. “Stand Up” from Harriet 

4. “The Ballad of the Lonesome Cowboy” from Toy Story 4

5. “Speechless” from Aladdin 

Other Possibilities:

6. “I Can’t Let You Throw Yourself Away” from Toy Story 4

7. “Spirit” from The Lion King 

8. “One Little Soldier” from Bombshell 

9. “Daily Battles” from Motherless Brooklyn 

10. “Together From Afar” from How to Train Your Dragon: The Hidden World 

BEST PRODUCTION DESIGN

Predicted Nominees:

1. Once Upon a Time in Hollywood 

2. 1917

3. Jojo Rabbit 

4. The Irishman 

5. Little Women

Other Possibilities:

6. Cats

7. Star Wars: The Rise of Skywalker 

8. Ford v Ferrari

9. Aladdin

10. Downton Abbey 

BEST SOUND EDITING 

Predicted Nominees:

1. 1917

2. Ford v Ferrari

3. Star Wars: The Rise of Skywalker 

4. Rocketman

5. Avengers: Endgame 

Other Possibilities:

6. Ad Astra

7. The Irishman 

8. Once Upon a Time in Hollywood 

9. Cats

10. The Lion King 

BEST SOUND MIXING 

Predicted Nominees:

1. Ford v Ferrari

2. 1917

3. Star Wars: The Rise of Skywalker 

4. Rocketman 

5. Ad Astra 

Other Possibilities:

6. Avengers: Endgame 

7. Cats

8. The Irishman 

9. Once Upon a Time in Hollywood 

10. The Lion King 

BEST VISUAL EFFECTS 

Predicted Nominees:

1. The Irishman 

2. Star Wars: The Rise of Skywalker 

3. Avengers: Endgame 

4. The Lion King 

5. Alita: Battle Angel 

Other Possibilities:

6. The Aeronauts 

7. Gemini Man 

8. Ad Astra 

9. 1917

10. Godzilla: King of the Monsters 

So here’s I have the nominations playing out as far as numbers with each film:

10 Nominations 

The Irishman 

9 Nominations 

Once Upon a Time in Hollywood 

8 Nominations 

1917, Marriage Story 

5 Nominations 

Bombshell, Ford v Ferrari, Little Women, Parasite

4 Nominations 

Jojo Rabbit, Rocketman, Star Wars: The Rise of Skywalker, The Two Popes 

3 Nominations 

The Farewell, Joker

2 Nominations 

A Beautiful Day in the Neighborhood, Avengers: Endgame, Dolemite Is My Name, Frozen II, Judy, Toy Story 4

1 Nomination

Ad Astra, Aladdin, Alita: Battle Angel, American Factory, Apollo 11, Atlantics, The Cave, Downton Abbey, Harriet, Hustlers, How to Train Your Dragon: The Hidden World, Les Miserables, The Lighthouse, The Lion King, Maiden, Missing Link, Monos, One Child Nation, Pain and Glory, The Report, Weathering with You

Maleficent: Mistress of Evil Box Office Prediction

The cavalcade of 2019 Disney live-action reimaginings continues next weekend with Maleficent: Mistress of Evil. The fantasy adventure is the sequel to 2014’s Maleficent, which focused on the villainous title character from Sleeping Beauty. Angelina Jolie returns along with Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple, and Lesley Manville. Newcomers to the fold include Chiwetel Ejiofor, Ed Skrein, and Michelle Pfeiffer. Joachim Rønning (who recently co-directed the Mouse Factory’s Pirates of the Caribbean: Dead Men Tell No Tales) takes over for Robert Stromberg.

When it comes to comps for how Mistress might perform, that’s a tricky calculation. Since the release of part 1 five summers ago, there’s been eight Disney updates of their classic animated material. The last two from this summer (Aladdin and The Lion King) were massive blockbusters based on beloved 1990s pics. This spring’s Dumbo, on the other hand, premiered with a so-so $45 million.

What about Maleficent itself? It opened just under $70 million with a $241 million eventual domestic haul. Yet five years is a fairly long break between sequels and some of the kiddos who attended could take a pass here. That brings up the example of Alice in Wonderland and Alice Through the Looking Glass. In 2010, Wonderland was the first significant reimagining in several years. It debuted to $116 million. Six years later, Looking Glass was a huge flop and earned in the mid 20s for its start. For a non Disney example, Snow White and the Huntsman kicked off with a robust $56 million in 2012. Four years, its follow-up The Huntsman: Winter’s War sputtered with a meager $19.4 million.

While I don’t anticipate the drop-off here will be quite as dramatic as the last two scenarios, I do feel Evil will come in markedly lower than its predecessor. I’ll predict low to mid 30s could be the range and that means around half of the bounty from half a decade ago.

Maleficent: Mistress of Evil opening weekend prediction: $32.3 million

For my Zombieland: Double Tap prediction, click here:

Zombieland: Double Tap Box Office Prediction

Gemini Man Box Office Prediction

Arriving just behind his biggest domestic and worldwide grosser Aladdin and just ahead of his long in development sequel Bad Boys for Life, Will Smith headlines the sci fi action thriller Gemini Man next weekend. Itself a project that’s been in the planning for over two decades, double Oscar winner Ang Lee directs this tale of Smith’s aging hitman battling a youthful version of himself. Costars include Mary Elizabeth Winstead, Clive Owen, and Benedict Wong.

Most of the pic’s publicity has centered around its visual effects and de-aging process with the younger Fresh Prince. Yet the Rotten Tomatoes score is anything but fresh at a troubling 22%. That won’t help with word of mouth for Gemini and I believe that could rule out a start north of $30 million (where some projections are).

Despite his recent exposure in Disney’s billion dollar blockbuster and plenty of success for Smith in this genre, I’ll predict this gets off to a middling debut in the low to mid 20s range.

Gemini Man opening weekend prediction: $22.8 million

For my The Addams Family prediction, click here:

https://toddmthatcher.com/2019/10/01/the-addams-family-box-office-prediction/

For my Jexi prediction, click here:

https://toddmthatcher.com/2019/10/02/jexi-box-office-prediction/

Oscar Watch: Gemini Man

Sporting a lowly 29% Rotten Tomatoes ranking prior to its October 11 release, Ang Lee’s Gemini Man is certainly no candidate for Best Picture recognition like the director’s previous works Crouching Tiger, Hidden Dragon, Brokeback Mountain, and Life of Pi. The sci fi action thriller casts Will Smith in an effects heavy experience where the actor plays an aging hitman who must battle a younger version of himself.

While it’s no surprise that the pic won’t contend for top line prizes, Gemini has always been eyed as a possibility for Visual Effects. The 3D high frame per second look is one employed by Lee in his last film Billy Lynn’s Long Halftime Walk. That drama was seen as awards bait before poor reviews sunk its viability.

Visual Effects nowadays is a race where there’s usually no shortage of contenders. In 2019, we have the upcoming Star Wars: The Rise of Skywalker in addition to The Irishman, The Lion King, Avengers: Endgame, and Smith’s own summer blockbuster Aladdin. I believe Gemini could still sneak in the category, but its own negative critical reaction might derail it. My Oscar Watch posts will continue…

Men in Black: International Movie Review

You won’t need one of those neuralyzer doohickeys to forget Men in Black: International, which extends the rust developed from part two of the franchise on. Will Smith has moved on from this series to dealing with aliens in Netflix pics and being the man in blue in Disney remakes. Tommy Lee Jones has retired as well. So the Marvel Cinematic duo of Chris Hemsworth and Tessa Thompson from Thor: Ragnarok don the sunglasses in this reboot. Their chemistry was better with the MCU team and that movie had a funnier alien in the guise of Jeff Goldblum.

Hemsworth is the hunky Agent H, top operative at the U.K. MiB branch run by Liam Neeson’s High T. Thompson is essentially a fangirl of the super secretive force who’s been aware of their existence since childhood. She recruits herself to the suit and is assigned by Emma Thompson’s Agent O (reprising her Men in Black 3 part) to travel overseas and partner with her Thor. The plot involves stopping a nasty species that goes by the Hive. One of the baddies is an arms dealer played by Rebecca Ferguson that had an inter species love affair with H. Some of the other villains are kept secret for most of the running time, though you’ll see it coming from a galactic mile away. And there’s Kumail Nanjiani voicing the CG creation Pawny. He gets in a few mildly amusing lines.

F. Gary Gray has taken over directorial duties from Barry Sonnenfeld and he doesn’t have to top a high bar of its predecessors. 1997’s original was a fun summer blockbuster melding science fiction and comedy with genuine chemistry from the two leads. I struggle to recall anything about the first sequel. #3 was a slight improvement if only for Josh Brolin’s uncanny impression of a young Tommy Lee Jones.

I doubt many have much of an affinity for this franchise beyond what came 22 years ago. And while International does indeed trot the globe from Paris to London and Morocco and New York to Italy, it mostly feels flat.

** (out of four)

July 26-28 Box Office Predictions

Quentin Tarantino’s acclaimed Once Upon a Time in Hollywood with Leonardo DiCaprio and Brad Pitt is the sole fresh wide release this weekend. It looks to have a strong second place showing behind the sophomore frame of the record breaking The Lion King. You can find my detailed prediction post on it here:

https://toddmthatcher.com/2019/07/16/once-upon-a-time-in-hollywood-box-office-prediction/

I have Mr. Tarantino’s ninth feature just barely topping his previous traditional weekend opening earner from a decade ago, Inglourious Basterds. My original estimate put it in the mid 40s, but I’ve had a gut feeling over the weekend that it won’t quite hit $40 million.

As for the behemoth King, I see a dip in the mid 50s range that would put it in the mid 80s. That’s similar to the drop experienced by last summer’s Incredibles 2.

SpiderMan: Far From Home looks to be third with Toy Story 4 in fourth position. I look for Yesterday to vault over Crawl to remain in fifth place.

And with that, my take on the late July weekend ahead:

1. The Lion King

Predicted Gross: $86.5 million

2. Once Upon a Time in Hollywood

Predicted Gross: $38.7 million

3. SpiderMan: Far From Home

Predicted Gross: $13 million

4. Toy Story 4

Predicted Gross: $10.8 million

5. Yesterday

Predicted Gross: $3.6 million

Box Office Results (July 1921)

Disney’s magical summer continued in two significant ways. The Lion King easily broke the all time July record with a roaring $191.7 million and that’s right in line with my $192.7 million projection. That captures the high mark previously set by Harry Potter and the Deathly Hallows Part 2 by over $20 million.

Secondly, Avengers: Endgame took the #1 spot as the largest worldwide hit in history. At $2.7 billion, it has now edged out Avatar.

After two weeks on top, SpiderMan: Far From Home slipped to second with $21.2 million compared to my $22.4 million take. The three week tally is $319 million.

Toy Story 4 was third with $15.5 million as it elevated over my $13.2 million forecast. Total is $376 million with $400 million in its sights.

Crawl was fourth in weekend #2 with $6 million (I said $5.4 million) for $23 million in two weeks.

Yesterday rounded out the top five and I incorrectly had it outside of that. The musical dramedy made $5 million for $57 million overall.

I had Aladdin holding stronger than it did at $5.5 million. It made $4 million for seventh place behind Stuber ($4.1 million). This Mouse Factory live action rendering is up to $340 million.

And that does it for now, folks! Until next time…

July 19-21 Box Office Predictions

Disney once again looks to dominate the box office this weekend as The Lion King stomps into theaters with SpiderMan: Far From Home and Toy Story 4 in the runner-up positions. You can peruse my detailed prediction post on the Mouse Factory’s latest live-action rendering of an animated classic here:

https://toddmthatcher.com/2019/07/09/the-lion-king-box-office-prediction/

The Lion King could be poised for a top ten all-time debut and my estimate puts in at #8, behind Black Panther but just ahead of Avengers: Age of Ultron.

SpiderMan, after two impressive weeks on top, should dip to second and lose around 50% of its volume with Toy Story 4 in third.

Crawl, after a fair opening, might experience a drop of over 50%. That could put in a battle for fourth with Aladdin. That Disney update may well return to the top five when considering its likely drive-in pairings with the weekend’s champ.

Here’s how I have the top five playing out:

1. The Lion King

Predicted Gross: $192.7 million

2. SpiderMan: Far From Home

Predicted Gross: $22.4 million

3. Toy Story 4

Predicted Gross: $13.2 million

4. Aladdin

Predicted Gross: $5.5 million

5. Crawl

Predicted Gross: $5.4 million

Box Office Results (July 1214)

The MCU, as anticipated, had no trouble staying atop the charts as SpiderMan: Far From Home took in $45.3 million in its sophomore frame. That’s in line with my $43.5 million projection as the sequel now stands at $274 million.

Toy Story 4 was second with $20.9 million (I said $20.7 million) for $346 million overall.

Crawl was an interesting case study. The alligator horror flick took in $12 million for third, a bit shy of my $14.2 million take. Considering its reported $13.5 million price tag, that’s a decent result. However, Paramount made a curious choice not screening it for critics and it ended up getting solid reviews. One wonders if the studio had let word of mouth percolate, if the numbers could have been higher.

The other newcomer was the Kumail Nanjiani/Dave Bautista comedy Stuber and it stalled in fourth with just $8.2 million compared to my $10.8 million prediction.

Yesterday rounded out the top five with $6.7 million (I said $6.4 million) for $48 million total.

And that does it for now, folks! Until next time…

Oscar Watch: The Lion King

Disney’s live-action rendering of its 1994 classic The Lion King is out next weekend and it’s expected to make a killing at the box office. The computer generated saga from director Jon Favreau is among a quartet of Mouse Factory updates of their animated filmography out in 2019.

Reviews are out today and it’s a mixed bag. Even the majority of positive reviews essentially say it’s a carbon copy of the original. Even the majority of negative reviews seem impressed with its state of the art visuals.

The Rotten Tomatoes score stands at 59% and that’s right in range with the 57% that Aladdin received two months ago. That certainly puts this out of Best Picture range. However, I look for this to be a serious player in Visual Effects. If so, it would follow Favreau’s 2016 smash The Jungle Book and it won the award. This has a shot at following suit. My Oscar Watch posts will continue…

The Lion King Box Office Prediction

Disney’s live action reimagining of The Lion King roars into theaters next weekend a quarter century after the classic animated tale. Jon Favreau, who has some experience in the genre with 2016’s $364 million grosser The Jungle Book, directs. The computer animated animal epic features the voices of many recognizable faces. They include Donald Glover, Seth Rogen, Beyoncé, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, and James Earl Jones returning as Mufasa.

Expectations are sky high and it’s easy to see why. The Mouse Factory has achieved massive successes in this unique sub genre and have done so very recently. This May’s Aladdin now stands at over $321 million in domestic earnings. The high water mark is from 2017 with Beauty and the Beast. It opened to $174 million and topped out at $504 million total.

The 1994 original was a phenomenon, taking in $422 million. And that was 25 years ago and would be over $800 million when adjusted for inflation. It still stands as the fourth highest grossing animated feature of all time.

Considering those gaudy numbers, The Lion King is likely to make a killing and set a new record for the studio’s remakes. $200 million is reachable in my view, but I’ll put it a bit under that.

The Lion King opening weekend prediction: $192.7 million

July 12-14 Box Office Predictions

The newcomers this weekend are a bit low key and not your weekly dose of wannabe blockbusters as the alligator horror flick Crawl and Kumail Nanjiani/Dave Bautista action comedy Stuber debut. Neither have much of a shot of bitIng into the dominance of SpiderMan: Far From Home. You can peruse my detailed prediction posts on the newbies here:

https://toddmthatcher.com/2019/07/03/crawl-box-office-prediction/

https://toddmthatcher.com/2019/07/04/stuber-box-office-prediction/

Crawl hopes to snag a sizable portion of moviegoers who have recently feasted on shark tales. I think that’ll equate to low to mid teens and third place.

As for Stuber, its rather generic ad campaign and middling reviews may mean it struggles to hit teens. That likely means fourth place.

After a terrific start, Far From Home should easily hang onto first position. It’s worth noting that predecessor SpiderMan: Homecoming fell a steep 62% in its sophomore outing. While I don’t see this dipping that much, a drop of over 50% seems feasible.

Barring a surprising performance from the fresh players, Toy Story 4 will play in second with Yesterday rounding out the top five.

And with that, my take on the weekend ahead:

1. SpiderMan: Far From Home

Predicted Gross: $43.6 million

2. Toy Story 4

Predicted Gross: $20.7 million

3. Crawl

Predicted Gross: $14.2 million

4. Stuber

Predicted Gross: $10.8 million

5. Yesterday

Predicted Gross: $6.4 million

Box Office Results (July 57)

The Marvel Cinematic Universe ruled the long holiday weekend as SpiderMan: Far From Home kept the gravy train rolling for Disney. Since its debut on Tuesday, the sequel has made $185 million. That’s just a tad under my $190.4 million projection. For the Friday to Sunday traditional frame, it made $92.5 million. My estimate? $92.5 million!!!

Toy Story 4 was second at $33.8 million, topping my $28.9 million prediction. In ten days, the Pixar pic crossed the triple century mark at $306 million.

Yesterday displayed a sturdy hold in third with $10 million (I said $11.2 million). Total is $36 million.

Annabelle Comes Home was fourth with $9.4 million, a bit more than my $8.1 million take for $49 million overall.

I incorrectly left Aladdin outside the top five, but that’s where it was with $7.5 million. The impressive tally has risen to $320 million.

Finally, acclaimed horror entry Midsommar was sixth with $6.3 million from Friday to Sunday and $10.9 million since its Wednesday start. That’s below my respective estimates of $7.8 million and $13.2 million.

And that does it for now, folks! Until next time…