Oscar Predictions: Creed III

Creed III enters the theatrical ring on March 3rd and some early reviews indicate it’s an improvement over its predecessor. Michael B. Jordan, returning in the title role, makes his directorial debut in the threequel that costars Tessa Thompson, Jonathan Majors, Wood Harris, Florian Munteanu, and Phylicia Rashad. One notable name not seen is Sylvester Stallone as the ninth feature in this cinematic universe is the first not to include Rocky.

In 1976, Rocky landed 10 Oscar nominations and won 3 including Picture and Director. In 1982, Rocky III nabbed an Original Song nod with “Eye of the Tiger” by Survivor. When Jordan’s character entered the mix in 2015, Stallone’s seventh appearance as Mr. Balboa was up for Supporting Actor (where he surprisingly lost to Mark Rylance from Bridge of Spies). Creed II (2018) received no nominations.

II also has a lower Rotten Tomatoes rating than part III. While the original Creed had 95%, the sequel was 83%. Based on nearly 60 reviews thus far, III is at 89%. Yet unlike the third franchise entry for Rocky, this doesn’t have an inspiring theme song about the optical determination of large striped cats. In other words, I’m not really sure where Creed III would enter the awards conversation despite the solid reactions. My Oscar Prediction posts will continue…

34th PGA Awards Winner Predictions

Ahead of Sunday evening’s Screen Actors Guild (SAG) Awards, it’s the producers turn on Saturday night. The 34th PGA Awards winner for their best in show has matched the Oscar Picture victor 70% of the time in the previous decade. The times they diverged were 2015 with PGA naming The Big Short instead of Spotlight, 2016 with La La Land over Moonlight, and 2019 when 1917 took the producer prize as opposed to Parasite. PGA also has animated and documentary competitions. I’m walking through them one by one with a winner and runner-up projection.

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Nominees:

Avatar: The Way of Water

The Banshees of Inisherin

Black Panther: Wakanda Forever

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Tár

Top Gun: Maverick

The Whale

There’s a 7 for 10 correlation with the PGA contenders and the BP hopefuls from the Academy. The former has Black Panther, Glass Onion, and The Whale up while the Oscars went with All Quiet on the Western Front, Triangle of Sadness, and Women Talking. The PGA is known for favoring blockbusters over some smaller pics from time to time. Previous examples that didn’t make the Academy’s cut include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, and Crazy Rich Asians.

This helps explain why some prognosticators are favoring Maverick to take PGA’s highest award. Another explanation is that pundits are attempting to make the race more exciting than it actually is. I do believe Everything Everywhere All at Once is still most likely to emerge. Maverick does warrant runner-up status.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: Top Gun: Maverick

Outstanding Producer of Animated Theatrical Motion Pictures

Nominees:

Guillermo del Toro’s Pinocchio

Marcel the Shell with Shoes On

Minions: The Rise of Gru

Puss in Boots: The Last Wish

Turning Red

Guillermo del Toro’s Netflix rendering of the classic tale has cleaned up with precursors and there’s no reason to believe it won’t with PGA.

Predicted Winner: Guillermo del Toro’s Pinocchio

Runner-Up: Puss in Boots: The Last Wish

Outstanding Producer of Documentary Theatrical Motion Pictures

Nominees:

All That Breathes

Descendant

Fire of Love

Navalny

Nothing Compares

Retrograde

The Territory

I wrongly picked Fire of Love to win the BAFTA instead of Navalny. Have I learned my lesson? Nope! I’m doubling down and saying a Fire PGA victory will make the Oscar quintet more competitive.

Predicted Winner: Fire of Love

Runner-Up: Navalny

I’ll have a recap up Saturday evening or Sunday ahead of the SAG show. If you missed my SAG predictions, they can be accessed here:

29th SAG Awards Winner Predictions

The 29th Screen Actors Guild Awards air this Sunday evening and they are often a reliable preview of what direction the Academy will go. In their races for Actress, Actor, and Supporting Actor – there has been an 8/10 correlation over the past decade for SAG/Oscar matches. With Supporting Actress – it is 9/10.

Let’s walk through each of the six categories with my predicted winner and a runner-up, shall we?

Outstanding Performance by a Cast in a Motion Picture

Nominees:

Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Women Talking

Since the SAGs began in 1995, only one winner (1996’s The Birdcage) wasn’t at least nominated for Best Picture at the Oscars. That rules out Babylon. I think (like some earlier precursors) this comes down to Everything v Banshees. I’m majorly tempted to say Banshees as the voters could see it as a way to honor the four thespians nominated in the individual races below. However, I’m giving a very slight edge to SAG doing the same for Michelle Yeoh, Jamie Lee Curtis, and others for Everything.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: The Banshees of Inisherin

Outstanding Performance by a Female Actor in a Leading Role

Nominees:

Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Danielle Deadwyler (Till), Michelle Yeoh (Everything Everywhere All at Once)

SAG could bestow Yeoh with the trophy, but Blanchett’s work may simply be undeniable at this juncture. If Banshees ends up taking Ensemble, I do think it increases Yeoh’s chances here.

Predicted Winner: Cate Blanchett, Tár

Runner-Up: Michelle Yeoh, Everything Everywhere All at Once

Outstanding Performance by a Male Actor in a Leading Role

Nominees:

Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Bill Nighy (Living), Adam Sandler (Hustle)

I feel like Farrell really needed that BAFTA last weekend and he didn’t emerge victorious. So it’s a two-person race between Butler and Fraser. And I’m struggling with this one. I could easily envision fellow actors crowning Fraser’s dramatic comeback that includes a Critics Choice award. Yet Butler has seen an impressive run that includes the Golden Globe and BAFTA. This is a coin flip, but I’ll say Butler has a little more momentum.

Predicted Winner: Austin Butler, Elvis

Runner-Up: Brendan Fraser, The Whale

Outstanding Performance by a Female Actor in a Supporting Role

Nominees:

Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)

A quintet that matches the Oscar five, Condon disrupted the possibility of Bassett sweeping when she took the BAFTA. They’re the two likeliest winners. I will say Curtis scoring an upset is feasible. I think the smart money is on Bassett with Condon as the runner-up.

Predicted Winner: Angela Bassett, Black Panther: Wakanda Forever

Runner-Up: Kerry Condon, The Banshees of Inisherin

Outstanding Performance by a Male Actor in a Supporting Role

Nominees:

Paul Dano (The Fabelmans), Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)

BAFTA again had a trick up their sleeve when Keoghan surprised over Quan. I think SAG will follow the lead of the Globes and Critics Choice and bring the latter back to the stage.

Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once

Runner-Up: Barry Keoghan, The Banshees of Inisherin

Outstanding by a Stunt Ensemble in a Motion Picture

Nominees:

Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick, The Woman King

The only pic that I don’t think has a shot is Avatar because the original in 2009 didn’t even land a nom. 2018’s Black Panther won so Wakanda is certainly viable. Those pilots from Maverick did same amazing stuff though. They’re my pick.

Predicted Winner: Top Gun: Maverick

Runner-Up: Black Panther: Wakanda Forever

And there you have it! I’ll have a recap up Sunday evening with my thoughts on what happened compared to my predictions.

Oscar Predictions: Golda

Well ahead of its scheduled late August debut stateside, Golda was unveiled this week at the Berlin Film Festival. From Guy Nativ (whose 2018 short film Skin won the Academy Award in that category), the biopic casts four-time nominee and one time winner Helen Mirren as Israeli Prime Minister Golda Meir. Costars include Camille Cottin, Ed Stoppard, and Liev Schreiber.

Mirren is, of course, no stranger to playing leaders of nations. For her work as Queen Elizabeth II in 2006’s The Queen, she was crowned Best Actress. The other nods are for Supporting Actress in 1995’s The Madness of King George and 2001’s Gosford Park and in lead for 2009’s The Last Station.

The handful of Golda reviews thus far are mixed and it holds just a 40% Rotten Tomatoes rating. That said, praise for Mirren is present. It is entirely possible that this is ignored altogether a few months down the road by awards voters.

Another potential path is one taken by 2021’s The Eyes of Tammy Faye. Despite its middling critical reaction, Chastain landed an Oscar nod and win. It also picked up a Makeup and Hairstyling victory. Golda is being heralded for its makeup work to make Mirren resemble the PM. Unlike Tammy, I don’t think this has a shot of winning either category. Nominations aren’t out of the question. My Oscar Prediction posts will continue…

Oscars: The Case of Ruben Östlund for Triangle of Sadness

Swedish satirist Ruben Östlund’s direction of Triangle of Sadness is next up in my Case Of posts for the directors vying for the Oscar.

The Case for Ruben Östlund:

After garnering acclaim for Force Majeure (2014) and 2017’s The Square (which nabbed a foreign language feature nod), his English-language debut cornered three noms in Picture, Director, and Original Screenplay. It generated buzz early when it took the Palme d’or at Cannes. The admiration for the film led to his surprise inclusion in the filmmaking quintet.

The Case Against Ruben Östlund:

In Best Director, there is usually a surprise nominee. That’s Östlund this time. The downside is that the surprise nominee doesn’t win. He wasn’t up in any of the key precursors like DGA, Golden Globes, or Critics Choice Awards.

Other Nominations:

None for direction

Foreign Language Film (The Square; 2017); Original Screenplay (Triangle of Sadness; 2022)

The Verdict:

Of the five hopefuls in the race, Östlund stands the fifth best (so… worst) chance at nabbing the statue.

My Case Of posts will continue with Michelle Williams in The Fabelmans!

The other entries for the Best Director contenders can be accessed here:

BAFTA & DGA Reaction

The past 24 hours have likely been impactful when it comes to figuring the puzzle that is Oscar prognosticating. The BAFTAs and the DGAs announced their winners. The latter went as expected. The Brits, on the other hand, showed they are still capable of surprises.

Across that pond, Edward Berger’s All Quiet on the Western Front made a lot of noise. The German WWI epic won 7 out of its 14 nominations. This includes Best Film and Director. I predicted those categories would go to The Banshees of Inisherin and the Daniels (Everything Everywhere All at Once). Side note – I went 13 for 22 overall on the BAFTA picks. Quiet also took Adapted Screenplay over my favored Living. The other four were Film Not in the English Language, Cinematography, Original Score, and Sound. I called 3 of those 4, but had Babylon listed in Score instead. Ironically I picked Quiet to take Production Design. That went to Babylon.

While this is a great BAFTA performance for Quiet, I don’t believe it dramatically changes its dynamic at the Oscars. I still don’t view it as a threat to emerge victorious in Best Picture. It’s important to remember that just 3 out of the past 10 BAFTA winners ended up nabbing the biggest race at the Academy Awards. Nomadland (from 2020) is the only match of the previous 8 ceremonies. And, of course, Berger isn’t even nominated in Director for the Oscars.

In the lead acting derbies, I correctly called the victors with Cate Blanchett (Tár) and Austin Butler (Elvis). This solidifies each as the frontrunners and it especially hurts Colin Farrell for Banshees. I would say he needed this to have any real shot at Best Actor on March 12th (unless he somehow manages an upset at SAG next weekend).

Banshees made up for the Best Film and Actor losses in the supporting fields. Kerry Condon is Supporting Actress which I projected. She has emerged as the alternative to Oscar favorite Angela Bassett in Black Panther: Wakanda Forever. One of the massive upsets is Barry Keoghan winning Supporting Actor over the heavily favored Ke Huy Quan for Everything Everywhere All at Once (who was sweeping until today). I still believe Quan is looking good for Oscar.

Further races I got right: Banshees in Original Screenplay; Guillermo del Toro’s Pinocchio as Animated Film (continuing its sweep); Elvis in Costume Design; Everything Everywhere for Editing; Avatar: The Way of Water‘s Visual Effects; Banshees for Outstanding British Film; and Aftersun for Outstanding Debut by a British Writer, Director, or Producer.

Where I went wrong: Navalny is Best Documentary over Fire of Love and Elvis took Casting instead of Everything Everywhere and won Make-Up & Hair over The Whale. That means Banshees and Elvis each earned 4 statues. Nothing else won more than one.

As I relayed in my DGA prediction, the directorial recipient there has matched the Oscar winning director 19 of 22 times in the 21st century. The Daniels were honorees for Everything Everywhere. Even though Everything won only Editing at BAFTA, I still think it’s the frontrunner for BP at the Oscars (as are the Daniels).

Bottom line: Quiet was loud at BAFTA. Yet the most significant storyline with Academy impact could be Butler and Blanchett firming up their standings.

Oscars: The Case of Judd Hirsch in The Fabelmans

For his brief but memorable appearance as an eccentric granduncle in Steven Spielberg’s The Fabelmans, Judd Hirsch is next up in my Case Of posts for the Supporting Actor nominees.

The Case for Judd Hirsch:

From TV shows Taxi and Dear John to movies including Ordinary People and Independence Day, Hirsch has been a fixture on screens small and large for decades. His inclusion here comes 42 years after a nod in the same category for Ordinary People and that stands as the longest gap between recognitions in Oscar history. Besides that cool storyline, he scored a Critics Choice mention and managed to get in over his more favored costar Paul Dano.

The Case Against Judd Hirsch:

Hirsch was omitted at the Golden Globes, SAG, and BAFTA for individual honors. He’s only in the film for about 10 minutes and that’s brought some gripes about whether he should be in the quintet at all. Most importantly, Ke Huy Quan (Everything Everywhere All at Once) is probably the sturdiest frontrunner in any of the acting competitions.

Previous Nominations:

Supporting Actor (Ordinary People; 1980)

The Verdict:

Hirsch was a real question mark to make the cut. There’s not much mystery about his chances to win as they’re basically non-existent.

My Case Of posts will continue with Ruben Östlund’s direction for Triangle of Sadness!

For my other posts covering the Supporting Actor contenders, click here:

Oscars: The Case of Kerry Condon in The Banshees of Inisherin

As Colin Farrell’s kindly sibling in Martin McDonagh’s The Banshees of Inisherin, Kerry Condon is the next Supporting Actress hopeful for consideration in my Case Of posts.

The Case for Kerry Condon:

The stage and screen thespian stole some scenes in the main quartet of Banshees performers who were all nominated. Condon has landed precursor nods in all major ceremonies and picked up a few critics groups prizes.

The Case Against Kerry Condon:

Due to Angela Bassett’s performance in Black Panther: Wakanda Forever, Condon was not victorious at the Golden Globes or Critics Choice Awards. That leaves her, at best, in runner-up status.

Previous Nominations:

None

The Verdict:

I do believe Condon is second at the moment and she could manage to upset frontrunner Bassett. A BAFTA win tomorrow or SAG next weekend could make her more viable. If Bassett continues to run the table, the gold might be out of reach.

My Case Of posts will continue with Judd Hirsch in The Fabelmans!

Write-ups for the other Supporting Actress contenders can be accessed here:

Oscar Predictions: Marlowe

Liam Neeson has a reprieve from interchangeable action flicks this weekend with Marlowe. The neo-noir crime pic reunites the lead (playing the title character detective created by Raymond Chandler) with his Michael Collins director Neil Jordan (Oscar winner for his screenplay for The Crying Game 30 years ago). William Monahan, himself an Academy recipient for his The Departed script, handles writing duties. The supporting cast includes Diane Kruger, Jessica Lange, Adewale Akinnuoye-Agbaje, Alan Cumming, Danny Huston, and Colm Meaney.

Despite the pedigree, Marlowe isn’t turning up many positive reviews. The Rotten Tomatoes score is an underwhelming 24% and early box office returns are meager. Set in 1939 L.A., it was feasible that categories such as Production Design or Costume Design would be in the mix. However, based on initial reactions, this should be long forgotten come nominations time. My Oscar Predictions posts will continue…

Oscars: The Case of Brendan Fraser in The Whale

As a morbidly obese English teacher attempting to reconnect with his daughter, Brendan Fraser’s performance in The Whale is next up in my Case Of posts.

The Case for Brendan Fraser:

After a three decade career with films as varied as Encino Man, George of the Jungle, Gods and Monsters, The Mummy, and Crash, Darren Aronofsky’s latest gave Fraser an acclaimed comeback narrative. Since the premiere in Venice, he’s been at the forefront of Best Actor chatter. This resulted in pending noms at SAG and BAFTA and a victory at the Critics Choice Awards.

The Case Against Brendan Fraser:

Reaction to the film itself has been as varied as the lead’s filmography. It missed a Best Picture and Adapted Screenplay nomination. The last Best Actor winner whose movie missed the BP cut is Jeff Bridges from Crazy Heart in 2009. Austin Butler (Elvis) and Colin Farrell (The Banshees of Inisherin), who each took the respective lead Actor competitions at the Golden Globes, don’t have that problem.

Previous Nominations:

None

The Verdict:

The narrative of a Fraser podium trip might be too enticing for voters to pass up. However, The Whale‘s divisive reaction throws real doubt as to whether he goes all the way.

My Case Of posts will continue with Kerry Condon in The Banshees of Inisherin!

If you missed the previous posts for the Actor hopefuls, you can peruse them here: