Tag: Adrien Brody

97th Academy Awards Predictions: August 20th Edition

In eights days, the Venice Film Festival will get underway followed the next day by Telluride and followed by Toronto the following week. The trio of events, as they always do, kick off a flurry of awards activity and dozens of Oscar Prediction posts on this blog. The fests in Italy, Colorado, and Canada will make the picture for the 97th Academy Awards considerably clearer.

As you peruse the titles listed below, here are just some which will debut at one or more of the festivals: Conclave, Joker: Folie à Deux, Queer, Nickel Boys, The Piano Lesson, Saturday Night, The End, Maria, Nightbitch, Babygirl, The Room Next Door, I’m Still Here, Beetlejuice Beetlejuice, The Brutalist, The Fire Inside, Hard Truths, We Live in Time, The Wild Robot, Piece by Piece, and The Last Showgirl.

The plan is for my next update to arrive on Labor Day. By that time, quite a few of these titles will already have eyeballs on them and reviews will be written. Consider this the penultimate forecast before it gets really real.

This update comes with a pair of changes in the supporting fields. In Supporting Actress, Tilda Swinton (The Room Next Door) enters my quintet with Isabella Rossellini (Conclave) dropping out. Speaking of Conclave, John Lithgow is now in my Supporting Actor five over his costar Stanley Tucci.

You can peruse all the movement below as festival season is nearly upon us!

Best Picture

Predicted Nominees:

1. Blitz (Previous Ranking: 1) (Even)

2. Sing Sing (PR: 2) (E)

3. Dune: Part Two (PR: 3) (E)

4. Anora (PR: 6) (+2)

5. Conclave (PR: 4) (-1)

6. Emilia Pérez (PR: 5) (-1)

7. Queer (PR: 7) (E)

8. Nickel Boys (PR: 8) (E)

9. The Piano Lesson (PR: 10) (+1)

10. A Complete Unknown (PR: 9) (-1)

Other Possibilities:

11. The Seed of the Sacred Fig (PR: 11) (E)

12. Saturday Night (PR: 18) (+6)

13. Joker: Folie à Deux (PR: 13) (E)

14. The Room Next Door (PR: 15) (+1)

15. Nosferatu (PR: 12) (-3)

16. Nightbitch (PR: 14) (-2)

17. Gladiator II (PR: 16) (-1)

18. Maria (PR: 17) (-1)

19. The End (PR: 20) (+1)

20. A Real Pain (PR: 19) (-1)

21. Wicked (PR: Not Ranked)

22. All We Imagine as Light (PR: 24) (+2)

23. The Brutalist (PR: Not Ranked)

24. A Different Man (PR: 21) (-3)

25. Hard Truths (PR: 22) (-3)

Dropped Out:

The Fire Inside

Here

Best Director

Predicted Nominees:

1. Steve McQueen, Blitz (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)

3. Sean Baker, Anora (PR: 5) (+2)

4. Jacques Audiard, Emilia Pérez (PR: 4) (E)

5. Edward Berger, Conclave (PR: 3) (-2)

Other Possibilities:

6. Greg Kwedar, Sing Sing (PR: 7) (+1)

7. Luca Guadagnino, Queer (PR: 8) (+1)

8. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 6) (-2)

9. RaMell Ross, Nickel Boys (PR: 11) (+2)

10. James Mangold, A Complete Unknown (PR: 10) (E)

11. Malcolm Washington, The Piano Lesson (PR: 14) (+3)

12. Jason Reitman, Saturday Night (PR: Not Ranked)

13. Pedro Almodóvar, The Room Next Door (PR: Not Ranked)

14. Todd Phillips, Joker: Folie à Deux (PR: 12) (-2)

15. Robert Eggers, Nosferatu (PR: 9) (-6)

Dropped Out:

Ridley Scott, Gladiator II

Marielle Heller, Nightbitch

Best Actress

Predicted Nominees:

1. Amy Adams, Nightbitch (PR: 1) (E)

2. Angelina Jolie, Maria (PR: 2) (E)

3. Mikey Madison, Anora (PR: 3) (E)

4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)

5. Saoirse Ronan, The Outrun (PR: 5) (E)

Other Possibilities:

6. Julianne Moore, The Room Next Door (PR: 6) (E)

7. Lady Gaga, Joker: Folie à Deux (PR: 7) (E)

8. Marianne Jean-Baptiste, Hard Truths (PR: 8) (E)

9. Demi Moore, The Substance (PR: 12) (+3)

10. Fernanda Torres, I’m Still Here (PR: Not Ranked)

11. June Squibb, Thelma (PR: 11) (E)

12. Carrie Coon, His Three Daughters (PR: 9) (-3)

13. Ryan Destiny, The Fire Inside (PR: 10) (-3)

14. Pamela Anderson, The Last Showgirl (PR: 15) (+1)

15. Florence Pugh, We Live in Time (PR: 13) (-2)

Dropped Out:

Zendaya, Challengers

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Daniel Craig, Queer (PR: 3) (+1)

3. Ralph Fiennes, Conclave (PR: 2) (-1)

4. Timothèe Chalamet, A Complete Unknown (PR: 4) (E)

5. Sebastian Stan, A Different Man (PR: 5) (E)

Other Possibilities:

6. Ethan Herisse, Nickel Boys (PR: 9) (+3)

7. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (E)

8. John David Washington, The Piano Lesson (PR: 6) (-2)

9. Glen Powell, Hit Man (PR: 10) (+1)

10. André Holland, The Actor (PR: 8) (-2)

11. Adrien Brody, The Brutalist (PR: Not Ranked)

12. Gabriel LaBelle, Saturday Night (PR: 14) (+2)

13. Jesse Plemons, Kinds of Kindness (PR: 11) (-2)

14. Paul Mescal, Gladiator II (PR: 12) (-2)

15. Jesse Eisenberg, A Real Pain (PR: 15) (E)

Dropped Out:

Tom Hanks, Here

Best Supporting Actress

Predicted Nominees:

1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (E)

2. Zoe Saldaña, Emilia Pérez (PR: 2) (E)

3. Saoirse Ronan, Blitz (PR: 3) (E)

4. Danielle Deadwyler, The Piano Lesson (PR: 5) (+1)

5. Tilda Swinton, The Room Next Door (PR: 6) (+1)

Other Possibilities:

6. Isabella Rossellini, Conclave (PR: 4) (-2)

7. Selena Gomez, Emila Pérez (PR: 8) (+1)

8. Natasha Lyonne, His Three Daughters (PR: 7) (-1)

9. Joan Chen, Dídi (PR: 9) (E)

10. Fernanda Montenegro, I’m Still Here (PR: Not Ranked)

11. Elle Fanning, A Complete Unknown (PR: 11) (E)

12. Lesley Manville, Queer (PR: 10) (-2)

13. Kathy Burke, Blitz (PR: Not Ranked)

14. Valeria Golino, Maria (PR: 14) (E)

15. Elizabeth Olsen, His Three Daughters (PR: 13) (-2)

Dropped Out:

Glenn Close, The Deliverance

Rachel Sennott, Saturday Night

Best Supporting Actor

Predicted Nominees:

1. Samuel L. Jackson, The Piano Lesson (PR: 1) (E)

2. Clarence Maclin, Sing Sing (PR: 2) (E)

3. John Lithgow, Conclave (PR: 10) (+7)

4. Denzel Washington, Gladiator II (PR: 5) (+1)

5. Kieran Culkin, A Real Pain (PR: 4) (-1)

Other Possibilities:

6. Stanley Tucci, Conclave (PR: 3) (-3)

7. Adam Pearson, A Different Man (PR: 6) (-1)

8. Drew Starkey, Queer (PR: 7) (-1)

9. Stephen Graham, Blitz (PR: 12) (+3)

10. Harris Dickinson, Blitz (PR: 8) (-2)

11. Hamish Linklater, Nickel Boys (PR: 13) (+2)

12. Edward Norton, A Complete Unknown (PR: 11) (-1)

13. Brian Tyree Henry, The Fire Inside (PR: 9) (-4)

14. Mark Eidelstein, Anora (PR: 14) (E)

15. Guy Pearce, The Brutalist (PR: Not Ranked)

Dropped Out:

Paul Raci, Sing Sing

Best Original Screenplay

Predicted Nominees:

1. Anora (PR: 1) (E)

2. Blitz (PR: 2) (E)

3. Emilia Pérez (PR: 3) (E)

4. A Real Pain (PR: 4) (E)

5. Hard Truths (PR: 5) (E)

Other Possibilities:

6. Saturday Night (PR: 7) (+1)

7. The Seed of the Sacred Fig (PR: 6) (-1)

8. The End (PR: 9) (+1)

9. His Three Daughters (PR: 8) (-1)

10. Dídi (PR: 11) (+1)

11. Maria (PR: 10) (-1)

12. Challengers (PR: 12) (E)

13. Kinds of Kindness (PR: 13) (E)

14. The Brutalist (PR: Not Ranked)

15. The Substance (PR: 15) (E)

Dropped Out:

A Different Man

Best Adapted Screenplay

Predicted Nominees:

1. Sing Sing (PR: 2) (+1)

2. Conclave (PR: 1) (-1)

3. Nickel Boys (PR: 3) (E)

4. Queer (PR: 4) (E)

5. Dune: Part Two (PR: 7) (+2)

Other Possibilities:

6. The Room Next Door (PR: 5) (-1)

7. The Piano Lesson (PR: 6) (-1)

8. Nightbitch (PR: 8) (E)

9. A Complete Unknown (PR: 10) (+1)

10. Hit Man (PR: 9) (-1)

11. Joker: Folie à Deux (PR: 11) (E)

12. Inside Out 2 (PR: 12 (E)

13. The Fire Inside (PR: 15) (+2)

14. Gladiator II (PR: 14) (E)

15. Nosferatu (PR: 13) (-2)

Best International Feature Film

Predicted Nominees:

1. Emilia Pérez (PR: 1) (E)

2. I’m Still Here (PR: 2) (E)

3. Grand Tour (PR: 3) (E)

4. The Count of Monte Cristo (PR: 4) (E)

5. The Girl with the Needle (PR: 5) (E)

Other Possibilities:

6. Caught by the Tides (PR: 9) (+3)

7. Evil Does Not Exist (PR: 7) (E)

8. Simon of the Mountain (PR: Not Ranked)

9. All We Imagine as Light (PR: 6) (-3)

10. Uprising (PR: 8) (-2)

Dropped Out:

Kneecap

Best Animated Feature

Predicted Nominees:

1. Inside Out 2 (PR: 1) (E)

2. The Wild Robot (PR: 2) (E)

3. Flow (PR: 5) (+2)

4. Wallace & Gromit: Vengeance Most Fowl (PR: 3) (-1)

5. Memoir of a Snail (PR: 4) (-1)

Other Possibilities:

6. Piece by Piece (PR: 6) (E)

7. Moana 2 (PR: 7) (E)

8. Savages (PR: 8) (E)

9. The Most Precious of Cargoes (PR: Not Ranked)

10. Transformers One (PR: 10) (E)

Dropped Out:

The Lord of the Rings: The War of the Rohirrim

Best Documentary Feature

Predicted Nominees:

1. Daughters (PR: 1) (E)

2. Black Box Diaries (PR: 2) (E)

3. Soundtrack to a Coup d’Etat (PR: 4) (+1)

4. Sugarcane (PR: 6) (+2)

5. Will & Harper (PR: 3) (-2)

Other Possibilities:

6. No Other Land (PR: 5) (-1)

7. Super/Man: The Christopher Reeve Story (PR: 7) (E)

8. Union (PR: 9) (+1)

9. Gaucho Gaucho (PR: 8) (-1)

10. Skywalkers: A Love Story (PR: 10) (E)

Best Cinematography

Predicted Nominees:

1. Blitz (PR: 1) (E)

2. Dune: Part Two (PR: 2) (E)

3. Joker: Folie à Deux (PR: 3) (E)

4. Nosferatu (PR 4) (E)

5. Queer (PR: 5) (E)

Other Possibilities:

6. Emila Pérez (PR: 8) (+2)

7. Conclave (PR: 7) (E)

8. Anora (PR: 6) (-2)

9. Gladiator II (PR: 9) (E)

10. Maria (PR: Not Ranked)

Dropped Out:

A Complete Unknown

Best Costume Design

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Nosferatu (PR: 5) (+3)

3. Wicked (PR: 3) (E)

4. Gladiator II (PR: 2) (-2)

5. Blitz (PR: 7) (+2)

Other Possibilities:

6. Joker: Folie à Deux (PR: 4) (-2)

7. Furiosa: A Mad Max Saga (PR: 6) (-1)

8. Beetlejuice Beetlejuice (PR: 10) (+2)

9. Queer (PR: 9) (E)

10. Maria (PR: 8) (-2)

Best Film Editing

Predicted Nominees:

1. Blitz (PR: 1) (E)

2. Dune: Part Two (PR: 2) (E)

3. Anora (PR: 3) (E)

4. Sing Sing (PR: 7) (+3)

5. Challengers (PR: 10) (+5)

Other Possibilities:

6. A Complete Unknown (PR: 6) (E)

7. Conclave (PR: 4) (-3)

8. Emilia Pérez (PR: 5) (-3)

9. Queer (PR: 9) (E)

10. Joker: Folie à Deux (PR: 8) (-2)

Best Makeup and Hairstyling

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Nosferatu (PR: 2) (E)

3. A Different Man (PR: 4) (+1)

4. Joker: Folie à Deux (PR: 3) (-1)

5. Beetlejuice Beetlejuice (PR: 7) (+2)

Other Possibilities:

6. Wicked (PR: 5) (-1)

7. Furiosa: A Mad Max Saga (PR: 6) (-1)

8. Maria (PR: 8) (E)

9. Blitz (PR: Not Ranked)

10. Sasquatch Sunset (PR: 9) (-1)

Dropped Out:

Nightbitch

Best Original Score

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Joker: Folie à Deux (PR: 2) (E)

3. Gladiator II (PR: 4) (+1)

4. Queer (PR: 3) (-1)

5. Emilia Pérez (PR: 8) (+3)

Other Possibilities:

6. Challengers (PR: 9) (+3)

7. Sing Sing (PR: 6) (-1)

8. Nosferatu (PR: Not Ranked)

9. Conclave (PR: 5) (-4)

10. Here (PR: Not Ranked)

Dropped Out:

Blitz

The Piano Lesson

Best Original Song

Predicted Nominees:

1. TBD from Emilia Pérez (PR: 1) (E)

2. TBD from Joker: Folie à Deux (PR: 2) (E)

3. TBD from Sing Sing (PR: 3) (E)

4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)

5. TBD from Wicked (PR: 8) (+3)

Other Possibilities:

6. TBD from Piece by Piece (PR: 5) (-1)

7. TBD from Moana 2 (PR: 6) (-1)

8. “Harper and Will Go West” from Will & Harper (PR: 7) (-1)

9. “Why Am I Here” from Shirley (PR: Not Ranked)

10. “Compress/Repress” from Challengers (PR: 10) (E)

Dropped Out:

TBD from Mufasa: The Lion King

Best Production Design

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Blitz (PR: 2) (E)

3. Gladiator II (PR: 4) (+1)

4. Nosferatu (PR: 3) (-1)

5. Joker: Folie à Deux (PR: 7) (+2)

Other Possibilities:

6. Wicked (PR: 8) (+2)

7. Furiosa: A Mad Max Saga (PR: 6) (-1)

8. Conclave (PR: 5) (-3)

9. Beetlejuice Beetlejuice (PR: Not Ranked)

10. Queer (PR: 9) (-1)

Dropped Out:

Maria

Best Sound

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Blitz (PR: 3) (+1)

3. Gladiator II (PR: 2) (-1)

4. A Complete Unknown (PR: 5) (+1)

5. Wicked (PR: 9) (+4)

Other Possibilities:

6. Joker: Folie à Deux (PR: 7) (+1)

7. Furiosa: A Mad Max Saga (PR: 4) (-3)

8. Nosferatu (PR: Not Ranked)

9. A Quiet Place: Day One (PR: 10) (+1)

10. Civil War (PR: Not Ranked)

Dropped Out:

Emilia Pérez

Twisters

Best Visual Effects

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Kingdom of the Planet of the Apes (PR: 2) (E)

3. Gladiator II (PR: 6) (+3)

4. Furiosa: A Mad Max Saga (PR: 3) (-1)

5. Here (PR: 4) (-1)

Other Possibilities:

6. Blitz (PR: Not Ranked)

7. Twisters (PR: 7) (E)

8. Alien: Romulus (PR: Not Ranked)

9. Deadpool & Wolverine (PR: 10) (+1)

10. Wicked (PR: 5) (-5)

Dropped Out:

Godzilla x Kong: The New Empire

Mufasa: The Lion King

And that equates to these movies generating these numbers of nominations:

11 Nominations

Dune: Part Two

9 Nominations

Blitz

8 Nominations

Emilia Pérez

6 Nominations

Gladiator II, Sing Sing

5 Nominations

Anora, Conclave, Joker: Folie à Deux, Queer

4 Nominations

Nosferatu

3 Nominations

A Complete Unknown, Nickel Boys, The Piano Lesson, Wicked

2 Nominations

A Different Man, A Real Pain

1 Nomination

Beetlejuice Beetlejuice, Black Box Diaries, Challengers, The Count of Monte Cristo, Daughters, Diane Warren: Relentless, Flow, Furiosa: A Mad Max Saga, The Girl with the Needle, Grand Tour, Hard Truths, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Maria, Memoir of a Snail, Nightbitch, The Outrun, The Room Next Door, Soundtrack to a Coup d’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Will & Harper

Asteroid City Review

Wes Anderson’s mix of melancholia and quirky humor is abundant in Asteroid City with its massive cast and dueling aspect ratios. This is a stunning looking feature focused on the behind the scenes made for TV airing of a play (shot in black & white). The play itself is presented via Technicolor hues in a Western desert setting in the 1950s. Whether it’s the characters they’re playing or the actors and directors themselves, they exist in Anderson’s wheelhouse of themes. From dealing with grief to unlikely romances and coming-of-age under unique circumstances, any filmmaker would be rightly accused of ripping off Anderson if this weren’t made by him. Whether it works will depend on how into him you are. I’m not a die-hard though his signature style popped for me in The Royal Tenenbaums, The Grand Budapest Hotel, and more. It can also leave me cold. That happened in portions of his previous effort The French Dispatch while other segments were more successful. This City was lukewarm.

The play we see (which takes up the bulk of screen time) happens in the sleepy title dwelling awoken by a youth astronomy convention. One of the top outcasts competing is Woodrow (Jake Ryan), the movie’s Max Fischer from Rushmore but nicer. His father is war photojournalist Augie and he’s played by Jason Schwartzman, who played Max in Anderson’s acclaimed dramedy from 1998. He’s recently widowed and (in a gag that works throughout) hasn’t figured out how to tell his son and three young daughters who might be witches that mom has passed. Tom Hanks is his wealthy father-in-law who lives on a golf course and reluctantly is teeing up accommodations for the family.

Another competitor is Dinah, daughter of Midge (Scarlett Johansson), a sullen movie star who assumes her fate will be similar to ingenues like Marilyn Monroe. She engages in a fireworks free tryst with Augie while Woodrow develops a crush on Dinah.

We’ve seen plenty of all-star casts in his oeuvre, but Anderson outdoes himself in Asteroid City. From Steve Carell’s motel manager to Matt Dillon’s auto mechanic or Tilda Swinton’s scientist and Rupert Friend’s singing cowboy who’s sweet on Maya Hawke’s teacher, the cast is a loaded group. Some are practically blink and you’ll miss them appearances – hey there’s Jeff Goldblum! And Hong Chau! Jeffrey Wright, who gave a segment stealing performance in The French Dispatch, has a highlight scene as a General judging the convention.

Without going into spoiler territory, the plot eventually employs sci-fi elements in an idiosyncratic Wes way. While this is happening, we get monochrome interludes with Bryan Cranston’s host introducing and commenting on the teleplay, Edward Norton as its writer, and Adrien Brody as the randy director. These are great performers, but the best moments come in Asteroid City. The backstage business of meeting the performers counterparts didn’t have a deep impact with me.

Neither did Asteroid City as a whole. Schwartzman and Johansson (who really sells her considerable star magnetism) have a couple memorable scenes of courtship. The technical work, particularly the production design, is impeccable. Yet the emotional and comedic payoff that has worked in Tenenbaums and beyond feels more remote in this bright wasteland.

**1/2 (out of four)

Asteroid City Box Office Prediction

After premiering to mixed reactions at the Cannes Film Festival last month, Wes Anderson’s Asteroid City expands nationwide on June 23rd. The auteur’s distinctive mix of dry humor and drama looks to be in high supply and same goes for his impressive sprawling cast. This time around it includes plenty of Anderson regulars and some newbies. The list boasts Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, and Jeff Goldblum.

With a 74% Rotten Tomatoes rating, this is far from the peak of critical acclaim for the filmmaker. I doubt this approaches the $59 million domestic gross that 2014’s The Grand Budapest Hotel made in 2014 (his best earner). Yet this should eclipse predecessor The French Dispatch from October 2021. It took in just $16 million (this was also during theatrical COVID challenges).

City rolls out June 16th in six venues. I imagine it’ll have one of the biggest per theater averages of 2023. That doesn’t necessarily translate to impressive numbers when it expands between the coasts a week later. I’m skeptical that it manages $10 million.

Asteroid City opening weekend prediction: $7.6 million

For my No Hard Feelings prediction, click here:

No Hard Feelings Box Office Prediction

Oscar Predictions: Asteroid City

Wes Anderson is no stranger to Cannes or Oscar nominations as Focus Features hopes the debut of Asteroid City at the former leads to the latter. A mix of comedy, drama, romance, and sci-fi, it features the auteur’s typical sprawling cast (many of whom have worked with him on multiple occasions). This includes (deep breath) Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Stephen Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, and Jeff Goldblum. Exhale.

Out stateside on June 23rd, City premiered in the south of France just like Anderson’s Moonrise Kingdom and The French Dispatch. Four of his last five works have generated the Academy’s attention. 2009’s Fantastic Mr. Fox was up for Animated Feature and Original Score (from frequent collaborator Alexandre Desplat). 2012’s Kingdom was in the Original Screenplay derby (with Anderson’s cowriter Roman Coppola). Two years later, The Grand Budapest Hotel was the massive awards breakthrough with nine Oscar nods and four victories in Costume Design, Makeup and Hairstyling, Original Score, and Production Design. It is Anderson’s sole BP nominee. 2018’s Isle of Dogs nabbed Animated Feature and Score mentions. In 2021, I had The French Dispatch predicted for Score and Production Design. It was surprisingly blanked on the morning of nominations.

Critics indicate this is an Anderson effort through and through and most reviews are of the thumbs up variety. The Rotten Tomatoes score is 84%. Like Dispatch and pics before it, Score (by Desplat of course) and Production Design are possibilities. So is the screenplay from Anderson and Coppola. Yet the overseas reaction is not to the level of Hotel and City could come up short like Dispatch did. A Best Picture nod probably won’t occur though perhaps the Golden Globes could slot it in Motion Picture (Musical/Comedy).

Finally, despite the sheer volume of familiar faces appearing in his filmography, no actors have received recognition in one of Anderson’s pics from the Academy. Bill Murray in Rushmore and Gene Hackman in The Royal Tenenbaums likely came close. I do not anticipate that streak being broken here. My Oscar Prediction posts will continue…

See How They Run Review

You know a genre has made a real comeback when the passably forgettable entries pop up. That’s an apt description for Tom George’s See How They Run which features lovely production design, a few humorous bits, and a murder mystery that’s hard to get invested in. The 2017 remake of Murder on the Orient Express and 2019’s Knives Out made whodunits a valuable commodity again as Run catches up with the trend.

This one is a little meta (very much of the times) as the killing occurs in London’s West End circa 1953. The Mousetrap, a play written by Agatha Christie, is celebrating its 100th performance. Side note: for some fun research, look up how long the actual play ran. American film director Leo Köpernick (Adrien Brody), a drunken louse, is slated to make the film adaptation. His inappropriate behavior puts him at odds with the stage performance’s lead Dickie Attenborough (Harris Dickinson), producers John Woolf (Reece Shearsmith) and Petula Spencer (Ruth Wilson), and screenwriter Mervyn Cocker-Norris (David Oyelowo). Another side note as my 90s kid upbringing only left me slightly distracted that Dickie Attenborough would become a famed director who also happens to be John Hammond from Jurassic Park.

Moving on, Leo’s early narration correctly surmises that the most contemptible character in these stories usually gets offed. Therefore his time is short-lived and everyone onscreen seems to have a motive. Another drunken louse is in charge of the crime solving when Inspector Stoppard (Sam Rockwell) is assigned the case. Shadowing him is the eager but inexperienced Constable Stalker (Saoirse Ronan).

The chemistry between the two investigators is meant to carry the load for most of the snappy runtime (98 minutes). This is where the screenplay from Mark Chappell isn’t quite up to snuff. Rockwell speaks his lines in a woozy register that recalls Johnny Depp’s Jack Sparrow. Lady Bird‘s Ronan (like the rookie she’s portraying) gives it her all. Unfortunately the material is pretty thin. It might be considered a lesser tome from Christie, who factors into the plot in numerous ways. To put it simply, the case that Stoppard and his trusty Stalker are looking into isn’t that compelling.

See How They Run goes by quickly and there are a handful of inspired bits. When the action reaches a snowed in mansion in the third act, I wished the whole picture could’ve been set there. Much of it is as disposable as the victim.

**1/2 (out of four)

See How They Run Box Office Prediction

**Blogger’s Note (09/14): I am revising down estimate down from $4.8 million to $3.2 million.

Shades of Agatha Christie are said to inspire See How They Run, a whodunit slated to hit approximately 2200 venues on September 16th. Marking the directorial debut of Tom George, the cast includes Saoirse Ronan, Sam Rockwell, Adrien Brody, Ruth Wilson, Harris Dickinson, and David Oyelowo.

The Searchlight production has generated mostly positive reactions thus far (it opens in UK cinemas a week prior to the North American start). The Rotten Tomatoes score is 75%. Run‘s existence is likely due to the success of recent genre fare like Murder on the Orient Express and especially Knives Out. 

Without significant star power and with buzz muted, I do believe this could struggle to find an audience. Murder mystery aficionados may wait to get their fix with the forthcoming Glass Onion: A Knives Out Mystery. An opening in double digits would be surprising. I think the range is more $4-6 million and my estimate  is at the middle of it.

See How They Run opening weekend prediction: $3.2 million

For my The Woman King prediction, click here:

The Woman King Box Office Prediction

For my Pearl prediction, click here:

Pearl Box Office Prediction

Oscar Predictions: Blonde

While she received two Golden Globe nominations in her short-lived career, the Oscars never recognized Marilyn Monroe. Could the Academy honor the performance of Ana de Armas in the biopic Blonde as the icon? Arriving in limited release on September 16th before its September 28th Netlix stream, Andrew Dominik’s pic comes with a rare NC-17 rating and a near three hour runtime. Adrien Brody, Bobby Cannavale, Xavier Samuel, and Julianne Nicholson costar in the adaptation of Joyce Carol Oates’s 2000 novel.

This is Dominik’s first feature since 2012’s Killing Them Softly (his 2007 Western The Assassination of Jesse James by the Coward Robert Ford is considered by many to be a modern day classic). It premiered at Venice and early buzz is that this is a dark and rather sleazy and often enthralling exploration of the price of fame. The Rotten Tomatoes meter is at 84%.

I’m dubious that the Academy will embrace this as a BP contender. The real question is whether de Armas can make the cut. Based on initial reaction, she certainly can but it’s no guarantee… unlike, say, Cate Blanchett (Tar) or Michelle Yeoh (Everything Everywhere All at Once). Her potential inclusion is probably contingent on how competition for slots plays out in the next four months. My Oscar Predictions posts will continue…

Oscar Predictions: See How They Run

With plenty of critics citing inspiration from Agatha Christie, the humorous murder mystery See How They Run arrives in UK theaters Friday and in the US on September 16th. Marking the directorial debut of Tom George, four-time Oscar nominee Saoirse Ronan and one-time winner Sam Rockwell lead a cast that includes Adrien Brody, Ruth Wilson, Harris Dickinson, and David Oyelowo.

Run forewent the fall festival circuit which surprised me a bit. Some reviews are appreciative of its charms while others aren’t nearly as impressed. The 76% Rotten Tomatoes indicates that most write-ups don’t have their knives out for it.

Speaking of, we’ll know whether Glass Onion: A Knives Out Mystery is an awards player when it premieres in Toronto this weekend. I don’t believe this genre predecessor will be. Perhaps something like Production Design or Costume Design but that’s likely the extent of it. My Oscar Prediction posts will continue…

22 for ’22: Oscars Early Look

It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.

That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?

On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.

My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.

Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!

Armageddon Time

Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD

Avatar 2

The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th

Babylon

Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th

Canterbury Glass

Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th

Elvis

Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th

Empire of Light

Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD

Everything Everywhere All at Once

From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th

The Fabelmans

Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd

Killers of the Flower Moon

Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November

Poor Things

In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD

Rustin

One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD

See How They Run

The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD

She Said

Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th

The Son

Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD

TAR

It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th

Three Thousand Years of Longing

Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD

The Whale

Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD

White Noise

Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD

The Woman King

Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th

Women Talking

Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD

And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…

The French Dispatch Box Office Prediction

Wes Anderson’s latest comedy The French Dispatch is being delivered to 52 theaters on October 22nd before its wide release the following weekend. The anthology pic arrives a year after its COVID delay. It received a premiere at the Cannes Film Festival over the summer.

Like most of his unique tales, Dispatch features a massive cast (many of whom have appeared in multiple previous works from the director). That list includes Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Timothee Chalamet, Lyna Khoudri, Mathieu Amalric, Stephen Park, Owen Wilson, Anjelica Huston, Elisabeth Moss, Liev Schrieber, Willem Dafoe, Edward Norton, Fisher Stevens, Henry Winkler, Bob Balaban, Rupert Friend, Griffin Dunne, and three actors from No Time to Die (Lea Seydoux, Jeffrey Wright, and Christoph Waltz).

There is no question that Anderson has an ardent fanbase. However, there’s some drawbacks. Reviews are not quite up to the level of other features like Moonrise Kingdom or The Grand Budapest Hotel. The Rotten Tomatoes score is 79% and it is not thought to be an awards contender. That’s unlike his previous live-action film Hotel, which was nominated for nine Oscars and won four. It ended up with $59 million domestically after a long and leggy run in multiplexes. This might be fortunate to nab a couple of tech nods from the Academy.

Dispatch‘s wide release on October 29th comes with caveats in terms of my prediction. I have yet to see a theater count and that could easily alter my projection once known. However, I’m leaning towards this being one of Anderson’s lesser earning titles. This is somewhat of a placeholder estimate, but I’ll say $3-5 million seems likeliest.

The French Dispatch opening weekend prediction: $3.8 million

For my Last Night in Soho prediction, click here:

Last Night in Soho Box Office Prediction

For my Antlers prediction, click here:

Antlers Box Office Prediction

For my My Hero Academia: World Heroes’ Mission prediction, click here:

My Hero Academia: World Heroes’ Mission Box Office Prediction

For my A Mouthful of Air prediction, click here:

A Mouthful of Air Box Office Prediction