There was no way to properly forecast the force of nature that was Chris Farley when he joined the SNL cast in 1990. Influenced by his idol and original Not Ready for Prime Time Player John Belushi (and suffering from some of the same demons), Farley burst onto Studio 8H stage with now legendary sketches.
Any aficionado of the show knows the greatest hits. Spawned from his time at Second City, motivational speaker Matt Foley caused costar David Spade (his future Tommy Boy and Black Sheep screen partner) and host Christina Applegate to lose it while he recounted living in a van down by the river. His Chippendales audition alongside Patrick Swayze is an all-timer.
Even Farley’s limited appearances in bits stole the show. His one line in a suggestive sketch where Dana Carvey and Adam Sandler put pepper on the dishes of restaurant goers (why THANK YOU PEPPER BOY!!!) is the most memorable part. There’s The Chris Farley Show where he nervously interviewed celebrities like Paul McCartney or Jeff Daniels and the lunch lady musical number with Sandler. Gap Girls. Bennett Brauer who appeared on Update to lament about his life via “air quotes”. Chris Farley’s physicality, outrageousness, and vulnerability caused him to be an SNL MVP in equal measure. #7 will be up soon!
Prior to taking over the Late Night and Tonight Show franchises, it was on SNL that Jimmy Fallon honed his skills. The Groundlings alum quickly established himself as a crowd favorite in a fertile era for the show with terrific impressions of Jerry Seinfeld, Robert De Niro, Regis Philbin, Mick Jagger, and even former SNL cast members Adam Sandler and Chris Rock. His talents perhaps shone brightest on The Barry Gibb Show portraying a mentally unbalanced version of The Bee Gees frontman alongside his brother Robin (Justin Timberlake), who never had anything to add.
Nearly halfway into his run, Fallon nabbed the Weekend Update desk spot alongside Tina Fey. It made for one of the strongest duos to deliver the fake news. Along the way, the future talk show host tried his best not to break during classic sketches such as “More Cowbell” and Debbie Downer’s visit to Disney. #23 will be up soon!
He’s unquestionably had one of the most successful post SNL film careers of any cast member in the last half century. It’s kind of crazy these days to recall that nearly 30 years ago, Adam Sandler was fired from the program after five years on air as it was suffering from poor reviews and dwindling ratings by the mid 90s.
Sandler brought a unique sensibility to SNL with his purposely unformed and frequently hilarious characters like Cajun Man and Opera Man and the seriously bizarre Canteen Boy. Some of his best work was done with Update anchor Kevin Nealon and Norm MacDonald looking on. Perhaps the pinnacle of his time was alongside Chris Farley in sketches involving Gap Girls, lunch ladies, and restaurant reviews.
I recognize Sandler might be higher on the list of others and I’ll confess that (like with his movie catalogue) I find him to be hit and miss. Yet there’s no question the highs are considerable.
In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).
Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.
Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.
10. How to Train Your Dragon 2
Domestic Gross: $177 million
While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.
9. Teenage Mutant Ninja Turtles
Domestic Gross: $191 million
With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.
8. 22 Jump Street
Domestic Gross: $191 million
Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.
7. Godzilla
Domestic Gross: $200 million
It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick
6. The Amazing Spider-Man 2
Domestic Gross: $202 million
While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.
5. Dawn of the Planet of the Apes
Domestic Gross: $208 million
The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.
4. X-Men: Days of Future Past
Domestic Gross: $233 million
This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.
3. Maleficent
Domestic Gross: $241 million
After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.
2. Transformers: Age of Extinction
Domestic Gross: $245 million
Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.
1. Guardians of the Galaxy
Domestic Gross: $233 million
This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.
And now let’s cover some other flicks from ’14 that had crowds and critics chatting.
Neighbors
Domestic Gross: $150 million
The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.
Lucy
Domestic Gross: $126 million
Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.
The Fault in Our Stars
Domestic Gross: $124 million
John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.
Edge of Tomorrow
Domestic Gross: $100 million
Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.
Let’s Be Cops
Domestic Gross: $82 million
This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.
Chef
Domestic Gross: $31 million
After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.
Boyhood
Domestic Gross: $25 million
Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.
Snowpiercer
Domestic Gross: $4 million
Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.
OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.
Hercules
Domestic Gross: $72 million
Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?
Jersey Boys
Domestic Gross: $47 million
The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.
Blended
Domestic Gross: $46 million
The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.
A Million Ways to Die in the West
Domestic Gross: $43 million
Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.
The Expendables 3
Predicted Gross: $39 million
The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.
Sex Tape
Predicted Gross: $38 million
Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.
Sin City: A Dame to Kill For
Domestic Gross: $13 million
The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.
And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!
Johan Renck’s Spaceman is not – I repeat, not – about the doctor that Chris Parnell hilariously played on 30 Rock. The sci-fi drama does star a fellow SNL alumni in Adam Sandler as a Czech astronaut on a solo mission. It premiered at the Berlin Film Festival earlier this week, hits theaters in limited fashion this weekend, and premieres on Netflix March 1st. Costars include Carey Mulligan (currently vying for Best Actress in Maestro), Paul Dano (doing voiceover work), Kunal Nayyar, Lena Olin, and Isabella Rossellini.
Sandler’s serious work has probably come close to making the Academy’s cut with 2019’s Uncut Gems or 2022’s Hustle which earned him a SAG nod. I don’t think you’ll see Spaceman launch him into consideration. The RT score is a mixed 64% with some reviews calling it a bore. Others are far more complimentary, but not to the degree that I think that generates any awards buzz. The lone exception could be Visual Effects. I’m not confident in that. My Oscar Prediction posts will continue…
The 29th Screen Actors Guild Awards air this Sunday evening and they are often a reliable preview of what direction the Academy will go. In their races for Actress, Actor, and Supporting Actor – there has been an 8/10 correlation over the past decade for SAG/Oscar matches. With Supporting Actress – it is 9/10.
Let’s walk through each of the six categories with my predicted winner and a runner-up, shall we?
Outstanding Performance by a Cast in a Motion Picture
Nominees:
Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Women Talking
Since the SAGs began in 1995, only one winner (1996’s The Birdcage) wasn’t at least nominated for Best Picture at the Oscars. That rules out Babylon. I think (like some earlier precursors) this comes down to Everything v Banshees. I’m majorly tempted to say Banshees as the voters could see it as a way to honor the four thespians nominated in the individual races below. However, I’m giving a very slight edge to SAG doing the same for Michelle Yeoh, Jamie Lee Curtis, and others for Everything.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Outstanding Performance by a Female Actor in a Leading Role
Nominees:
Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Danielle Deadwyler (Till), Michelle Yeoh (Everything Everywhere All at Once)
SAG could bestow Yeoh with the trophy, but Blanchett’s work may simply be undeniable at this juncture. If Banshees ends up taking Ensemble, I do think it increases Yeoh’s chances here.
Predicted Winner: Cate Blanchett, Tár
Runner-Up: Michelle Yeoh, Everything Everywhere All at Once
Outstanding Performance by a Male Actor in a Leading Role
Nominees:
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Bill Nighy (Living), Adam Sandler (Hustle)
I feel like Farrell really needed that BAFTA last weekend and he didn’t emerge victorious. So it’s a two-person race between Butler and Fraser. And I’m struggling with this one. I could easily envision fellow actors crowning Fraser’s dramatic comeback that includes a Critics Choice award. Yet Butler has seen an impressive run that includes the Golden Globe and BAFTA. This is a coin flip, but I’ll say Butler has a little more momentum.
Predicted Winner: Austin Butler, Elvis
Runner-Up: Brendan Fraser, The Whale
Outstanding Performance by a Female Actor in a Supporting Role
Nominees:
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
A quintet that matches the Oscar five, Condon disrupted the possibility of Bassett sweeping when she took the BAFTA. They’re the two likeliest winners. I will say Curtis scoring an upset is feasible. I think the smart money is on Bassett with Condon as the runner-up.
Predicted Winner: Angela Bassett, Black Panther: Wakanda Forever
Runner-Up: Kerry Condon, The Banshees of Inisherin
Outstanding Performance by a Male Actor in a Supporting Role
Nominees:
Paul Dano (The Fabelmans), Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)
BAFTA again had a trick up their sleeve when Keoghan surprised over Quan. I think SAG will follow the lead of the Globes and Critics Choice and bring the latter back to the stage.
Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once
Runner-Up: Barry Keoghan, The Banshees of Inisherin
Outstanding by a Stunt Ensemble in a Motion Picture
Nominees:
Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick, The Woman King
The only pic that I don’t think has a shot is Avatar because the original in 2009 didn’t even land a nom. 2018’s Black Panther won so Wakanda is certainly viable. Those pilots from Maverick did same amazing stuff though. They’re my pick.
Predicted Winner: Top Gun: Maverick
Runner-Up: Black Panther: Wakanda Forever
And there you have it! I’ll have a recap up Sunday evening with my thoughts on what happened compared to my predictions.
It has been two weeks since my last Oscar predictions and a lot has transpired since. The Golden Globes and Critics Choice Awards aired. SAG nominations came out. So did the BAFTA shortlists and PGA and DGA contenders.
All of this has made the puzzle a little clearer. Yet the fact remains – Oscar will Oscar when noms are released in a week. This is my penultimate forecast. Final predictions will arrive this weekend. Tonight’s estimates are your last look at rankings. It will simply be the listed picks a few days from now with commentary and a runner-up projection in each feature film category.
Here’s the latest developments as we are almost at the end of the line:
The Whale rises as it is back in my top 10 BP nominees. Women Talking falls out. A similar scenario in Supporting Actress as The Whale‘s Hong Chau is in over Women Talking‘s Claire Foy. After victories at the Globes and Critics Choice, Angela Bassett (Black Panther: Wakanda Forever) vaults over Kerry Condon (The Banshees of Inisherin) for the #1 slot in Supporting Actress.
On the other hand, I’m putting Austin Butler (Elvis) back in first over Brendan Fraser (The Whale). This is essentially a coin flip with Colin Farrell from Banshees as a legit spoiler.
Edward Berger (All Quiet on the Western Front) returns to the directorial quintet and James Cameron (Avatar: The Way of Water) is out.
In Actress, Viola Davis (The Woman King) at last makes the cut with Margot Robbie (Babylon) dropping. That’s not the only news in this derby. I almost went with Ana de Armas (Blonde) instead of Davis. And there’s the recent development of Andrea Riseborough’s online campaign for the micro budget indie drama To Leslie. Numerous performers, including Cate Blanchett, have boarded the Riseborough bandwagon. Two weeks ago – she was on no one’s radar screen. Now the buzz is enough to put her in 8th.
You can read all the movement below and look for those FINAL predictions this weekend!
Best Picture
Predicted Nominees
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. The Banshees of Inisherin (PR: 3) (E)
4. Top Gun: Maverick (PR: 4) (E)
5. Tár (PR: 5) (E)
6. Elvis (PR: 7) (+1)
7. Avatar: The Way of Water (PR: 6) (-1)
8. All Quiet on the Western Front (PR: 10) (+2)
9. The Whale (PR: 12) (+3)
10. Triangle of Sadness (PR: 9) (-1)
Other Possibilities:
11. Babylon (PR: 11) (E)
12. RRR (PR: 13) (+1)
13. Women Talking (PR: 8) (-5)
14. Glass Onion: A Knives Out Mystery (PR: 14) (E)
15. Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
The Woman King
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Martin McDonagh, The Banshees of Inisherin (PR: 3) (E)
4. Todd Field, Tár (PR: 4) (E)
5. Edward Berger, All Quiet on the Western Front (PR: 7) (+2)
Other Possibilities:
6. James Cameron, Avatar: The Way of Water (PR: 5) (-1)
7. Joseph Kosinski, Top Gun: Maverick (PR: 10) (+3)
8. S.S. Rajamouli, RRR (PR: Not Ranked)
9. Ruben Ostlund, Triangle of Sadness (PR: 8) (-1)
10. Baz Luhrmann, Elvis (PR: 9) (-1)
Dropped Out:
Sarah Polley, Women Talking
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: 3) (E)
4. Danielle Deadwyler, Till (PR: 4) (E)
5. Viola Davis, The Woman King (PR: 6) (+1)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 7) (+1)
7. Margot Robbie, Babylon (PR: 5) (-2)
8. Andrea Riseborough, To Leslie (PR: Not Ranked)
9. Olivia Colman, Empire of Light (PR: 8) (-1)
10. Naomi Ackie, Whitney Houston: I Wanna Dance with Somebody (PR: Not Ranked)
Dropped Out:
Jennifer Lawrence, Causeway
Emma Thompson, Good Luck to You, Leo Grande
Best Actor
Predicted Nominees:
1. Austin Butler, Elvis (PR: 2) (+1)
2. Brendan Fraser, The Whale (PR: 1) (-1)
3. Colin Farrell, The Banshees of Inisherin (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Tom Cruise, Top Gun: Maverick (PR: 5) (E)
Other Possibilities:
6. Paul Mescal, Aftersun (PR: 6) (E)
7. Hugh Jackman, The Son (PR: 7) (E)
8. Adam Sandler, Hustle (PR: Not Ranked)
9. Tom Hanks, A Man Called Otto (PR: 8) (-1)
10. Jeremy Pope, The Inspection (PR: 10) (E)
Dropped Out:
Gabriel LaBelle, The Fabelmans
Best Supporting Actress
Predicted Nominees:
1. Angela Bassett, Black Panther: Wakanda Forever (PR: 4) (+3)
2. Kerry Condon, The Banshees of Inisherin (PR: 1) (-1)
3. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 2) (-1)
4. Hong Chau, The Whale (PR: 9) (+5)
5. Dolly De Leon, Triangle of Sadness (PR: 3) (-2)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 8) (+2)
7. Jessie Buckley, Women Talking (PR: 6) (-1)
8. Janelle Monáe, Glass Onion: A Knives Out Mystery (PR: 7) (-1)
9. Claire Foy, Women Talking (PR: 5) (-4)
10. Carey Mulligan, She Said (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Barry Keoghan, The Banshees of Inisherin (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Judd Hirsch, The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 8) (+2)
7. Eddie Redmayne, The Good Nurse (PR: 10) (+3)
8. Brian Tyree Henry, Causeway (PR: 6) (-2)
9. Ben Whishaw, Women Talking (PR: 7) (-2)
10. Tom Hanks, Elvis (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Aftersun (PR: 6) (E)
7. Babylon (PR: 8) (+1)
8. Decision to Leave (PR: 9) (+1)
9. The Menu (PR: 7) (-2)
10. Armageddon Time (PR: Not Ranked)
Dropped Out:
Bardo
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 3) (+1)
3. Glass Onion: A Knives Out Mystery (PR: 2) (-1)
4. She Said (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities
6. All Quiet on the Western Front (PR: 8) (+2)
7. Top Gun: Maverick (PR: 7) (E)
8. White Noise (PR: 6) (-2)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. Bones and All (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Marcel the Shell with Shoes On (PR: 2) (E)
3. Turning Red (PR: 3) (E)
4. Puss in Boots: The Last Wish (PR: 4) (E)
5. Wendell and Wild (PR: 7) (+2)
Other Possibilities:
6. The Bad Guys (PR: 6) (E)
7. My Father’s Dragon (PR: 5) (-2)
8. Strange World (PR: 8) (E)
9. Inu-Oh (PR: 9) (E)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 1) (E)
2. Decision to Leave (PR: 2) (E)
3. Close (PR: 6) (+3)
4. Argentina, 1985 (PR: 4) (E)
5. EO (PR: 7) (+2)
Other Possibilities:
6. Saint Omer (PR: 3) (-3)
7. Bardo (PR: 5) (-2)
8. The Quiet Girl (PR: 10) (+2)
9. Joyland (PR: 9) (E)
10. Holy Spider (PR: 8) (-2)
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. All That Breathes (PR: 3) (+1)
3. Fire of Love (PR: 4) (+1)
4. Navalny (PR: 2) (-2)
5. The Territory (PR: 5) (E)
Other Possibilities:
6. Descendant (PR: 6) (E)
7. Moonage Daydream (PR: 7) (E)
8. Retrograde (PR: 10) (+2)
9. Bad Axe (PR: 8) (-1)
10. Last Flight Home (PR: Not Ranked)
Dropped Out:
The Janes
Best Cinematography
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. All Quiet on the Western Front (PR: 4) (E)
5. Empire of Light (PR: 6) (+1)
Other Possibilities:
6. Babylon (PR: 5) (-1)
7. Elvis (PR: Not Ranked)
8. The Banshees of Inisherin (PR: 7) (-1)
9. The Batman (PR: Not Ranked)
10. Nope (PR: Not Ranked)
Dropped Out:
Bardo
Everything Everywhere All at Once
Tár
Best Costume Design
Predicted Nominees:
1. Elvis (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 4) (E)
5. Mrs. Harris Goes to Paris (PR: 7) (+2)
Other Possibilities:
6. The Fabelmans (PR: 5) (-1)
7. Living (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 8) (E)
9. Corsage (PR: 9) (E)
10. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
The Banshees of Inisherin
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Elvis (PR: 5) (+2)
4. Avatar: The Way of Water (PR: 4) (E)
5. The Fabelmans (PR: 3) (-2)
Other Possibilities:
6. All Quiet on the Western Front (PR: 9) (+3)
7. The Banshees of Inisherin (PR: 8) (+1)
8. Babylon (PR: 7) (-1)
9. Tár (PR: 10) (+1)
10. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
Women Talking
Best Makeup and Hairstyling
Predicted Nominees:
1. Elvis (PR: 2 (+1)
2. The Whale (PR: 1) (-1)
3. The Batman (PR: 3) (E)
4. Babylon (PR: 4) (E)
5. Black Panther: Wakanda Forever (PR: 5) (E)
Other Possibilities:
6. All Quiet on the Western Front (PR: 6) (E)
7. Amsterdam (PR: 8) (+1)
8. Blonde (PR: 9) (+1)
9. Emancipation (PR: 7) (-2)
10. Crimes of the Future (PR: 10) (E)
Best Original Score
Predicted Nomnees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Guillermo del Toro’s Pinocchio (PR: 5) (+2)
4. Women Talking (PR: 2) (-2)
5. Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. The Banshees of Inisherin (PR: 4) (-2)
7. The Woman King (PR: 8) (+1)
8. Black Panther: Wakanda Forever (PR: 10) (+2)
9. Avatar: The Way of Water (PR: 6) (-3)
10. All Quiet on the Western Front (PR: 9) (-1)
Best Original Song
Predicted Nominees:
1. “Naatu Naatu” from RRR (PR: 2) (+1)
2. “Hold My Hand” from Top Gun: Maverick (PR: 1) (-1)
3. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 3) (E)
4. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. “Applause” from Tell It Like a Woman (PR: 6) (+1)
Other Possibilities:
6. “This Is a Life” from Everything Everywhere All at Once (PR: 5) (-1)
7. “Carolina” from Where the Crawdads Sing (PR: 7) (E)
8. “New Body Rhumba” from White Noise (PR: 8) (E)
9. “Good Afternoon” from Spirited (PR: Not Ranked)
10. “Stand Up” from Till (PR: 9) (-1)
Dropped Out:
“Nothing is Lost (You Give Me Strength)” from Avatar: The Way of Water
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Black Panther: Wakanda Forever (PR: 4) (+1)
4. Avatar: The Way of Water (PR: 2) (-2)
5. All Quiet on the Western Front (PR: 8) (+3)
Other Possibilities:
6. The Fabelmans (PR: 5) (-1)
7. Everything Everywhere All at Once (PR: 6) (-1)
8. Glass Onion: A Knives Out Mystery (PR: 7) (-1)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. The Batman (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. All Quiet on the Western Front (PR: 4) (+1)
4. Elvis (PR: 3) (-1)
5. The Batman (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 6) (E)
7. Babylon (PR: 7) (E)
8. Black Panther: Wakanda Forever (PR: 8) (E)
9. Moonage Daydream (PR: 10) (+1)
10. Guillermo del Toro’s Pinocchio (PR: 9) (-1)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Batman (PR: 3) (E)
4. Doctor Strange in the Multiverse of Madness (PR: 4) (E)
5. All Quiet on the Western Front (PR: 7) (+2)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. Nope (PR: 5) (-2)
8. Thirteen Lives (PR: 8) (E)
9. Jurassic World: Dominion (PR: 9) (E)
10. Fantastic Beasts: The Secrets of Dumbledore (PR: 10) (E)
That equates to these movies garnering these numbers in terms of nominations:
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once
7 Nominations
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Top Gun: Maverick
6 Nominations
Avatar: The Way of Water
5 Nominations
Black Panther: Wakanda Forever, The Whale
4 Nominations
Babylon, Tár
3 Nominations
The Batman, Guillermo del Toro’s Pinocchio, Triangle of Sadness
2 Nominations
Living, The Woman King, Women Talking
1 Nominations
All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Close, Decision to Leave, Doctor Strange in the Multiverse of Madness, Empire of Light, EO, Fire of Love, Glass Onion: A Knives Out Mystery, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, RRR, She Said, Tell It Like a Woman, The Territory, Till, Turning Red, Wendell and Wild
The morning after The Banshees of Inisherin beat Everything Everywhere All at Once for Best Motion Picture (Musical or Comedy) at the Golden Globes, the two BP Oscar hopefuls tied for most nominations from the Screen Actors Guild voters. The Globes Drama winner The Fabelmans, meanwhile, had a more disappointing showing including one particular unexpected omission.
We are in the thick of awards season and I’m pretty pleased to report I went 25/30 on my SAG picks! Let’s walk through the six competitions with how I did and some general analysis. Final predictions for this ceremony will come closer to the February 26th airdate.
Outstanding Performance by a Cast in a Motion Picture
The Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Women Talking
How I Did: 4/5
I went with The Woman King over the sprawling cast of Babylon. I’ll admit I was feeling a bit bold picking Women Talking after a subpar season, but it managed to make the cut while none of its performers garnered individual noms.
It doesn’t turn out this way in most years at SAG, but this prize may well come down to the three movies mostly likely to take the Oscar BP: Banshees, EEAAO, and Fabelmans.
Outstanding Performance by a Female Actor in a Leading Role in a Motion Picture
The Nominees: Cate Blanchett (Tár), Viola Davis (The Woman King), Danielle Deadwyler (Till), Ana de Armas (Blonde), Michelle Yeoh (Everything Everywhere All at Once)
How I Did: 4/5
There are two headlines here in my opinion. The first is that Michelle Williams did not get in for The Fabelmans. Most prognosticators, including this one, have her sitting in 3rd for the Academy rankings.
Another is that Ana de Armas has made it for the Globes and SAG. A few weeks ago, her work as Marilyn Monroe in Blonde had fallen out of my top 10 possibilities. Now she is a serious threat for the Oscar quintet. I had Williams over de Armas projected.
As for the winner – this should come down to Blanchett v. Yeoh (both freshly minted Globe recipients).
Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture
The Nominees: Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Bill Nighy (Living), Adam Sandler (Hustle)
How I Did: 4/5
SAG news other the nominees themselves was made today when it was announced that Netflix will livestream the show starting next year. It was also an unexpectedly solid morning for the streamer. In this race, the surprise inclusion was Adam Sandler for Hustle (which premiered on the subscription service). I had Tom Cruise (Top Gun: Maverick) forecasted instead.
It’s worth noting that Cruise has now missed Globe and SAG. For the former, it was easy to explain considering he had a highly publicized break with the Hollywood Foreign Press Association. No such explanation is found with SAG. His chances for Oscar are shaky.
The dynamics of this derby are intact. Butler, Farrell, Fraser, and Nighy appear to be safe bets for Academy attention. The fifth spot is wide open and Sandler got some exposure this morning. As for a winner at SAG, it’s a three-person fight between Butler, Farrell, and Fraser.
Outstanding Performance by a Female Actor in a Supporting Role in a Motion Picture
The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
How I Did: 4/5
Bassett, Condon, and Curtis are the trio who’ve landed in all major precursors thus far. Jamie Lee’s costar Hsu makes it in over my pick of Jessie Buckley (Women Talking).
The Golden Globes honored Bassett last night and she could absolutely snag this trophy. However, I’m less convinced she sweeps than the chances of a sweep in Supporting Actor (more on that below). Let’s see if Condon or Curtis, especially, make it interesting.
A quick Women Talking comment. Even though Buckley or Claire Foy (who’s received nothing so far) are mostly or totally MIA, I still could see the Academy putting one of them up. We saw that they can throw a curveball in this race (Judi Dench in Belfast last year).
Outstanding Performance by a Male Actor in a Supporting Role in a Motion Picture
The Nominees: Paul Dano (The Fabelmans), Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)
How I Did: 5/5 (!)
After viewing Quan’s heartfelt remarks at Globes, it seems like a sweep is in the cards. My one perfect category means Redmayne has landed Globe and SAG love. The Academy could still leave him out and same goes for Dano. We’ll see if alternates like Judd Hirsch (The Fabelmans), Brian Tyree Henry (Causeway), or Globe nominee Brad Pitt (Babylon) can sneak in.
Outstanding Performance by a Stunt Ensemble in a Motion Picture
The Nominees: Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick, The Woman King
How I Did: 4/5
Avatar got in over my call of Everything Everywhere All at Once (YOU try being a stuntman waving those hot dog fingers!). The original Black Panther won in 2018 so perhaps the sequel will follow suit. Another sequel (Maverick) may prevent that.
That works out to the following number of SAG mentions for these pics:
5 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once
2 Nominations
Black Panther: Wakanda Forever, The Fabelmans, The Whale, The Woman King
1 Nomination
Avatar: The Way of Water, Babylon, The Batman, Blonde, Elvis, The Good Nurse, Hustle, Living, Tár, Till, Top Gun: Maverick
My detailed look at six of the top Oscar categories – Picture, Director, and the four acting derbies – arrives at Best Actor. If you missed the posts covering the supporting races, you can find them here:
At this late October/early November stage of forecasting in the previous three years, my picks in the lead acting competitions have been more accurate than the supporting ones.
In 2019 at this juncture, I managed to correctly identify four of the five eventual nominees: winner Joaquin Phoenix (Joker), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), and Jonathan Pryce (The Two Popes). The fifth was Antonio Banderas in Pain and Glory and he was listed in Other Possibilities.
Three of five was the story in 2020 and 2021. Two years ago, I had The Father‘s Anthony Hopkins (who won), Chadwick Boseman in Ma Rainey’s Black Bottom, and Gary Oldman (Mank) pegged with Riz Ahmed (Sound of Metal) and Steven Yeun (Minari) as possibles.
You may remember that Will Smith took gold last year for King Richard. I had him correctly called with two months remaining on the calendar. Same with Benedict Cumberbatch in The Power of the Dog and Denzel Washington for The Tragedy of Macbeth. Andrew Garfield (Tick, Tick… Boom!) was mentioned in Other Possibilities. Javier Bardem (Being the Ricardos) had yet to enter my top ten.
Had a certain slap heard around the world not occurred, it’s totally possible that Will Smith (Emancipation) might be listed in my top 5. However, with his current ban from attending the ceremony, I question whether he could make a return to the ballot so quickly after the controversy. Therefore he’s not in my top 10. We’ll see if the reviews (coming soon) change the dynamic.
We do have a frontrunner and that’s Brendan Fraser in The Whale. Since its Venice and Toronto fest bows, he’s drawn raves. This is also a comeback narrative that the Academy should fall for. I’ve had Fraser listed in 1st for several weeks and I see no reason to change that.
There are two viable runners-up in Colin Farrell (The Banshees of Inisherin) and Austin Butler (Elvis). I’ve been switching them in 2nd and 3rd place over the past few posts. Farrell is 2nd because I think Banshees stands a better shot at a BP nod. You have to go back to 2009 and Jeff Bridges (Crazy Heart) where the Best Actor recipient’s movie didn’t achieve BP inclusion. If Elvis makes the big dance – an argument could be made that Butler is Fraser’s most serious competition to shake the race up.
After those three names, it could be a free for all for the final two slots. The only other performer I had listed in 1st place other than Fraser was Hugh Jackman for The Son. This was before it premiered at the festivals and garnered middling reviews. Now the question is whether Jackman gets in at all.
Someone who has fared well on the fest circuit is Bill Nighy for Living. Sony Pictures will need to mount a spirited campaign, but they’re good at that kinda thing. I’m starting to feel better about Nighy than Jackman.
Diego Calva is the biggest remaining question mark for Babylon. Screenings coming up in two weeks should help answer his viability. There’s a pair of indie performances that could bubble up if critics groups assist – Paul Mescal for Aftersun and Jeremy Pope in The Inspection. One possible hindrance for both of them is their movies are both A24 and that studio could be distracted with crowning Fraser. We could see foreign film leads Song Kang-ho (Broker) and Park Hae-il (Decision to Leave) make a play.
Netflix is apparently going in on a spirited campaign for Adam Sandler in Hustle. I have a hard time seeing that pan out (especially since he couldn’t get in for Uncut Gems). The streamer could also focus on Christian Bale (The Pale Blue Eye) or Adam Driver (White Noise). Bale also has Amsterdam, but it failed with critics and audiences.
Finally… there’s Tom Cruise. A three-time nominee, it’s been 23 years since he was in the mix. And a little pic called Top Gun: Maverick was easily the largest blockbuster of his career and the runaway hit of 2022. I’m not ready to put him in my five. I wouldn’t be shocked if he ends up there.
Here’s my current state of this race:
1 . Brendan Fraser, The Whale (Previous Ranking: 1) (Even)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
Marlon Wayans is a frequent presence in comedic horror mashups and they’ve been of the R rated variety with Scary Movie and its first sequel and A Haunted House and its follow-up. On the Netflix circuit, The Curse of Bridge Hollow ditches the scatological humor for a family friendly concoction about a Halloween obsessed town where the decorations come to life. It’s not hard to envision Adam Sandler or Eddie Murphy in the Dad role that Wayans fills. In fact, Sandler mined similar territory recently with Hubie Halloween. This one isn’t exactly a treat, but I found it more tolerable than that one.
Howard Gordon (Wayans) is a science teacher transported from Brooklyn to Bridge Hollow, a small New England town that looks quaint but is far from it. The residents wear their Patriots jerseys loudly and talk even more thunderously about the town’s spooky history. It involves the tale of Stingy Jack, whose mythology gave us the Jack-o’-lantern. You don’t want to wake him and that’s precisely what Howard’s teenage daughter Sydney does when they settle into their haunted house. She’s played by Priah Ferguson, a consistent bright spot on Netflix’s Stranger Things. The father/daughter relationship is a cliched one with Howard as the overbearing holiday skeptic who just needs to listen more. Mom (Kelly Rowland) really gets the short shrift. Her defining character trait is that she bakes inedible vegan desserts. The screenplay could’ve done better than “the wife can’t cook” material for the former Destiny’s Child and Freddy vs. Jason star.
Priah and Dad must get over their differences as they battle a slew of creatures of the crawly and skeletal variety. The special effects aren’t half bad. Hollow is aimed squarely at delighting kids and placating the adult supervision. It’s an easy and breezy watch and Wayans seems committed to the part. That’s more than I could say for Murphy, who appeared downright bored in The Haunted Mansion. Ferguson, on the other hand, doesn’t quite get to display the personality that’s so winning on her smash hit role as Erica Sinclair. A few chuckles come from a supporting cast including Rob Riggle, John Michael Higgins, and Lauren Lapkus as Bridge Hollow’s very New England accented Mayor.
Jeff Wadlow, whose traditional scary movies Truth or Dare and Fantasy Island were subpar, directs. Bridge Hollow is better than either of them. I realize all of my compliments likely sound hollow. That’s not inaccurate, but youngsters could do worse than dialing this up and the more seasoned viewer shouldn’t curse themselves for having to watch it.
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