Each year the American Film Institute (AFI) names their ten best films of the year and it’s become a reliable bell weather for 7-8 Best Picture nominees at the Oscars. How about a look at the past 15 years and their track record since the Academy expanded to more than five BP contenders?
2009: 5/10 match
2010: 9/10
2011: 7/9
2012: 8/9
2013: 7/9
2014: 6/8
2015: 6/8
2016: 7/9
2017: 7/9
2018: 5/8
2019: 7/9
2020: 6/8
2021: 8/10
2022: 7/10
2023: 8/10
There’s an important caveat as this is the American Film Institute. Therefore movies considered international do not make the cut. They often get a “special” award and that was the case with Roma, Parasite, and The Banshees of Inisherin.
Today’s AFI announcement was surprising in the sense that there was only one. Emilia Pérez was thought by most to be ineligible for the 10 due to its foreign flavor, but it managed to make the cut. The AFI list is as follows:
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
Nickel Boys
A Real Pain
Sing Sing
Wicked
Not a shocker in the group. This seems like a key inclusion for Nickel Boys and A Real Pain in solidifying their status as legit BP players. I suspect that if some prognosticators knew Emilia would be eligible, several of them would’ve gone 10/10.
Let’s analyze, shall we? The AFI has a habit of naming mainstream pics that the Academy ignores. Examples in the last decade include Into the Woods, Inside Out, Star Wars: The Force Awakens, Straight Outta Compton, Zootopia, Wonder Woman, Mary Poppins Returns, A Quiet Place, Knives Out, Soul, Nope, and Spider-Man: Across the Spider-Verse.
Note the amount of animated features. This is where a nod for The Wild Robot wouldn’t have been unexpected. The fact that it didn’t land here is an indication of its chances in the Academy’s BP derby… none. The same might be said for Gladiator II. It’s been out of my top 10 and I had it placed 13th in Other Possibilities last weekend. Don’t be surprised it drops out of the top 15 in my next update.
Other features that could have benefitted from a spot here include The Substance, September 5, Nosferatu, Blitz, The Room Next Door, and recent Gotham recipient A Different Man.
That said… we don’t expect this to be the Oscar top ten…
Do we?!? It sure could be. Yes, that would be the first time AFI and the Academy match 10/10. Yet the only difference I have right now is The Substance over A Complete Unknown and the latter seems to be picking up some steam. We still have Critics Choice and their top ten en route. They’re another pretty reliable barometer. I’ll say right now, though, that at least 8 of AFI’s picks will be the Academy’s and perhaps more…
Keep an eye on this blog for all Oscar precursor chatter!
My first Oscar predictions for the month of December comes on the eve of Golden Globe nominations and days after NBR and AFI revealed their best of for 2023.
There is a change in BP as American Fiction is back in with Anatomy of a Fall out. In Best Actress, Lily Gladstone (Killers of the Flower Moon) reaches the #1 spot. She overtakes Emma Stone in Poor Things who has held the position for several weeks. Gladstone’s rise happens as her costars Leonardo DiCaprio and Robert De Niro slip a little in their categories. Also in Best Actress, Margot Robbie (Barbie) returns to the quintet at the expense of Fantasia Barrino in The Color Purple. In Actor, Jeffrey Wright (American Fiction) is in over Colman Domingo (Rustin).
Another development worthy of discussion is Visual Effects. Earlier this week, the top 20 hopefuls were announced and Oppenheimer was nowhere to be found. I’d previously had it ranked #1 in the race, but it drops from contention.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Barbie (PR: 4) (+1)
4. Poor Things (PR: 3) (-1)
5. The Holdovers (PR: 5) (E)
6. Maestro (PR: 8) (+2)
7. Past Lives (PR: 7) (E)
8. The Zone of Interest (PR: 9) (+1)
9. American Fiction (PR: 11) (+2)
10. The Color Purple (PR: 6) (-4)
Other Possibilities:
11. Anatomy of a Fall (PR: 10) (-1)
12. May December (PR: Not Ranked)
13. Spider-Man: Across the Spider-Verse (PR: 12) (-1)
14. The Iron Claw (PR: 14) (E)
15. Air (PR: 13) (-2)
Dropped Out:
All of Us Strangers
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Greta Gerwig, Barbie (PR: 3) (E)
4. Yorgos Lanthimos, Poor Things (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Alexander Payne, The Holdovers (PR: 6) (E)
7. Celine Song, Past Lives (PR: 9) (+2)
8. Bradley Cooper, Maestro (PR: 8) (E)
9. Justine Triet, Anatomy of a Fall (PR: 7) (-2)
10. Cord Jefferson, American Fiction (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 2) (+1)
2. Emma Stone, Poor Things (PR: 1) (-1)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Margot Robbie, Barbie (PR: 6) (+1)
Other Possibilities:
6. Fantasia Barrino, The Color Purple (PR: 5) (-1)
7. Greta Lee, Past Lives (PR: 7) (E)
8. Natalie Portman, May December (PR: 10) (+2)
9. Annette Bening, Nyad (PR: 9) (E)
10. Cailee Spaeny, Priscilla (PR: 8) (-2)
Best Actor
Predicted Nominees:
1. Bradley Cooper, Maestro (PR: 1) (E)
2. Cillian Murphy, Oppenheimer (PR: 2) (E)
3. Paul Giamatti, The Holdovers (PR: 4) (+1)
4. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (-1)
5. Jeffrey Wright, American Fiction (PR: 6) (+1)
Other Possibilities:
6. Colman Domingo, Rustin (PR: 5) (-1)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Teo Yoo, Past Lives (PR: 8) (E)
9. Zac Efron, The Iron Claw (PR: Not Ranked)
10. Barry Keoghan, Saltburn (PR: 9) (-1)
Dropped Out:
Koji Yakusho, Perfect Days
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 4) (+1)
4. Taraji P. Henson, The Color Purple (PR: 3) (-1)
5. Rachel McAdams, Are You There God? It’s Me, Margaret (PR: 5) (E)
Other Possibilities:
6. Julianne Moore, May December (PR: 7) (+1)
7. Jodie Foster, Nyad (PR: 8) (+1)
8. Penelope Cruz, Ferrari (PR: 10) (+2)
9. Sandra Hüller, The Zone of Interest (PR: 6) (-3)
10. America Ferrera, Barbie (PR: Not Ranked)
Dropped Out:
Viola Davis, Air
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Charles Melton, May December (PR: 5) (+2)
4. Mark Ruffalo, Poor Things (PR: 4 (E)
5. Robert De Niro, Killers of the Flower Moon (PR: 3) (-2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Dominic Sessa, The Holdovers (PR: 7) (E)
8. John Magaro, Past Lives (PR: 8) (E)
9. Glenn Howerton, BlackBerry (PR: 10) (+1)
10. Sterling K. Brown, American Fiction (PR: Not Ranked)
Dropped Out:
Colman Domingo, The Color Purple
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. The Holdovers (PR: 2) (E)
3. Past Lives (PR: 3) (E)
4. Anatomy of a Fall (PR: 4) (E)
5. May December (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. Air (PR: 7) (E)
8. Saltburn (PR: 10) (+2)
9. Asteroid City (PR: 8) (-1)
10. Fair Play (PR: Not Ranked)
Dropped Out:
Rustin
Best Adapted Screenplay
Predicted Nominees:
1. Poor Things (PR: 2) (+1)
2. Killers of the Flower Moon (PR: 1) (-1)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. All of Us Strangers (PR: 6) (E)
7. The Color Purple (PR: 7) (E)
8. The Taste of Things (PR: 10) (+2)
9. Spider-Man: Across the Spider-Verse (PR: 8) (-1)
10. Are You There God? It’s Me, Margaret (PR: 9) (-1)
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. The Teachers’ Lounge (PR: 4) (E)
5. Fallen Leaves (PR: 6) (+1)
Other Possibilities:
6. Society of the Snow (PR: 5) (-1)
7. 20 Days in Mariupol (PR: 10) (+3)
8. About Dry Grasses (PR: 7) (-1)
9. Tótem (PR: 9) (E)
10. The Promised Land (PR: 8) (-2)
Best Animated Feautre
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
5. Spider-Man: Across the Spider-Verse (PR: 7) (+2)
Other Possibilities:
6. Elemental (PR: 4) (-2)
7. Society of the Snow (PR: 8) (+1)
8. The Boy and the Heron (PR: 10) (+2)
9. The Killer (PR: 9) (E)
10. The Zone of Interest (PR: 5) (-5)
Best Original Song
Predicted Nominees:
1. “What Was I Made For?” from Barbie (PR: 1) (E)
2. “I’m Just Ken” from Barbie (PR: 2) (E)
3. “Keep It Movin” from The Color Purple (PR: 6) (+3)
4. “This Wish” from Wish (PR: 4) (E)
5. “The Fire Inside” from Flamin’ Hot (PR: 8) (+3)
Other Possibilities:
6. “Road to Freedom” from Rustin (PR: 3) (-3)
7. “Quiet Eyes” from Past Lives (PR: 5) (-2)
8. “Dance the Night” from Barbie (PR: 9) (+1)
9. “Gonna Be You” from 80 for Brady (PR: 7) (-2)
10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)
Dropped Out:
“Joan Still” from Theater Camp
Best Production Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Oppenheimer (PR: 4) (E)
5. The Color Purple (PR: 5) (E)
Other Possibilities:
6. Asteroid City (PR: 7) (+1)
7. Napoleon (PR: 6) (-1)
8. Maestro (PR: 8) (E)
9. Wonka (PR: 9) (E)
10. Saltburn (PR: Not Ranked)
Dropped Out:
The Zone of Interest
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Maestro (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Ferrari (PR: 5) (+1)
5. The Zone of Interest (PR: 7) (+2)
Other Possibilities:
6. The Color Purple (PR: 4) (-2)
7. Napoleon (PR: 6) (-1)
8. The Killer (PR: 8) (E)
9. Society of the Snow (PR: 10) (+1)
10. Spider-Man: Across the Spider-Verse (PR: 9) (-1)
Best Visual Effects
Predicted Nominees:
1. Guardians of the Galaxy Vol. 3 (PR: 2) (+1)
2. The Creator (PR: 3) (+1)
3. Dungeons & Dragons: Honor Among Thieves (PR: 5) (+2)
4. Napoleon (PR: 4) (E)
5. Rebel Moon: Part One – A Child of Fire (PR: 9) (+4)
Other Possibilities:
6. Poor Things (PR: 6) (E)
7. Godzilla Minus One (PR: Not Ranked)
8. Killers of the Flower Moon (PR: 8) (E)
9. Spider-Man: Across the Spider-Verse (PR: Not Ranked)
10. Indiana Jones and the Dial of Destiny (PR: 7) (-3)
Dropped Out:
Oppenheimer
Society of the Snow
And that equates to these movies generating these numbers of nominations:
12 Nominations
Killers of the Flower Moon, Oppenheimer
11 Nominations
Poor Things
9 Nominations
Barbie
7 Nominations
Maestro
6 Nominations
The Color Purple, The Zone of Interest
5 Nominations
The Holdovers
3 Nominations
American Fiction, Past Lives
2 Nominations
Anatomy of a Fall, Guardians of the Galaxy Vol. 3, May December, Napoleon, Spider-Man: Across the Spider-Verse
1 Nomination
20 Days in Mariupol, Are You There God? It’s Me, Margaret,Beyond Utopia, The Boy and the Heron, The Creator, Dungeons & Dragons: Honor Among Thieves, Elemental, The Eternal Memory, Fallen Leaves, Ferrari, Flamin’ Hot, Four Daughters, Nimona, Nyad, The Peasants, Perfect Days, Rebel Moon: Part One – A Child of Fire, Stamped from the Beginning, The Taste of Things, The Teachers’ Lounge, Wish
The American Film Institute (AFI) revealed their ten best list of 2023 just a day after the NBR did the same (they picked a winner Killers of the Flower Moon and nine others). In the past five years, the AFI and Oscar BP match varies. It’s never been less than 5 (as it was in 2018). It topped out at 8 in 2021 while there were 7 in 2019 and 2022 and 6 in 2020.
Your 10 AFI pictures are American Fiction, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, May December, Oppenheimer, Past Lives, Poor Things, and Spider-Man: Across the Spider-Verse. Please note that this is the American Film Institute. Therefore foreign entries aren’t eligible. So you won’t see viable BP hopefuls Anatomy of a Fall and The Zone of Interest on this list.
Let’s start with movies that made both AFI and NBR. They are Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, and Poor Things. Those seven titles are mostly looking in solid shape for Oscar inclusion. I can’t imagine more than one of them missing the cut. Past Lives is probably the most vulnerable although its prospects have certainly improved with the precursor love.
Warner Bros should be concerned that The Color Purple missed both cuts. It’s by no means out of the Academy’s BP derby, but it’s looking more shaky than ever. Other notables misses at AFI are Air and Origin. Both of them also missed NBR and appear to be on the outside looking in. The Iron Claw did make NBR in a surprise. A mention here could have really helped, but it didn’t materialize.
On the other hand, AFI’s announcement gives exposure to on the bubble entries like American Fiction, Spider-Man, and especially May December. It seems to be making an impressive late push beyond just its actors and screenplay.
Keep an eye on the blog for all precursor activity as we get closer and closer to Oscar nominations!
The American Film Institute (AFI) said yes to Nope and nope to The Whale and Babylon today as they named their top ten movies of 2022. Jordan Peele’s sci-fi horror tale was perhaps the biggest surprise of the bunch.
The AFI list, in the previous decade, typically gives us seven of the eventual Best Picture contenders at the Oscars. In other words, they’re worth paying attention to. Coupled with Wednesday’s National Board of Review selections, there’s much to discuss. First, here’s the full AFI Ten:
Avatar: The Way of Water
Elvis
Everything Everywhere All at Once
The Fabelmans
Nope
She Said
Tár
Top Gun: Maverick
The Woman King
Women Talking
It’s key to remember that only U.S. made pictures are eligible. That means titles like All Quiet on the Western Front, Decision to Leave, RRR, and The Banshees of Inisherin were not in the mix. However, Banshees received a Special Award similar to what eventual Academy hopefuls like Roma and Parasite nabbed.
I went 7 for 10 on my predictions. I correctly named Avatar, Elvis, Everything Everywhere…, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. I didn’t name Nope, She Said, and Tár. Instead I picked Babylon, Glass Onion: A Knives Out Mystery, and Guillermo del Toro’s Pinocchio. For She Said and Tár especially, these were important nods considering they missed NBR (as did Nope).
Let’s start with the films that made the AFI and NBR lists. I’m counting Banshees with its AFI Special Award shout-out and there’s six more: Avatar: The Way of Water, Everything Everywhere All at Once, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. This is a list you want to be on when it comes to an Oscar BP nom.
In the previous five years, ten pictures that made AFI and NBR were ignored by the Academy. They are 2017’s The Florida Project, Mary Poppins Returns, A Quiet Place, First Reformed, and Eighth Grade (all from 2018), Knives Out and Richard Jewell from 2019, Da 5 Bloods and Soul in 2020, and last year’s The Tragedy of Macbeth.
If history is our guide, at least one of the seven from 2022 will miss out. Looking at the list, The Woman King is probably most vulnerable. That said, I’ve yet it to include it in my Oscar ten and the stock is rising.
In the past five years, only five pics have missed AFI and NBR (including Special Awards) and received a BP nod from the Academy. They are Darkest Hour from 2017, Bohemian Rhapsody and Vice in 2018, The Father in 2020, and last year’s Drive My Car.
What about the movies that didn’t make AFI or NBR in 2022? That list includes Babylon, The Whale, Triangle of Sadness, Guillermo del Toro’s Pinocchio, All Quiet o the Western Front, and Decision to Leave. The last two weren’t eligible for AFI. Nevertheless this isn’t a list you want to be on though the outlook isn’t completely dire.
If history guides us again, 2 of the aforementioned 2022 titles could still get love from Oscar. Perhaps Monday’s Golden Globes nods will save some of them. There’s no doubt that Babylon and The Whale are looking shakier for Academy inclusion after this week. They need some attention from the Hollywood Foreign Press Association.
I’ll have my Golden Globe nominations recap up Monday and if you missed my predictions on them, you can find them here:
The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.
Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.
So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.
It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out,Star Wars: The Force Awakens, and Straight Outta Compton.
Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.
We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.
I’ll have a recap up tomorrow with commentary and how I did!
The American Film Institute will announce their top 10 pictures of the year tomorrow and it’s usually a safe predictor of half or more of the films that will land Best Picture nods at the Oscars. Over the past five years, the magic number has been 7 of the AFI selections getting Oscar love in the big race. That holds true for 2016, 2017, and 2019. In 2015 – it was 6. In 2018- it was 5.
So where do we stand this year? My overall estimates keep the estimated AFI number at 7 for my current Best Picture hopefuls (which could and probably will change). It is worth noting that for the previous two years, there’s a bit of an asterisk. Being that it’s the American Film Institute, foreign selections are ineligible. Due to this, surefire Oscar contenders Roma and Parasite didn’t qualify. This would apply in 2020 to The Father which is a British production.
As for the matches, they are as follows: Ma Rainey’s Black Bottom, Mank, Minari, News of the World, Nomadland, One Night in Miami, and The Trial of the Chicago 7.
Now for the differences. AFI has shown a Disney love recently that the Academy did not share. AFI nominated Inside Out, Zootopia, and Mary Poppins Returns over the last five years with Oscar not following suit. Therefore I’m saying Pixar’s Soul makes the AFI cut.
The other two are critical favorites that (at press time) I have just missing Oscar’s cut: Promising Young Woman and Sound of Metal. This means the three pics I have getting Oscar’s attention and not from AFI are Da 5 Bloods, The Father, and Judas and the Black Messiah.
What else could surprise? I would not be shocked to see Borat Subsequent Moviefilm make AFI’s list. If they don’t choose that comedy, there’s a lesser chance that Palm Springs could show up. AFI has also selected some blockbusters that Oscar ignored as of late. Examples include Knives Out, A Quiet Place, Wonder Woman, and Star Wars: The Force Awakens. However, due to COVID in 2020, there’s just not a huge list of those types of contenders. Could Tenet sneak in? Doubtful.
Others that could be sleepers are First Cow, Pieces of a Woman, Malcolm & Marie, and Hillbilly Elegy, but here’s my take on what AFI does tomorrow:
The AFI Film Awards came out with their 2019 honors today and they do things a little differently. This particular group names their favorite 10 pictures of the year without naming a winner. And their top films are the only category they bother with.
Today those ten movies were as follows: 1917, The Farewell, The Irishman, Jojo Rabbit, Joker, Knives Out, Little Women, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell.
So what’s to learn when it comes to Oscar pontificating? Let’s start with comparing this list to yesterday’s announcement of the National Board of Review’s 10 honored titles… eleven actually because their winner was The Irishman. The NBR’s different titles were Dolemite Is My Name, Ford v Ferrari, Uncut Gems, and Waves. Not on NBR’s list from AFI: The Farewell and Little Women.
Shared AFI/NBR pics: The Irishman, 1917, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell. If you think getting Picture mentions in both guarantees Oscar love, 2018 proved otherwise. Five films did just that last year and didn’t land Best Pictures nods: Eighth Grade, First Reformed, If Beale Street Could Talk, Mary Poppins Returns, and A Quiet Place.
Confused? Welcome to the world of awards speculation. As I see it currently, there are only two shared 2019 AFI/NBR features that could miss out on the big race: Knives Out and Richard Jewell. I’ll also take this opportunity to note that Parasite (which is looking decent for Best Pic attention) is ineligible for AFI since it’s a foreign film.
As for Best Pic hopefuls that landed no love from these groups, we have A Beautiful Day in the Neighborhood (I believe its chances are fading quickly) and Bombshell (not as convinced that it cannot rebound). It could get the 2018 Vice slot, which was ignored by AFI/NBR. There’s also Rocketman, which can hang on to the thought that it could be this year’s Bohemian Rhapsody.
When you look at the AFI list’s history over the past half decade, it is a fairly reliable barometer on certain directions the Academy will take. Last year, five out of the eventual eight nominees were on their list and that’s the lowest percentage. In 2016 and 2017, it was 7 for 9. In 2014 and 2015, it was 6 for 8. So you can pretty much bank on at least half of AFI’s list and probably a bit more landing Oscar nominations.
I’ll leave you with this: while Knives Out is certainly one of the most obvious candidates for something that could miss a Picture nod, I like its chances better than I ever have before. This could be a case of perfect timing as it just opened, had a much bigger debut than expected, and audiences and critics are singing its praises. I wouldn’t count it out. In fact, I suspect when I update my estimates on Monday – it will rank higher than ever before and enter my top 15 possibilities. That will knock a candidate out and Mister Rogers could be the unfortunate victim.
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